Why Did Stephen Colbert Sing “Jump Up” With Elvis Costello on the Final “Late Show”?

The next-to-last song on Stephen Colbert’s final episode of The Late Show was an obscure pick that perfectly captured a joyous — and pointed — finale.

Stephen Colbert closed out his final episode of The Late Show With Stephen Colbert with a couple of musical performances that made a perfect send off. The final song, of course, was the Beatles classic “Hello Goodbye,” led by Paul McCartney. It was a wonderful uplifting ending, saying goodbye to us while reminding us it was not the end. The Beatles song finale was even more touching with the recognition that Paul McCartney was turning out the lights on the show in the Ed Sullivan Theater, a place where the Beatles captured America so many years ago. But what was that acoustic song before “Hello Goodbye”?

This final segment began with Colbert wandering around before sitting and starting to sing, “Everybody’s talking like they can’t sit down / And looking like they can’t stand up.” And then for the next line, the camera moved to the songwriter of that song,”Jump Up,” Elvis Costello. Then, the song continued with Jon Batiste in a touching inclusion of the former Late Show band leader, and then Louis Cato, the current Late Night band leader.

In my music collection, I have “Jump Up” as a bonus acoustic demo song on my special CD edition of Elvis Costello’s 1977 debut album My Aim is True. Of all the songs in the world, why did Colbert choose an obscure bonus track from the 1970s as the penultimate song for his show?

Colbert has been a fan of the song “Jump Up” for a long time, so, as you can see from the look on his face, it was a joy for him to sing a favorite song with the songwriter. And it must have been cool to then “close” the show with the song and “goodnight,” and then go into the encore where the four “Jump Up” singers joined Paul McCartney for “Hello Goodbye.”

Why “Jump Up”?

But why did Colbert choose the obscure Elvis Costello song, as he loves other songs too? The likely reason for Colbert’s fondness for “Jump Up,” and the reason it worked so well in closing the show, arguably cancelled by CBS at least partly for its criticisms of a thin-skinned Donald Trump, is its satirical take on untrustworhty politicians.

Candidate talkin` on the radio from the “Cheaters Jamboree”;
It must be their latest fool;
`Cause it`s a two-horse race and he changed his bets,
Like it was just another brand of cigarettes.

Way back in 2012, Colbert explained his love of “Jump Up” in this interview with Terry Gross on Fresh Air: “I love the song because it’s sort of a satirical song. It’s got a parodic nature to it, or not a parodic nature, but it’s really, it’s got sort of a political, satirical song. And I’ve never discussed this song with Elvis, so I might get a message from Elvis Costello after this interview with you, saying, ‘You know nothing of my work. What are you talking about?’ But I’ve always thought of it as a – it’s sort of like a – it’s a person who is talking about insignificance in the name of power or of something that they want, and also talking about the hypocrisy of politicians.”

Colbert further explained how the song captures a young man on a street corner, looking to get noticed, who has no power. And maybe he felt a little like that with his show’s cancellation. But the song, in Costello’s skillful writing, has a power behind it with its uplifting melody, jokingly making fun of those in power. And isn’t that what The Late Show was always about since the first episode with David Letterman?

For those of us who grew up watching The Late Show since David Letterman started the show, through Colbert’s ongoing journey from The Colbert Report to The Late Show, it was a touching send off, looking back and looking forward.

And the look of joy on Colbert’s face as he sang “Jump Up” with Costello, Batiste, and Cato, I’m sure, far surpassed any joy left in the hearts of the politicians in Washington or the people running CBS.

Hello Goodbye indeed.

Jump up–hold on tight,
Can`t trust the promise or a guarantee;
`Cause the man `round the curve says that he`s never heard,
Of you or me.

Leave your two cents in the comments.

The Marcus King Band: “Goodbye Carolina”

Marcus King Carolina

Marcus King has one of those soulful voices that make you feel the person was born to sing southern music. Add in this young artist’s guitar playing, his songwriting skills, and combine with some additional music talent, and one has the recipe for one of the best bands you may never have heard until today.

In late 2018, The Marcus King Band released its third full-length album, Carolina Confessions. And all songs on the album were written or co-written by the 22-year-old King. The singer, who comes from a line of musicians, was born and raised in Greenville, South Carolina.

The music ranges from slow soul, to hard-driving southern rock, to sweet country. I feel a little Black Crowes, Otis Redding, and Allman Brothers running through the music.

