The Great AGT Rebirth of Marty Brown

Marty Brown Shellie Regular readers know Chimesfreedom has been a Marty Brown fan since he released four albums in the 1990s. A few years ago we wished for him to return to the national stage, and our hopes came true this summer when he became a contestant on NBC’s America’s Got Talent. As the season draws to a close, it seemed like a good time to look back on his amazing run on the show.

Brown’s Surprising Debut on AGT

TV viewers saw Marty Brown back at the beginning of June when he appeared on the first episode of season eight of America’s Got Talent. The show included Brown auditioning in San Antonio singing Bob Dylan’s “Make You Feel My Love” after it introduced him simply as a carpenter from Kentucky.

We learned that Brown’s wife Shellie tricked him into appearing on the show, illustrating her faith in him and making a nice storyline that continued through all of Brown’s appearances. After the introduction, Brown gave a heartfelt performance of the song.

The judges apparently did not know the full backstory on Brown. Judge Howard Stern called him an “undiscovered treasure.” The judges’ comments throughout Marty Brown’s tenure on the episodes continued to show that even as they praised him, they really had no idea about the depths of his talent. But after this first performance, the judges had nothing but praise and put Marty Brown through to the Las Vegas round. The audience loved him too.

Las Vegas Rounds

In the Las Vegas round shown in July, contestants performed in front of the judges with no audience. Below is a video of what they showed on television from the Las Vegas rounds, including a part of Brown’s performance of Keith Whitley‘s “When You Say Nothing At All.”

Howard Stern and Howie Mandel did not like the performance as much as Marty Brown’s San Antonio performance of “Make You Feel My Love.” On the other hand, if you saw the entire episode, you would see the editing was designed to create drama, so it showed the judges saying something negative about everyone. Meanwhile, one of the other competitors noted about Brown, “He makes me like country music.”

Most importantly, the judges liked the performance enough to send Brown to the live performances at Radio City Music Hall in New York City. Brown had made it through two rounds with the judges to advance to the next stage where viewers would be the judge.

Brown’s performance thus far was impressive. As a country act, it was tough competition against a range of acts that included acrobats, magic, and people risking their lives. The next question was whether the viewing audience would vote for a traditional country music act among all of the other contestants.

A Tough Round at Radio City Music Hall

For his debut at Radio City Music Hall at the end of July, Marty Brown sang Shania Twain‘s “You’re Still the One.” The artists are not allowed to select any song they want, but it was still a good choice because many voters would know the song. Unlike the previous performances, Brown went with a band this time, which appeared to be a good choice. He has played with bands in the past, and he needed to do something to use the big stage before the big audience.

But almost immediately, viewers knew something was wrong. As Brown’s sister has explained on this website, Brown’s father had been ill, and when Brown saw the lead-in video with his father it choked him up. The judges would claim that nerves got the better of him.  But regardless of the cause, Brown’s voice cracked at the start of the song.

Eventually, he recovered during the performance.  But on what was probably the biggest stage of his career thus far, it was far from the best performance of his career.

The judges were tough on him after the performance. Howard Stern genuinely seemed to be rooting for Brown but expressed his disappointment. Melanie Brown, i.e., Mel B, was especially critical, not only getting his name wrong, but Tweeting a few minutes after the performance, “Ok. ok. I got his name wrong!! He blew it anyways, so what!!”

The next night on July 31, the results came in. The judges and many others expected Marty Brown to go home. Had the run ended here, it would have been tragic. Brown would have come all this way to launch a comeback and then have to live the rest of his life wondering if he blew it.

But something only slightly short of miraculous happened: America appreciated the emotion in his performance and voted for him to go to the next round. The judges were shocked, but nobody was surprised as much as Brown himself, appearing humbled by the support of his fans. The audience still loved Brown and recognized the real emotion in his performance, even if the judges did not.

The whole run on America’s Got Talent featured Brown seeking redemption, and now he would get another chance thanks to the voters. The pressure, though, ramped up. With one less-than-perfect performance, he could not afford to follow it with another mistake in his next performance.

Semi-Finals Round

On September 3, on a semi-finals show of America’s Got Talent, Marty Brown performed “Bless the Broken Road,” made famous by the Nitty Gritty Dirt Band and Rascal Flatts. After the awkwardness with the band in the previous round, Brown opted to go it alone again with his guitar.

Howard Stern would say it was a “safe” performance and that he wished Brown had done something to blow him away. Maybe he was right, but Brown had something to prove after the judges claimed he could not handle pressure. He had to go out and show he could do a solid performance on that stage facing extra intense scrutiny.

