Better Than American Idol: “Rolling in the Deep” Edition

This week on American Idol, Haley Reinhart sang Adele’s “Rolling in the Deep.” She did a good job, and it may have been the best song choice of the night. Her performance helped her avoid being the second person in three weeks to go home after singing a song with the word “deep” in the title.

Adele’s version of “Rolling in the Deep” is hard to beat, as her voice perfectly balances the song’s heartbreak pain (“The scars of your love, they leave me breathless”) and kiss-off anger (“Think of me in the depths of your despair”). But there are some excellent covers of the song. John Legend does a great acappella cover of the song. While looking for a video of Legend singing the song, I ran across an abbreviated cover of John Legend’s version by a new rising artist named Jason Ray. [April 2014 Update: Unfortunately, Ray no longer has the “Rolling in the Deep” video on YouTube, but you should check out some of his other songs at his website, linked below.]

Jason Ray, whose real name is Jason Raymond Garrett, is a classically trained pianist and singer-songwriter from Houston with influences ranging from Prince to Led Zeppelin. He started off with a successful YouTube page, and his website states that his first album will be released soon. The website appears relatively new, so it seems like he is just starting out. Check him out, as you likely will hear more of him soon.

Jason Ray

For those looking for the American Idol version of the song, here is the link to Haley Reinhart’s version. There is not an official video of John Legend’s acappella cover, but you may hear his excellent version here. Finally here is a link to Adele’s official video of “Rolling in the Deep” and a live version from a performance on Ellen.

What do you think of the various versions of “Rolling in the Deep”? Leave a comment.

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    American Idol & the Curse of “River Deep, Mountain High”

    Ike and Tina Turner, River Deep Mountain HighLast week’s American Idol shocked viewers when Pia Toscano went home in ninth place. There are various theories about why the audience did not vote for the excellent singer, who reportedly will come out okay with a new record contract anyway. Perhaps voters felt confident that Toscano would advance and so did not vote for her. Some have argued that this season’s judges — without Simon Cowell — are praising everyone to the same degree, so the judges do not help viewers distinguish the wheat from the chaff. There is another possibility: Maybe Toscano lost because of her divisive song, “River Deep, Mountain High.”

    “River Deep, Mountain High,” originally by Ike and Tina Turner with a Phil Spector production, is both loved and hated. Some see it as one of Phil Spector’s last great songs, while others see it as overblown crap. Rolling Stone magazine recently listed it as number 33 on the “500 Greatest Songs of All-Time,” as ranked by people in the music industry and updated last year. But in The Heart of Rock & Soul (1989), critic Dave Marsh did not even list the song among the top 1001 singles every made. He explained that the song is not on his list “because it sounds to me like a muddle, an album’s worth of sounds jammed onto one side of a 45, with a little girl lyric that completely contradicts Tina Turner’s true persona as the Queen of R&B Sleaze.” (p. 545.)

    When “River Deep, Mountain High” was released in 1966, critics gave it mixed reviews. The song went to number 5 in the U.K., but on the other side of the pond, it flopped and only went to number 88 in the United States. As one critic later reasoned, “The general consensus in America was that the record was too black for white radio stations to play, and too white for the black stations to play.”

    Even the recording of the song was divisive. Tina Turner noted that working on the song was like “carving furniture.” One of the songwriters threw the finished acetate across the room in disgust. In her autobiography, singer Darlene Love described the sessions as “a miserable experience,” adding that only Phil Spector was happy with the results. The now-incarcerated Phil Spector later explained that “River Deep, Mountain High” “was like my farewell. I was just saying goodbye, and just wanted to go crazy, you know, for a few minutes—four minutes on wax, that’s all it was. I loved it, and enjoyed making it, but I didn’t think there was anything for the public.” After the disappointing public reaction to the song, Spector went into early retirement and into his decline with personal demons.

    So maybe when Pia Toscano sang the song on American Idol, the haunted song was too much for the public. Or maybe some viewers did not like her singing a song unfortunately associated with men like Phil Spector and Ike Turner. I do not know if the song choice had anything to do with the American Idol elimination. I just know I am in the camp that loves the music. Every time I hear it, it gets stronger in every way.