One of my favorite tracks from the album is “Goodbye Carolina.” It is a song about leaving something behind. But it also is about searching for something more. King sings, “So, Goodbye Carolina, searched my whole life to find you / I hate to leave you but I hope you’ll know /Where I’m going I’ll be seeing you.”

Below, The Marcus King Band performs the song on The Late Show with Stephen Colbert. Check it out.

What do you think of The Marcus King Band? Leave your two cents in the comments.

  • Why Did Stephen Colbert Sing “Jump Up” With Elvis Costello on the Final “Late Show”?
  • Emmylou Harris Covers Steve Earle’s “The Pilgrim”
  • Melissa Etheridge: “Hold On, I’m Coming”
  • Bonnie Raitt’s “Gypsy In Me”
  • Troubled Waters Plays “Me and Julio Down by the Schoolyard”
  • Goodbye to Stephen Colbert and Craig Ferguson
  • ( Some related Chimesfreedom posts.)

    Emmylou Harris Covers Steve Earle’s “The Pilgrim”

    Emmylou Steve Earle

    Emmylou Harris recently appeared on The Late Show With Stephen Colbert with her band The Red Dirt Boys and gave a moving performance of Steve Earle’s “The Pilgrim.” The song is my favorite from Earle’s bluegrass album The Mountain (1999), so it was great to hear Harris’s wonderful voice giving it a new interpretation and a new meaning.

    In introducing the song, Harris touched upon today’s political culture and the plight of refugees. She noted, “This song is for the over 65 million displaced persons around the world.”

    And then she began the song.

    I am just a pilgrim on this road, boys;
    This ain’t never been my home.
    Sometimes the road was rocky long the way, boys;
    But I was never travelin’ alone.

    Check it out.

    Harris and The Red Dirt Boys are touring to celebrate the 25th anniversary of her classic album Emmylou Harris and the Nash Ramblers At The Ryman, which was recently re-issued.

    What is your favorite cover of a Steve Earle song? Leave your two cents in the comments.

  • Why “GUY”? (Steve Earle album review)
  • The Life and Songs of Emmylou Harris
  • Troubled Waters Plays “Me and Julio Down by the Schoolyard”
  • If a Song Could Be President
  • Greg Trooper’s Popular Demons Available For Free Download
  • Tribute to Guy Clark CD is “Stuff That Works”
  • (Some related Chimesfreedom posts.)

    Buy from Amazon

    Troubled Waters Plays “Me and Julio Down by the Schoolyard”

    Troubled Waters Simon

    With the departures of David Letterman and Craig Ferguson from late-night television, the odds of catching an intelligent discussion on a late-night talk show decreased significantly. That is one reason why it was refreshing to see Stephen Colbert finally take over for Letterman, and his first week did not disappoint, with highlights that included a thoughtful conversation about grief and loss with Vice President Joe Biden.

    Of course, we want to laugh and dance too. And the first week of The Late Show With Stephen Colbert did not disappoint in that category either.

    For example, at the beginning of one episode the announcer (Colbert) exclaimed that one of the guests would be Troubled Waters, a Paul Simon tribute band. For those who stayed awake for the end, the “tribute band” did not disappoint, turning out to be made up of Paul Simon. Troubled Waters then performed “Me and Julio Down by the Schoolyard” from Simon’s 1972 self-titled album.

    On the performance of “Me and Julio Down by the Schoolyard,” Simon also received a little help from Colbert, who proved he not only can be thoughtful, he can sing, dance, and whistle. Check it out.

    What do you think of The Late Show With Stephen Colbert so far? Leave your two cents in the comments.

    Buy from Amazon

  • Why Did Stephen Colbert Sing “Jump Up” With Elvis Costello on the Final “Late Show”?
  • Emmylou Harris Covers Steve Earle’s “The Pilgrim”
  • John Fogerty Rocks One More Time for Letterman
  • Goodbye to Stephen Colbert and Craig Ferguson
  • Stephen Colbert Announces Final Date for “The Colbert Report”
  • Pop Culture Roundup (for Early February 2012)
  • (Some related Chimesfreedom posts.)

