Anybody Here Seen My Old Friend John?

Less than five years after John F. Kennedy was killed on November 22, 1963, the country lost Martin Luther King Jr. and Robert F. Kennedy to the bullets of assassins in 1968. Later that year, in tribute to the fallen men, Dion released the song, “Abraham, Martin, and John,” which became a hit in a country in shock and mourning.

The song, written by Dick Holler, has been performed by a number of artists, but nobody has matched Dion’s moving version. In the video below, he performs the song on The Smothers Brothers Comedy Hour. [June 2014

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  • Lou Reed Inducting Dion Into Rock Hall
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  • Valentine’s Day and Two Love Lessons
  • Dion: “New York Is My Home”
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    Dion’s Impromptu Lunchtime “Ruby Baby”

    dion ruby baby 2013

    During the recent holiday weekend, Dion Dimucci met the Del-Satins for lunch. Of course, with such talent around the lunch table, they could not help but break out in song, including “Ruby Baby.”

    Update: Their rendition of “Ruby Baby” is no longer available. But check out Dion and the Del-Satins singing a lunchtime “The Wanderer.”

    What is your favorite Dion song? Leave your two cents in the comments.

  • Lou Reed Inducting Dion Into Rock Hall
  • Song of the Day: Dion’s “Sanctuary”
  • Dion’s Lost “Kickin’ Child” (Album Review)
  • Valentine’s Day and Two Love Lessons
  • Dion: “New York Is My Home”
  • Anybody Here Seen My Old Friend John?
  • (Some related Chimesfreedom posts.)

    Who Flipped a Coin With Ritchie Valens?: The Day the Music Died and the Coin Toss Controversy

    Day Music Died Coin Toss February 3 marks the anniversary of the day Buddy Holly, J.P. Richardson, and Ritchie Valens perished in a plane crash. You probably know the general outline of “the day the music died.” But you may not know the controversy surrounding the legendary coin flip connected to the tragedy.

    The Day the Music Died

    In early 1959, Buddy Holly, J.P. “The Big Bopper” Richardson, Ritchie Valens, and Dion and the Belmonts toured through the Midwest in what was called “The Winter Dance Party.” Also on the tour was Holly’s new back-up band replacing the Crickets: Tommy Allsup on guitar, Waylon Jennings on bass, and Carl Bunch on drums.

    Some of the performers were tired of traveling through the cold in an old bus that kept breaking down. The poor conditions led to drummer Bunch going to the hospital with frostbite. So Buddy Holly chartered a small plane for one of the upcoming trips on the tour.

    After their February 2, 1959 performance in Clear Lake, Iowa, three of the stars — Holly, Richardson, and Valens — boarded a three-passenger plane. The plane took off in the early morning hours of February 3 for Fargo, North Dakota but soon crashed in a snow storm.

    All three passengers were killed along with the pilot Roger Peterson. The young rock and roll music industry lost three of its brightest stars.

    The Competing Claims About a Coin Toss

    Although the story is familiar, there is still an ongoing question. Besides Holly, how did Richardson and Valens end up on the plane instead of the other headliner, Dion, or instead of other band members?

    Stories conflict about the events that night before the flight. Everyone agrees there was a coin toss. But survivors still debate who was the person who barely missed getting on a plane ride to their death, all due to the luck of a coin flip.

    Holly’s former band members tell one story. But Dion wrote in his book The Wanderer Talks Truth (2011) that the events “have been completely eclipsed by urban legends, cinematic retellings, gossip, and outright grandstanding.” (p. 41).

    Who is telling the truth? Let’s consider the different versions of the story.

    On a Behind the Music episode, “The Day the Music Died,” the producers presented the story that Buddy Holly planned for the airplane to the next stop on the tour for him and his two musicians, Waylon Jennings and Tommy Allsup. In the video, Waylon Jennings explains how he gave up his seat on the plane to the ailing Big Bopper (around 9:50). Jennings recounts that Holly had ribbed him about taking the bus. Jennings responded, jokingly, “I hope your ole plane crashes,” a retort that haunted him for years.

    In the same episode, guitarist Tommy Allsup recounts how when he went inside to make sure they did not leave anything behind, he ran into Ritchie Valens.  Then, Valens asked Allsup if he could take Allsup’s seat on the plane. Allsup then claims he flipped a coin, and Valens won the seat on the ill-fated plane.

