The Gang’s All Here: Muhammad Ali & Sam Cooke

Muhammad Ali album

In 1963, boxer Cassius Clay, who soon would become known as Muhammad Ali, recorded the album titled, I Am the Greatest. The title may not really describe the great boxer as a singer.  But Ali was aided on one of the songs by one of the world’s greatest singers, Sam Cooke.

In this short interview, Cooke explains to Dave Clark that he had been working with some young singers. And the subject of his song with Ali, “The Gang’s All Here” comes up.

The combination of the music star and the rising boxer garnered some attention, with The New York Times covering the recording session of the song, which was arranged by Horace Ott. During the session, according to Peter Guralnik’s biography of Sam Cooke, Cooke provided guidance while keeping everyone’s spirits up. And Ali played around on the drums and recited poetry.

While Ali and Cooke were working on the song for the album, Harry Carpenter interviewed Ali for the BBC sports TV show, Grandstand. During the interview, Cooke showed up and exchanged some quips with his friend Ali. Then, the two sang a segment of the song they recorded together, “The Gang’s All Here.”

Here is the recording of “The Gang’s All Here” from the album. The tune add some tweaks but is based on the old classic “Hail, Hail, the Gang’s All Here,” which was written in 1917.

The original song features lyrics by D. A. Esrom based on a tune written by Arthur Sullivan for the 1879 show The Pirates of Penzance. Check out Muhammad Ali’s take on the song.

Six months after releasing I Am the Greatest, Ali lived up to the title of the album. The twenty-two year-old boxer became champion of the world by beating Sonny Liston in the ring on February 25, 1964.

(Note: In Peter Guralnick’s excellent and well-researched biography of Cooke, Dream Boogie: The Triumph of Sam Cooke, he describes that the above Grandstand interview with Cooke and Ali took place after the Liston fight in 1964. But in the video, Ali says that he and Cooke are working on the song, which was released in 1963. So it seems more likely that the Grandstand interview above took place after Ali fought Harry Cooper.  That fight took place in 1963 at Wembley Stadium, Wembley Park.)

Leave your two cents in the comments.

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    Ain’t No Mountain High Enough, Ain’t No Valley Low Enough

    Gaye Terrell
    “Ain’t No Mountain High Enough” is one of those rare songs with two definitive hit versions. The song, written by Nickolas Ashford and Valerie Simpson in 1966 became a hit in 1967 as a duet for Marvin Gaye and Tammi Terrell. Then, the tune climbed the charts again in 1970 in a solo version by Diana Ross.

    “Ain’t No Mountain High Enough” features typical pop love song lyrics about loving someone using hyperbole and grand images. But the lyrics work, especially lifted by the music going from the verse into the rousing joyful chorus.

    Remember the day I set you free,
    I told you, you could always count on me darling;
    From that day on, I made a vow;
    I’ll be there when you want me,
    Some way, some how.

    ‘Cause baby there ain’t no mountain high enough,
    Ain’t no valley low enough,
    Ain’t no river wide enough,
    To keep me from getting to you babe.

    The Gaye-Terrell version hit the top twenty on the pop charts on the Tamia label, which was a division of Motown. Originally, Dusty Springfield wanted to record the song, but Ashford and Simpson held out because they wanted to be on Motown. They got their wish when Gaye and Terrell recorded the song.

    Interestingly, Gaye and Terrell did not record this classic duet together. Terrell recorded her part by herself, and Gaye’s vocals were added later. The two, however, did get together for the video.

    For fans of sports movies, you might remember that this version appears in Remember the Titans (2000). I have seen that movie so many times, I no longer can hear the song without thinking of the Titans.

    The Gaye-Terrell version also appears in Stepmom (1998). Below, Susan Sarandon introduces her movie kids to the beauty and joy of the recording.

    As an uplifting duet, “Ain’t No Mountain High Enough” makes a great movie bonding song.

    Before making her own solo hit recording of the song in 1970, Diana Ross in 1968 recorded a version of “Ain’t No Mountain High Enough” with the Supremes on a crossover group recording with the Temptations.

    The 1968 version with the Supremes and the Temptations features a production very similar to the hit version by Gaye and Terrell.  Check it out.

