Tom Russell Takes Us Into the “Folk Hotel”

Tom Russell‘s upcoming album Folk Hotel features thirteen original songs and a cover of Bob Dylan’s “Just Like Tom Thumb’s Blues” as a duet with Joe Ely.  One of my favorite albums of the last few years was Russell’s The Rose of Roscrae.  So I’m looking forward to his latest work.

The album features one of Russell’s paintings on the cover.  And one may also buy a lyric book featuring essays, lyrics, and additional paintings.

Uncut describes the new album as “folk-tinged songs about cowboys, Texas, Irish poets, and JFK.” A recent review on No Depression noted that the new album is “a very distinct shift of emphasis back to one man playing guitar and singing songs.”  Heck, Russell even asserts it is his best album to date.

Below is Russell’s promotional video for Folk Hotel. Russell rambles around some stories and then there is a bit of music at the end. Check it out.

Folk Hotel hits stores and the Internet on September 8, 2017.

Leave your two cents in the comments.

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    The Epic Beauty of Tom Russell’s “The Rose of Roscrae”

    I’m a sucker for a good concept album, with albums like Willie Nelson’s Red-Headed Stranger (1975) and Marty Stuart’s The Pilgrim (1999) ranking among my favorite albums of all time. Now, I can add to that list with one of the best albums of 2015, Tom Russell‘s The Rose of Roscrae: A Ballad of the West.

    My friend Sid introduced me to Tom Russell’s music many years ago, and while I have been a fan, his new album really blew me away. Spanning 2 CDs, the ambitious project tells the story of the character of Johnny Dutton, tracing his life from his teenage years in Ireland in the 1880s — when he is chased by the father of his love the Rose of Roscrae — through his travels through the American West, where he becomes an outlaw known as “Johnny-Behind-the-Deuce,” and through other parts of the world.

    Like Nelson’s Red-Headed Stranger and Stuart’s The Pilgrim, Russell’s Rose of Roscrae features a broken-hearted man through troubled times as he seeks redemption, but the album also gives us the point of view of the central woman too. The title song is a haunting ballad that appears in various forms through the saga.

    Russell weaves together an interesting story, including fictional and real-life characters. Although the main character appears to be fictional (even though there was a real-life Johnny-Behind-the-Deuce who inspired a character in a Kevin Costner movie), the story interweaves with real characters, as in the case of Johnny’s redemption through an encounter with Joseph Dutton leading him to a real American Saint, Father Damien.

    The story is told with original songs interwoven with other songs you will already know, including contributions from other artists as well as older recordings. Thus, the album features the voices of Joe Ely, Dave Olney, Jimmie Dale Gilmore, Gretchen Peters, Eliza Gilkyson, Jimmy LaFave, Ramblin’ Jack Elliott, Lead Belly, Johnny Cash, and even the actual voice of Walt Whitman. The second CD gives us more of Rose’s view of events through the beautiful voice of Maura O’Connell.

    Of course, despite the story and the guests, the album would not work if the music did not rise to the occasion, and it certainly does, covering a broad range of styles — including country, Irish, Mexican, and cowboy songs. As in the case of many other concept albums, certain musical themes are repeated throughout the set, so they need to be strong songs that bear repeated listening. Songs like “The Rose of Roscrae,” “She Talks to God,” and “Johnny-Behind-the-Deuce” carry their weight and hold up well beside classic ballads like “Red River Valley.” Another one of my favorites is “Midnight Wine.”

    I first listened to the album on a long car drive, which may be the best way to take in the expanse of the story from beginning to end. I bought it through an Amazon download the day before the trip, but there is a booklet with more about the story that comes with the CD (and unfortunately, unlike other CD’s, there was no digital version of the booklet with the digital purchase).

    In a fair and just world, Tom Russell’s The Rose of Roscrae would be played on radio stations, have high sales, and win Grammy and other music awards. For now, those of us lucky enough to discover the album will just have to thank Russell, who, freed from the pop music culture, could aim for something higher. As AllMusic notes, “This is his masterpiece.” Below is a video where Russell discusses the creation of the concept and the making of The Rose of Roscrae.

    What do you think of “The Rose of Roscrae”? Leave your two cents in the comments.

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