And he did what he set out to do, showing he could handle the pressure. He gave a touching performance of the song within the limited time given to performers on the show, earning a standing ovation.

The heartfelt performance of “Bless the Broken Road” would be Marty Brown’s last song in the competition because he found out the next night that he would not advance further. But if he were to have a final song on the show, it was a perfect one to go out on. As we have previously written, his life has taken a broken road to get to this point. So the song fittingly connected to this one moment on stage, reflecting the path of both his career and his life, including finding the love that inspired his entire run on the show. He lived the song, and it was a great heartfelt performance.

Going Home To a Revitalized Career

Looking back on the show, one might understand why the run ended here. Brown has never been a pop artist. The audience for real traditional country music is big, but it might not be enough for winning a talent show like this one. And, of course, on the show, America never really got to see the depths of Brown’s talents.

Because of the limited time on the show, the producers showed Brown as part of the story they created, never coming near to showing Brown’s real intelligence. Had he been able to bust out a few of his own songs, it might have changed the outcome. But even an unknown Bob Dylan or Hank Williams would not have advanced further on such a talent show. For example, a principal closed the curtain on Dylan at a high school talent show.

Marty Brown Sparky As the field narrowed, the producers and judges also seemed to stray away from the initial strong support for Brown. On the September show, they put him in the second spot, traditionally one of the worst places to be on one of these shows because viewers do not remember the second or third performers on a long show.

By contrast, in that show, the producers put Brown’s main competition, country singer and former Marine Jimmy Rose, in the prime finale spot. Rose is talented and seems like a great guy, but his subdued (but very good) cover of Garth Brooks’s “The Dance” is not a traditional closing act.  Producers made an interesting choice to promote Rose, especially when they had bigger acts such as dancer-special-effects master Kenichi Ebina or even powerhouse singer little Anna Christine.

That is not to say there was a conspiracy or that Brown might have advanced given a better spot during the night. Someone has to go into the second slot, and the producers have to sell a show. So, I do not begrudge them their choices, and I appreciate that they put him on the show. But if Brown won, some viewers might have felt cheated that the producers never mentioned his 1990s albums (even though artists with careers are allowed to compete on shows like America’s Got Talent and The Voice). People are more critical of you when you win. On the other hand, had Brown sang his own songs, it would have been a different competition.

For Brown and his family, I wish they had won and were a million dollars richer. But as a selfish fan, had I written the story of Marty Brown’s tenure on America’s Got Talent, I pretty much would have written it exactly how it went. It is a great story of someone climbing back, falling, and rising again through his talent and the love of family and fans. And throughout the whole run, Brown showed nothing but class, decency, and heart.

As for the outcome, had Brown won, there would have been more expectations, more critics, and more outside control. Instead, it worked out perfectly for those of us who love great country music. Marty Brown got some attention, new fans fell in love with him, and now we hope for some new recordings and performances (and all his old CDs back in print).

True art is not a competition, it is about the artist bearing the soul. And this new music will be done Marty Brown’s way. And that’s the way it should be.

We look forward to the next chapter in the great rediscovered career of Marty Brown.

What was your favorite performance on “America’s Got Talent”? Leave your two cents in the comments.

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    Marty Brown’s AGT Las Vegas Performance of “When You Say Nothing At All”

    Marty Brown AGT Las Vegas

    As Chimesfreedom previously reported, country singer Marty Brown advanced to the New York rounds of “America’s Got Talent.” Below is a video of what they showed on television from the Las Vegas rounds, including a part of his performance of Keith Whitley’s “When You Say Nothing At All.”

    Howard Stern and Howie Mandel noted that they did not like the performance as much as Marty Brown’s San Antonio performance of Bob Dylan’s “Make You Feel My Love.” On the other hand, if you saw the entire episode, you would see the show is edited to create drama so it shows the judges saying something negative about everyone. Meanwhile, one of the other competitors noted about Brown, “He makes me like country music.” Most importantly, the judges liked the performance enough to send Brown to the live performances at Radio City Music Hall in New York City. What will Marty Brown do next to win over the judges and America?

    [Update: For a post on Brown’s entire run on America’s Got Talent, check out our post on The Great AGT Rebirth of Marty Brown.]

    What would you like to hear Marty Brown sing next? Leave your two cents in the comments.

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    Marty Brown Advances to Radio City Music Hall on AGT!

