Singer and guitarist Susan Tedeschi was born in Boston on November 9, 1970. Tedeschi has made some great music as a solo artist as well as with her current work with the Tedeschi Trucks Band along with her husband Derek Trucks. We wish her a happy birthday.
In celebration of Tedeschi’s birthday, check out this performance of “Angel from Montgomery” from October 5, 2016. In this performance, Luther Dickinson joined in on guitar with the Tedeschi Trucks Band at the Beacon Theatre in New York City.
If that performance leads you to wanting more from the Tedeschi Trucks Band, check out this NPR Tiny Desk Concert from March 2016. Songs in the video are: “Just As Strange,” “Don’t Know What It Is,” and “Anyhow.”
What is your favorite Susan Tedeschi recording or performance? Leave your two cents in the comments.
We recently reported on John Prine’s upcoming album of duets For Better, For Worse and his duet with Iris DeMent on “Who’s Gonna Take the Garbage Out.” Now, you may listen to another track on the album, “Color of the Blues.”
Susan Tedeschi joins Prine on the song. Check out their recording of “Color of the Blues,” which is played over a promotional video for the album.
The song about a lover’s letter on blue paper was written by George Jones and Lawton Williams. Jones released his original version of “Color of the Blues” on January 15, 1958.
Below is the original version by Jones.
Jones recorded the song more than once, and artists such as Loretta Lynn and Elvis Costello have covered it.
Prine’s album For Better, Or Worse features duets with women artists such as Miranda Lambert, Kacey Musgraves, Lee Ann Womack, Holly Williams, and Alison Krauss. It hits stores and the Internet on September 30, 2016.
John Prine is releasing a new album of duets called For Better, For Worse (2016). On the upcoming album, Prine covers a number of country classics with some help from female singers like Iris DeMent, Alison Krauss, Miranda Lambert, Kathy Mattea, Kacey Musgraves, Fiona Prine, Amanda Shires, Morgane Stapleton, Susan Tedeschi, Holly Williams, and Lee Ann Womack.
The Album
For Better, For Worse is a follow-up of sorts to Prine’s 1999 album of similar duets, In Spite of Ourselves. Jim Rooney helped produce the 1999 CD, and he is on board again for the new album.
Prine explained to NPR that he was “kinda tricked” into recording his first full-length CD in five years. His wife and his son-manager suggested he record a handful of songs to fill the last side of a vinyl version of In Spite of Ourselves. Once he got started, they encouraged him to round out a new album.
Although we long for a new album of original material from Prine, this one sounds pretty good so far. He chooses some great songs originally performed by artists like Hank Williams, George Jones, Ernest Tubb, and Buck Owens.
“Who’s Gonna Take the Garbage Out”
On the new album, Iris DeMent joins Prine on “Who’s Gonna Take the Garbage Out,” which you may hear below.
Johnny Tillotson and Teddy Wilburn wrote “Who’s Gonna Take the Garbage Out.” The song was originally recorded by Loretta Lynn and Ernest Tubb in 1969. Check out their version below.
The Cleveland Cavaliers won one for the ages when they came back from a 3-1 deficit to win the NBA Championship. In doing so, they became the first major professional team from the city of Cleveland to win a championship since the Browns won in 1964. There are so many great stories out of the basketball series, including the greatness of LeBron James and the epic story of his departure and return to Cleveland. But wrapped up in that story is the fact that Cleveland never would have won this championship were it not for some instances of forgiveness trumping pride.
The Break Up and Reconciliation
There’s no way that I could make up, For those angry words I said. Sometimes it gets to hurting, And the pain goes to my head. — Iris Dement, “Sweet Forgiveness”
James left the Cavs in free agency for the Miami Heat in 2010. He notoriously announced the departure on an ESPN primetime special, outraging many in Cleveland. James, who grew up in northeast Ohio, had brought so much hope to the championship starved area. But now he was walking away. Of course, James had the right to look after his own career. But Cleveland had a right to be heartbroken too, even if the city held him to an impossible standard.
