Sam Smith’s recent hit “Stay With Me” has such a timeless sound that I am repeatedly forgetting that it is a new song and has not been around for decades. Smith recently used his unique voice to reinterpret Whitney Houston’s 1985 hit song, “How Will I Know.”
“How Will I Know” — written by George Merrill, Shannon Rubicam, Narada Michael Walden — appeared on Houston’s debut album, Whitney Houston (1085) after Janet Jackson had turned down the opportunity to record it. While Houston’s wonderful version is uplifting, Smith takes an aching soulful approach, giving the song a different meaning. Check it out.
What is your favorite Sam Smith song? Leave your two cents in the comments.
Danielle Bradbery, the season four winner of NBC’s The Voice, recently did a nice cover of the song “Please Remember Me.” The young singer, who is not yet seventeen and who represents the team of Blake Shelton, has an excellent voice and a lot of potential.
So, it was great to see this fantastic country song get some recent attention. And the teenager Bradbery shows a powerhouse voice that will probably be around awhile.
Bradbery’s performance was not the only recent singing competition performance of the song. You may have heard the song on American Idol after season ten winner Scotty McCreery recorded it for use as an exit song for the eleventh season of American Idol.
Yes, the title fits those leaving American Idol, but such use of the song sort of misses the heartfelt meaning of the rest of the song. As explained below, there is more to the song than a farewell. You might hear that depth in this performance by the young and talented McCreery when he made a return visit to American Idol, but only if you ignore the hijinks on the video screen behind him.
What is “Please Remember Me” About?
“Please Remember Me” is a classic heartache song. The singer is leaving someone behind but wishing them well by reassuring them that they will find someone better. But the song is also a plea, asking the former love to remember the singer. “Please Remember Me,” like Dolly Parton’s “I Will Always Love You” (made even more famous by Whitney Houston), imagines the person left behind going on with life.
But unlike “I Will Always Love You,” in most of “Please Remember Me” the singer is not imagining how the singer will remember the lost love. Yet, there is a little of that when the singer notes, “Part of you will live in me.” Instead, most of “Please Remember Me” is asking the lost love to remember the singer.
And there is something sadder when the singer predicts that the (younger?) lover will “find better love.” The singer asks to be remembered “[w]hen I can’t hurt you anymore.”
Tim McGraw’s “Please Remember Me”
Most people probably know the song from Tim McGraw‘s version. McGraw does a decent job. And I have previously noted that McGraw does have some talent for choosing good songs.
Rodney Crowell’s “Please Remember Me”
For me, though, the best version of “Please Remember Me” is by one of the songwriters, Rodney Crowell, who wrote the song with Will Jennings. Crowell has written some of the best country songs since the 1970s. And he is held in high esteem by country traditionalists, even as he has never had the mainstream popularity of singers like Tim McGraw.
According to Wikipedia, “Please Remember Me” only went to #69 on Billboard’s country charts for Crowell in 1995. Meanwhile, it went to #1 on Billboard’s Hot Country Singles & Tracks for McGraw when he released his version in 1999.
I have previously discussed how another Crowell heartache song “Til I Gain Control Again” is one of the all-time greats. And “Please Remember Me” is another song that captures a true human emotion that too rarely appears in popular songs.
At the time he co-wrote the song, Crowell was already 45 years old (and co-writer Will Jennings was in his 50’s). The lyrics, sung by an older singer, show an understanding of why the love will not work while also showing a world-weariness: “Just like the waves down by the shore / We’re gonna keep on coming back for more.”
When “Please Remember Me” is sung by a young singer, there is a touch of hopefulness and optimism about two lovers remembering each other. One might find that even Tim McGraw, who was in his early 30’s when he recorded the song, gives the song a different meaning than Crowell’s version. Still, McGraw seems to recognize Crowell’s context for the song by the rare action of removing his hat to make himself look older in the video.
But it is easier to imagine the weary older Crowell making the bittersweet plea with all of its subtext. So, if you enjoyed Danielle Bradbery’s cover or Tim McGraw’s cover, make sure you check out the Rodney Crowell original, which also features Patty Loveless providing harmony vocals for Crowell.
What is your favorite version of “Please Remember Me”? Leave your two cents in the comments.
One of the highlights of this year’s Grammy Awards was Paul McCartney closing the show by singing the Beatles’ classic “Golden Slumbers”/”Carry That Weight”/”The End” set from Abbey Road (1969). Sir Paul also had some help on vocals and guitar from some other great artists, including Joe Walsh, Bruce Springsteen, and Grammy-winning Foo Fighter Dave Grohl.
The guitar work at the end is a treat, but the best part is the final strains of the lyrics where Grohl is standing behind McCartney singing. Grohl has no microphone, but with a smile on his face he sings anyway for the joy of it, the way many of us have done in our bedrooms as kids listening to the album. But Grohl gets to do it onstage with a look on his face that shows he is thinking, “I can’t believe I’m playing with Paul McCartney!” On a night tinged with sad tributes to Whitney Houston and Glen Campbell (who gave his final Grammy performance on stage as he succombs to Alzheimer’s disease), that image of Grohl captures perfectly the point that host LL Cool J made at the opening of the show: It’s all about the music.
“And in the end, the love you take is equal to the love you make.”
[February 2013 Update: The entire performance is no longer available, but in the short clip below you may see Grohl singing behind McCartney.]
What did you think of last night’s Grammy Awards show and this closing set? Leave your two cents in the comments.
Whitney Houston has passed away at the age of 48. At this point, the cause of death or where she died has not been revealed. Despite all of her troubles in recent years, you cannot argue that she had a great talent. In the 1980s when she was on top of the world with songs such as “The Greatest Love of All,” it would have been hard to imagine the troubled last part of her career and her early death.
