Merle Haggard: “No Time to Cry”

Haggard 1996

Our song of the day features Merle Haggard covering an Iris DeMent song that appeared on one of his overlooked albums from the 1990s. In “No Time to Cry,” the singer begins by remembering his father’s funeral from a year before, moving into a meditation on live, it’s joys and it’s pains.

When I first heard Haggard’s version from his album 1996, I though he might have wrote it or that it had been written for him. The song perfectly fits his weathered voice at the time of an older person. Although Merle Haggard was only in his late 50’s when he recorded “No Time to Cry,” he always seemed much older than his age.

The singer looks back through the years, realizing life is full of pain. But in the end, you cannot stop the pain or cry for everyone.

Now I sit down on the sofa and I watch the evening news:
There’s a half a dozen tragedies from which to pick and choose;
The baby that was missing was found in a ditch today;
And there’s bombs a’flying and people dying not so far away;
And I’ll take a beer from the refrigerator,
And go sit out in the yard and with a cold one in my hand;
I’m going to bite down and swallow hard,
Because I’m older now: I’ve got no time to cry.

Iris DeMent’s Version

In Haggard’s version, he sounds weary. He sounds hardened by what he has seen. By contrast, in Iris DeMent‘s original version from her album My Life (1993), her haunting voice sounds like someone barely able to keep from crying. Her version reveals the raw emotions nearer to the surface than the old man in Haggard’s version. She takes longer

Listen to just the way Haggard adds “it’s true” near the end at around the 3:45 mark. It is as if the singer is reminding himself that he cannot cry. DeMent’s version does not add that declaration, perhaps because the singer does not quite believe it is true.

DeMent’s recording clocks in at nearly seven minutes, while Haggard’s song takes just four and a half minutes. He is making a declaration, telling you his story, while DeMent takes longer because she is trying to convince herself of her strength in the wake of everything. Both versions are wonderful. Here is DeMent’s take on her song “No Time to Cry.”

Haggard’s choice to cover the song reveals his great taste in music that fits him. But he also admired DeMent’s work, having earlier praised DeMent’s version of his song “Big City” on the Haggard tribute album, Tulare Dust.

Which version of “No Time to Cry” do you like best? Leave your two cents in the comments.

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    I Love Trash

    Steven Tyler Trash As a kid, one of my jobs was taking out the trash at our house. After I moved away, though, I lived in apartments for most of my life.  So taking out the trash just meant putting my garbage in a common receptacle. It was convenient when I lived in a New York City apartment and could walk down the hall and put my garbage in a chute at my leisure.  But there was something I missed about having “trash night” when you have to gather all the garbage to put out by the curb for the morning pickup.

    Through the years, I would return to my hometown and stay with my family.  And I would once again find myself helping with trash night if I happened to be there on that night of the week.

    A few years ago, I bought a house and re-encountered “trash night” with my own house, where I had to gather the trash (and recyclables) to put it by the curb for the morning pickup. And once again, it is my household job to take out the trash. While it is an extra chore, perhaps because we had not lived in a house for so long, I find something nostalgic every time I take out the trash, standing by the curb at night.

    It may seem odd to find a connection with the garbage.  But the chore reminds me of my childhood and gives me a connection to those days and the family who shared the chores who are no longer around.  I enjoy the moment and how something so common can give one a connection to the past.

    I Love Trash

    Perhaps, not surprisingly, there are not a lot of songs about garbage, something that plays such a big role in our lives in various ways. Maybe the most famous song is “I Love Trash” by Oscar the Grouch.  For many, the song itself reminds one of childhood and watching Sesame Street.

    Below is Oscar the Grouch singing the song that he first sang during the first season of Sesame Street. Oscar is voiced by Caroll Spinney. It makes me laugh that on YouTube around one thousand people have taken the time to give this performance a thumbs down. How can you not love this song?

    I’ve a clock that won’t work,
    And an old telephone,
    A broken umbrella, a rusty trombone;
    And I am delighted to call them my own!
    I love them because they’re trash.

    In 1998, Aerosmith’s Steven Tyler covered Oscar’s song for the Elmopalooza! album of Sesame Street covers by pop stars. The recording sounds like an Aerosmith hit, complete with Tyler’s great screaming.

    Steven Tyler is not the only popular artist to sing “I Love Trash.” On a 1989 episode of The Jim Henson Hour, singer k.d. lang used her wonderful voice to join a group of Muppets on “I Love Trash.” (Unfortunately, the video is no longer on YouTube.)