    Bonus “River Deep, Mountain High” Versions: Although Ike Turner is listed with his wife on the original recording, Darlene Love later recounted that he had nothing to do with the sessions for the song. Tina Turner later recorded another version of “River Deep, Mountain High.” In addition to the American Idol Pia Toscano version, there is a recent Glee television show version. Both do a good job, and it is great to see the song still appearing in mainstream performances, but neither rivals the original Tina Turner version. As far as I can tell, the song only appeared on American Idol once before. Amanda Avila sang it when she was in the top 16 during Season 4 (2005). The judges did not love her performance. And, like Pia Toscano, she was eliminated after her performance of the cursed song.

    [May 2012 Update: During the 2012 season, Hollie Cavanaugh sang “River Deep, Mountain High” when she was among the five finalists. Perhaps she broke the curse, as Skylar Laine, not Hollie, was sent home after that show. Hollie was in next-to-last place.]

    What do you think of “River Deep, Mountain High”? Was Pia Toscano’s elimination the most surprising ever on American Idol? Leave a comment.

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    Who is Ryan Adams?

    Ryan Adams HeartbreakerThis week on American Idol, Chimesfreedom was impressed that a contestant covered a Ryan Adams song, “Come Pick Me Up.” The contestant, Paul McDonald, however recognized that some of America may not know the artist so he clarified that it was “Ryan” Adams and not “Bryan” Adams, so they should not expect “Summer of ’69.” His clarification did not help one of the judges, as Jennifer Lopez mentioned she had never heard of Ryan Adams.

    McDonald has an interesting voice and style, and he has potential to do well on the show. He seems to have a decent taste in music, including his choice to cover Ryan Adams, and I hope that his choice to wear a Nudie Suit on one show indicates we may have a Gram Parsons cover in the future. But his cheery performance of “Come Pick Me Up” sort of sucked out the anger from the original version of the kiss-off song, even accepting that some of the words had to be edited out for the show (with “screw all my friends” becoming “use all my friends”). If you have never heard the excellent original version of “Come Pick Me Up” by Ryan Adams, check it out.

    Ryan Adams started out performing with the alt-country band Whiskeytown, which released three outstanding albums between 1995 and 2001. After leaving the band, he has had a successful career, beginning with one of my favorite albums, Heartbreaker, which features “Come Pick Me Up.” He has several excellent albums, and his music style ranges across a wide spectrum. His forthcoming album, the limited-edition EP Class Mythology, will be released April 16. Chimesfreedom likely will revisit some of his other songs in the future, but for now enjoy his version of “Come Pick Me Up.”

    If you are curious, here is this week’s American Idol version of “Come Pick Me Up.”

    McDonald’s version of a Ryan Adams song was not the first time someone on American Idol sang a Ryan Adams song. At that time, they credited the song, “When the Stars Go Blue,” to Tim McGraw, who had recorded a cover of that song.

    What did you think of the cover of the Ryan Adams song? Leave a comment.

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    Life Lessons – From a Pulitzer-Prize Winner, a Country Star, and an American Idol

    Calendar January 2011 for Tim McGraw Live Like You Were Dying Chimesfreedom wishes you a happy and healthy new year with this post about a Pulitzer-Prize winning book interpreted indirectly through song, leaving you with a question to ask yourself every day throughout the new year.

    Although Tim McGraw is not one of my favorite singers, there are times when popular artists record a song that is undeniably clever and catchy.  Popular songs are popular for a reason.  And I cannot help liking his song, “Live Like You Were Dying,” and the way it also relates to one of my favorite books.

    “Live Like You Were Dying” exceeds anything else McGraw has recorded.  Part of the reason may be the somewhat unusual message in the song.  Although traditional country music has a history of delving into deep adult themes, often modern country music ends up as superficial as most pop music.  “Live Like You Were Dying,” though, summarizes one of the lessons from Ernest Becker‘s Pulitzer-prize winning book, Denial of Death.

    Ernest Becker & Our Mortality

    Ernest Becker's The Denial of Death Becker’s book touches on several themes, but a principal theme may be summarized (in a somewhat oversimplified way for a short blog post):  (1) human beings are intelligent; (2) because we are intelligent, we are faced with the knowledge that we are rotting pieces of animal flesh that will someday die; (3) this knowledge of our mortality is overwhelming, so we push the knowledge to our subconscious; (4) to help us deal with our knowledge of mortality, we latch onto various cultural devices that help us suppress our fear of death — such as activities that subconsciously make us feel immortal, like rooting for sports teams, shopping, exuberant patriotism, writing a blog, raising children, etc.

