You Only Are What You Believe: 1967 Anti-War Protest and the Year’s Music

Viet Nam war protest D.C. On October 21 in 1967, one of the most significant signs of public disgruntlement with the Vietnam conflict began.  Nearly 100,000 people showed up in D.C. to protest the U.S. role in the war.

The March on the Pentagon to Confront the War Makers started near the Lincoln Memorial, and approximately 50,000 of the protesters then went to the Pentagon, where many remained until October 23 and where some participated in acts of civil disobedience. Author Norman Mailer captured many of the events of the protest in his novel, Armies of the Night.

That year there were other protests around the country, as polls showed that the support for the war had dropped below 50%.  All of those factors led President Lyndon Johnson’s administration to respond with a public relations campaign in support of the war.

But the protest, and complaints after the Tet offensive in early 1968, illustrated that many Americans would continue to raise their voices to end the U.S. involvement in Vietnam.

Music Reflects the Protests Against the War

At the time, one might have noticed from the music that something was in the air. The year 1967 began with the Rolling Stones appearing on The Ed Sullivan Show in January.  At the show’s request, the band famously changed the title lyrics of “Let’s Spend the Night Together” to the less sexy “Let’s Spend Some Time Together.” But by September, the Doors appeared on the same show after also agreeing to alter the lyrics to their song, “Light My Fire.” But Jim Morrison captured the growing youth rebellion by going ahead and singing the offending line “Girl we couldn’t get much higher.”

In other 1967 music news, Buffalo Springfrield released “For What It’s Worth” in January. In February, Aretha Franklin recorded “Respect.” In March, the Who performed for the first time in the U.S. In June, the Beatles released Sgt. Pepper’s Lonely Hearts Club Band.

Also in June, the Monterey Pop Festival brought young people together to hear such artists as Janis Joplin, Jimi Hendrix, and Otis Redding.  Redding soon would write and record “(Sitting on) the Dock of the Bay.”

John Lennon in How I Won the War

Then, on October 18, three days before the Washington protest, the first issue of Rolling Stone magazine came off the presses with a cover photo of John Lennon from the film How I Won the War.  The film was a comedy where Lennon first appeared with his famous round glasses.

Phil Ochs Declares the War is Over

Of course, there was music at the protest in D.C. too. One of the performers at the protest was Phil Ochs. He performed his recent song that imagined a future without the war, “The War is Over.”

In the song at the protest, Ochs proclaimed “This country is too young to die,” so “I declare the war is over.” He concludes, “You only are what you believe.”

Below is a video of a different live performance of “The War is Over.”

The U.S. eventually withdrew its troops from Viet Nam, but it would be nearly six more years before the war was actually over for the U.S. soldiers and their loved ones at home.

Photo via public domain.

What is your favorite music or event from 1967? Leave your two cents in the comments.

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    Not a Liar or a Hypocrite: Gore Vidal vs. Norman Mailer

    Gore Vidal on Dick Cavett with Norman Mailer

    I was sad to hear that author, playwright, commentator, etc. Gore Vidal passed away Tuesday from complications from pneumonia. Vidal was a rare breed who was able to be intellectual, thought-provoking, controversial, and a celebrity all at the same time. Popular culture often takes the easy well-worn path down to a common denominator, but Vidal was able to be both smart and entertaining, whether one agreed with him or not.

    I have enjoyed several of his books, including his historical novel Lincoln and his collection of fascinating essays in United States. But when I heard he died, my first thought was of his famous feud with Norman Mailer that was brilliantly captured in December 1971 on The Dick Cavett Show. It was an exchange between two men you would not expect to see on television today. Several years ago, Slate even suggested the confrontation be made into a play.

    Mailer was drunk and had head-butted Vidal in the green room before the appearance as revenge for Vidal’s negative book review of Mailer’s Prisoner of Sex. In the review, Vidal wrote that Mailer — along with Henry Miller and Charles Manson — were part of “a continuum in the brutal and violent treatment of women.” Mailer took the criticism as a reference to an incident where he was arrested in 1960 for stabbing his wife with a penknife. The two writers continued the argument in front of the audience with Cavett and writer Janet Flanner in the middle. . .

    Well, okay, it is a little like reality TV, but with two great writers and intellectual giants of their generation. Note that after Mailer called Vidal a “liar and a hypocrite,” he then pointed to Vidal’s reference to the wife-stabbing. Vidal responded with great wit, “But that wasn’t a lie or a hypocrisy.” Ouch.

    And we are still talking about it decades later, as Cavett wrote about the interview in a 2007 essay about the experience in The New York Times. In the article, Cavett noted that both Vidal and Mailer returned to his show again, but he never had them on the same show again. Although the two writers never became great friends, they did not remain enemies. Mailer later explained, “We pass, and like two old whores on the street, say ‘Still at it, Norm?’ ‘Yep. Still at it, Gore?’ ” Unfortunately for us, neither man is still at it, but we can still read and debate their stories and their ideas, and that is not a bad legacy. RIP Mr. Vidal.

    Who do you think wins the exchange? Leave your two cents in the comments.

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