    Who’s Gonna Take the Garbage Out

    Despite Oscar’s popularity, perhaps the song about trash that did the best on the charts is “Who’s Gonna Take the Garbage Out.” The song written by Johnny Tillotson and Teddy Wilburn and originally recorded by Loretta Lynn and Ernest Tubb was a Top Twenty hit on the Billboard Hot Country Chart in 1969.

    The duet by Lynn and Tubb appeared on their album If We Put Our Heads Together (1969). The song is in the tradition of many great country duets, with the couple going back and forth about whether or not the man is cheating. The woman is throwing him out of the house, but the man asks the question of the song’s title about how the garbage will be taken out after he is gone. The song perfectly captures the part that a household chore plays in our lives, and sometimes in our relationships.

    More recently, John Prine covered “Who’s Gonna Take the Garbage Out” with Iris DeMent on his 2016 album For Better, or Worse.

    However you discard of your trash and recyclables this week, may you find some joy in your weekly chores.

    What is your favorite song about garbage? Leave your two cents in the comments.

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    John Prine Releasing New Album, “For Better, For Worse”

    John Prine Album John Prine is releasing a new album of duets called For Better, For Worse (2016).  On the upcoming album, Prine covers a number of country classics with some help from female singers like Iris DeMent, Alison Krauss, Miranda Lambert, Kathy Mattea, Kacey Musgraves, Fiona Prine, Amanda Shires, Morgane Stapleton, Susan Tedeschi, Holly Williams, and Lee Ann Womack.

    The Album

    For Better, For Worse is a follow-up of sorts to Prine’s 1999 album of similar duets, In Spite of Ourselves.   Jim Rooney helped produce the 1999 CD, and he is on board again for the new album.

    Prine explained to NPR that he was “kinda tricked” into recording his first full-length CD in five years.  His wife and his son-manager suggested he record a handful of songs to fill the last side of a vinyl version of In Spite of Ourselves.  Once he got started, they encouraged him to round out a new album.

    Although we long for a new album of original material from Prine, this one sounds pretty good so far. He chooses some great songs originally performed by artists like Hank Williams, George Jones, Ernest Tubb, and Buck Owens.

    “Who’s Gonna Take the Garbage Out”

    On the new album, Iris DeMent joins Prine on “Who’s Gonna Take the Garbage Out,” which you may hear below.

    Johnny Tillotson and Teddy Wilburn wrote “Who’s Gonna Take the Garbage Out.” The song was originally recorded by Loretta Lynn and Ernest Tubb in 1969. Check out their version below.

    For Better, Or Worse hits the Internet on September 30, 2016.

    What is your favorite John Prine album? Leave your two cents in the comments.

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    Sweet Victory . . . and Sweet Forgiveness

    Basketball Forgiveness The Cleveland Cavaliers won one for the ages when they came back from a 3-1 deficit to win the NBA Championship. In doing so, they became the first major professional team from the city of Cleveland to win a championship since the Browns won in 1964. There are so many great stories out of the basketball series, including the greatness of LeBron James and the epic story of his departure and return to Cleveland. But wrapped up in that story is the fact that Cleveland never would have won this championship were it not for some instances of forgiveness trumping pride.

    The Break Up and Reconciliation

    There’s no way that I could make up,
    For those angry words I said.
    Sometimes it gets to hurting,
    And the pain goes to my head.

    — Iris Dement, “Sweet Forgiveness”

    James left the Cavs in free agency for the Miami Heat in 2010. He notoriously announced the departure on an ESPN primetime special, outraging many in Cleveland. James, who grew up in northeast Ohio, had brought so much hope to the championship starved area. But now he was walking away. Of course, James had the right to look after his own career. But Cleveland had a right to be heartbroken too, even if the city held him to an impossible standard.

    After James’s “The Decision” special, Cavaliers owner Dan Gilbert posted a letter to the teams’s website. Gilbert referred to the star’s decision as a “cowardly betrayal” and worse. His letter, while angry, also reflected his dedication to the city of Cleveland. Meanwhile, many in the city burned their LeBron jerseys.

    Some people outside the Cleveland area did not understand the animosity. But having lived in Cleveland and experiencing many of the infamous sports heartbreaks there, I understood completely.

    But in 2014, James returned to Cleveland because he wanted to bring a championship to the city. This time, he announced his decision in a heartfelt letter to the fans on the Sports Illustrated website.