After James’s “The Decision” special, Cavaliers owner Dan Gilbert posted a letter to the teams’s website. Gilbert referred to the star’s decision as a “cowardly betrayal” and worse. His letter, while angry, also reflected his dedication to the city of Cleveland. Meanwhile, many in the city burned their LeBron jerseys.
Some people outside the Cleveland area did not understand the animosity. But having lived in Cleveland and experiencing many of the infamous sports heartbreaks there, I understood completely.
But in 2014, James returned to Cleveland because he wanted to bring a championship to the city. This time, he announced his decision in a heartfelt letter to the fans on the Sports Illustrated website.
It would have been hard to blame him if he stayed in Miami or went elsewhere, especially after the way Gilbert and some fans treated him. Of course, there were ways it made sense for him to come back. The return would help seal his legacy if he could bring the city a basketball championship. And, yes, Cleveland benefited from the reunion too.
But in order for him to return, it also took a bit of forgiveness. When there is a breakup, nasty things are said that can make it difficult to reconcile. Even with all of the nastiness and anger, James and Gilbert put that anger aside. And James and the fans somehow found some love and forgiveness. In his Sports Illustrated announcement, he asked, “Who am I to hold a grudge?”
Championships are built on a lot of things like talent, skills, money, sweat, luck, and effort. But this one also was built on forgiveness.
Forgiveness in Song
Sweet forgiveness, dear God above. I say we all deserve, A taste of this kind of love.
There are not as many songs about forgiveness as one might expect. The first one that probably comes to mind is Don Henley’s “The Heart of the Matter” because of the way the song repeats the word “forgiveness”: “But I think it’s about forgiveness/ Forgiveness / Even if, even if you don’t love me anymore.” The song about a lover forgiving someone who broke his heart and moving on constitutes one of Henley’s greatest songs.
Johnston based the lyrics of “Don’t Let the Sun Go Down on Your Grievances” on several Biblical phrases in Ephesians 4. His song is both advice about not going to bed angry and encouragement to “keep that chin up.”
A more appropriate forgiveness song for the occasion is Iris DeMent’s “Sweet Forgiveness.” Like a lot of other forgiveness songs, “Sweet Forgiveness” seems to be about forgiving a lover or former lover. But it mainly is a tribute to the idea of forgiveness.
In the song, the singer is not the person doing the forgiving but the person being forgiven. The singer recognizes she is not deserving of forgiveness: “There’s no way that I could make up,/ For those angry words I said.”
Forgiveness often constitutes a first step toward healing. And it does not necessarily need to be earned to be given. That gift may accomplish a lot for the forgiver and the forgiven, because as DeMent sings, forgiveness is a “kind of love.”
We do not know for sure who first gave forgiveness in Cleveland, whether it was LeBron James, Dan Gilbert, or “the fans.” But forgiveness brought some love and joy. And it was a first step toward a world championship.
Below is a live version of Susan Tedeschi covering Iris DeMent’s “Sweet Forgiveness,” which first appeared on DeMent’s album Infamous Angel (1993).
Photo by Austin Bjornholt via Creative Commons. What is your favorite song of forgiveness? Leave your two cents in the comments.
Reports about Boeing’s Dreamliner jet airplanes reminded me of the Steve Miller Band song “Jet Airliner,” and the author of the song, Paul Pena, who died on October 1 in 2005. Pena had one of the most unique music careers in the last fifty years. If you do not recognize his name, it is because of his bad luck in the music industry. But if you know of him, that was the result of chance too.
Paul Pena and His Unreleased Record
Pena was born on January 26, 1950 with congenital glaucoma and was completely blind by the time he was twenty. He started a music career in the late 1960s. After opening for Jerry Garcia and other musicians, he recorded a self-titled album in 1972. Then, he followed it up with New Train in 1973.
The latter album’s style ranged from R&B to folk to Jimi Hendrix-style blues, and it included a future hit song. But the album was not released. The owner of the record company refused to release the album after a dispute with Pena and his manager. Due to contractual obligations, Pena could not record elsewhere either, so his career stalled.