    In other venues, Tommy Allsup repeated his version of the story of the coin toss that he lost to Ritchie Valens.

    Bob Hale, the emcee at the Surf Ballroom in Iowa for the last Winter Dance Party show before the plane crash, has a similar recollection. Hale remembers that Allsup suggested the coin flip. But Hale recalls that he was the one who flipped the coin for Allsup and Valens.  Hale remembers that Valens won by calling “heads.”

    Allsup, however, argues that Hale was not present at the coin flip. [February 2013 Update: See the comments section below for Mr. Hale’s comment on this post.][January 2017 Update: Tommy Allsup passed away on January 11, 2017.]

    Dion has yet another version of the events leading to the plane ride. According to Dion’s website:

    “Dion was, in fact, scheduled to fly in the fateful plane that went down. The headliners flipped a coin to see who was going to fly. The Big Bopper and Dion won the toss. Then he discovered that the flight would cost $36 — the exact amount of rent his parents paid monthly. He said, ‘I couldn’t bring myself to pay a full month’s rent on a short flight. So I said, ‘Ritchie, you go.’ He accepted and took my seat. Only the four of us knew who was getting on that plane when we left the dressing room that night. Of those four, I was the only one who survived beyond February 3, 1959.'”

    In his book The Wanderer Talks Truth, Dion explains that through the years he watched others (presumably Allsup who he never names) exaggerate their role.  Dion asserts that he only came forward to correct history when the Rock and Roll Hall of Fame contacted him about the conflicting stories.

    Filmmakers created a documentary about the tour that includes Dion’s memories. 2015 Update: The Winter Dance Party video interview with Dion has been completed and is posted below. Dion’s explanation of the coin toss involving Holly, Vallens, the Big Bopper, and him begins at around 42:20, although the entire video is worth watching for his memories of the tour.

    Allsup has threatened to “whip [Dion’s] ass for claiming he participated in the coin toss with Valens.  Sometimes Allsup’s anger about the dispute unnecessarily digresses to attacking Dion’s musical talents.

    Readers of this blog know I am a Dion fan, so I hate to believe that he is lying. And to a large extent, one may wonder why, as the fourth headliner, discussions of the fated tour often exclude mention of Dion.

    Then again, one may give some weight to Ritchie Valens’s sister, Connie Valens Lemos. She sides with Tommy Allsup on the issue.

    The Movie Versions of the Coin Flip

    The two major films about two of the stars on the tour do not add any insight. The Buddy Holly Story (1978) avoided the issue altogether. That movie ends with Buddy Holly on stage in Clear Lake, Iowa on the fateful night, playing his hits and having fun on stage.

    At the end of The Buddy Holly Story, Ritchie Valens and The Big Bopper join Holly on stage for the final song, leaving us with a happy moment. As in many retellings of the story, the film does not mention the fourth headliner, Dion.

    The film about Ritchie Valens, La Bamba (1987), also excludes all mention of Dion. A scene of a marquee on the final tour does not even show Dion’s name.

    La Bamba takes some additional literary license with the events leading up to the flight. Regarding the coin toss, in the first mention of the planned flight, the Big Bopper tells Valens (Lou Diamond Phillips) that Holly reserved the plane for the headliners. This conversation in the film is consistent with Dion’s story.

    But later in the movie La Bamba, it shows the group standing next to the plane. There, Holly explains he is flipping a coin to decide whether Ritchie or “Tommy” gets to go. “Tommy” is also called “Allsup” in the scene, so the movie follows the Allsup-Valens coin toss story.  But La Bamba moves the private toss between the two men to one conducted by Holly on the airfield. Allsup has criticized the movie’s fictionalized version of the coin flip.

    What Really Happened?

    Is Allsup telling the truth? And did Dion’s imagination insert the singer deeper into the story of “the day the music died”? It is easy to imagine a toll on Dion from decades of hearing about the music dying when he survived.  For decades, the tales surrounding the tragedy often have excluded that tour headliner.

    Or is Dion telling the truth, which would mean that Allsup and Waylon Jennings are wrong? And what about Hale’s version that he flipped the coin?

         Arguments Supporting Allsup’s Version

    Between Allsup and Dion, there is no way to be sure who is telling the truth. But some factors weigh in favor of Allsup. Since Holly arranged for the flight, it seems like he might first ask his friends and band-mates Allsup and Jennings.  This conclusion makes sense considering the band had lost drummer Carl Bunch for a while due to to frostbite.

