Last night on American Idol, the finalists Jessica Sanchez and Phillip Phillips made the case for taking home the crown. This season of American Idol had a number of strong contestants, but these two are certainly great talents, with Sanchez having a great singing voice and Phillips having a unique style. Phillips showed off that style on the final song of the night, “Home.”
Often, the new song that American Idolists sing is the weakest of the songs, because it is hard for an unfamiliar song to compete with classics familiar to the audience. For example, Sanchez received a tepid reaction to her new song, “Change Nothing.” But last night, Phillips’ rendition of “Home” was the highlight of the show.
I thought the song might go over the top when the drummers came on stage, but Phillips kept it restrained throughout, leaving the audience wanting more. Randy Jackson noted that the song reminded him of Mumford & Sons, and I can see the connection too. It is not surprising that the writer of “Home,” Drew Pearson, is a fan of Mumford & Sons. Pearson originally wrote the song for British singer Greg Holden, but Pearson’s publisher submitted it to American Idol for consideration, and Jimmy Iovine loved the song.
Recently, Pearson participated in Phillips’ recording of “Home.” Win or lose tonight, it looks like we will be hearing a lot more of Phillip Phillips.
Woody Guthrie’s song about the outlaw Pretty Boy Floyd begins with a story of Floyd getting into a fight. Floyd gets upset that a deputy used vulgar language in front of Floyd’s wife. After Floyd “laid that deputy down,” he fled to the country where every crime was blamed on him. But Guthrie did not write the song to sing about an unfortunate event. He wrote it as a critique of society, not of a man.
The Underlying Subject of “Pretty Boy Floyd”
The key part of the song regarding Guthrie’s message is near the end. Guthrie tells how Floyd helped strangers and gave money to struggling farmers.
The final verses are the most cutting and still relevant today in light of the worldwide financial problems and concerns raised by people such as within Occupy Wall Street. And the song’s final verse sums up much of Guthrie’s philosophy and his work.
But as through your life you travel, Yes, as through your life you roam, You won’t never see an outlaw Drive a family from their home.
As Woody’s son Arlo Guthrie sings in this performance of his father’s song, “Some will rob you with a six gun / And some with a fountain pen.”
At another time, Woody Guthrie explained, “[Y]ou know — a policeman will jest stand there an let a banker rob a farmer, or a finance man rob a workin’ man. But if a farmer robs a banker — you would have a hole dern army of cops out a shooting at him. Robbery is a chapter in etiquette.” (Joe Klein, Woody Guthrie: A Life, p. 128)
Guthrie wrote “Pretty Boy Floyd” in March 1939, and many consider it among his finest songs. While it is not covered as often as some of Guthrie’s other songs, “Pretty Boy Floyd” has been played by Roger McGuinn, Kinky Friedman, Melanie (Safka), and others.
The Real Pretty Boy Floyd
When Guthrie wrote “Pretty Boy Floyd,” only five years had passed since Charles Arthur “Pretty Boy” Floyd had died. The real Floyd was born on February 3, 1904. And he was first arrested at the age of 18 for stealing money from a post office.
FLoyd later graduated to bigger crimes in several states. He earned his nickname from the way a bank robbery witness described him. Although Floyd committed a number of crimes, Guthrie’s song correctly notes that Floyd probably was blamed for more than he did, including killings during a 1933 gunfight that became known as the “Kansas City Massacre.”
On October 22, 1934, as law enforcement officers pursued Floyd, he was killed in an apple orchard near East Liverpool, Ohio. Approximately 20,000 to 40,000 people attended Floyd’s funeral in Oklahoma.
Like all great folk songs, “Pretty Boy Floyd” has lived on as more than just a story about one person. And that is why we are celebrating Woody Guthrie.
{Woody at 100 is our continuing series celebrating the 100th Anniversary of the birth of Woody Guthrie in 1912. Check out our other posts on Guthrie too. }
What do you think of “Pretty Boy Floyd”? Leave your two cents in the comments.
Another giant of the disco era has passed away. Robin Gibb of the Bee Gees died today of colorectal cancer at the age of 62. Barry is the only surviving Bee Gee, as their brother Maurice died in 2003.
A standout Bee Gees track is “I Started a Joke,” which was mainly written by Robin, who also sings lead on the song. The song was released in September 1968 on the album Idea. According to Wikipedia, some think the song is about the devil, but the more common interpretation is that the song is sung by someone who did something wrong and regrets it. In the video below of a performance at Festival Hall, a young Robin sings the song. RIP.
What is your favorite Bee Gees song? Leave your two cents in the comments.
In the thirteenth Oxford American Annual Southern Music issue, author Peter Guralnick wrote an excellent essay about Howlin’ Wolf, “What is the Soul of Man?” In the essay, Gualnick, who has written definitive biographies of great artists such as Elvis Presley and Sam Cooke, recounts how the greatest moment on television for him was Howlin’ Wolf’s appearance on Shindig! taped on May 20, 1965.
On that Thursday night, The Rolling Stones were the headliners on the show, and Wolf for some reason was listed on the show under the name “Chester Burnett,” as his given name was Chester Arthur Burnett. But when he took the stage and began his first hit, “How Many More Years,” the 6’3″ Wolf made it so “[e]very moment was larger than life.”
In this clip from the show, the Stones talk of their admiration for Howlin’ Wolf. Then Wolf took the stage and wiggled and leapt, as Guralink described, “with The Stones sitting at his feet, as if not just the stage but the entire world would shake.”
According to the website The 60s at 50, the May 20th taped show appeared on ABC on May 26, 1965.
What do you think of Howlin’ Wolf’s performance? Leave your two cents in the comments.
I just heard on the radio that Donna Summer passed away today at the age of 63 from cancer. Summer, who was born LaDonna Adrian Gaines, begin performing at the age of 10, although her first U.S. break came in 1975 with her song, “Love to Love You Baby.” Other songs such as “Last Dance,” “Hot Stuff,” and “Bad Girls” were some of the biggest hits during the disco era. Her 1983 song “She Works Hard For The Money” is often used as an anthem for women’s rights. Although that song was her last major hit, she released an album of original songs as recently as 2008 with Crayons. Throughout her career, Summer distinguished herself from many other artists because she was both an excellent songwriter and powerful singer.
Although disco was never my favorite genre, regular readers will know that I am not snobby about great pop songs. So, I will admit that in the early 1980s I had a cassette tape of Donna Summer’s greatest hits album that is pictured above. At college, one of my roommates with a powerful stereo liked to borrow the tape to blast “Love to Love You Baby” and its moaning sounds out his window at the other dorms.
I always recognized “Last Dance” as her best song, but the slightly lesser-known “On the Radio” also was one of her best. “On the Radio” was released as a single in 1979, and it was used in the soundtrack for the film Foxes (1980), starring Jodie Foster and Scott Baio. The song has been covered by non-disco artists such as Emmylou Harris. The sad sound of the minor chords give it an unusual twist for a disco song, and the lyrics are mysterious. The singer tells about a break-up but ends with a reconciliation while it is all twisted up with that letter that someone read on the radio.
You have to respect a singer who can sing a disco song while sitting down. Sorry to hear the bad news today on the radio, but rest in peace LaDonna. What is your favorite Donna Summer song? Leave your two cents in the comments.
