Little Big Horn and “Little Big Man”

Little Big Horn

On June 25, 1876, Sioux, Arapahoe, and Cheyenne warriors led by Sitting Bull and Crazy Horse wiped out Lt. Colonel George Custer and a large part of his 7th Cavalry at the Battle of Little Big Horn. Almost 100 years later, the event would provide a key moment in a great American film.

Custer’s Last Stand

In 1876, the 7th Calvary was scouting on behalf of two columns of U.S. soldiers.  The soldiers were trying to force the Native Americans onto reservations.  Another column had already lost a battle, unbeknownst to the other two groups.

Custer’s scouts warned him about a large Native American village nearby.  But Custer thought the numbers were exaggerated and forged ahead instead of waiting for reinforcements.

Custer divided his regiment and proceeded with around 215 men.  They were soon cut off by thousands of braves. All of the soldiers, including Custer, were killed at Little Big Horn in what became known as “Custer’s Last Stand.”

“Little Big Man”

My favorite movie with a fictionalized account of the incident is Little Big Man (1970).  The movie has a 96% critics rating and 86% audience rating on Rotten Tomatoes.

The movie is based on a revisionist comic Western novel by Thomas Berger.  In the film, Dustin Hoffman gives one of his greatest performances as Jack Crabb.

The film follows Crabb, who recounts his life of adventure.  He was raised by Native Americans, and he later served as a scout for an inept and somewhat crazy Custer, played brilliantly by Richard Mulligan.

This scene from the film captures Crabb simultaneously warning and daring Custer about what awaits.

Arthur Penn directed Little Big Man, which also starred Faye Dunaway, Martin Balsam, and Chief Dan George. The movie is fictional satire that has moments of great humor.  But it also realistically reflects the victory and the tragedy of Little Big Horn and the plight of the Native Americans. If you have never seen the movie, you should.

Although the Native Americans won the day, “Little Big Horn” became a rallying cry for the whites as more soldiers came to eventually track down Crazy Horse, Sitting Bull, and the other Native Americans. In less than fifteen years in 1889, the area around Little Big Horn became part of the new state of Montana.

“The Custer Fight” painting by Charles Marion Russell via public domain.
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    Thanksgiving with Marty Stuart: Badlands

    Marty Stuart Badlands In a previous Thanksgiving post, we examined one of my favorite albums, Marty Stuart’s The Pilgrim (1999). But in celebrating Thanksgiving, we cannot forget that sitting across from the Pilgrims at that first Thanksgiving, were Native Americans. And, fortunately for us, Marty Stuart recorded Badlands: Ballads of the Lakota (2005). Yes, I realize that the Lakota Sioux were not the Native Americans at the first Thanksgiving, but neither was the Pilgrim from The Pilgrim. But we are using the holiday as an excuse to discuss these two excellent CDs.

    On Badlands, Stuart interweaves country music with Native American themes and music to tell about the the Lakota culture and the betrayal by white men. AllMusic describes Badlands as “an album that is unsettling, provocative, morally instructive, and deeply satisfying musically as a country record that sets the bar higher than it has been set in a long, long time.”

    Stuart clearly intended the album as a tribute to the spirit of the Lakota, who adopted him into their tribe. In “Trip to Little Big Horn,” he tells the story of Custer’s Last Stand as a dialogue with a ghost. “I saw 100 years of Indians, dancing in the sun / I felt the Indian power. The battle is still won / The battle is still won.”

    The title song of the album is excellent, as Stuart predicts, “Well it’s a church without a steeple / But in the heart of its people / Good will come again, to the Badlands.” The three men referenced by the song “Three Chiefs” are Red Cloud, Sitting Bull, and Crazy Horse. Stuart uses the song to find a connection between Native American spirituality and his own beliefs. After recounting the suffering of the “prophets to their people,” he recounts, “The truth is hard to find./ No cross, no crown.”

    Another song, “Casino,” addresses a more recent Native American issue: “Card sharks take my money, whiskey puts me in jail/ An oasis of misery, I know it so well.”

    The CD covers a broad span of history, including Little Big Horn, Wounded Knee, casinos, and even a visit to the reservation by President Clinton in “Broken Promise Land.” But Stuart also remembers that it is an album, not a book, and the story and the music augment each other, never interfering with the other. While the album has not captured me the way that The Pilgrim has, Badlands shows that Marty Stuart is one of the best writers and performers in country music today. He continues the legacy of artists like his friend Johnny Cash, who recorded his own concept album about Native Americans in Bitter Tears: Ballads of the American Indian (1964).

    Johnny Cash Bitter Tears Badlands received overwhelmingly positive reviews. It is a very good album that also tells an important story. While it really has nothing directly to do with Thanksgiving, the holiday is a good time to also remember the Sioux and the other Native Americans across the continent on that first Thanksgiving day, waiting for the force that would sweep across the land.