    Also, Allsup’s wallet was found among the wreckage.  Allsup explains that  before the coin toss, he had planned to go on the flight. So he gave Holly his identification so Holly could pick up his mail waiting in Fargo. Still, even if Allsup had not planned to fly at some point, he could have given his wallet to Holly for the same reason.

    One strong argument for Allsup is that he consistently has told the same story since the crash. And most stories by other people are largely consistent with Allsup’s version of the coin flip. Bob Hale confirms that the coin flip involved Allsup and Valens, even though Allsup and Hale disagree about who actually flipped the coin. Jennings’ story also is more consistent with Allsup’s.

    Jennings’s story about Allsup seems truthful because he would have no motivation to make up a story that makes him look bad with his joking taunt about the plane crashing. Still, under Dion’s version, Jennings and Holly still could have had the exchange even if Jennings had not been one of the original passengers.

         Arguments Supporting Dion’s Version

    On the other hand, some reasons support Dion’s version of events. Holly might have asked the headliners first, expecting they most likely would be willing to have the money for the expensive flight.

    Also, according to Larrry Lehmer’s book, The Day the Music Died, Holly had asked Jennings to open for him in England but told Jennings that he was not going to tour in England with Allsup because he was going to get back together with his original Crickets. So maybe Allsup would not be the first person Holly would ask on the flight.

    There are other reasons why Holly might have first invited the headliners. For example, Valens and Richardson were both sick, so Holly might have asked them first, then included the other headliner, Dion.

    Waylon Jennings does remember that Dion was especially angry about the poor conditions of the bus that kept breaking down (Lehmer, p. 67). Thus, Holly might have thought that Dion would be the first to jump at the chance to fly. And Holly played drums for Dion for their last show, so they might have talked about the flight.

    Finally, there are questionable reports that Holly, Valens, and Richardson flew in a plane on some legs of the tour before the fateful trip. (Lehmer, p. 224) If true, it seems Holly was flying with the headliners, not his band members. If true, that practice would support the conclusion that Dion was invited on the final flight. On the other hand, many dispute the stories about other flights and even Dion does not remember any other flights.

    Trying to Put It All Together

    Larry Lehmer Larry Lehmer’s well-researched book is in the Allsup camp, recounting the version from Jennings and Allsup without mentioning the Dion controversy. Lehmer also quotes Carroll Anderson, the manager of the Surf lounge and the person who first contacted the pilot Roger Peterson, as saying that Holly said he wanted to get a flight for him and his band. (p. 95.)

    Maybe some combination of the stories is true. Maybe there was a coin toss among all of the men and Allsup and Dion both “lost” out on seats of the plane.

    Or maybe there were two coin tosses. Under both Allsup’s and Dion’s stories their coin tosses happened in different places at different times. Under this scenario, maybe Dion had a seat that he declined because of the cost.  Then later there could have been a coin flip between Valens and Allsup.

    Buddy Holly’s widow, Maria Elena Holly, similarly has suggested some merging of the two stories.  But it is reported that Allsup also has attacked the character of Ms. Holly too.

    Ritchie Valens Coin Toss

    If that is not enough controversy for the day, some people claim that the plane crash itself should be re-investigated. Some go as far to say that foul play was involved in the crash. But we will leave those “mysteries” for another day.

    Of course, the only people who know how these passengers were selected are Tommy Allsup, Dion, and Ritchie Valens. Whatever happened, the survivors’ trauma of hearing the news of the crash probably affected memories. Thus, it is likely both Allsup and Dion actually remember the story in different ways.  Neither of the men is probably intentionally lying.

    So that leaves Ritchie Valens. But unfortunately he is no longer with us and buried in California. Richardson was buried in Beaumont, Texas, although his body was exhumed in 2007, underwent an autopsy, and reburied. Holly is buried in Lubbock, and the pilot Peterson is buried in Iowa.

    Ultimately, to paraphrase Don McLean’s “American Pie,” all of this arguing about the coin toss just may be keeping Satan laughing with delight. It may not matter who lost the coin toss that night.  Those who won the toss and those who were on the plane constituted our great national loss.

    What do you think happened with the coin toss? Leave your two cents in the comments.

