How a Don McLean Song (Maybe) Inspired “Killing Me Softly with His Song”

Roberta Flack Killing Me Softly

Roberta Flack had a number one song with “Killing Me Softly with His Song” in 1973. Two decades later, The Fugees brought the song to a new generation when they covered it on the album The Score (1996) with lead vocals by Lauryn Hill. A song being recorded two decades apart is not that unusual, but there are some other interesting aspects about the origins of “Killing Me Softly with His Song.”

One relatively unique feature of “Killing Me Softly with His Song” is that it is a song about a song.  But that underlying song is unnamed as the singer recounts hearing another singer that deeply affects her.

Another unique aspect of “Killing Me Softly with His Song” is that the story is somewhat true. It reportedly was inspired by another song by singer-songwriter Don McLean. But before we get to McLean’s song, below is Roberta Flack’s hit version of “Killing Me Softly with His Song.”

Songwriter Lori Lieberman

Although there is some debate about the origins of “Killing Me Softly with His Song,” the song was written by Charles Fox with lyrics by Norman Gimbel. Most agree, though, that Gimbel collaborated in some way with Lori Lieberman in writing the lyrics.

Lieberman maintains that many of the lyrics were inspired by her reaction to hearing Don McLean perform one of his songs. In “Killing Me Softly,” the singer recounts an unnamed man singing a revealing song: “I felt all flushed with fever / Embarrassed by the crowd / I felt he had found my letters / And read each one out loud.”

Strumming my pain with his fingers,
Singing my life with his words,
Killing me softly with his song,
Killing me softly with his song,
Telling my whole life with his words,
Killing me softly with his song
.

Lori Lieberman recorded “Killing Me Softly with His Song” in 1971. Subsequently, Roberta Flack heard Lieberman’s recording while flying between New York and Los Angeles. When Flack heard the song, she was so moved that she immediately wanted to record it herself.

Below, Lieberman performs “Killing Me Softly” on The Mike Douglas Show in 1973.

Don McLean’s “Empty Chairs”

What was the song that a singer sang as if knew the listener “in all my dark despair”? As Lieberman explains in the above video starting at around the 3:30 mark while actor Tony Curtis holds her guitar, “Killing Me Softly with His Song” was inspired by her reaction to hearing Don McLean’s song, “Empty Chairs.”

Lieberman first heard McLean singing “Empty Chairs” at the Troubadour in Los Angeles, and it affected her deeply. McClean’s song is about a person remembering a lover who left the singer alone.

And I wonder if you know,
That I never understood
That although you said you’d go,
Until you did, I never thought you would

Here is Don McLean performing “Empty Chairs.”

Lieberman states that after attending a Don McLean concert, she discussed her feelings in response to the singer’s performance of “Empty Chairs.”  She explained, ” I felt exposed – as though he were singing about me and my life.”

According to Lieberman, she then wrote a poem about her feelings and shared it with songwriter Norman Gimbel, who worked it into a song by making a variation on a title he already had, “Killing Me Softly with the Blues.” Gimbel and Lieberman discussed more about Lieberman’s experience and the lyrics.  Then, Gimbel went to the home of Charles Fox, who worked on the music for the song.

On Don McLean’s website, the man most famous for songs like “American Pie” and “Vincent” features a 1973 Daily News article about his connection to “Killing Me Softly with His Song.” McLean is quoted about being “amazed” and “humbled” when he learned that he had inspired “Killing Me Softly with his Song.”

Other Variations On the Story

One of the writers of “Killing Me Softly with His Song,” however, recalls the story behind the song a little differently.  Charles Fox, who also wrote a large number of popular TV theme songs with Norman Gimbel, explains that he and Norman Gimbel wrote “Killing Me Softly with His Song” for Lori Lieberman.

Gimbel had a book of possible song titles, and one was “Killing Me Softly with the Blues.”  Gimbel reportedly had seen the phrase in Julio Cortázar’s novel Hopscotch.

Fox liked the first part of the suggested title, but then they came up with “Killing Me Softly with His Song” as a better title.  From there, Norman came up with the rest of the lyrics and Fox provided the music.

When Fox and Gimbel played the song for Lieberman, according to Fox, Lieberman responded that the words reminded her of a Don McLean concert.  Thus, according to Fox, the Don McLean connection came after the song was written.

Gimbel’s version of the creation of the song seems somewhere in the middle between Fox and Lieberman.  While like Fox he has downplayed Lieberman’s role, in an April 5, 1973 Daily News story, Gimbel recalled that Lieberman told him about the experience she had at a Don McLean concert.  He explained, “I had a notion this might make a good song so the three of us discussed it. We talked it over several times, just as we did with the rest of the numbers we wrote for the album and we all felt it had possibilities.”

The Impact of “Killing Me Softly with His Song”

No matter how “Killing Me Softly with His Song” was created, that song touched many listeners.  While McLean’s song “Empty Chairs” deeply affected Lieberman, it was the later song “Killing Me Softly with His Song” that resonated with a larger audience.