    There are both upsides and downsides to our subconscious quest for immortality.  It may drive us to do things that benefit others, but it also may make us subconsciously hostile to others who have belief systems different from us.  If you believe something different than I do, you threaten the subconscious protections I have created as a shield against my mortality.  In the last few decades, “Terror Management Theory” psychologists have done significant research regarding how these theories affect our real world interactions.

    Ernest Becker’s books, in particular Denial of Death and Escape from Evil, explain the theories in more detail.  But his work is based on philosophers, psychologists, scientists, etc. going back more than a century.

    What does all this have to do with a pop song by a country superstar?  Although there is an aspect of Becker’s work that initially sounds depressing, there is an uplifting side, and that is portrayed rather well in the song.  One of Becker’s points is that if you are consciously aware of reality — including one’s mortality and the ways we may try to suppress it — then it may help you embrace life and more accurately assess value to the things in our life.

    Live Like You Were Dying

    “Live Like You Were Dying” begins with a friend in his early 40’s telling the narrator about getting bad news from the doctor relating to his x-rays (otherwise the song is vague about the exact nature of the disease).  The narrator “asked him when it sank in,/That this might really be the real end?/ How’s it hit you when you get that kind of news? /Man whatcha do?”

    The friend, instead of responding about being angry or depressed, tells the narrator in the chorus of the song:

    An’ he said: “I went sky diving, I went rocky mountain climbing,
    “I went two point seven seconds on a bull named Fu Man Chu.
    “And I loved deeper and I spoke sweeter,
    “And I gave forgiveness I’d been denying.”
    An’ he said: “Some day, I hope you get the chance,
    “To live like you were dyin’.”

    The friend then explains how he became a better husband, a better friend, and a better son.  The chorus repeats with the friend restating the wish about hoping that the narrator gets the chance “To live like you were dyin’,” explaining in the bridge, as the music builds:

    Like tomorrow was a gift,
    And you got eternity,
    To think about what you’d do with it.
    An’ what did you do with it?
    An’ what can I do with it?
    An’ what would I do with it?

    Although the song was written by songwriter Tim Nichols and not by Tim McGraw, the video reflects McGraw’s connection to the song.  In the final chorus, starting at around the 3:00 mark, you see a Phillies pitcher throwing a strikeout to Willie Wilson of the Royals to win the 1980 World Series.  The image is not there because McGraw is a Phillies fan or because he hates the Royals; that’s his dad Tug McGraw on the mound.

    Tug fathered Tim as the result of an affair and they did not have a relationship until Tim was a teenager.  But the two became close later in life.  Tug McGraw passed away from a brain tumor in early 2004, and Tim McGraw recorded “Live Like You Were Dying” later in the year in memory of his father.

    In the song, because the friend is talking to the narrator, the singer is singing the questions to us.  So, you are asked, if you knew that each day was precious and you were dying, what would you do?  The question is relevant to all of us.

    As Ernest Becker explained, we each only have a limited number of days to live.  More than 56 billion people in the world died between Jan 1, 2010 and Jan. 1, 2011, with most enjoying last New Year’s Day not knowing it was their last. Many of us will not be here a year from today.

    Our time here is short, and each day we are closer to death, giving us the opportunity to live like we are dying — instead of just dying. This new year, each month, and each day, including today, is a gift.

    What can you do with it?

    What are you going to do with it?

    Live Like We’re Dying

    Bonus American Idol Copy of Idea and Song Title: In 2009, American Idol winner Kris Allen recorded a song with a very similar title and similar theme to Tim McGraw’s song.  Allen’s song, entitled “Live Like We’re Dying,” repeats the theme of McGraw’s “Live Like You’re Dying” with a riff that may be more catchy to those turned off by men wearing cowboy hats when they sing.

    We only got 86 400 seconds in a day to
    Turn it all around or to throw it all away
    We gotta tell ’em that we love ’em while we got the chance to say
    Gotta live like we’re dying

    The song, written by four writers, is more generic than the McGraw song.  It tries to send a similar message without the personal story of the country song.

    Oa recent road trip, I heard the song late at night driving through New Jersey, and the catchy tune did get stuck in my head.  But the meaning behind the song is not as emotionally powerful as in the personal story of the country song. Give it a listen.

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