    Supposedly, Ross was reluctant to record the song again when asked to do so as a solo artist. But she did so anyway for Motown in March 1970, giving the song a new sound. Her gospel-sounding recording also featured the songwriters Ashford & Simpson singing background vocals.

    Ross’s 1970 solo version also features a segment of Ross talking instead of singing. Reportedly, Motown head Barry Gordy was not a fan of the talking part of the song, but listeners loved the recording. It went to number one on the pop and R&B charts in the United States.

    Other artists have since covered “Ain’t No Mountain High Enough.” And Diana Ross and Marvin Gaye had great success with other songs that everyone knows. Yet, you might wonder why you may not know much about Tammi Terrell.

    Terrell did have other successful songs, such as another duet with Gaye on “Your Precious Love.” But on October 14, 1967, the same year “Ain’t No Mountain High Enough” was released, she collapsed onstage into the arms of her friend Gaye. She was subsequently diagnosed with a malignant brain tumor, and she died on March 16, 1970, the same week Diana Ross was recording her version of “Ain’t No Mountain High Enough.”

    Regarding the mountain of the song, TMZ recently caught up with Valerie Simpson to ask her if she had a certain mountain in mind when she wrote the song. She replied, perhaps with tongue in cheek, that she was thinking of tall buildings in Manhattan.

    What is your favorite version of “Ain’t No Mountain High Enough? Leave your two cents in the comments. Photo via Fair Use.

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    Video of the Day: George Harrison’s “What Is Life”

    What Is Life Video

    One of my favorite songs is George Harrison’s “What Is Life.” I love the way it sounds and the way it makes me feel, even without even delving into the lyrics. So I was happy to learn that Harrison’s estate held a contest for a new “official” video of the song.

    For the contest, Georgie Harrison’s wife and son (Olivia and Dhani Harrison) — along with Genero.tv — asked fans to create videos to go with “What is Life.” The 2014 contest was timed to coincide with the release of The Apple Years 1968-1975 box set.  The set includes the album that introduced the world to the song, All Things Must Pass.

    The winner of the contest was Brandon Moore.  His video features a woman dancing in different settings to “What Is Life,” including around a cemetery. Eventually, she meets a young man, and they dance together.

    Olivia and Dhani Harrison selected the video as their favorite.  They noted, “The dancer really expressed unbounded joy, and managed to capture the spirit of “What is Life” through movement, which the director captured beautifully.”

    Check out the winning video for George Harrison’s “What Is Life.”

    What is your favorite George Harrison song? Leave your two cents in the comments.

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    I Love Trash

    Steven Tyler Trash As a kid, one of my jobs was taking out the trash at our house. After I moved away, though, I lived in apartments for most of my life.  So taking out the trash just meant putting my garbage in a common receptacle. It was convenient when I lived in a New York City apartment and could walk down the hall and put my garbage in a chute at my leisure.  But there was something I missed about having “trash night” when you have to gather all the garbage to put out by the curb for the morning pickup.

    Through the years, I would return to my hometown and stay with my family.  And I would once again find myself helping with trash night if I happened to be there on that night of the week.

    A few years ago, I bought a house and re-encountered “trash night” with my own house, where I had to gather the trash (and recyclables) to put it by the curb for the morning pickup. And once again, it is my household job to take out the trash. While it is an extra chore, perhaps because we had not lived in a house for so long, I find something nostalgic every time I take out the trash, standing by the curb at night.

    It may seem odd to find a connection with the garbage.  But the chore reminds me of my childhood and gives me a connection to those days and the family who shared the chores who are no longer around.  I enjoy the moment and how something so common can give one a connection to the past.

    I Love Trash

    Perhaps, not surprisingly, there are not a lot of songs about garbage, something that plays such a big role in our lives in various ways. Maybe the most famous song is “I Love Trash” by Oscar the Grouch.  For many, the song itself reminds one of childhood and watching Sesame Street.

    Below is Oscar the Grouch singing the song that he first sang during the first season of Sesame Street. Oscar is voiced by Caroll Spinney. It makes me laugh that on YouTube around one thousand people have taken the time to give this performance a thumbs down. How can you not love this song?

