A Christmas Carol: Dickens, Edison, Sim, and the Fonz

Charles DickensOn December 17, 1843, London publishing house Chapman & Hall published a novella called A Christmas Carol. In Prose. Being a Ghost Story of Christmas.  The novella, by Charles Dickens, would become a classic.

Charles Dickens had already found success from writing projects, including The Posthumous Papers of the Pickwick Club (1836), Oliver Twist (1838) and Nicholas Nickleby (1839). His new book, which he only started writing three months earlier in September 1843, was an immediate success, and many today credit it with reviving Christmas traditions in Victorian England.

We now know the book simply as A Christmas Carol. While it may seem odd that a book about ghosts would become a Christmas classic (instead of a Halloween story), Dickens was not the only one telling yuletide ghost stories. In Victorian England, it was a tradition to tell ghost stories around the fire on Christmas Eve. I guess many places still have that tradition, but it is now called, “watching A Christmas Carol on television.”

Adaptations of “A Christmas Carol”

Soon after the novella was published, people began adapting the story for theater productions. Dickens himself often gave readings of the book throughout his lifetime.

As technology changed, there were adaptations for radio and screens. Thomas Edison created an early silent version of the story in 1910.

One of the most famous movie versions of the book — and the most highly regarded in many quarters — is 1951’s Scrooge, starring Alastair Sim. Sim, who was born in Edinburgh in 1900 and starred in a number of projects on stage and screen before his death in 1976, had the perfect voice and face for Mr. Scrooge.

And now with modern technology, we can add the tradition of watching Scrooge on the Internet.

Other famous versions of the movie feature George C. Scott, Jim Carrey, and Albert Finney as Scrooge. The Alistair Sim one remains my favorite.

An American Christmas Carol

But I must admit I have a soft spot for a 1979 made-for-television movie called An American Christmas Carol, starring Fonzie himself, Henry Winkler as the Scrooge character named Benedict Slade.

Maybe I was at an impressionable age when I first saw An American Christmas Carol. Or maybe I liked the way it put a new twist on an old story by setting it during the Depression in New England.

You also may watch An American Christmas Carol below.

No matter who is your favorite Scrooge, may the future find that it always be said of him (or her), “that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!”

What is your favorite version of A Christmas Carol? Leave your two cents in the comments.

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    Marlon Brando’s Lonely Oscar

    Littlefeather Oscar

    On March 27, 1973, Marlon Brando won the Best Actor Academy Award for The Godfather (1972) and became the second person in history to turn down the Best Actor Oscar. Like George C. Scott a few years earlier, Brando was a no-show for his award.  But Brando sent a replacement to make a political statement and to officially reject the award during the telecast.

    Sacheen Littlefeather’s Appearance for Brando

    The night before the Oscars, Brando told the Academy he was sending Native American actress Sacheen Littlefeather in his place. But when Littlefeather took the stage, she walked past Roger Moore holding the Oscar.

    Littlefeather then explained that Brando was refusing the award. Brando, who was active in a number of social causes, declined the award to protest the portrayal of Native Americans in films.

    Watching Littlefeather’s speech today, I realized I had forgotten how polite the speech was. From her respect of the time limit, to her apology, to her reference to the “very generous award,” her speech contrasts greatly with the few boos you hear in the audience.

    I also forgot that the applause outnumbered the boos. Reportedly, she had planned to read Brando’s long statement but Oscar officials told her beforehand she only had 60 seconds. So Littlefeather improvised quite well, even mentioning recent events at Wounded Knee.

    Some critics later claimed that Littlefeather, who was born with the name Marie Cruz, was not Native American. But her father was from the White Mountain Apache and Yaqui tribes. She has appeared in a number of movies and TV shows and is still active in the Native American community.

    Some articles report that Littlefeather read “part” of Brando’s speech.  But in looking at the text, it appears to me she merely did the best one could to summarize his main point in the short time.

    She captured Brando’s attempt to be polite in his unread remarks.  In the unread portion, Brando explained that he did not attend because he thought he was of better use if he were at Wounded Knee. His written speech closed:

    “I would hope that those who are listening would not look upon this as a rude intrusion, but as an earnest effort to focus attention on an issue that might very well determine whether or not this country has the right to say from this point forward we believe in the inalienable rights of all people to remain free and independent on lands that have supported their life beyond living memory. Thank you for your kindness and your courtesy to Miss Littlefeather. Thank you and good night.”

    Brando’s Appearance on “The Dick Cavett Show”

    Brando appeared on The Dick Cavett Show not long after he refused the Oscar. In the first few minutes, you can tell that the audience had no problem with his decision to refuse the Oscar for a principle in which he believed.

    In the clip, he discusses his Oscar decision starting around the 6:30 mark.  And he elaborates on how different ethnic groups are portrayed on television.

    George C. Scott’s Rejection of His Oscar

    In 1971, two years before Littlefeather took the stage for Brando, George C. Scott rejected his Best Actor Oscar for Patton (1970) because of his dislike for the awards. But on the night of the awards, Patton‘s producer accepted Scott’s award from presenter Goldie Hawn.

    While Scott claimed he was at home watching a hockey game during the ceremony, he rejected the award because he did not like the idea of acting as a contest.  He had stated years earlier that the Oscars are “a beauty contest in a slaughterhouse.”

    According to the Los Angeles Times, George C. Scott’s Oscar ended up on display at the Virginia Military Academy Museum in Lexington, Virgina.  It was placed there out of recognition of the man Scott portrayed onscreen, General George S. Patton.

    What Happened to Brando’s Oscar?

    Marlon Brando passed away in 2004, and I am not sure what happened to Brando’s Oscar.  Some websites claim that it was just put back in the pile and given to someone else.  Others claim it is in a vault somewhere waiting in case his estate decides to pick it up. Some report that Roger Moore took it home for a short time and that eventually it was given as a replacement for a damaged one owned by Charlie Chaplin. Another source claims it ended up with an unnamed person and that Brando wanted it back at some point.

    I like to think that Brando’s Oscar is off somewhere fighting for justice.

    Would you have booed or applauded if you were in the audience that night? Leave your two cents in the comments?

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