Gary Cooper’s Three Oscars

Gary Cooper Oscar

On May 7, 1901, Frank James Cooper was born in Helena, Montana. After some work as a salesman and promoter, he started working as an actor in 1925, changing his first name to Gary when he signed a contract with Paramount. Reportedly, a casting director suggested the new name after her tough hometown of Gary, Indiana.

Gary Cooper went on to star in many memorable films including Mr. Deeds Goes to Town (1936), Meet John Doe (1941), Pride of the Yankees (1942), For Whom the Bell Tolls (1943), and The Fountainhead (1949). Cooper was nominated for the Best Actor Oscar and lost for Mr. Deeds Goes to Town, Pride of the Yankees, and For Whom the Bell Tolls.

Cooper’s First Best Actor Oscar

He received the Best Actor Oscar twice. First, he won the honor in 1942 for Sergeant York (1941).

Sergeant York features a terrific performance, even if some note that Hollywood may have been motivated to honor the World War I film about a pacifist becoming a soldier to encourage Americans to sign up to fight in the new war. Below is the trailer.

Cooper’s Second Oscar & The Meaning of High Noon

More than a decade later, he won the Best Actor Oscar for High Noon (1952), the last time he was nominated for Best Actor. It is hard to pick a favorite Gary Cooper movie, but I am not sure anything tops High Noon (1952).

We liked Cooper as a hero.

At the 25th Academy Awards in 1953, Cooper was filming another movie in Mexico and was ill.  So, John Wayne accepted the award for him.

Below, actress Janet Gaynor announces Cooper’s win, and Wayne accepts the statue.

Interestingly despite Wayne’s joke wondering why he did not get the High Noon role, Wayne reportedly did not like the movie. There are various theories about why, but Garry Wills in John Wayne’s America explained that Wayne thought the movie ended on a note of disrespect for the law when Cooper dropped his badge in the dirt at the end.

Like Wayne, a number of people found political messages in High Noon. Some suspected High Noon had a “leftist” message. By contrast, though, others believed the script, written by Carl Foreman, who would later be blacklisted, was not sending a left-wing message but exploring the way people had cowered to the bully Sen. Joe McCarthy.

Other viewers find in High Noon a conservative message about how one man has to stand up when the justice system breaks down. Or they find an allegory about the Cold War. In Bright Lights Film Journal, Prof. Manfred Weidhorn summed up the contrasting theories about the movie, saying “High Noon, bristling with ambiguity, is a veritable Rorschach test.”

But High Noon is deep down a great movie, however you want to interpret any messages about the man (and his wife) standing up to the bad guys. And maybe the possibility of so many interpretations adds to its American character.

Many years ago when I was in college in the pre-Internet days and had some friends visiting from Sweden, I took them to a revival theater to see High Noon.  I thought it was a wonderful example of an American movie, or at least of an example regarding how Americans see themselves.

Another former actor, Ronald Reagan, recognized how the movie remained in America’s consciousness decades later. He invokes the movie in this clip, discussing what it was like for a Republican to be in Democratic territory.

Cooper’s Third Oscar

Nearly a decade after High Noon, Cooper would be awarded a third and final Oscar. In April 1961, the Academy gave Cooper a Lifetime Achievement Oscar for his great career.

Cooper again could not accept the award.  But this time, unknown to many, it was because of a serious illness.

When viewers saw Cooper’s friend Jimmy Stewart give an emotional speech at the Oscars, though, they realized Cooper was not well. The news soon came out that Cooper was suffering from prostate cancer.  He died one month later on May 13, 1961, leaving behind a collection of great films that would be the envy of any actor.

What is your favorite Gary Cooper movie? Leave your two cents in the comments.

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    War Horse (Short Review)

    War Horse Consider the movie poster on the right as well as the name of the movie. You can tell that a horse is going to play a big part in the movie, as is a war. Animal movies and war movies usually mean one thing: this movie is designed to tug at your heartstrings and maybe make you cry. Throw in that the movie was directed by Steven Spielberg, and you already know whether or not you are going to like this movie without me saying anything. So, if you think you will like a movie about a horse with war scenes, then go buy your ticket.

    That said, for those of you still reading, I will add a little more to say that I enjoyed the movie and it lived up to my expectations as someone who likes both animal movies and war movies. Although the film seems a little formulaic and predictable at times, the film gradually draws you into the story.

    It is difficult to build a story around an animal where the animal changes hands among different owners. The people we care about continue to change, and that we do not have two hours with any character besides the horse. But War Horse does a good job of keeping your interest as the horse travels through different owners in different situations, and it is all tied together as we also periodically follow the original owner (Jeremy Irvine in his first film role) through the movie’s conclusion. The structure of the film reminded me of Anthony Mann’s excellent western, Winchester ’73 (1950), a Jimmy Stewart movie that followed a rifle through various hands. That movie used the device effectively, and Spielberg does so here too.

    If I had one complaint about the movie it would be that it is hard to believe that in a war where more than 8 million horses died there were so many decent people appearing as often as they did throughout the movie. Such portrayals may reflect that War Horse started off as a children’s novel by Michael Morpurgo, who unlike the film told the story from the horse’s point of view. At the same time, I do not mind that Spielberg often comes along with a film to challenge my cynical view of the world.

    Finally, I also enjoyed the film because there are too few movies about World War I. The paltry pickings may be because World War I is so far in the past without a clear storyline (unlike World War II) and because American audiences may be less interested in a war that occurred off American shores (as compared to the Civil War). It is a shame that movie makers have not delved more into the Great War. Spielberg does a good job with the war scenes to capture the horrors of trench warfare and the horrendous battle conditions of this war that straddled old and new technologies, using both horses and tanks. The film also works in a nod to one of the most amazing stories of the real war.

    Still, there are some good DVDs to rent if you wish to watch more about World War I. There are a few good documentaries on World War I available on DVD, including The Complete Story: World War I and World War I in Color (both available on Netflix as well as at the Amazon links). Some other classic films of the war include Sergeant York (1941) with Gary Cooper, Paths of Glory (1957) with Kirk Douglas, Lawrence of Arabia (1962) with Peter O’Toole, All Quiet on the Western Front (1931), and Joyeux Noel (2005). Now we can add War Horse to the list.

    The story is also a play on Broadway, which Saturday Night Live re-imagined (but unfortunately the video is no long available).

    Bonus Reviews Because Why Should You Listen to Me? Currently, Rotten Tomatoes has a critic rating and audience rating both at 77% for War Horse. Film & Felt did not like the film, concluding that the movie “hammers you over the head with sap.” By contrast, QNetwork.com liked the film, giving it 3.5 stars and calling War Horse, “an ambitious, anthological portrait of both the devastation of war and the potential for human decency.”

    What did you think of War Horse? Leave your two cents in the comments.

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