Song of the Day: “You Don’t Own Me”

You Don't Own Me With all of the changes on the horizon in the 1960s, it should not be too surprising that a strong empowering song for women would be recorded by a 17-year-old. In December of 1963, Lesley Gore released “You Don’t Own Me.”

The song was actually written by two men, John Madara and David White. But Gore’s power made it an instant classic about a young woman asserting herself in her relationship and reminding her significant other that she is going to be her own person.

You don’t own me,
Don’t try to change me in any way;
You don’t own me,
Don’t tie me down ’cause I’d never stay.

“You Don’t Own Me,” however, did have to play second fiddle to a bunch of boys in one way. Gore’s song stalled at number two on the charts while The Beatles held the number one spot with “I Want to Hold Your Hand.”

While both songs are two of the most joyous rock songs of all time, it is Gore’s recording that seems more timeless and timely. Gore also does an amazing job slowly building, building, building until the song explodes near the end.  Below, Gore sings “You Don’t Own Me” at the 1964 T.A.M.I show.

Leave your two cents in the comments.

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    The Groundbreaking Rock and Roll Movie, “The T.A.M.I. Show”

    TAMI Show

    On December 31, 1964, American International Pictures released The T.A.M.I. Show in theaters as a “once-in-a-lifetime experience.” This early rock concert film gave rock and roll fans a snapshot of some of the biggest bands of the time and was groundbreaking.

    “T.A.M.I.” stands for “Teenage Awards Music International,” although some promotional materials also used “Teen Age Music International.” But the important part of The T.A.M.I. Show is the music, filmed from the standpoint of the audience.  The technique made viewers feel like they were at the show recorded at the Santa Monica Civic Auditorium on October 28 and 29, 1964.

    Below is the trailer for the film.

    The general consensus is that James Brown gives his greatest filmed performance here, an outstanding display of passion and performing experience that made the Rolling Stones regret they had to follow him. But there are other highlights throughout the concert, including the 18-year-old Lesley Gore and a surprisingly loose performance by The Beach Boys.

    Although producer Bill Sargent lost the rights to the film and it disappeared for decades, it is now available for your viewing on DVD (with extras) and with various performances on YouTube.  Below, James Brown performs “Please, Please, Please.”

    Performers include Jan and Dean (over the credits), Chuck Berry, Gerry & the Pacemakers, Smokey Robinson and The Miracles, Marvin Gaye, Lesley Gore, The Beach Boys, Billy J. Kramer and The Dakotas, The Supremes, The Barbarians, James Brown and The Famous Flames, and The Rolling Stones.

    Artists are still making great music today, but it is hard to imagine people agreeing on so many great performers in one film now. So, travel back to another time, and check out the Rolling Stones closing the show, joined by others on the stage.

    Some trivia tidbits: The opening credits list The Blossoms with the performers, but they are not introduced when they appear as the backing singers for Marvin Gaye (or when later they appear to encourage James Brown to return to the stage). The Blossoms were used to not getting credit, having recorded the 1962 hit “He’s a Rebel” without credit.

    Also, future actress Teri Garr and future recording star Toni Basil appear as background dancers in the film, and singer Glen Campbell and musician Leon Russell played in the show’s backing band, The Wrecking Crew. Reportedly, filmmaker John Landis and future Partridge Family star David Cassidy, who were seventh grade classmates at the time, were in the audience for the show.

    What are your favorite parts of The T.A.M.I. Show? Leave your two cents in the comments.

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