Why Did Stephen Colbert Sing “Jump Up” With Elvis Costello on the Final “Late Show”?

The next-to-last song on Stephen Colbert’s final episode of The Late Show was an obscure pick that perfectly captured a joyous — and pointed — finale.

Stephen Colbert closed out his final episode of The Late Show With Stephen Colbert with a couple of musical performances that made a perfect send off. The final song, of course, was the Beatles classic “Hello Goodbye,” led by Paul McCartney. It was a wonderful uplifting ending, saying goodbye to us while reminding us it was not the end. The Beatles song finale was even more touching with the recognition that Paul McCartney was turning out the lights on the show in the Ed Sullivan Theater, a place where the Beatles captured America so many years ago. But what was that acoustic song before “Hello Goodbye”?

This final segment began with Colbert wandering around before sitting and starting to sing, “Everybody’s talking like they can’t sit down / And looking like they can’t stand up.” And then for the next line, the camera moved to the songwriter of that song,”Jump Up,” Elvis Costello. Then, the song continued with Jon Batiste in a touching inclusion of the former Late Show band leader, and then Louis Cato, the current Late Night band leader.

In my music collection, I have “Jump Up” as a bonus acoustic demo song on my special CD edition of Elvis Costello’s 1977 debut album My Aim is True. Of all the songs in the world, why did Colbert choose an obscure bonus track from the 1970s as the penultimate song for his show?

Colbert has been a fan of the song “Jump Up” for a long time, so, as you can see from the look on his face, it was a joy for him to sing a favorite song with the songwriter. And it must have been cool to then “close” the show with the song and “goodnight,” and then go into the encore where the four “Jump Up” singers joined Paul McCartney for “Hello Goodbye.”

Why “Jump Up”?

But why did Colbert choose the obscure Elvis Costello song, as he loves other songs too? The likely reason for Colbert’s fondness for “Jump Up,” and the reason it worked so well in closing the show, arguably cancelled by CBS at least partly for its criticisms of a thin-skinned Donald Trump, is its satirical take on untrustworhty politicians.

Candidate talkin` on the radio from the “Cheaters Jamboree”;
It must be their latest fool;
`Cause it`s a two-horse race and he changed his bets,
Like it was just another brand of cigarettes.

Way back in 2012, Colbert explained his love of “Jump Up” in this interview with Terry Gross on Fresh Air: “I love the song because it’s sort of a satirical song. It’s got a parodic nature to it, or not a parodic nature, but it’s really, it’s got sort of a political, satirical song. And I’ve never discussed this song with Elvis, so I might get a message from Elvis Costello after this interview with you, saying, ‘You know nothing of my work. What are you talking about?’ But I’ve always thought of it as a – it’s sort of like a – it’s a person who is talking about insignificance in the name of power or of something that they want, and also talking about the hypocrisy of politicians.”

Colbert further explained how the song captures a young man on a street corner, looking to get noticed, who has no power. And maybe he felt a little like that with his show’s cancellation. But the song, in Costello’s skillful writing, has a power behind it with its uplifting melody, jokingly making fun of those in power. And isn’t that what The Late Show was always about since the first episode with David Letterman?

For those of us who grew up watching The Late Show since David Letterman started the show, through Colbert’s ongoing journey from The Colbert Report to The Late Show, it was a touching send off, looking back and looking forward.

And the look of joy on Colbert’s face as he sang “Jump Up” with Costello, Batiste, and Cato, I’m sure, far surpassed any joy left in the hearts of the politicians in Washington or the people running CBS.

Hello Goodbye indeed.

Jump up–hold on tight,
Can`t trust the promise or a guarantee;
`Cause the man `round the curve says that he`s never heard,
Of you or me.

Leave your two cents in the comments.

The Latest and Last Beatles Song: “Now and Then”

The last surviving Beatles Paul McCartney and Ringo Starr use recordings of John Lennon and George Harrison to create the final Beatles record, “Now and Then.”

The Beatles have released what will be their final song, “Now and Then.” The surviving Beatles Paul McCartney and Ringo Starr finalized the track using old recording of John Lennon and George Harrison.