Lieberman, who apparently was feeling heartbreak when she first heard McLean’s song, helped create a mysterious song indirectly about heartbreak that focused instead on her reaction to the power of music. And that mystery behind her song resonates with listeners today as it did in the 1970s and 1990s.

In 1973, “Killing Me Softly with His Song” won Record of the Year and Song of the Year at the Grammy Awards, where Roberta Flack also won Best Pop Vocal Performance by a Female. And Rolling Stone now lists Roberta Flack’s version as one of the top 500 songs of all time at #369. Lauryn Hill’s version is pretty cool too.

And that is the story behind the song.

Leave your two cents in the comments.

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    Guy Clark Has Heard Doc Watson Play “Columbus Stockade Blues” (Song Within a Song)

    Dublin Blues Columbus Stockade Blues In the wonderful song “Dublin Blues,” Guy Clark sings about a lost love and his own pain. The alcoholic singer sits in Dublin with the shakes wishing he were back in Austin, drinking “Mad Dog Margaritas/ And not carin’ where you are.” The singer ask for forgiveness and recounts some of the sights he has seen, but he cannot forget the object of the song or walk away from her.

    “Dublin Blues”

    In “Dublin Blues,” the singer lists some of his travels. And Clark notes what he has seen and heard.

    I have seen the David,
    I’ve seen the Mona Lisa too,
    I have heard Doc Watson
    Play “Columbus Stockade Blues.”

    The line about “Columbus Stockade Blues” caught my ear. Songs do sometimes refer to other songs, but it is not often you hear them compared to the Mona Lisa.  Here is Guy Clark singing “Dublin Blues.”

    Why Does Clark Reference “Columbus Stockade Blues”?

    I was not sure I had heard Doc Watson play “Columbus Stockade Blues.” So I became curious about this song that Guy Clark compares to Leonardo da Vinci’s Mona Lisa and the Michelangelo’s David.

    “Columbus Stockade Blues” is so old that nobody knows who wrote it. An informative Grateful Dead website notes that the earliest known version is by Darby and Tarlton. On Doc Watson’s album, the song is credited to Jimmy Davis and Eva Sargent.

    Jimmy Davis, the Louisiana governor famous for “You Are My Sunshine,” made “Columbus Stockade Blues” popular in the 1940s. But it is the Doc Watson version that haunted Guy Clark so much that he cited it in “Dublin Blues.”

    What is interesting about Guy Clark’s tribute to “Columbus Stockade Blues” is that Watson’s song has the same theme as Guy Clark’s song that references it. Those unfamiliar with the Watson song, however, will miss the connection because the title does not give it away.

    As in “Dublin Blues,” the song “Columbus Stockade Blues” begins with the singer wishing he were somewhere else, as he sits in Columbus, Georgia wishing he was “back in Tennessee.” He recounts that he thought the woman would love him forever, but he recognizes the woman loves another. Broken-hearted, he tells her to go ahead and “Leave me, little darling, I don’t mind.” But we know he does mind.

    The real difference between Watson’s song and Clark’s song comes where we find out the reason for the title, “Columbus Stockade Blues.” Watson’s singer is in prison.

    Last night as I lay sleeping,
    Oh, I dreamd that I was you in my arms;
    When I woke I was mistaken;
    Lord, I was still behind these bars.

    Inspiration for “Dublin Blues” from “Handsome Molly”

    “Dublin Blues” is connected to another song besides “Columbus Stockade Blues.”  Singer-songwriter Tom Russell has noted that “Dublin Blues” has its origins in a song called “Handsome Molly,” written by fiddle player D.B. Grayson, who was born in 1887.

    Like “Dublin Blues” and “Columbus Stockade Blues,” the song “Handsome Molly” is about heartache.  It begins in a similar way to “Dublin Blues” with the singer wishing he were somewhere else. “Well, I wish I was in London,/ Or some other seaport town.” The sound of “Dublin Blues” is similar to “Handsome Molly,” although Clark slows it down to emphasize the agony of the heartbreak.

    Clark possibly was inspired to use the tune from “Handsome Molly” because Watson recorded a famous version of “Handsome Molly.”  Thus, Clark’s “Dublin Blues” is doubly connected to Watson, referencing a Watson song while using music from another song connected to Watson.  Here is Watson playing “Handsome Molly.”

    Both Bob Dylan and Mick Jagger have recorded “Handsome Molly.” Below is Dylan’s version of “Handsome Molly.”

    Conclusion

    Ultimately, Clark’s song “Dublin Blues” is a nice tribute to Watson, who passed away in 2012. Clark honors Watson and the traditional song by comparing “Columbus Stockade Blues” to great works of art while incorporating much of the storyline into his own song.

    Clark’s singer sits in Dublin outside the penitentiary, but he remains locked in his own prison of alcoholism, sorrow, and regret. These are two great songs about lost love and the destruction that may result from a broken heart.

    And they are both great works of art.

    What is your favorite song that mentions another song? Leave your two cents in the comments.

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