The Heroic Death of Folksinger Victor Jara

Victor Jara's Death

On September 16, 1973, Chilean singer-songwriter and political activist Victor Jara was killed. According to one source, the killing took place in a stadium before a large crowd of prisoners being held by the military after a coup.  Before his brutal death, Jara had one final act of courage and heroism.

The 1973 Coup and Taking of Prisoners

Jara had supported Salvador Allende, who had been elected president of Chile in 1970. But the Chilean right wing used the military to stage a coup d’état against the popularly elected Marxist on September 11, 1973.

Allende allegedly killed himself rather than surrender (although some argue he was murdered).  But many of Allende’s supporters were taken prisoner, including Jara.  You may see Jara below performing a few months earlier in a July 1973 TV show.

Jara’s Defiant Death

After the arrest, Jara and about 6,000 others were taken to the Santiago boxing stadium, according to Chilean journalist Miguel Cabezas. Jara tried to help the other prisoners who were kept in the stands.  But when the prison camp commander recognized the singer, he had Jara taken to a table in the center of the arena for everyone to see.

Officials had Jara place his hands on the table. Then, with an ax they cut off the fingers of both of Jara’s hands. The officer beat Jara, screaming, “Now sing, you motherf***er, now sing.”

Jara rose up from the blows and went to the edge of the bleachers. To the horrified crowd, Jara said, ‘All right comrades, let’s do the senor comandante the favor.’ He lifted his bleeding hands, leading the crowd in singing the anthem of Unidad Popular, the party of Allende.

Officials opened fire, and Jara’s body fell dead. [July 2015 Update: Below is a documentary about Jara’s life for those who understand Spanish (the version with English subtitles is no longer available).]

Other versions recounting Jara’s death tell a slightly different story.  Reportedly, he was tortured in a basement for several days.  From the torture, he had a swollen face.  And his fingers that used to play guitar were fractured by the butt of a rifle.  A low-ranking officer then spun the chamber of a revolver, pulled the trigger, and killed Jara in a round of Russian roulette.

No matter how Jara died, his life is worth remembering.  And whether or not he actually led others in a rebellious song before his death, the story symbolizes where he stood on the side of history.

World Leaders and the Coup

Scholars still debate how much of a role the U.S. played in the Chile coup. President Richard Nixon feared the success of a socialist elected official in South America who was friends with Cuba’s Fidel Castro. Thus, the U.S. imposed economic sanctions on Chile that at a minimum contributed to the circumstances of the coup.

Nixon, however, would be out of office in less than a year in August 1974, resigning in disgrace. In Chile, General Augusto Pinochet would hold power much longer, remaining as president until 1990 and in other official offices for almost a decade after that.

Pinochet’s last years, though, were spent facing charges related to human rights violations.  He died in 2006 without being convicted for any of his crimes. But legal action continued against others involved in Jara’s murder.  Update: Several former Chilean military officers have been charged in the murder of Jara.  And in June 2016, a Florida jury found a former Chilean army officer liable for the torture and murder Jara.  The jury awarded $28 million in damages to Jara’s widow and daughters.

Jara’s Legacy Continues

As tyrants fall away, history remembers the heroes and the martyrs. The military burned many of Jara’s master recordings, but Jara’s wife Joan Jara took some recordings out of the country.

American folksinger Phil Ochs, who had met Jara in Chile, was devastated by the killing.  He helped organize a memorial fundraiser called “An Evening With Salvador Allende” in New York in 1974. The same year, a Soviet astronomer named an asteroid after Jara.

Others paid tribute to Victor Jara, including Pete Seeger. Toronto band Apostle of Hustle recorded a song “Fast Pony For Victor Jara” for their 2007 CD U King. (Thanks to Robert Lawson for telling me about the band.) In 2008, Calexico released the song “Victor Jara’s Hands” on the album Carried to Dust. (Thanks to Rich Wagner for pointing me to the song.)

Arlo Guthrie also wrote and recorded a tribute to the singer-activist with the song, “Victor Jara,” from the 1976 album Amigo.  Guthrie wrote the music and Adrian Mitchell provided the lyrics with each verse focusing on Jara’s hands that officials would break. (Thanks to Bill Waldron for alerting me to Guthrie’s song.)

