To Rome with Love (Short Review)

to rome with love

Most reviews of Woody Allen’s latest film, To Rome with Love (2012), at some point feel the need to say the latest is not as good as Allen’s success from last year, Midnight in Paris. While it is true that the new film lacks the storyline of its predecessor, To Rome with Love is a light-hearted romp set amidst the beauty of Rome that has many funny moments and is a good summer movie.

In Woody Allen: A Documentary (2011), Allen shows a pile of scrap paper he carries around where he writes notes for ideas to movies. He explains that when it is time to write a new film, he throws the notes down and looks through them. I can imagine him doing that before he made To Rome with Love, finding four stories he liked but that on their own could not sustain a full-length film. Then, I imagine, he hit upon the idea to throw the four tales together into one movie and create To Rome with Love. And Allen being the talented director and writer that he is, he creates a fun and entertaining movie.

To Rome with Love features four stories with separate characters connected only in that they all are in Rome. One story follows an average worker played by Roberto Benigni who suddenly finds himself famous for no reason. In another story, a character played by Allen hears the father of his daughter’s boyfriend singing in the shower and decides to make him famous. In a third tale, a newly married Italian couple become separated in the big city and the husband ends up having to pretend that a prostitute (Penélope Cruz) is his wife. In the fourth story, a character played by Alec Baldwin goes looking for his past and ends up in a story where a young man (Jesse Eisenberg) considers cheating on his girlfriend (Greta Gerwig) with her friend (Ellen Page).

I will not ruin any of the stories, but different people will enjoy different stories more than the others. While I found them all interesting, I could not help thinking that the Baldwin-Eisenberg-Gerwig-Page tale is the one story that might have had a chance to be developed into the centerpiece of film on its own.

Conclusion? If you are looking for a summer romantic comedy with some laughs and wit, check out Woody Allen’s To Rome with Love. As all the critics will remind you, do not expect Midnight in Paris. But do not let that comparison stop you from seeing an entertaining funny film.

Other Reviews Because Why Should You Trust Me?: Rotten Tomatoes reflects shattered Midnight in Paris expectations from many critics and viewers, showing a 45% Critics Rating and a 50% Audience Rating. Mike Scott at the New Orleans Times-Picayune agrees with the low rating and calls the film, “shrug-worthy.” Gary Wolcutt at the Tri-City Herald, though, says the movie works “brilliantly” and gives it 4 1/2 stars. Finally, although the full review is not online for non-subscribers, David Denby of The New Yorker disagrees with many other critics and praises To Rome with Love as “a stronger film” than Midnight in Paris.

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    Midnight in Paris (short review)

    Midnight in Paris Midnight in Paris is a very good light-hearted entry from director Woody Allen and starring Owen Wilson. The film begins with Wilson and his fiance, played by Rachel McAdams, visiting Paris. Wilson is a screenwriter struggling to write his first book. Wilson loves Paris and longs for the literary Paris of the past, and then his desire to live in the past comes true. One night, after he gets lost walking back to his hotel, he ends up back in the 1920s where he encounters F. Scott and Zelda Fitzgerald, as well as other artists from that era. After the night’s adventure, he goes back to his hotel and the twenty-first century, but he plans to visit his friends from the 1920s again the next evening. What will he see and what will he learn from his trips to the romantic 1920s?

    I realize different people have different feelings about films directed by Woody Allen. Some adore most or all of them while others are not fans, perhaps because they feel his life has tainted the films, as in a topic we discussed last week. Critics often like Allen’s films more than viewers, as shown by the current Rotten Tomatoes rating for Midnight in Paris (92% critics; 77% audience). By way of disclosure, I like most of Allen’s films; I love several of them; and there is one that I would probably list among my top twenty films of all time (Crimes and Misdemeanors).

    While it is unfortunate that Allen’s films often have to compete with each other, it it is fair for viewers to consider how a new film ranks within Allen’s canon of films. Considering Midnight in Paris in that context, it is not his best work ever, but it is certainly very good. And, more fairly, considering the comedies usually released during the summer, it is more enjoyable and thoughtful than most of them. The lines are witty, the background is beautiful, the story is interesting, and the movie features fine acting from Wilson in “the Woody Allen role” as well as other actors in the ensemble like Kathy Bates and Marion Cotillard.

    Since Allen has started making several films in cities outside New York, he has used the camera to make these other cities characters in his films the way he once made New York a character in films like Manhattan. And Midnight in Paris certainly makes one desire to walk the streets of Paris and live a rich lifestyle there, beginning with the opening several minutes devoted to various scenes around the city.

    Another feature of Allen’s films is that he often addresses serious themes about life and death, and he does so in Midnight in Paris. For many years Allen has noted that he has been influenced by Ernest Becker’s book The Denial of Death, which is about how our fears affect the way we live. Some of those themes are touched on in this film, as are themes about nostalgia and longing for the past. The themes of nostalgia are reminiscent of Allen’s excellent movie The Purple Rose of Cairo. Although the resolution of these themes in Midnight in Paris is fairly predictable, one may not mind the ride because the journey is so scenic.

    What is your favorite Woody Allen film? Leave a comment.

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