Steve Miller, however, heard the unreleased New Train and with the Steve Miller Band recorded a hit version of Pena’s song “Jet Airliner” on 1977’s Book of Dreams. The royalties from the Steve Miller Band recording helped Pena, who later suspended his music career to care for his wife, who was suffering from kidney failure.
New Train Is Finally Released
New Train sat in the vaults for almost three decades until it was finally released in 2000. Although not a top-40 hit, the album garnered Pena some attention.
I first heard of Pena when an alternative rock station played songs from the “new” album around this time. Pena toured a bit to support the album, even appearing on Late Night with Conan O’Brien to play his version of “Jet Airliner.”
The first Pena recording I heard was another song from New Train, “Gonna Move.” I loved the song immediately, as did a number of artists.
Several musicians recorded cover versions of “Gonna Move,” including Susan Tedeschi and the Derek Trucks Band. Here is Tedeschi’s excellent version of the song, live here with Derek Trucks.
Pena’s Discovery of Tuvan Throat Singing
In the time between the recording of New Train in the 1970s and the album’s release in 2000, though, Pena was not idle. In the 1980s, while listening to shortwave radio, he accidentally discovered Tuvan throat singing, which is a unique vibrating style of singing used by the Tuva people in southern Siberia.
Fascinated by the discovery, Pena began to study the language and the singing style, eventually traveling to Tuva to perform there. Filmmakers covered Pena’s new singing style and his trip to Tuva in the 1999 documentary Genghis Blues.
The movie was nominated for an Oscar at the 2000 Academy Awards and won the 1999 Sundance Film Festival Audience Award. The soundtrack to the film features more music from Pena. Below is the trailer for the movie.
Rediscovery and Death
So in 2000, with the Genghis Blues Oscar nomination and the long-awaited release of New Train, one might think that the story leads to a successful and happy career for Pena. But around this time, Pena was diagnosed with pancreatitis, and he died on October 1, 2005.
His death was a sad ending to a story that waited so long for a happy resolution. It reminded one of the lyrics to “Jet Airliner”: “You know you got to go through hell / Before you get to heaven.”
But few artists get the chance to leave us with such great songs as “Gonna Move” and “Jet Airliner.” On top of that, he also introduced us to another culture’s music legacy.
It is sometimes frustrating and funny how fate works. But it was his work on Tuvan throat singing which led to the 1999 documentary. And that led to the reason why New Train was finally released in 2000.
The release of New Train, then, was the only reason I and many others were introduced to Pena’s music. And all of that came about because of a strange accident.
One night in 1984, a blind man who had a lot of bad luck thought his career was over. After searching for a Korean language lesson on shortwave radio, he accidentally found a new music that intrigued him on Radio Moscow. Had Pena done something else that night or turned the radio dial another way, his life and legacy might have turned out differently. There would have been no Tuvan throat singing, and then no movie. And then New Train might never have been released.
That all would have been a real tragedy.
I found out, not too long, Their rules wouldn’t let me sing my song; I knew in order to be a man, I had to pull up roots once again and move on in this land.
I’m gonna move away from here, You can find me if you want to go there; I’m gonna move away from here, You can find me if you want to go there.
— Paul Pena, “Gonna Move”
What do you think of Paul Pena’s music? Leave a comment.
features duets with women artists such as Miranda Lambert, Kacey Musgraves, Lee Ann Womack, Holly Williams, and Alison Krauss. It hits stores and the Internet on September 30, 2016.
The Cleveland Cavaliers won one for the ages when they came back from a 3-1 deficit to win the NBA Championship. In doing so, they became the first major professional team from the city of Cleveland to win a championship since the Browns won in 1964. There are so many great stories out of the basketball series, including the greatness of LeBron James and the epic story of his departure and return to Cleveland. But wrapped up in that story is the fact that Cleveland never would have won this championship were it not for some instances of 
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