Enjoy the History of Country Music with Cocaine & Rhinestones Podcast

One of my favorite podcasts lately has been Cocaine & Rhinestones by Tyler Mahan Coe.  In each episode, Coe delves deep into the history of country music in the twentieth century.

Cocaine & Rhinestones Episodes run anywhere between forty minutes and two hours, and each one may examine an artist’s career or may analyze the history behind a certain song, or both.  For example, one two-part episode centered on the relationship between Buck Owens and his guitarist Don Rich.  Another episode tells the story about how radio stations banned Loretta Lynn’s song, “The Pill.”  Another episode focused on Bobby Gentry’s “Ode to Bille Joe” while also giving a fascinating overview of Gentry’s career.

Coe does an outstanding job trying to tell the truth behind the stories behind country music.  An avid reader, Coe delves into books that tell the stories, comparing versions of events so he can explain his best estimate of what really happened.

Coe’s goal of telling us what really happened is part of the reason why he does not use original interviews but wraps information together to tell us the stories.  And at the end of each podcast, Coe also fills us in with “liner notes,” telling us a little more about his sources and other information that might not have fit in the main tale.

As you might guess from the title Cocaine & Rhinestones, Coe does not shy away from the darker legends of country music, such as the first episode about how Ernest Tubb once showed up in slippers to try to shoot someone.

But Coe is most interested in the music behind these artists.  His podcasts feature excepts from important songs, and he often breaks them down to help you hear them in a new way.

Coe recently explained to The New Yorker how one of his radio inspirations is Paul Harvey, who hosted, among other shows, The Rest of the Story.  I used to listen to those shows as a kid too, and I even bought books with written versions of Harvey’s episodes.  So, I can hear the connection, mostly in the way that Coe tells a good story that keeps you entertained while you learn something new.

Tyler Mahan Coe’s background in country music goes back to his birth, as he is the son of country legend David Allan Coe and later played guitar in his dad’s band.  Now, he lives in Nashville as he spreads the gospel of country music through the Internet.

So, check, out the episodes from the first season of Cocaine & Rhinestones at the show’s website.  Find an artist or topic that interests you and start with that episode.  One of my favorites was his take on The Louvin Brothers (Running Wild), which also inspired me to read one of the books Coe recommended.

Yet, part of the joy is learning about people you do not know and the way Coe ties together a number of country music characters throughout the episodes. So, yes, start with a song or artist you think you know already.  But, like me, you probably will just give in and decide to go back and listen to all of the episodes of Cocaine & Rhinestones in order.  And then you will wait anxiously for Season Two.

What is your favorite episode of Cocaine & Rhinestones? Leave your two cents in the comments.

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    Merle Haggard, The Impressionist

    Merle Haggard Impersonation

    We all know Merle Haggard was a great talented songwriter and singer. But a clip from The Glen Campbell Show also shows his impressionist talents.  He was pretty good at copying the voices of some other country music greats.

    In this video, Haggard impersonates several great country singers.  He does his version of Marty Robbins, Hank Snow, Buck Owens, and Johnny Cash.

    Also in this segment, Buck Owens and Johnny Cash show up to join in the fun. Check it out.

    See our previous post on Johnny Cash’s impersonation of Elvis Presley.

    Leave your two cents in the comments.

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    Dwight Yoakam on Acting and Music

    Dwight Yoakam interview
    In this new video from the Weekly Feed, country singer-songwriter Dwight Yoakam discusses acting, country music, and his next CD. Yoakam explains to interviewer Kyle Meredith how he came to sing a Creedance Clearwater Revival song recently as a character on CBS’s Under The Dome. He also explains why when he does cover songs, he usually tries to avoid iconic recordings. Other topics include Yoakam’s thoughts on David Bowie, Buck Owens, T-Rex, and the state of the music industry.

    Yoakam is one of the more intelligent artists around and he has a great understanding of history, so it is always enlightening to hear him talk about various subjects. So check out this interview from the WFPK studios in Louisville, Kentucky.

    Below is the clip from Under the Dome that he discusses, where his character sits in jail and sings “Who’ll Stop the Rain.”

    If all that leaves you wanting more Yoakam, below is the song he mentions at the end of the interview, “A Heart Like Mine,” from his 3 Pears (2012) CD. The song was co-produced by Beck.

    What is your favorite Dwight Yoakam song? Leave your two cents in the comments.

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    Buck Owens: Don’t Judge a Man’s Music By His Overalls

    Buck Owens Hee Haw On March 25 in 2006, Buck Owens, who was born Alvis Edgar Owens Jr., passed away. When I was a kid, I thought Buck Owens was just a goofy guy who wore his overalls backwards and joked around on Hee Haw with Roy Clark. But as I grew up and learned more about classic country music, I discovered that Owens was a legend who made great music with his band, The Buckaroos.

    Along with Merle Haggard, Owens was one of the first to stand up against the slick Nashville music to help create and popularize a rock-influenced honky tonk music called “the Bakersfield sound” that influenced and continues to influence many great country artists like Brad Paisley. In the clip below, Owens and his long-time legendary guitarist Don Rich performed “Love’s Gonna Live Here” in 1966 on the Jimmy Dean Show.

    One of the artists touched by Owens is Dwight Yoakam. After Owens lost his friend and guitarist Don Rich in a motorcycle accident in 1974, Owens drifted out of the spotlight and eventually stopped recording music. In 1988, though, Dwight Yoakam helped bring Owens back to popularity when the two recorded a new version of Owens’s 1973 hit written by Homer Joy, “Streets of Bakersfield.”

    The collaboration between Yoakam and Owens on “Streets of Bakersfield” gave Owens his first number one song in sixteen years. I love this song.

    A Buck Owens biography portrayed Owens, who was married several times as sort of a jerk at times. But like he asks in “Streets of Bakersfield” about walking in another person’s shoes (or overalls), “[H]ow many of you that sit and judge me / Have ever walked the streets of Bakersfield?”

    Country musicians were not the only ones who recognized the talent of Buck Owens and the great Bakersfield sound. In “Far Away Eyes” from Some Girls (1978), the Rolling Stones described driving through Bakersfield on the country sounding song. Creedence Clearwater Revival mentioned Owens in “Lookin’ Out My Back Door” (“Dinosaur Victrola, Listenin’ to Buck Owens”) on Cosmos Factory (1970).

    Even more famously, in 1965 the Beatles covered one of Owens’s songs, “Act Naturally,” on Help! with Ringo Starr singing lead. Years later, Buck and Ringo joined their humor and musical skills to record a new version of “Act Naturally.”

    When Owens passed away in 2006, he was sleeping in his bed. Hours earlier he was not feeling well and considered canceling a performance until he heard some fans had traveled from Oregon to California to hear him. So he stood on stage at his Crystal Palace club and restaurant, singing one last time in Bakersfield.

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