He sang about the copper miners,
And those who worked the land;
He sang about the factory workers,
And they knew he was their man;
His hands were gentle, his hands were strong.

Jara also appears in U2’s song “One Tree Hill” from the band’s 1988 album The Joshua Tree.  Bono wrote the song in memory of his friend Greg Carroll but the song also refers to Victor Jara:  “Jara sang, his song a weapon in the hands of love / You know his blood still cries from the ground.”

More recently, when Bruce Springsteen performed in Santiago, Chile in September 2013, he performed Jara’s song “Manifesto” in Spanish.

Springsteen introduced the song, saying “If you are a political musician, Victor Jara is still a great inspiration. It’s an honor to be here and I take it with humility. Victor Jara is alive.”

Here is a link to an interesting interactive timeline of the coup, but if you are reading this post on a mobile device, note that it uses a lot of data. Leave your two cents in the comments.

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    Three Missing Civil Rights Workers in 1964 Mississippi

    Missing Civil Rights Workers On June 21, 1964, three civil rights workers traveling in Mississippi disappeared. James Chaney, Andrew Goodman, and Michael Schwerner had been working in the state as part of efforts by the Congress of Racial Equality (CORE) to do civil rights work and help register African-Americans to vote.

    Goodman and Schwerner had originally traveled from New York and were working with Chaney, a young black man who lived in Mississippi. One afternoon, after the three were driving back from investigating a church burning, Deputy Sheriff Cecil Price arrested them.  The sheriff arrested the driver Chaney for speeding, and he arrested the passengers for “investigation.”

    The sheriff took the three men to jail, where they were booked by 4:00 p.m.  Late at night after almost seven hours at the jail, the three were released.  Then, they disappeared.

    Disappearance & Discovery

    The disappearance of the three men created a national outcry, focusing attention on what was going on in many places in the South. Others previously had disappeared and been murdered. But this case likely garnered more attention because two of the civil rights workers were white.

    Below is a 1964 NBC News Special Report about the disappearance that occurred during Freedom Summer. The show aired on television while the men were missing and before their bodies were found. As you can see, after the three disappeared, some white officials argued that the missing men were pulling a publicity stunt.

    More than a month later on August 4, 1964, FBI officials found the remains of the three men buried in an earthen well. Goodman and Schwerner were each shot in the heart, while Chaney had been beaten and shot several times.

    Investigators concluded that after authorities released the three civil rights workers from jail, KKK members pulled over the car. Then, the KKK members shot and killed the three men and also beat the African-American Chaney.

    The murders had been planned and organized while the three men were held in jail.  And, in fact, the KKK had been tracking Schwerner’s activities in the South for some time.

    The country focused its attention on the murder, the investigation, and numerous other instances of violence during Freedom Summer. This national attention energized the civil rights movement, and helped bring about some changes.

    “Here’s to the State of Mississippi”

    The investigation into the case also affected pop culture. For example, the crime inspired a fictionalized account of the events in the movie Mississippi Burning (1988), starring Gene Hackman.

    The murders also inspired singer-songwriter Phil Ochs to write one of his most controversial songs, “Here’s to the State of Mississippi.” Ochs came up with the idea for the song while he was traveling through Mississippi to promote voting registration with the Mississippi Caravan of Music.

    During that trip, Ochs encountered threats firsthand and also learned about the discovery of the bodies of Chaney, Goodman, and Schwerner. As a result, Ochs wrote one of his most scathing songs, indicting the state of Mississippi as a proxy for the perpetrators of racial violence.

    Oh, here’s to the land
    You’ve torn out the heart of,
    Mississippi find yourself
    Another country to be part of.

    According to Michael Schumacher’s excellent 1996 biography of Ochs, There But for Fortune: The Life of Phil Ochs, some of Ochs’s friends criticized the song for attacking Mississippi so directly. They told Ochs that he was wrong to single out a single state because racism flowed across all states, including ones in the North.

    Also, some blacks in Mississippi reminded Ochs that they were a part of Mississippi too. But Ochs believed it was his obligation to report what he saw.

    Quest for Justice

    While the murders motivated many people to work for change, it took longer for the state of Mississippi to accomplish some individual justice. In 1967 a federal court jury convicted several men of conspiracy for their involvement in the murders.  But Mississippi did not convict anyone for the crime until June 21, 2005 — the 41st anniversary of the day the three young men disappeared.

