Little Richard — who was born as Richard Wayne Penniman on December 5, 1932 — passed away on May 9, 2020. He is one of the giants of rock and roll, leaving us many great memories and performances. Among those is a wonderful UK television special from 1964 called appropriately It’s Little Richard.
By 1964, some time had passed since 1955 when Little Richard had a huge hit with “Tutti Frutti.” Like early rocker Jerry Lee Lewis, Little Richard pondered the relation between the new music and God. And, by the start of the 1960s, he had started focusing on gospel music.
But he could not stay away from the music he loved, and he soon returned to making secular music too. And in 1964, Grenada Television in the U.K. broadcast a Little Richard special, The Little Richard Spectacular, sometimes called It’s Little Richard. Little Richard had been out of the spotlight and the British Invasion was emerging, but his talent could not be denied.
Four years before Elvis’s famous comeback TV special, It’s Little Richard, which featured The Shirelles as guests, was so popular and generated so much fan mail that the TV station rebroadcast the show twice. Check out the special, directed by Philip Casson, below.
Songs on the special included “I’ve Got the Joy Joy Joy Joy” (with the Shirelles), “Rip It Up,” “Lucille,” “Long Tall Sally,” “Send Me Some Lovin'” “Whole Lotta Shakin’ Goin’ On,” “Hound Dog,” “Good Golly Miss Molly,” “Tutti Frutti,” “Jenny Jenny.” The Shirelles performed “Everybody Loves A Lover” and “Will You Love Me Tomorrow.”
What is your favorite Little Richard song? Leave your two cents in the comments.
Bruce Springsteen remains one of the great living artists who connects us to early rock and roll. Perhaps as part of that connection, he is the artist most likely to sing the classic rock lyrics “sha-la-la.”
“Brown-Eyed Girl” Cover
In one example from a recent tour, Springsteen sang the line while covering Van Morrison’s classic “Brown-Eyed Girl” on April 19, 2014 in Charlotte, North Carolina: “Do you remember when we used to sing / Sha la la la la la la la la la la dee dah.”
“Darlington County” and “Jersey Girl”
The two “sha-la-la” songs most identified with Springsteen, though, are “Darlington County” and “Jersey Girl.” “Darlington County” first appeared on Born in the U.S.A. (1984), recounting the travels of the singer and “Wayne” heading down South from New York City to meet some girls. “We got rock and roll music blasting off the T-top singing / Sha la la la la la la la la.”
Below is a swinging performance of “Darlington County” at Olympic Park in London, England on June 30, 2013. Although the original version highlighted Springsteen’s harmonies with Steven Van Zandt, when the band plays live, everyone sings on the “sha-la-la’s.”
Although California-born Tom Waits wrote “Jersey Girl,” fans also identify Springsteen with the song from his many performances and from his close connection to New Jersey. Springsteen began performing the song during The River tour in 1981, and it appeared as a B-side to Born in the U.S.A.‘s “Cover Me.” “Jersey Girl” finally appeared on an official Springsteen album when a live version closed the box set Live: 1975-85 (1986).
In “Jersey Girl,” the singer tells us he is in love with a girl from New Jersey. It is a touching song, tinged with real-life hope and regret. The singer pleads with a single mother who is exhausted from her job, asking that she go dancing on a Saturday night where everything will be all right.
And then, apparently, they will “Sha-la-la. . .” because the singer is “in love with a Jersey girl.” As in “Brown-Eyed Girl,” one might read the “Sha-la-la’s” as rock and roll talk for sexual relations. Below is an October 2009 performance at Giants Stadium . . . in New Jersey, of course.
“Breakaway”
Springsteen used “sha-la-la” in at least one other original song besides “Darlington County.” The phrase appearing in background vocals for his song “Breakaway.”
“Breakaway” was recorded during Springsteen’s 1977-’78 recording sessions around the time of Darkness on the Edge of Town. But these sha-la-la’s did not see official release until Springsteen put together leftover songs from those sessions for the 2010 release The Promise.
Unlike the other sha-la-la’s in other songs in this post, the sha-la-la’s in “Breakaway” appear in the background, not up front in a chorus. Also, “Breakaway” is one of the rare times where “sha-la-la” does not have any sexual or love connotations.
In “Breakaway,” the “sha-la-la” phrase fills in the spaces in a song about broken dreams. Arguably, the phrase fills in for another topic we do not like to talk about: death. “Janie slid into a car last night (sha la la la, sha la la la) / In a parking lot she gave her soul away . . . .”
“Jole Blon”
On a much happier note, one of my favorite “sha-la-la” songs resulted when Springsteen joined Gary U.S. Bonds on a modern version of the Cajun classic “Jole Blon” on Bonds’s 1981 album Dedication. Among other things, Springsteen contributed some “sha la la’s.”
Here is a 2012 performance where the two men teamed up on stage at Metlife Stadium in New Jersey singing a great duet on “Jole Blon” from an excellent album. Again, it is a love song and the “sha-la-la’s” help fill in the blanks.
“Sha La La”
Finally, if “sha-la-la” is good enough for a chorus, it is good enough for a name of a song. In 1964, The Shirelles recorded a song called “Sha La La” that may have given Springsteen his first love of the “sha-la-la” phrase, even though a more famous song by The Shirelles, “Baby It’s You,” also used the phrase.
Springsteen recently performed The Shirelles’ “Sha La La” in 2009 during the Working on a Dream tour. But prior to that, all of his other known performances of the song occurred in 1975.
Below is a live version of “Sha La La” Springsteen sang by request in 2009. Again, you can figure out what “sha-la-la” means: “When I kissed you and I held you tight / Baby, you made me feel alright / So this is the song that I sang all night / Sha-la-la-la-la-la-la.”
What Sha-la-la Song Should Springsteen Sing Next?
With these six songs, four of which appear on official recordings, Bruce Springsteen may be the living artist most likely to “sha-la-la” in song. It has been awhile, though, since he has recorded a “sha-la-la” song. Let us suggest “Let’s Live for Today” (“Sha-la-la-la-la-la, live for today”) by the Grass Roots, which Springsteen apparently is yet to sing. Maybe it is time for another new sha-la-la.
Is there a “sha-la-la” Springsteen song we missed? What is your favorite Springsteen “sha-la-la”? Leave your two cents in the comments.
(1986).
.
. Among other things, Springsteen contributed some “sha la la’s.”