Missed Movies Roundup (Ex-Cons & Prostitutes edition)

The two German-language films in this edition of “Movies You Might Have Missed” each feature an ex-con and a prostitute trying to escape to a better life while also touching on universal existential themes. The stories are very different, but both movies are outstanding.

Revanche The Austrian film, Revanche (2008) may not be full of as much action as one might expect from the name, which is French for “revenge,” but it will keep you glued to the screen. The movie is a meditation on themes often seen in film noir movies of loss, connections among humans, revenge, and redemption. Ex-con Alex, played by Johannes Krisch, comes up with a plan so he and his prostitute girlfriend Tamara, played by Irina Potapenko, may escape to better lives. But some bad luck leaves Alex and a police officer fighting their own demons as they struggle to continue living in the face of tragedy.

Revanche shows the existential struggles of every-day life — chores like chopping wood and going to the grocery story — while raising questions about who we can blame for our life’s misfortunes. The Austrian film, directed by Götz Spielmann, is in German with subtitles and was nominated for the 2009 Academy Award for Best Foreign Language Film. It also is one of the best movies I have seen in a long time. DVDTown has a longer review.

I recently watched Werner Herzog’s Stroszek (1977), about an ex-con, a prostitute, and an elderly man who leave their troubles in Germany to make a new life in Wisconsin. Well, that is the nutshell description but it does not capture this poetic existential tale of human existence. Even Herzog notes in the commentary that he does not fully understand the symbolism of a scene with a dancing chicken, but he claims it may be the best segment he has ever filmed. And that is from the guy who filmed the ending of Aguirre, the Wrath of God (1972) with the monkeys.

Will you be blown away by Stroszek? Maybe not, but what I loved about the movie was that the next day after watching the movie, I could not stop thinking about it. Rotten Tomatoes gives it an amazing 100% rating from critics (and 92% audience rating). If you want to read more about the film, including some of the background behind the film and Bruno S. (who played Stroszek), check out Roger Ebert’s review. The official trailer tells too much of the story in a 1970s kind of way, so instead I am including a fan’s montage of scenes from the movie with Radiohead’s “No Suprises.”

{Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

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    Dear Zachary (Missed Movies)

    Cover of "Dear Zachary:A Letter to a Son ...
    Cover via Amazon

    Dear Zachary: A Letter to a Son About His Father
    (2008) is a moving documentary that filmmaker Kurt Kuenne made after his friend Andrew Bagby was murdered.  More than anything, the film is a tribute to his friend.

    Dear Zachary explores how one person may touch many others and how one tragedy connects to loved ones.  The film does address the solving of the crime.  But the movie is not a prolonged mystery, although it does follow the quest for some sense of justice.

    Much of the drama of the film, though, comes from attempts to return the alleged perpetrator to the United States from Canada.  And then, there is a twist. Bagby’s friends and family learn that he left behind a son, who is the Zachary in the title.

    The film then becomes an attempt to tell the son about the father he will never know. Much of the movie focuses on Bagby’s parents.  It recounts how they have dealt with losing their only child.  Their agony is genuine throughout the movie, as they face additional hurdles and heartbreak.

    My one criticism of the movie is that it over-simplifies the legal issues involved in the attempts to extradite the alleged perpetrator.  The movie makes an argument that Canada needs to reform its bail system. And it argues for an automatic rule that might not work in all cases.

    While it is true that the system did not work in this case, the failures may have been more from the actors in the system than the system itself.  It was fairly clear that the woman who killed Bagby was mentally ill.  And the movie only briefly notes her psychiatrist’s misconduct that led to her release. Thus, the movie ignores part of the problem with the system.  It also avoids the question of whether putting more potentially innocent people in jail is the solution.

    Along these lines, the movie may attempt too much by tacking on a political statement that the filmmaker is not willing to fully explore.  But it is an understandable oversight in light of the personal story.

    The movie’s appearance and lighting reveal that the film is not an expensive Hollywood vehicle.  But it is compelling and a good story.

    Although the movie goes in some different directions, those directions are driven by the narrative of real events.  The film is a very good documentary about the tragedies that befall when individuals die too soon.  And it reminds us of the love that can live on after their deaths.

    {Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

    If you have already seen Dear Zachary, head over to the movie’s website for an update.  If you have not yet seen the movie, wait until after you see it before checking out the update, which contains spoilers.

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    Missed Movies Roundup: It’s Kind of an Unstoppable Train Edition

    Below are some links to good reviews of some good movies that we liked that you might have missed in the theater. They are now available on Blu-Ray and DVD.

    (1) It's Kind of a Funny Story Obsessed with Film gives It’s Kind of a Funny Story (2010) a mediocre review, but I kind of like its conclusion that if the movie is “taken as a light-hearted comedy that weaves in a few serious issues in along the way, then it’s not too bad.” I agree there is a lot one may criticize about the film, but if you just go with this coming-of-age story about a teen facing depression who checks himself into a mental hospital, it is an enjoyable movie. It was refreshing to see Zach Galifianakis play a more serious role than he does in movies like the Hangover films.

    (2) Unstoppable (2010) features big stars Denzel Washington and Chris Pine, so it was not under the radar when released. But like me, you may have missed it when it was in theaters. The movie, based on a true story, is about a train with nobody on board that is running on the rails through towns at high speed. The cast, including Rosario Dawson, is excellent and Washington and Pine do a great job as two regular Joe railroad workers. Unstoppable is not your typical action movie.