  • The Day the Music Died & American Pie
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  • Song of the Day: Dion’s “Sanctuary”
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    Dion’s Tank Full of Blues (CD Review)

    Dion Tank Full of Blues

    With Tank Full of Blues (2012), Dion completes a trilogy of outstanding blues albums along with Bronx in Blue (2006) and Son of Skip James (2007). While Bronx in Blues focused on covering traditional blues standards from Robert Johnson and others, and Son of Skip James followed that formula with a few more originals, in Tank Full of Blues Dion wrote or co-wrote all but two of the songs, taking his blues to another level. The new album adds more percussion and electric guitar into the mix without overdoing it on these new classics. Here is the title track:

    Dion worked to build his blues cred with the previous two albums, paying homage to the kings with a little bit of Bronx street swagger thrown in. I have previously written about the two earlier CDs and how when Bronx in Blues came out it was a great discovery for me. On Tank Full of Blues, though, Dion uses his blues credibility to show a little more of his own wings, as Dion’s originals on this album transition smoothly next to ones by Robert Johnson and Muddy Waters. Just as the album makes you wonder what else Dion can do, he closes with a spoken word rap on “Bronx Poem.” While he is not a hip-hop artist, one might root for him to try a rap album next as he shows here that his rhyming skills and bravado dating back to “Runaround Sue” are still there.

    Dion Dimucci is one of the great rock n’ rollers, and these albums have shown he is also a great blues man. These albums are not an artist’s self-absorbed dabbling in another genre, but music that has the great Dion’s heart. As AllMusic wrote about Tank Full of Blues, “it is the album he’s been waiting an entire career to make.” For the artist behind such hits as “I Wonder Why,” “The Wanderer,” “A Teenager in Love,” “Donna the Prima Donna,” and “Abraham, Martin, and John,” that is high praise. Check out this great album by a music legend.

    {In the above video, Dion plays “I Read It (in the Rolling Stone)” off the album during a Blues Cruise in January.}

    What do you think of Dion’s blues? Should he write a new song called “Runaround Blues”? Leave your two cents in the comments.

  • Dion Has the Blues
  • Lou Reed Inducting Dion Into Rock Hall
  • Song of the Day: Dion’s “Sanctuary”
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  • Valentine’s Day and Two Love Lessons
  • Dion: “New York Is My Home”
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    Dion Has the Blues

    Dion Bronx in Blue Dion Dimucci has made some wonderful music since the dawn of the rock and roll era. His song “Runaround Sue” is one of my favorite all-time songs, and I love other songs he made with the Belmonts and solo.

    For a long time through the late 1980s and 1990s, though, I assumed he was not around anymore because I had not heard anything about him since those days. And then one night at a Bruce Springsteen concert, Springsteen told how he reworked his own “If I Fall Behind” from his Tunnel of Love album after hearing Dion cover it. It is a beautiful song that Springsteen has played in a variety of ways, including an excellent Irish music version with the Seeger Session band. But his Dion doo wop version of “If I Fall Behind” was a revelation because it made me realize Dion was still around. Being a Springsteen fan and loving old Dion music, I had to track down Dion’s recording, which Dion later put on the album Deja Nu (2000). I liked the album a lot, and I’ve been keeping up with Dion’s new releases ever since.

    Some of his most amazing recent work is on two blues CD’s of classic covers with a few originals: Bronx in Blue (2006) and Son of Skip James (2007). I bought the first one because I had read good reviews of it and saw it on sale at a store. It might first seem odd that Dion is singing blues songs, but he grew up listening to blues music in the Bronx. The albums are excellent. There are not videos for most of the songs, but I did find this one of “Worried Blues”:

    Below is Dion’s take on Howlin’ Wolf’s “Built for Comfort,” which appears on Bronx in Blue:

    His third blues CD, Tank Full of Blues, is due out January 24. This week Rolling Stone premiered one of the songs off the CD, “I Read It (in the Rolling Stone).” Finally, one other thing I love about Dion is that he seems to write his own updates on his Facebook page. And he still writes using 1950s slang. The cat is cool. Give him a “Like.” For crying out loud, he is a legend and has been making music for seven decades. You can at least press a button for the guy.

  • Dion’s Tank Full of Blues (CD Review)
  • Lou Reed Inducting Dion Into Rock Hall
  • Who Flipped a Coin With Ritchie Valens?: The Day the Music Died and the Coin Toss Controversy
  • Song of the Day: Dion’s “Sanctuary”
  • Dion’s Lost “Kickin’ Child” (Album Review)
  • Valentine’s Day and Two Love Lessons
  • (Some Related Chimesfreedom Posts)