    Regular readers of Chimesfreedom know we have been following country singer Marty Brown and his comeback trail for some time. After advancing through the first round on America’s Got Talent, he competed in the Las Vegas rounds tonight as his wife Shellie looked on. And Judges Howard Stern, Heidi Klum, Mel B, and Howie Mandel put him through to the live rounds of the competition in New York City.

    Brown sang Keith Whitley’s “When You Say Nothing At All” tonight. I got the impression the judges’ may not know the great song, but they were sufficiently impressed to put Brown through. He did a great job with the song. His performance on America’s Got Talent is not yet available online, although the episode will be available on the America’s Got Talent website (Update: We posted his Las Vegas performance here). But for now here is a video he posted about two months ago of him singing “When You Say Nothing at All.”

    What did you think of “America’s Got Talent” this week? Leave your two cents in the comments.

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    Is Shane a Romantic Movie?

    Alan Ladd and Jean Arthur in Shane Many years ago, a newspaper published a list of the top romantic movies for Valentine’s Day, and the writer included Shane (1953) on the list.  At first, the choice surprised me.

    I had always thought of the movie as a great action Western.  But after reading the article, I focused more on the relationship between Shane, played by Alan Ladd, and Marian Starrett, played by Jean Arthur.  And I came to see that the author of the list was right.

    The Unusual Love Story in “Shane”

    The unrequited love between Shane and Marian is something we do not see in modern movies. The relationship is subtle, buried in hidden looks and unspoken feelings. They both are torn, as Marian still loves her husband Joe and Shane is Joe’s friend.

    There are many things to love about the film Shane. It has great scenery, Jack Palance as a villain, the gunfights, and the decent man trying to change his life. But the Shane-Mariann relationship makes the movie more complex than your usual action yarn.

    The Shane-Mariann relationship is so subtle that descriptions of the movie rarely mention it. I suspect that a modern movie version might feature a scene of the two having sex to make the same point made in Shane with a few words and glances.

    When Clint Eastwood made Pale Rider (1985), largely based on Shane, he avoided a similar relationship in his story altogether.  Instead he went for religious overtones, which was probably easier to do.

    Shane’s Ending

    {Spoiler ahead} The final scene of the movie is a classic scene in American film. Shane explains to Mariann’s son Joey: “There’s no living with a killing. There’s no goin’ back from one. Right or wrong, it’s a brand… a brand sticks. There’s no goin’ back. Now you run on home to your mother and tell her… tell her everything’s alright. And there aren’t any more guns in the valley.”

    The wounded Shane rides off into the sunset. And Joey yells after him, pleading for him to return.

    Interpreting the scene with our modern vocabulary, Joey yells the funniest line in the movie for those have picked up on the Shane-Mariann relationship: “Mother wants you. I know she does!” Although the child doe not know exactly what is going on, he has sensed some love.

    Below is the trailer for Shane, although I do not understand why the trailer maker used the final scene of the movie in the trailer.

    Jean Arthur & Alan Ladd

    Another unusual aspect of the movie compared to modern movies is that the female lead, Jean Arthur, was more than a decade older than the male lead. Nowadays, too often producers choose older men to be romantic leads with very young women. But at the time Shane was released, Alan Ladd was 40 and Jean Arthur was 53.

    Arthur had appeared in several great classic movies, including Mr. Smith Goes to Washington and Mr. Deeds Goes to Town, but she was reclusive and did not like the limelight. She had retired prior to the making of Shane, and she made an exception to return to make Shane, which was her final film and the only one where she appeared in color.

    When You Say Nothing at All

    If Chimesfreedom were in charge of music for Shane, we would add “When You Say Nothing at All” to the final credits. The words capture the unspoken relationship between Shane and Mariann.

    The smile on your face lets me know that you need me,
    There’s a truth in your eyes sayin’ you’ll never leave me,
    The touch of your hand says you’ll catch me if ever I fall;
    You say it best when you say nothing at all.

    The version above by Alison Krauss and Union Station appeared on Keith Whitley: A Tribute Album (1994) and on Now That I’ve Found You: A Collection (1995). A live version appeared on Alison Krauss & Union Station – Live.

    “When You Say Nothing at All” was written by Keith Whitley, a singer-songwriter who died at the young age of 34 from alcohol poisoning. Although Whitley only released four albums during his career, he influenced future generations of singer-songwriters.  He wrote some beautiful songs like “When You Say Nothing at All.”

    And yes, contrary to the song, Shane did leave her.

     

    What other movies feature subtle romantic relationships? What about Casablanca? Leave a comment.

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