    On that date in 2005, a Mississippi jury convicted white supremacist Edgar Ray Killen of three counts of manslaughter. Killen was sentenced to sixty years in prison.

    Although authorities did not believe Killen did the actual killing, they thought he was a significant organizer of the murders. It had been the policy of the KKK for organizers and leaders to avoid actual killing.

    The 88-year-old man lost his appeal in November 2013.  He subsequently has said little about the murders.

    It is too bad that Phil Ochs, who passed away in 1976, was not around to see the conviction. I wonder what type of songs Ochs would write if he were still alive. And I also wonder what the three brave men who were killed in 1964 would think of our country today.

    Photo of FBI poster via public domain.

    Leave your two cents in the comments.

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    Wander in My Words: Neil Young Releases Record of Covers

    Neil Young A Letter Home Neil Young is releasing A Letter Home, an album of cover songs from artists like Bob Dylan, Willie Nelson, Bruce Springsteen, and Gordon Lightfoot. For Record Store Day, Young’s album in vinyl form is already available for order from Third Man Records. The independent record label was founded by musician-singer-songwriter Jack White, who helps out on Young’s new album.

    Rolling Stone reports that the songs on the new album are: 1. “Changes” (Phil Ochs); 2. “Girl From The North Country” (Bob Dylan); 3. “Needle of Death” (Bert Jansch); 4. “Early Morning Rain” (Gordon Lightfoot); 5. “Crazy” (Willie Nelson); 6. “Reason To Believe” (Tim Hardin); 7. “On The Road Again” (Willie Nelson); 8. “If You Could Only Read My Mind” (Gordon Lightfoot); 9. “Since I Met You Baby” (Ivory Joe Hunter); 10. “My Hometown” (Bruce Springsteen); 11. “I Wonder If I Care As Much” (Everly Brothers).

    Young has played several of these songs in concert, but many of them have yet to appear live. One of the songs I am most excited about is Young’s interpretation of “Changes,” by the great Phil Ochs. The classic song is one that Young has performed live, and below is his performance of the song at Farm Aid in 2013 in Saratoga Springs, New York. The video starts at the point Young starts playing the song, but you can back it up a little if you want to hear him talk more about Ochs and then get angry at the audience for trying to rush him.


    Which Neil Young cover do you most want to hear? Leave your two cents in the comments.

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    You Only Are What You Believe: 1967 Anti-War Protest and the Year’s Music

    Viet Nam war protest D.C. On October 21 in 1967, one of the most significant signs of public disgruntlement with the Vietnam conflict began.  Nearly 100,000 people showed up in D.C. to protest the U.S. role in the war.

    The March on the Pentagon to Confront the War Makers started near the Lincoln Memorial, and approximately 50,000 of the protesters then went to the Pentagon, where many remained until October 23 and where some participated in acts of civil disobedience. Author Norman Mailer captured many of the events of the protest in his novel, Armies of the Night.

    That year there were other protests around the country, as polls showed that the support for the war had dropped below 50%.  All of those factors led President Lyndon Johnson’s administration to respond with a public relations campaign in support of the war.

    But the protest, and complaints after the Tet offensive in early 1968, illustrated that many Americans would continue to raise their voices to end the U.S. involvement in Vietnam.

    Music Reflects the Protests Against the War

    At the time, one might have noticed from the music that something was in the air. The year 1967 began with the Rolling Stones appearing on The Ed Sullivan Show in January.  At the show’s request, the band famously changed the title lyrics of “Let’s Spend the Night Together” to the less sexy “Let’s Spend Some Time Together.” But by September, the Doors appeared on the same show after also agreeing to alter the lyrics to their song, “Light My Fire.” But Jim Morrison captured the growing youth rebellion by going ahead and singing the offending line “Girl we couldn’t get much higher.”

    In other 1967 music news, Buffalo Springfrield released “For What It’s Worth” in January. In February, Aretha Franklin recorded “Respect.” In March, the Who performed for the first time in the U.S. In June, the Beatles released Sgt. Pepper’s Lonely Hearts Club Band.