On September 13 in 1814, a 35-year-old American lawyer wrote down a poem aboard a ship. He had just watched Fort McHenry in Maryland being bombarded by the British all night long during the War of 1812. British troops had already attacked Washington, D.C. and were now looking to take Baltimore.
The lawyer had come to Baltimore to successfully negotiate the release of a prisoner who was his friend. Now, he became inspired when during dawn’s early light, he saw the U.S. flag still flying over Fort McHenry.
The Song
And so, immediately, the lawyer began writing a poem called “The Defense of Fort McHenry.” Francis Scott Key’s poem began invoking his sight of the flag, “Oh, say, can you see, by the dawn’s early light, / What so proudly we hailed at the twilight’s last gleaming?.”
After the poem was published in newspapers, the words were linked to the music of an English drinking song by John Stafford Smith, “To Anacreon in Heaven.” The union of the American poem and the British music took on a life of its own as “The Star-Spangled Banner.” And eventually it was adopted as the U.S.’s official anthem in 1931.
Criticisms of “The Star Spangled Banner”
There are many critics of the national anthem. Some critics note that the song is difficult to sing. Thus, we get various poor performances ranging from Cyndi Lauper’s minor lyrics flub at the 2011 U.S. Open to more disastrous results.
Others criticize the song because it celebrates war over the nation’s other accomplishments. Personally, I love “America the Beautiful,” which many advocate as a replacement anthem. But there is something inspirational in the old drinking song tune put to Key’s words.
As a pre-Civil War song, the reference to the “land of the free” is about a land where American slaves were excluded from that freedom. In fact, Francis Scott Key had owned slaves, worked against abolitionists in his law career, and generally held a number of racist principles.
Thus, it is fascinating that the greatest versions of the song were performed by African-American singers and a man born in Puerto Rico. These singers instilled the song with different meanings.
Whitney Houston’s 1991 Super Bowl Performance
The most recent of these versions is the rousing and patriotic Super Bowl version by Whitney Houston at the Super Bowl in January 1991. She performed the song while the nation was involved in the Gulf War.
People immediately recognized her version was something special. I remember seeing the single CD of the beautiful performance for sale in record stores, and Houston made the national anthem a best-seller.
The fact that Houston pre-recorded the vocals and sang into a dead microphone does nothing to take away from how amazing her rendition of “The Star-Spangled Banner” is — or how much she gave to the performance. Her voice rose over a full band.
On a day when the nation was on high alert and Americans were unsure of the future, Houston altered the 3/4 waltz of the national anthem by changing it to 4/4 time. She thus elongated the notes, steeping the song in the time signature of the blues.
Jimi Hendrix at Woodstock in 1969
Maybe the single most famous public performance of “The Star-Spangled Banner” is the Jimi Hendrix guitar version from Woodstock in 1969. His instrumental version instills new meaning into the song and captures the turbulent time.
Although Hendrix had been scheduled to close the Woodstock Music and Art Fair on Sunday night, various delays resulted in him taking the stage around 8 a.m. on Monday morning, August 18, 1969. Thus, the closing act appeared before a crowd that had thinned out since the beginning of the weekend.
Hendrix first performed many of his most popular songs. Next, as the band began improvising, Hendrix told the crowd, “You can leave if you want to. We’re just jammin’, that’s all.” And then in the midst of the jam, he launched into “The Star-Spangled Banner.”
Even though Hendrix had played the tune on stage in the past, this performance was one for the ages. Hendrix took a song written about two nations fighting a battle, and he turned it into an elegy to a nation battling itself.
Marvin Gaye at the 1983 NBA All-Star Game
The third example is one of my favorites, which is Marvin Gaye’s performance of “The Star-Spangled Banner” at the 1983 NBA All-Star game. In what could have been just another pre-game performance, Marvin Gaye surprised us all.
At the time, Gaye was fighting a serious drug addiction problem, and within a little more than a year, he would be killed by his own father. On the night of this performance, he must have wondered how the crowd would react. He was running behind schedule on his way to the game after his only rehearsal of the song had not gone well.
That night, I remember watching the All-Star game. After Gaye began, at first, I wondered what was going on. Then, like the crowd, I began to realize that something incredibly special was taking place.
Gaye, like Hendrix before him, was reclaiming the national anthem, transcending the original warrior lyrics, capturing the pain and celebrating the joy of a troubled country, and giving it a little bit of soul.
José Feliciano at the 1968 World Series
Before any of the above versions, José Feliciano, another person who would have been excluded from Francis Scott Key’s country, reinterpreted the national anthem during an afternoon game of the 1968 World Series.
Feliciano performed in Detroit before Game 5 of the series between the Tigers and St. Louis Cardinals. The Tigers and NBC received angry calls and letters following the unconventional performance.
But one may find an attempt to heal a divided nation in Feliciano’s voice. The year had already seen the assassinations of Martin Luther King Jr. and Robert F. Kennedy. Riots erupted in August at the Democratic National Convention. As the Viet Nam conflict continued, the nation seemed to be coming apart.
You may hear Feliciano’s amazing version below. Also, check out his discussion of the controversy caused by his October 7, 1968 performance.
In less than a month, the country elected Richard M. Nixon as president. The war continued and the nation remained divided. But Feliciano — like Gaye, Hendrix, and Houston — had reminded us that the national anthem and the nation still could be saved.
What is your favorite version of “The Star Spangled Banner”? Leave a comment.
As a pre-Civil War song, the reference to the “land of the free” is about a land where American slaves were excluded from that freedom. In fact,