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    Listen My Children and You Shall Hear Inaccuracies About Paul Revere

    On June 2, 2011, while traveling on a tour of U.S. historical sites, Sarah Palin sparked interest in Paul Revere because of her claim that the famous rider warned “the British that they weren’t gonna be takin’ away our arms. . . by ringing those bells.” I suppose how one feels about her statement about Paul Revere — who actually rode to alert the Americans about the approaching British and who did not use bells — may depend on pre-existing feelings about the speaker. So, we will leave the debate about her statement and her continued claims t

    hat she was correct to the political commentators and others, including those attempting to rewrite Revere’s Wikipedia entry. But the interest in the historical event is a good side effect of her statement.

    Revere’s Famous Ride
    Paul Revere Picture Book
    Revere made his famous ride near Boston on the evening of April 18, 1775.  The British were on the move to seize military stores in Concord. According to the excellent one-volume history of the U.S., A History of the United States by Alan Nevins and Henry Steele Commager:

    “Patriots were on the watch and a lantern in the tower of North Church flashed word to Paul Revere beyond the Charles River, who galloped off to arouse the countryside. The embattled farmers gathered at dawn with their muskets . . . There was a brief skirmish, eight Americans fell dead, and the Revolution was under way. Sam Adams was not far away, and as he heard the rattle of the guns, he exclaimed: ‘What a glorious morning is this!'”

    To give Palin some credit, she did recall correctly that the ride was prompted by the British plan to seize weapons. I suspect some of her critics did not recall that part of the story themselves. Further, she is not the first to make historically inaccurate statements about the ride.

    Henry Wadsworth Longfellow’s Version

    In Henry Wadsworth Longfellow’s famous poem, “The Midnight Ride of Paul Revere,” he exaggerated Revere’s role by ignoring the other riders. And Longfellow’s poem inaccurately claimed that Revere made it all the way to Concord.  In fact, British soldiers captured him and took away his horse.

    But Longfellow’s goal was to tell a tale about a national hero, not to teach history. Hence we have the term, “poetic license.” Still, the famous opening lines of the poem make it easy for one to remember the correct date of the ride:
    Paul Revere and the Raiders
    Listen, my children, and you shall hear
    Of the midnight ride of Paul Revere,
    On the eighteenth of April, in Seventy-Five;
    Hardly a man is now alive
    Who remembers that famous day and year.

    Paul Revere and the Raiders

    There is another famous “Paul Revere.” He was in Paul Revere and the Raiders, the band that had several hits in the 1960s and 1970s. Paul Revere the rider started out as a silversmith.  And the Raiders’ musician Paul Revere started out as a barber in Boise, Idaho. “Paul Revere” was his real name, although Revere was his middle name and his full name was Paul Revere Dick.

    The band’s biggest hit was “Indian Reservation (The Lament Of The Cherokee Reservation Indian),” which was written by songwriter John D. Loudermilk. Mark Lindsay, the lead singer of Paul Revere and the Raiders, was part Native American and wanted to record the song even though it was released a few years earlier by Don Fardon.

    During the summer of 1971, aided by Revere’s promotion of the song with a cross-country motorcycle ride, the Raiders version of “Indian Reservation” became the most popular tune in the U.S. and the biggest hit Columbia Records had ever released.

    “Indian Reservation” also became the most popular song in my childhood home that summer, as my older sister purchased the 45 record and played it repeatedly. Some Native Americans used the Paul Revere and the Raiders version in their struggle for civil rights.

    In addition to the version by Paul Revere and the Raiders, the song would later be covered by UK band 999 and be sampled in a Tim McGraw song.

    The Cherokee

    Like Longfellow’s poem about Paul Revere, the song by Paul Revere and the Raiders was based on historical events. In the early 1800s, Cherokee Indians lived around Georgia.  But as new pioneers came to the land with its fertile soil, conflicts soon arose. Although the tribes had built houses and settled in the area, the incoming white settlers desired more land.

    In 1838, the Federal government ordered that the Cherokee be resettled in the western United States. The Cherokee were sent from Georgia and other states along with other Native Americans, including Creeks, Choctaws, Chickasaws, and Seminoles.

    Many of the Cherokee died as they made the long trip.  They traveled largely on foot and by wagon, facing exposure, hunger, and illness. Because of the sorrow and death caused by the removal, the forced march to what is now Oklahoma became known as the Trail of Tears.

    As Paul Revere and the Raiders sang, “Cherokee people, Cherokee tribe/ So proud to live, so proud to die.” In upcoming political campaigns, all of our politicians would do well to remember these parts of American history — and perhaps visit those historical sites too — in addition to taking pride in the the glorious stories like the one about Paul Revere’s ride.

    What do you think about Paul Revere, the Raiders, the song, or the media coverage of Sarah Palin’s statement? Leave a comment.

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