    Because Unstoppable is based on a true story, it is not overblown and is realistic, focusing on character as well as some excellent tense action sequences. It creates a nice balance between story and action. Big Hollywood has a good review. See the preview below.

    (3) Finally, Listal.com has a list of “The 20 Most Underrated Movies and More. . .” Most of the choices are very good, including In the Valley of Elah and A Perfect World (and I even found lesser movies like Fever Pitch entertaining). There are a few I have not seen yet, but the list makes me want to check them out.

    {Missed Movies is our continuing series on good films you might have missed because they may not have received the recognition they deserved when released.}

    What did you think of these movies? Leave a comment.

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    Why Wasn’t Conviction a Best Picture Nominee? (Missed Movies)

    Conviction (2010) had a lot going for it. The movie is a compelling true story and an inspiring tale about family love. It features a murder mystery. One of the characters is a real-life famous lawyer. It has outstanding actors. Why was the movie not even mentioned at Oscar time? Why did it flop at the box office, ranking 150th in box office for 2010 after its October release?

    Conviction Hilary SwankMovie marketers often face a dilemma. To get people to see their movie, they have to tell potential viewers enough about the movie to create interest (or in the case of comedies, the best or only laugh lines — as I recently experienced while watching Cedar Rapids (2011)). But then, potential viewers may feel they do not need to see the movie unless there are other compelling reasons to see it. Plus, true stories are often already familiar. One recent excellent movie that had the familiarity challenge was Conviction (2010), starring Hilary Swank and Sam Rockwell. But the movie is still worthwhile viewing.

    Conviction follows the true story of Kenny Waters, who was sentenced to life in prison for a murder. His sister Betty Anne Waters believed in him so much that to prove him innocent, she earned her G.E.D., graduated from college, went to law school, passed the bar exam, and became a lawyer. It is an amazing story featuring hard work and a lot of luck.

    The reason that Conviction did not do better at the box office may have been that the story was too predictable (although 127 Hours faced a similar challenge), or maybe the story was too conventional. Or maybe the fascinating story lost something when converted to a 107-minute movie. The story is incredible because of the years the sister labored to free her brother while he was in prison. But it is hard to convey time in a movie, and to do so may have required a longer movie. Would it have been a better movie if it were longer, and would people have gone to see a longer movie?

    Or maybe the movie was just cursed. There is a tragic ending to the story not shown in the movie. Other actors (Phillip Seymour Hoffman and John C. Reilly) dropped out of the lead male role, and sixteen hours of crucial footage was ruined by an airport x-ray. Meanwhile, some family members were not happy with the final movie.

    But even if you know the story, should you see the movie? It is still entertaining, due largely to the fine acting by Swank and Rockwell. The movie also features Melissa Leo, who recently won an Academy Award for Best Supporting Actress for her work The Fighter, and an excellent performance in a small role by Julliette Lewis. It is unfortunate that more people did not see Conviction because the story shows something that happens in the criminal justice system more often than we would like to believe.

    Conclusion? Although this review points out some problems, these criticisms are an attempt to determine why such a compelling story with great acting did not translate into a big box office or a more perfect film. Conviction still is very good and worth viewing. But if you plan to see it, do not watch the trailer below. Conviction is now available on DVD and Blu-Ray.

    You may know how the story ends, but in case you do not, I will not ruin it. If you want more information, you may watch a local news story about the case and the release of the movie. Also, see the Chimesfreedom review of 127 Hours about how another movie faced the familiarity problem.

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    A Film Unfinished (Short Review)

    At the end of the outstanding documentary Anne Frank Remembered (1995), there is a scene that takes my breath away. It is a short clip of a home movie taken by people celebrating a wedding outside where Frank and her family lived before they had to go into hiding. The silent black and white home movie captures a window above for a few seconds, where one fleetingly sees Anne Frank as a happy girl leaning out watching the wedding celebration below. The scene is a testament to the power of video in capturing something unfathomable about the Nazi atrocities by merely showing a little girl on a balcony on a nice day.

    A Film Unfinished

    The images in the movie A Film Unfinished (2010) — released on DVD this month — are different but haunting in a similar way. So that after watching it, I felt like I had not breathed for the entire 88 minutes running time. Yael Hersonski’s documentary examines an unfinished Nazi propaganda film taken of the Warsaw Ghetto in May 1942, a few months before the people there started being sent to the Treblinka extermination camp. Although that uncompleted propaganda film, called “Das Ghetto,” was found soon after the end of World War II, another film of outtakes found in 1998 revealed how much of the propaganda film was staged. The Nazis made the Jewish people in the film participate in staged scenes to highlight a contrast between the poor and those who appeared to be more affluent.

    A Film Unfinished unveils the Nazi propaganda to reveal footage of profound suffering of people trying to survive. The footage is more disturbing knowing what awaits most people in the film in the months ahead of them. Hersonski makes wise choices about when to add explanation and when to let the scenes speak for themselves. Some of he power of the movie comes from hearing from some survivors as they watch the video (““What if I see someone I know?”).

    Most of the movies we discuss on Chimesfreedom are moving in a way that the filmmakers designed. Here, although the exact propaganda designs of the original Nazi filmmakers of “Das Ghetto” are unclear to this day, the resulting movie has the opposite effect to those original plans. The portrait of history and human suffering revealed in A Film Unfinished is difficult, but essential, viewing.

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