    I’ve a clock that won’t work,
    And an old telephone,
    A broken umbrella, a rusty trombone;
    And I am delighted to call them my own!
    I love them because they’re trash.

    In 1998, Aerosmith’s Steven Tyler covered Oscar’s song for the Elmopalooza! album of Sesame Street covers by pop stars. The recording sounds like an Aerosmith hit, complete with Tyler’s great screaming.

    Steven Tyler is not the only popular artist to sing “I Love Trash.” On a 1989 episode of The Jim Henson Hour, singer k.d. lang used her wonderful voice to join a group of Muppets on “I Love Trash.” (Unfortunately, the video is no longer on YouTube.)

    Who’s Gonna Take the Garbage Out

    Despite Oscar’s popularity, perhaps the song about trash that did the best on the charts is “Who’s Gonna Take the Garbage Out.” The song written by Johnny Tillotson and Teddy Wilburn and originally recorded by Loretta Lynn and Ernest Tubb was a Top Twenty hit on the Billboard Hot Country Chart in 1969.

    The duet by Lynn and Tubb appeared on their album If We Put Our Heads Together (1969). The song is in the tradition of many great country duets, with the couple going back and forth about whether or not the man is cheating. The woman is throwing him out of the house, but the man asks the question of the song’s title about how the garbage will be taken out after he is gone. The song perfectly captures the part that a household chore plays in our lives, and sometimes in our relationships.

    More recently, John Prine covered “Who’s Gonna Take the Garbage Out” with Iris DeMent on his 2016 album For Better, or Worse.

    However you discard of your trash and recyclables this week, may you find some joy in your weekly chores.

    What is your favorite song about garbage? Leave your two cents in the comments.

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    ATM Money, It’s a Gas

    Money SongsOn September 2, 1969, the first public Automatic Teller Machine (ATM) began giving out money to customers at Chemical Bank in Rockville Center, New York. This first ATM could give out cash, but it could not do anything else.  Two years later in 1971, ATMs were introduced that could do other functions we associate with such machines today.  Today, there are more than three million ATMs in the world.

    A number of people worked on developing the ATM.  But most credit Don Wetzel as coming up with the idea for the ATM while he was waiting in line at a bank.  Wetzel worked as an executive at Docutel, a company that developed baggage-handling machines.

    After the first machines appeared at banks, engineers continued to work on and improve the machines, which became more popular and common by the 1980s.  I first remember using an ATM at a bank around 1984.  It amazed me that I could access what little money I had in the bank so easily.  Today, I cannot imagine not having them, even as technology keeps changing.  The last time I deposited a check was the first time I did it through my cell phone.

    Money Sings

    There are a number of good songs about money or that reference money directly or indirectly.  Dire Straits had “Money for Nothing.”  The Beatles sang about not being able to buy love.  50 Cent reports, “I Get Money.”  The Steve Miller Band advises us just to “Take the Money and Run.”  And in “Price Tag,” Jesse J reminds us “it’s not about the money, money, money.”  Yet, as Cyndi Lauper notes, “Money Changes Everything.”

    But the first song about money that comes to my mind is Pink Floyd’s “Money.”  From the opening cash register sound of coins, it is one of the most recognizable openings in music.

    Roger Waters wrote the song, which features lead vocals by David Gilmour.  In the Pink Floyd song, the way Gilmour exclaims “Money!” and some of the lines like “Money is a gas” lead listeners to believe the song is in praise of currency.  But if one examines the lyrics closely, one sees the song is really about problems caused by money.

    Money, it’s a crime;
    Share it fairly but don’t take a slice of my pie;
    Money, so they say,
    Is the root of all evil today;
    But if you ask for a raise it’s no surprise that they’re
    Giving none away, away, away.

    “Money” was the opening track on the album Dark Side of the Moon, which was released on March 1 of that year. The song, which also uses unusual time signature changes and is one of only two songs on the album to feature a saxophone, was the first U.S. hit for Pink Floyd.
    “Money” was released as a single on May 7, 1973, less than four years after that first ATM appeared.  But money had been causing problems long before ATMs came along.  And it will continue to do so no matter what technology we use for the transfer of cash.
    What is your favorite song about money? Leave your two cents in the comments.
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