    Goodbye to Stephen Colbert and Craig Ferguson

    Geoff Peterson Voice
    Josh Robert Thompson and Craig Ferguson

    It has been a bad week for innovative television, with Stephen Colbert’s The Colbert Report ending Thursday and The Late Late Show With Craig Ferguson ending Friday. Of course, we have not seen the last of these men. Although Colbert will leave behind his Colbert Report persona, he will be taking over for David Letterman. And we can only hope that we will be seeing more of Craig Ferguson, who for now continues to host the weekly syndicated game show, Celebrity Name Game, and to do a stand-up tour.

    I have felt a special pop-culture bond with Colbert for some time. About a year before he began his run on The Colbert Report, I went with a friend to a taping of The Daily Show. At first, the audience was disappointed to learn that Jon Stewart was taking a rare night off, but Stephen Colbert filled in for Stewart well, foreshadowing that he would one day have his own show. At one point during a commercial break, Colbert was goofing around and leaned against his desk with his arms in the air playing to the studio audience, “I’m Ultraman!” Nobody laughed but me, and he nodded at me saying, “We’re the only ones who know who Ultraman is?” as I nodded back. As a kid, inspired by the Japanese television series on my Midwestern black and white TV, I used to pretend I was Ultraman as I played in my backyard. In the New York City studio, though, I found joy in discovering a connection so far away from my childhood home.

    This week, Colbert ended The Colbert Report with an over-the-top final episode. It was funny and illustrated his numerous big-name connections. Check out the farewell of “We’ll Meet Again” with numerous celebrity cameos, starting at around the 1:10 mark in the video below (although Colbert actually ended the show with another song, “Holland, 1945” by Neutral Milk Hotel, playing over the final credits, apparently in a nod to his family). [2019 Update: Unfortunately, the video is no longer available.]

    Craig Ferguson’s final week on his show, which also began in 2005, has been relatively relaxed, hip, and low-key, consistent with his approach in the late-night spot. Still, he gave us several treats this week, such as an introduction to Josh Robert Thompson, the man behind the remotely controlled skeleton Geoff Peterson (see video at end of post).

    Whereas The Colbert Report seemed so much a product of our time with its satire of cable TV politics, Ferguson’s show has always been simultaneously cutting toward the future and the past. Kids liked him, but so did my mom. Ferguson’s rejection of late-night norms has been innovative, even as his show with a talking skeleton sidekick and other outrageous antics nodded to a past of Ernie Kovacs, Sid Caesar, and Imogene Coca. [2019 Update: Unfortunately, the video is no longer available for embedding.]

    Ferguson was refreshing for the way he seemed less connected to our modern celebrity-driven media, even while interviewing celebrities. Like Colbert, his final episode also featured a song with celebrity cameos, using the quirky choice of “Bang Your Drum,” a song about carving your own path by Scottish band Dead Man Fall (see video above, which begins as a music video and ends with Ferguson performing with a band and choir).

    Like a real late-night conversation in your home or dorm, Ferguson’s interviews with a guest could easily slip into an insightful discussion of famous painters or philosophers while still being funny. His monologues could touch on honest personal experiences as his did when he famously discussed his own alcoholism. In one of his great interviews, Dr. Cornel West told Ferguson, “You have a spirituality in your honesty.” So, it does not surprise me to hear that Ferguson recently explained how a conversation with Desmond Tutu affected the way he is leaving The Late Late Show.

    We live in a crazy time where computer hackers can undermine a movie and where a former vice president gets air time to defend the practice of torture, so we desperately need the satirists like Stephen Colbert and Jon Stewart. I will miss The Colbert Report, even as I play my DVD of the show’s Christmas special.

    But I will miss Ferguson’s nightly show even more. Most nights, I could not stay up late enough to watch The Late Late Show, so I actually saw Ferguson less often than the earlier Colbert Report. But on nights when I could not sleep, because of a thunderstorm, loneliness, anger, despair, overwork, or too much caffeine, I found comfort in Ferguson’s honesty and goofiness, providing us something real and direct while our troubles kept us awake.

    Leave your two cents in the comments.

  • Troubled Waters Plays “Me and Julio Down by the Schoolyard”
  • Sid Caesar RIP
  • How Lucky, John Prine on “The Colbert Report”
  • Listen to What Paul McCartney Said (and Sang) on “The Colbert Report”
  • Why Did Stephen Colbert Sing “Jump Up” With Elvis Costello on the Final “Late Show”?
  • The Marcus King Band: “Goodbye Carolina”
  • (Some related Chimesfreedom posts.)