McCartney and Starr explain the origins of the song in the short documentary below. The track originated after John Lennon’s widow Yoko Ono gave the surviving Beatles three recordings of songs written by Lennon before he was killed. McCartney, Starr, and Harrison used two of the three songs earlier. They had created new Beatles songs in the 1990s to along along with the Anthology documentary about the Beatles. Those two songs were “Free As A Bird” and “Real Love.”

The third Lennon song that McCartney, Starr, and Harrison tried to turn into a Beatles song in the 1990s was “Now and Then.” But this Beatles track was not completed at that time, perhaps partly or mainly due to George Harrison’s disdain for the song. Or, according to McCartney’s more recent version of events, the song was not finished due to technical and time constraints. One of the challenges was that Lennon’s demo recording did not have a clear enough separation between his voice and the piano.

But a jump in time has made the new track possible. Director Peter Jackson, in creating the Beatles documentary about the making of the Let It Be (1970) album, The Beatles: Get Back (2021), used a new technology. It allowed him to separate out the voices of the Fab Four in the original film footage from that session. This technology would also allow the Beatles to separate out John Lennon’s voice from the piano on “Now and Then.”

Then, producer Giles Martin, son of Beatles producer George Martin, added in guitar parts that George Harrison had created when the three Beatles worked on the song in the 1990s. Ringo Starr recorded a new drum track, while McCartney added bass and other instruments, including a slide guitar track as a tribute to Harrison. McCartney’s voice joins Lennon’s voice in the background during the song, and McCartney also added the line “always to return to me” in the lyrics.

Now and then,
I miss you;
Oh, now and then,
I want you to be there for me,
Always to return to me
.

And so, we have what is likely the last Beatles song we will ever have created by the four actual Beatles. While it may not be a match for some of their masterpieces, it is great to hear John singing with the other lads again. Check out the official video for “Now and Then.” The video mixes old footage of the four Beatles with today’s Paul and Ringo, leading the viewer to imagine them all together again. It might even bring a few tears to your eyes.

What do you think of the new song? Leave your two cents in the comments.

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    Roy Orbison Without the Sunglasses: “Only the Lonely”

    Roy Orbison began wearing his signature sunglasses onstage in 1963 due to something that happened while touring with the Beatles.

    Roy Orbison Without Glasses

    Roy Orbison, who was born on April 23, 1936 and passed away on December 6, 1988, was known for his amazing voice and his signature look. The image we have of him is dressed in black and wearing sunglasses. But he did not always wear his signature sunglasses, as shown by the below performance of “Only the Lonely” on Dick Clark’s Saturday Night Beechnut Show.

    Throughout the pandemic, I have been digging deeper into artists I have always loved.  Lately, one of my obsessions has been Roy Orbison.

    There are various stories about why Orbison wore sunglasses on stage.  One of the most popular legends is that Orbison was shy and the sunglasses helped him overcome stage fright.

    But in the book The Authorized Roy Orbison, Orbison’s sons Roy Jr., Wesley, and Alex explained the story behind the famous sunglasses.  While on tour with the Beatles in 1963, Roy Orbison left his regular glasses on an airplane.  Orbison had poor eyesight and was at a loss without his glasses, but he had a pair of sunglasses with him (apparently prescription sunglasses).  So he wore the sunglasses on the tour, creating what would become his iconic look.

    Prior to 1963, however, Orbison did not perform with the sunglasses.  So here, you may see Orbison perform one of the great classics “Only the Lonely” below in what appears to be from July 23, 1960 on Dick Clark’s show.  Check it out.

    What is your favorite Roy Orbison song? Leave your two cents in the comments.

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    Ringo Starr Records a John Lennon Song (with a little help from Paul McCartney)

    On Ringo Starr’s new album What’s My Name, he includes a recording of one of the last songs written by John Lennon, “Grow Old With Me.” The touching track also features another Beatle, Paul McCartney, playing bass and singing backing vocals.