    It would have been hard to blame him if he stayed in Miami or went elsewhere, especially after the way Gilbert and some fans treated him. Of course, there were ways it made sense for him to come back. The return would help seal his legacy if he could bring the city a basketball championship. And, yes, Cleveland benefited from the reunion too.

    But in order for him to return, it also took a bit of forgiveness. When there is a breakup, nasty things are said that can make it difficult to reconcile. Even with all of the nastiness and anger, James and Gilbert put that anger aside. And James and the fans somehow found some love and forgiveness. In his Sports Illustrated announcement, he asked, “Who am I to hold a grudge?”

    Championships are built on a lot of things like talent, skills, money, sweat, luck, and effort. But this one also was built on forgiveness.

    Forgiveness in Song

    Sweet forgiveness, dear God above.
    I say we all deserve,
    A taste of this kind of love.

    There are not as many songs about forgiveness as one might expect. The first one that probably comes to mind is Don Henley’s “The Heart of the Matter” because of the way the song repeats the word “forgiveness”: “But I think it’s about forgiveness/ Forgiveness / Even if, even if you don’t love me anymore.” The song about a lover forgiving someone who broke his heart and moving on constitutes one of Henley’s greatest songs.

    Another excellent song about forgiveness is my favorite song by Daniel Johnston, “Don’t Let the Sun Go Down on Your Grievances.” If you are not a fan of Johnston’s unusual voice, a cool version of the song by Clem Snide appears on The Late Great Daniel Johnston: Discovered Covered.

    Johnston based the lyrics of “Don’t Let the Sun Go Down on Your Grievances” on several Biblical phrases in Ephesians 4. His song is both advice about not going to bed angry and encouragement to “keep that chin up.”

    A more appropriate forgiveness song for the occasion is Iris DeMent’s “Sweet Forgiveness.” Like a lot of other forgiveness songs, “Sweet Forgiveness” seems to be about forgiving a lover or former lover. But it mainly is a tribute to the idea of forgiveness.

    In the song, the singer is not the person doing the forgiving but the person being forgiven. The singer recognizes she is not deserving of forgiveness: “There’s no way that I could make up,/ For those angry words I said.”

    Forgiveness often constitutes a first step toward healing. And it does not necessarily need to be earned to be given. That gift may accomplish a lot for the forgiver and the forgiven, because as DeMent sings, forgiveness is a “kind of love.”

    We do not know for sure who first gave forgiveness in Cleveland, whether it was LeBron James, Dan Gilbert, or “the fans.” But forgiveness brought some love and joy. And it was a first step toward a world championship.

    Below is a live version of Susan Tedeschi covering Iris DeMent’s “Sweet Forgiveness,” which first appeared on DeMent’s album Infamous Angel (1993).

    Photo by Austin Bjornholt via Creative Commons. What is your favorite song of forgiveness? Leave your two cents in the comments.

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    New Old Dylan: “Pretty Saro”

    Bob Dylan Pretty Saro Bob Dylan is releasing a new box set in his Bootleg series, Another Self-Portrait, on August 27. The new set includes unreleased recordings made for Nashville Skyline (1969), New Morning (1970), and the much-maligned Self-Portrait (1970). Critic Greil Marcus famously reviewed the latter album, asking “What is this Shit?” But he is much more kind in his review of the new box set, which looks like it might have some gems.

    Rolling Stone premiered one of the songs on the new set, “Pretty Saro.” The song is an old English folk tune dating from he early 1700s. Although through the centuries the song had basically disappeared in England, it was preserved in the U.S. by singers in the Appalachian Mountains. More recently, Iris DeMent recorded the song the 2000 film Songcatcher.

    In “Pretty Saro” the singer finds himself alone away from home. He understands that his love, Pretty Saro, will not have him because he had no land. At the end, he wishes he were a poet who could write her a letter. As he sits by the river, he reveals he dreams of his lost love wherever he goes. In the version used by Iris DeMent, the song ends with the singer wishing he was a turtle dove who could fly back to Saro and lay in her arms.

    Check out the video for Bob Dylan’s version of “Pretty Saro” created by Jennifer Lebeau, who used photos and videos from the Farm Security Administration to accompany the song. Lebeau had also worked on Dylan’s 1994 MTV Unplugged video.

    What do you think of Dylan’s version of “Pretty Saro”? Leave your two cents in the comments.

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