When Dean and Jerry Reunited on the MDA Labor Day Telethon

In 1976, Frank Sinatra brought Dean Martin to the MDA Labor Day Telethon for a brief reunion between Martin and Jerry Lewis.

Dean Martin Jerry Lewis MDA

Many of us who grew up in the 1960s and 1970s have fond memories of the MDA Labor Day Telethon that raised money for the good cause of the  the Muscular Dystrophy Association. During a time when many television stations signed off at midnight, the telethon was unusual. For Labor Day Weekend, host Jerry Lewis and various guests entertained us throughout the night. There were many memorable moments, perhaps none more than that time on September 5, 1976, when Dean Martin surprised his former performing partner Lewis.

Jerry Lewis and Dean Martin had teamed up in 1946, when according to Lewis, he had approached Martin with the question, “You workin’?” They worked together in movies, nightclubs, radio and TV and were extremely successful.

But then the partnership ended when the two split up ten years later on July 24, 1956 after their final nightclub performance. Various theories abound about the reasons for the split, ranging from jealously to an argument about an upcoming movie to just being tired of working together. They had been so successful, many fans dreamed for them to team up again.

There would be no more Martin and Lewis movies, although director Peter Bogdanovich in the early 1980s tried to put together a film in which they both would appear. But we did get to see them together in 1976 on our televisions thanks to Frank Sinatra.

In 1976, Sinatra was appearing live at the MDA Labor Day Telethon instead of remotely, as he had done since 1953. And he decided to bring along his friend Dean Martin to surprise Lewis. Nobody really knows why Sinatra concocted the scheme, although he told others what he said on the telethon. It was just time for Lewis and Martin to be together again. Others have also noted that Sinatra loved a good prank too.

The reunion was a stealth operation. Frank slipped Martin into the dressing room of Lewis’ co-host Ed McMahon. Few people knew about the plan beyond those enlisted to help. Jerry’s 30-year-old son, the pop singer Gary Lewis, was helping his dad at the telethon and happened to catch a glimpse of Dean Martin backstage. Gary wondered what was going on, but decided to keep his mouth shut.

And then when Sinatra went on stage with Lewis, he said he had brought a friend along. The look of surprise on Lewis’s face was real.

The hug between the two feels real too. Then, Lewis fumbles for something to say, realizing that people around the world are watching. After a few expressions of surprise, he brilliantly calls back to the old encounter between the two giants: “You workin’?”

Contrary to legend, it was not really the first time Martin and Lewis had seen each other in twenty years. But it was an unexpected and memorable public reunion for the two legends.

After the telethon, there would be a few more brief public encounters between the two men. Lewis went to the funeral of Martin’s son , and he surprised Martin on Martin’s 72nd birthday. By most accounts, the two men genuinely loved each other. But some reason — egos, old grudges, bad timing, or something else — kept the two men from being close friends again in their later years.

We all have people we once were close to and who now we never see. I will sometimes have a passing thought about someone who once was a major figure in my life and wonder why we no longer talk. Maybe there was no reason or maybe there was a slight that no longer seems so important. Most people have those past connections. That is why we all feel a kinship with Dean Martin and Jerry Lewis. It is why seeing them together at the MDA Telethon is so touching.

For that moment, we can imagine that the two friends will once again share their lives and be close friends. They will work together or maybe just have dinner once a week. But life is not a fairy tale. Sometimes it just has to be enough that two people still have that love even if they cannot be together. And if we get a brief encounter years later, we will have to settle for that bitter sweet moment that reminds us of what we once had.

Leave your two cents in the comments.

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    The House I Live In: Josh White’s America

    That's America to Me Josh White — who was born on February 11, 1914 — had one of the more interesting American lives during the twentieth century, even though he died at the young age of 55 on September 5, 1969.  He was a folk singer, guitarist, songwriter, civil rights activist, actor, friend to President Franklin D. Roosevelt and much more.

    He was an important figure in the century, although many people born in the last fifty years may not have heard of him.  His music influenced many of the major performers who came after him.  Allmusic calls him “one of the unquestioned linchpins of the first stirrings of the folk revival.”

    His work for civil rights and social justice made him a target of the anti-communist hysteria of the 1950s.  He testified before the House Un-American Activities Committee (HUAC), where he read the lyrics to one of his recordings, the anti-lynching song “Strange Fruit” that was written by Abel Meeropol.  Many twisted his words, so that for a period he was blacklisted by both the Right and the Left.

    White lived such a full life that I can’t even begin to summarize it here in a short blog post.  I encourage you to read more about him, including the long Wikipedia post about his life and this video of his son Josh White Jr. telling stories at The Bohemian Cafe in Greenville, South Carolina on August 20, 2016.

    The House I Live In (What Is America to Me?)

    White was among the first to record many songs we know today.  He had the first hit recording of “The House I Live In (What Is America to Me?).” The song, which was written during World War II by Earl Robinson and Lewis Allan (a pen name for Meeropol), captured a dream for what a post-war America might be.

    The children in the playground,
    The faces that I see,
    All races and religions,
    That’s America to me.

    You know the song, even though you may not have been around when White’s version was a hit.  But the reason you know the song is because of White.

    It was White who taught “The House I Live In” to Frank Sinatra, who became identified with the song.  After White taught it to Sinatra, Ol’ Blue Eyes sang the song in an honorary Academy Award winning short for MGM. The short was made to oppose anti-Semitism.

    As for White, I don’t know, but it seems that through all of the problems, he loved this country. Otherwise, he would not have done so much for it.

    The blacklisting by the music industry ended in 1955, and he began performing in various venues around the world. The TV blacklisting ended later in 1963, when President John F. Kennedy asked White to perform on a national civil rights program, “Dinner with the President.”