    Ringo Starr recently explained to Billboard how Jack Douglas, who produced Lennon’s Double Fantasy, approached him about a tape of demos Lennon had made in Bermuda in 1980. Starr said that listening to the tape was “very emotional” for him. And it was on that tape he found one song that Lennon had never released, “Grow Old With Me.”

    So Starr called McCartney, who agreed to help out. One final additional touch was that Douglas added a string section to the song. And unknown to Starr, Douglas added a brief musical riff from George Harrison’s “Here Comes the Sun” (listen closely at around the 1:40 mark). Thus was created a bit of a Beatles reunion of sorts.

    The lyric video below for Starr’s recording of “Grow Old With Me” includes Lennon’s handwriting to help display the lyrics. Check it out.

    The recording touched Starr. As he explained to Billboard, “It moved me. I did my best and it’s very me, but you know, [Lennon] wrote those words and he’d written songs for me before, so I thought, ‘No, I’m gonna do it.'”

    If you listen closely, in addition to the Harrison reference in the music, you may hear Starr’s message to Lennon. At around the 3:02 mark, you can hear in the background, Starr saying, “God bless you, John.”

    John Lennon and Yoko Ono originally planned to include “Grow Old With Me” on Double Fantasy (1980). But the song was not ready when they wanted to release the album, so they saved it for what they hoped would be their next album.

    Lennon’s demo of “Grow Old With Me” with Ono was released after his death. Lennon’s version appears on the 2010 posthumous album, Milk and Honey. You may hear Lennon’s version below.

    Ringo Starr‘s album What’s My Name was released on October 25, 2019.

    What do you think of Ringo Starr’s take on “Grow Old With Me”? Leave your two cents in the comments.

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    ATM Money, It’s a Gas

    Money SongsOn September 2, 1969, the first public Automatic Teller Machine (ATM) began giving out money to customers at Chemical Bank in Rockville Center, New York. This first ATM could give out cash, but it could not do anything else.  Two years later in 1971, ATMs were introduced that could do other functions we associate with such machines today.  Today, there are more than three million ATMs in the world.

    A number of people worked on developing the ATM.  But most credit Don Wetzel as coming up with the idea for the ATM while he was waiting in line at a bank.  Wetzel worked as an executive at Docutel, a company that developed baggage-handling machines.

    After the first machines appeared at banks, engineers continued to work on and improve the machines, which became more popular and common by the 1980s.  I first remember using an ATM at a bank around 1984.  It amazed me that I could access what little money I had in the bank so easily.  Today, I cannot imagine not having them, even as technology keeps changing.  The last time I deposited a check was the first time I did it through my cell phone.

    Money Sings

    There are a number of good songs about money or that reference money directly or indirectly.  Dire Straits had “Money for Nothing.”  The Beatles sang about not being able to buy love.  50 Cent reports, “I Get Money.”  The Steve Miller Band advises us just to “Take the Money and Run.”  And in “Price Tag,” Jesse J reminds us “it’s not about the money, money, money.”  Yet, as Cyndi Lauper notes, “Money Changes Everything.”

    But the first song about money that comes to my mind is Pink Floyd’s “Money.”  From the opening cash register sound of coins, it is one of the most recognizable openings in music.

    Roger Waters wrote the song, which features lead vocals by David Gilmour.  In the Pink Floyd song, the way Gilmour exclaims “Money!” and some of the lines like “Money is a gas” lead listeners to believe the song is in praise of currency.  But if one examines the lyrics closely, one sees the song is really about problems caused by money.

    Money, it’s a crime;
    Share it fairly but don’t take a slice of my pie;
    Money, so they say,
    Is the root of all evil today;
    But if you ask for a raise it’s no surprise that they’re
    Giving none away, away, away.

    “Money” was the opening track on the album Dark Side of the Moon, which was released on March 1 of that year. The song, which also uses unusual time signature changes and is one of only two songs on the album to feature a saxophone, was the first U.S. hit for Pink Floyd.
    “Money” was released as a single on May 7, 1973, less than four years after that first ATM appeared.  But money had been causing problems long before ATMs came along.  And it will continue to do so no matter what technology we use for the transfer of cash.
    What is your favorite song about money? Leave your two cents in the comments.
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