Todd Packer Looks Back on “The Office”

Todd Packer The Office

While The Office continues its march to its final episode, this week’s episode “Livin’ the Dream” featured Andy Bernard (Ed Helms) singing a surprisingly touching “I Will Remember You” to say goodbye to his friends at Dunder Mifflin, although the emotion of the moment is later countered by Andy taking a dump on David Wallace’s car. For a limited time, you can capture the full episode on NBC (Andy’s song starts around the 34-minute mark). Otherwise, you can catch the original “I Will Remember You” by Sarah McLachlan on YouTube. Maybe Andy’s song moved me because anytime I hear a Sarah McLachlin song I now thing of poor suffering animals.

Anyway, the special hour-long The Office episode had some touching moments that seem to be setting up the end of the series on May 16. While I could speculate and make predictions, as a long-time fan I just want to enjoy the final ride. But we do now know that Michael Scott (Steve Carell) will not return for the finale (May 5, 2013 Update: Maybe we don’t know, as TVLine is now reporting Carell will make a cameo in the finale).

In past episodes, one character we could be sure would not give us a touching moment was Michael Scott’s friend Todd Packer, who has two thumbs and was the subject of another episode that featured excrement. As we noted in an earlier post, NBC’s website is featuring short videos of former regular guest stars on The Office looking back on their time on the show. In this video, David Koechner, who played the obnoxious Todd Packer, talks about the fun he had on the show: “It is a play, so let us play.”

[December 2014 Update: The NBC interview video is no longer available for embedding, but you may watch it on YouTube or instead below you may watch one of Koechner’s classic appearances on The Office.]

Like many of the characters in the American version of the The Office, Packer is based on a character from the original British version of the series, Chris Finch, who was played by Ralph Ineson.

What is your favorite Todd Packer moment on “The Office”? Leave your two cents in the comments.

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    Time After Time: From Alt-Rock American Idol to Miles Davis

    This week on American Idol, Colton Dixon did a good job covering Cyndi Lauper’s “Time After Time” from She’s So Unusual (1983).

    After he sang, he graciously noted that he did not deserve all the credit for his reinterpretation because he took much of it from the band Quietdrive. If you’re not familiar with the group, the band is an alt-rock group from Minneapolis that formed in 2002 and has released several albums. Here is their interpretation of “Time After Time,” which was in the soundtrack for the 2006 film, John Tucker Must Die.

    “Time After Time” is one of those songs that seems like it has been around forever and lends itself well to covers. I suspect most people are like me and prefer Lauper’s original above all others. I was fortunate to see her perform the song in a small club in Cleveland before “Girls Just Want to Have Fun” took her to superstar status. While she will always be most associated with “Girls,” it is “Time After Time” that probably will always be covered by other artists. Some of the versions of the song are by Eva Cassidy, Matchbox Twenty, and Sarah Mclachlan. One of my favorite interpretations is by Miles Davis.

    “Time After Time” is timeless.

    What is your favorite version of “Time After Time”? Leave your two cents in the comments.

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    3 Depressing Holiday Songs

    Pogues Christmas There are numerous places to go for happy holiday songs about snowmen, toys, and good cheer. But the holidays are often a depressing time of year for many, in part, because the songs and movies create such high expectations of perfection in our lives. So, to counter those expectations, here at Chimesfreedom we revisit three of the best depressing holiday songs, brought to you by Tom Waits, Joni Mitchell, and the Pogues. Because these songs lower one’s expectations, maybe they provide a source of joy for this time of year better than some of the syrupy happy songs.

    Christmas Card from  a Hooker in Minneapolis

    The title of Tom Waits’s song, “Christmas Card from a Hooker in Minneapolis” sums it up. The song starts off with “Silent Night” to give the Christmas setting of the song, and then the “hooker” describes her life to Charley. She spins a tale about a husband and her memories, but at the end she confesses:

    I don’t have a husband
    He don’t play the trombone
    And I need to borrow money
    To pay this lawyer
    And Charley, hey
    I’ll be eligible for parole
    Come Valentines day.

    Then the singer goes back into “Silent Night,” evoking the hidden sadness that underlies that melancholy song, which is about the birth of a savior born into a fate of suffering. If you are not a Tom Waits fan, I realize his voice takes a little getting used to, but his gravely voice highlights the sadness of this tale.

    The River

    From the first notes of the piano introduction to “The River,” on both Joni Mitchell’s original and Sarah McLachlan’s cover, you know you are in for a depressing song even if the initial notes are from the happiest of holiday songs, “Jingle Bells.” Like the two other songs here, “The River” begins by setting the scene for Christmas: “It’s coming on Christmas/ They’re cutting down trees / They’re putting up reindeer / And singing songs of joy and peace.”

    But then, the song centers on memories of a failed relationship. “Now I’ve gone and lost the best baby / That I ever had /Oh I wish I had a river /I could skate away on.”

    I love the Joni Mitchell version of “The River.” Since this post was originally published, Mitchell finally released her first official video for the song in 2022. Check it out below.

    Sarah McLachlan’s version may be even more well known, and it is outstanding too. So here is the McLachlan version of “The River.” But you are warned. It is depressing.

    Fairytale of New York

    The Pogue’s “Fairytale of New York” (1987) is probably my favorite depressing holiday song.  Jem Finer and Shane MacGowan wrote the song, which features MacGowan singing lead and trading vocals with featured British singer Kirsty MacColl.  Interestingly, when the Pogues began recording the song, MacGowan sang the male and female parts.  But record producer Steve Lillywhite suggested his wife Kirsty MacColl create guide vocals for the song, and the band realized she was perfect to use for the parts of the wife in the song.  MacGowan re-recorded his vocals to go with MacColl’s recording, so the two never actually sang together in the studio.

    Despite the depressing lyrics, the joyous Irish tune lifts my spirits, in much the same way we find joy in other sad holiday stories like “Blue Christmas.” You know it is not a typical Christmas song from the first line: “It was Christmas Eve babe/In the drunk tank.” The singer then turns to memories of his “Queen of New York City” as he “can see a better time/When all our dreams come true.”

    Then the band kicks in and the song features an exchange between a couple who are down on their luck.  They reflect on their hope in coming to America (“They got cars big as bars / They got rivers of gold”), tinged with dashed dreams (“But the wind goes right through you/It´s no place for the old”).

    The couple fight and curse each other.   They exchange several barbs, referring to “an old slut on junk” with the holiday wish, “Happy Christmas your arse/ I pray God it’s our last.”  I have read a few different interpretations of what is going on in the song — whether it is a current relationship or a past relationship.  Despite the broken dreams of the song (“You took my dreams from me”), I like to think the song ends with a tiny sparkle of hope, “Can’t make it all alone/ I’ve built my dreams around you.”

    Finally, we’re pulled back to the police station and the drunk tank,

    The boys of the NYPD choir
    Were singing “Galway Bay”
    And the bells were ringing out
    For Christmas day

    Beautiful.

    Bonus Video Information: Recognize the police officer at the beginning of this video? He’s Matt Dillon.

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