    Subsequently in that same year, he performed on the steps of the Lincoln Memorial during the March on Washington. And in January 1965, he performed at Lyndon B. Johnson’s inauguration.

    Today, the lyrics of “The House I Live In” may seem a little naive. Some might find them cheesy. I suppose, though, that most people no matter what their political party, would agree that it was a nice dream. And while White never saw the accomplishment of the dream, he reminded us that it is one still worth fighting for.

    Leave your two cents in the comments.

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    Bob Dylan Croons “I Could Have Told You”

    Bob Dylan, who has already released two albums of American standards in recent years, is doing it again. But this time, he is releasing a triple-album of such standards called Triplicate. Like the two previous albums, Triplicate will include a number of songs previously recorded by Frank Sinatra.

    I Could Have Told YouBob Dylan surprised some by releasing Shadows in the Night in 2015.  Then, he followed that album with another album of standards, Fallen Angels in 2016. The triple-album announcement illustrates that Dylan is going all-in on this style of music, at least for the immediate future.

    Triplicate will include a number of well-known and some lesser-known American standards. The track list includes Sinatra classics like “The Best Is Yet to Come” and “September of My Years.” Also, the set includes “As Time Goes By” and “Stormy Weather.”

    The first release from the upcoming album is “I Could Have Told You.” Carl Sigman and Jimmy Van Heusen wrote the song. And Sinatra first recorded it in December 1953 during the same sessions with Nelson Riddle where he recorded “Young at Heart.”

    Below is the new recording of “I could Have Told You” by Bob Dylan.

    Below is Sinatra’s take on “I Could Have Told You.” The first time Sinatra included the song on an album was on Look To Your Heart (1959).  That collection featured singles and B-sides that he recorded between 1953 and 1955.

    Bob Dylan’s Triplicate set will hit stores and the Internet in various forms — including a Deluxe Limited Edition LP — on March 31, 2017.

    What do you think of Dylan’s take on the standards? Leave your two cents in the comments.

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    Frank Sinatra: “That’s Life”

    That's Life

    Frank Sinatra was born on December 12, 1915 in Hoboken, NJ. I wish he were still around entertaining us, but that’s life.

    Below, Sinatra sings “That’s Life,” which was released in 1966. Dean Kay and Kelly Gordon wrote “That’s Life,” which was first recorded by Marion Montgomery and released in 1963.

    Over the years, a number of artists have recorded the song. You recently may have heard a current version in a television commercial for Jariance prescription diabetes medicine.

    Sinatra, who passed away in 1998, first heard “That’s Life” in a version by singer O.C. Smith, who had a popular version of the song “Little Green Apples.” Smith, who was born June 21 in 1932, passed away in 2001. Below is Smith’s version of “That’s Life.”

    One can hear how Smith’s own excellent version would have attracted Sinatra to the song. Sinatra’s version, which would become the most recognizable version of “That’s Life,” appeared on his 1966 album That’s Life.

    Happy birthday Frank, wherever you are.

    What is your favorite Frank Sinatra song? Leave your two cents in the comments.

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    3 a.m. Albums: Frank Sinatra’s “In the Wee Small Hours”

    One of the great albums for finding solace amidst middle-of-the-night anxiety is Frank Sinatra’s “In the Wee Small Hours.”

    Wee Small Hours Sinatra In our series “3 a.m. Albums,” we look at albums that are perfect for those nights when you cannot sleep due to sadness, loneliness, despair, or other reasons. We begin the series with an album that is appropriately named, In the Wee Small Hours, which is one of Frank Sinatra’s masterpieces.

    Frank Sinatra recorded most of In the Wee Small Hours in the late night hours in early 1955, releasing the album not long after completion in April of that year. Often considered as an early concept album, In the Wee Small Hours received its main inspiration from the dissolution of the relationship between Sinatra and actress Ava Gardner, who Sinatra had married in 1951.

    The ballads, arranged by Nelson Riddle, features more sparse instrumentation than on many Sinatra classics, allowing the heartache in Sinatra’s voice to bleed through your speakers above the sounds of the guitar, celesta, piano, and strings. The title song, which was new at the time, stands well next to the album’s classics like “Mood Indigo.” The song “In the Wee Small Hours of the Morning” remains one of the great opening album tracks of all time, setting the mood for the entire album.

    Sinatra poured his tears, sweat, and blood into these tracks. The liner notes claim the album creates “the loneliest early-morning mood in the world.” Reportedly, Sinatra broke down crying after recording “When Your Lover Has Gone.”

    The album has stood the test of time. The song “In the Wee Small Hours of the Morning” has stood the test of time, being covered by many singers, including a recent cover by another singer famous for his relationships, John Mayer. B.B. King has talked about listening to the album on many late nights (“I practically put that In the Wee Small Hours album under my pillow every night when I went to sleep”), and Tom Waits lists it as one of his favorite albums of all time, echoing the album’s artwork on his own The Heart of Saturday Night (1974).

    When one thinks of Sinatra, the songs on In the Wee Small Hours may not be the ones you first think of as you run through songs like “Lady is a Tramp” and “Summer Wind.” But it is one of his original albums best heard in its entirety from start to finish rather than as a collection of greatest hits or live performances. And it is best heard at 3 a.m. as you face the demons in your own life, somehow finding comfort knowing that even Ol’ Blue Eyes knew (and somehow survived) the same type of heartbreak. Thankfully, he is there, giving words and music to your feelings like a friend buying you a drink in an empty bar at closing time.

    What is your favorite 3 a.m. album? Leave your two cents in the comments.

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