The Greenpeace Save the Arctic campaign has enlisted Radiohead and Jude Law in a new video. The film reflects concerns about climate change and oil company drilling that drastically affect the arctic and its wildlife, like the displaced polar bear in the video. The video features narration by Jude Law over Radiohead’s song “Everything in Its Right Place” from Kid A (2004). Check it out.
According to Greenpeace’s website, Radiohead’s Thom Yorke explained, “An oil spill in the Arctic would devastate this region of breathtaking beauty, while burning that oil will only add to the biggest problem we all face, climate change.” If you are concerned about the environment or do not want immigrant polar bears in your back yard, check out Greenpeace’s website.
This Tuesday, Adam Lambert began his short tour with Queen in at Independence Square in Kiev, Ukraine. Among the songs was the Queen classic, “Bohemian Rhapsody.” While nobody can replace the great singer Freddie Mercury, Lambert has the singing chops to pull off the songs. I am glad that Queen can still tour with a worthy front man, although some may complain that Lambert got his start as a runner up on the reality TV show American Idol. The performance remains a tribute to Mercury, though, as his voice and images appear during the performance, haunting the song and making us miss him even more.
Should Queen have stopped touring or do you agree they were right to go on with Adam Lambert? Leave your two cents in the comments.
There are a number of popular songs that reference the Fourth of July and Independence Day. There are songs that take a historical approach to focus on the drafters and signers of the Declaration of Independence as in the play and movie 1776. And there are popular songs about America like the version of “America the Beautiful” by Ray Charles or the song we discussed on Chimesfreedom last year, Paul Simon’s “American Tune.” But there are also a number of songs that refer to the modern version of the holiday without singing about Jefferson, Franklin, Adams, or purple mountains majesty.
Shooter Jennings: “Fourth of July”
Shooter Jennings, son of the great Waylon Jennings, recorded an excellent song about the holiday in “Fourth of July” off his debut album, Put the O Back in Country (2005). Although the song does not mention the Declaration of Independence or our Founding Fathers, it evokes the Fourth of July that is more familiar to Americans today of having a nice holiday.
Unlike many of the other Fourth of July patriotic songs, Shooter Jennings’s song is completely about the holiday. And it is a fun song. A live version is here.
“Independence Day”
There are two excellent songs titled “Independence Day” that focus on personal escape and independence. In Bruce Springsteen’s song from The River (1980), he sings about leaving home, not necessarily on the Fourth of July. The song highlights the tension between father and son, with the son leaving: “Well say goodbye it’s Independence Day / It’s Independence Day all boys must run away.”
While Springsteen’s “Independence Day” portrays a bittersweet aspect of growing up and escaping, Martina McBride sings her “Independence Day” as an angry and empowering anthem. In the song, written by Gretchen Peters, the singer recounts her mom standing up to domestic abuse.
The “Independence Day” in this song refers both to the mother’s action asserting independence as well as to the holiday: “So I took myself down to the fair in town / On Independence Day.” Here is McBride’s video of the song, which appeared on her album The Way That I Am (1993).
“Fourth of July, Asbury Park”
Springsteen actually does have a song that, unlike his “Independence Day,” is set on the holiday. “Fourth of July, Asbury Park (Sandy)” first appeared on Springsteen’s second album, The Wild, The Innocent and The E Street Shuffle (1973) album. The song captures a moment of young love on a summer holiday down by the shore.
Here is a young Boss playing the song in 1975 at Hammersmith Odeon. Like Shooter’s song, this one does a great job of capturing the holiday spirit.
Songs About Fireworks
I suspect that many firework displays feature Katy Perry’s “Firework,” from her Teenage Dream (2010) album. Although the song mentions the Fourth of July, it does so in the context of asking the object of the song to “Just own the night like the Fourth of July.”
Like McBride’s “Independence Day,” Perry’s “Firework” is a song of empowerment, but without the arson.
Another song that evokes the annual holiday explosives is Ryan Adams’s excellent song, “Firecracker” from his Gold (2001) CD. The song is about courtship instead of going out to see fireworks on the Fourth of July: “I just want to be your firecracker / And maybe be your baby tonight.”
In this video, Adams performs “Firecracker” in an acoustic version.
“The Great Compromise”
John Prine invokes patriotic imagery as he remembers “a girl who was almost a lady” born on the Fourth of July in his wonderful “The Great Compromise.” The song appeared on Prine’s album Diamonds In The Rough (1971).
The girl in “The Great Compromise,” however, really represents the United States. Prine’s song about disillusionment with the country during the Vietnam War is one of the great songs about our country. [Thanks to Lucia Ferrara for reminding me about the Prine song.]
Other Singing References to the Fourth
Many other singers and songwriters have planted references to the holiday in their songs. For example, there are songs by James Taylor (“On the Fourth of July”), U2 (the instrumental “4th of July”), Elliott Smith (“Independence Day”), X (“4th of July”), Ariel Abshire (“Fourth of July”), and Aimee Mann (“4th of July”).
Tom Waits mentions the holiday in “This One From the Heart.” So does Chicago in “Saturday in the Park” but the band was not completely sure about the day: “Saturday in the park/ I think it was the Fourth of July.”
And Lucinda Williams sang about a “Metal Firecracker,” although the song title referred to a tour bus. PopMatters has a good list of July Fourth songs, and check out the comments below for some more additions.
What is your favorite Fourth of July song? Let us know in the comments. And have a happy and safe Fourth of July.
One of the most played songs on the radio for awhile has been Gotye‘s song “Somebody That I Used To Know.” So it was about time that someone took the song and made it about Star Wars. Check out the latest viral video circulating the Internet.
On June 28 in 1928, Louis Armstrong created one of history’s landmark musical recordings in Chicago with “West End Blues.” The composition was written and originally recorded by Armstrong’s mentor, Joe “King” Oliver, but Armstrong established himself as a genius and major influence of American music with the recording he made that day. Among other acknowledgements, NPR lists “West End Blues” as one of the 100 most influential musical works of the twentieth century.
The 26-year-old Armstrong and his Hot Five that day recorded the piece with a piano solo by Earl “Fatha” Hines and included one of the first recordings of scat singing by Armstrong. Most historians, though, recognize that what made the recording so special was Armstrong’s 15-second trumpet introduction and his eight-bar solo toward the end of the piece.
Composer and historian Gunther Schuller wrote about Armstrong’s first four notes of “West End Blues” in Early Jazz: Its Roots and Early Developtment (1986): “The way Louis attacks each note, the quality and exact duration of each pitch, the manner in which he releases the note, and the subsequent split second silence before the next note – in other words, the entire acoustical pattern – present in capsule form all the essential characteristics of jazz inflection.” (p. 116)
Billie Holiday summed up the impact of the song a different way, writing that sometimes “West End Blues” made her so sad, she’d “cry up a storm.” But “[o]ther times the same damn record would make me so happy.”
Ken Burns’s TV series Jazz features a great discussion of this composition named for the West End on the shore of Lake Pontchartrain in New Orleans. While the segment is not available on YouTube, the series is available on Netflix streaming. For a more detailed discussion of the music in the piece and its legacy, check out this excellent post from The Wonderful World of Louis Armstrong blog. Or just close your eyes and listen to “West End Blues” again.
(1971).