    Also in June, the Monterey Pop Festival brought young people together to hear such artists as Janis Joplin, Jimi Hendrix, and Otis Redding.  Redding soon would write and record “(Sitting on) the Dock of the Bay.”

    John Lennon in How I Won the War

    Then, on October 18, three days before the Washington protest, the first issue of Rolling Stone magazine came off the presses with a cover photo of John Lennon from the film How I Won the War.  The film was a comedy where Lennon first appeared with his famous round glasses.

    Phil Ochs Declares the War is Over

    Of course, there was music at the protest in D.C. too. One of the performers at the protest was Phil Ochs. He performed his recent song that imagined a future without the war, “The War is Over.”

    In the song at the protest, Ochs proclaimed “This country is too young to die,” so “I declare the war is over.” He concludes, “You only are what you believe.”

    Below is a video of a different live performance of “The War is Over.”

    The U.S. eventually withdrew its troops from Viet Nam, but it would be nearly six more years before the war was actually over for the U.S. soldiers and their loved ones at home.

    Photo via public domain.

    What is your favorite music or event from 1967? Leave your two cents in the comments.

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    The Tragic Heroism of Curt Flood and Phil Ochs

    Curt Flood

    Scenes of my young years were warm in my mind,
    Visions of shadows that shine.
    Til one day I returned and found they were the
    Victims of the vines of changes.
    — Phil Ochs, “Changes”

    Most movies about heroes usually end in triumph with the hero accomplishing great things, making the feats seem easy in retrospect once you see the result. But if it were easy to be a hero, there would be nothing unique about those who sacrifice in an attempt to change the world. Two recent documentaries remind us that there is a real risk and cost to attempting to accomplish something great. One film, The Curious Case of Curt Flood (2011), is a new HBO documentary about the baseball player who attempted to break baseball’s reserve clause. The other movie, released on DVD this July 2011, is Phil Ochs: There But for Fortune (2010), telling the story of the activist and folk-singer. Both stories remind us that standing up for one’s beliefs has costs.

    The Curious Case of Curt Flood follows HBO’s tradition of creating outstanding sports documentaries, although much of Curt Flood’s story is not about athletic prowess. Curt Flood had been a star center fielder with the St. Louis Cardinal when the team opted to trade him to the Philadelphia Phillies after the 1969 season. At the time, players were limited by a reserve clause in their contracts that gave them no say about where they played. Flood wanted to change that, and he decided to sue Major League Baseball in a case that eventually went to the U.S. Supreme Court.

    The Curious Case follows Flood’s suit and Flood’s life as you see how much he gave up by foregoing his baseball career to pursue what he saw as a basic human right of not being controlled by one’s employer. At the time, other players were afraid to support him openly, and many in the public viewed Flood’s actions as showing a greedy ballplayer. But with candid interviews from people like Flood’s former teammate Bob Gibson, the film shows not only how Flood was a hero but how much he sacrificed as his life spiraled downward into alcoholism and other troubles after he made the decision to stand up for what he believed.

    Phil Ochs There But for the Fortune Phil Ochs sang and stood for a number of issues during the 1960s and 1970s. He never achieved the success of his contemporary Bob Dylan, but he will always be a hero to members of the anti-war and civil rights movements. Phil Ochs: There But for Fortune has interviews with Ochs’s family members, anti-war activists, other singers (but no Dylan), and recordings from Ochs himself. There are a number of videos of Ochs talking and singing that I had never seen before, and it was a revelation for me to see him throughout all stages of his career.

    The Ochs film is excellent, although there is a sadness that hangs over the tale even from the beginning. In retrospect, perhaps it is because we know how long it took for the Vietnam war to end or because of a sense of how Ochs’s life would end. Like Flood, Ochs was a victim of both his own flaws and of flaws in American society.

    While a lot of people will know the stories of these two men, I suspect that many more are merely familiar with a one- or two-sentence biography of each and will learn a lot from these films. Both are excellent documentaries about two flawed men who reached for the stars and are heroes even if they fell short of their goals. The Curious Case of Curt Flood and Phil Ochs: There But for Fortune are two stories everyone should know. And they are two reminders of why so few people aspire to be heroes in the real world.

    If you’d like more information, HitFlix has a good review of the Curt Flood film, and The Huffington Post has a good review of the Ochs film. Curt Flood photo via HBO.

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