Kris Kristofferson and Willie Nelson Put Johnny Cash’s Poetry to Music

Johnny Cash PoemsKris Kristofferson and Willie Nelson join forces to pay tribute to their late friend and former collaborator Johnny Cash.  In “Forever Words / I Still Miss Someone,” Kristofferson and Nelson take a final poem written by Johnny Cash and put it to music.

Cash’s son John Carter Cash explained to Rolling Stone that after his father died in 2003, they found a folder of letters and poems.  Johnny Cash wrote the letters and poems in his old age after the death of his wife June Carter Cash.

Among the sad poems was one called “Forever.”  The poem is about life going on and recognizing that “the trees that I planted are still young.”  Kristofferson and Nelson took the poem to create “Forever Words / I Still Miss Someone.”

The track features Kristofferson’s reading of the poem and Nelson’s guitar.  In addition, they added an instrumental track from Cash’s 1958 song “I Still Miss Someone.”

The video below shows Kristofferson and Nelson on the track.  And it also includes them talking about their deceased friend and former Highwayman colleague.  Check it out.

“Forever Words / I Still Miss Someone” is the lead track on the upcoming album Johnny Cash: Forever Words. The album features Cash’s poetry interpreted musically by friends, family, and other artists, such as John Mellencamp, Rosanne Cash, Elvis Costello, Chris Cornell, Alison Krauss, Carlene Carter, The Jayhawks, and Brad Paisley.

Forever Words hits stores and the Internet on April 6, 2018. An accompanying book, Forever Words: The Unknown Poems, has also been released.


Leave your two cents in the comments.

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    Steve Earle Looks Back on “Copperhead Road”

    Steve Earle Anniversary Steve Earle and the Dukes are celebrating the anniversary of the release of the album Copperhead Road, including a 30th Anniversary Tour.  Uni Records released Earle’s third album on October 17, 1988.

    Steve Earle made a conscious effort with the album to reach rock radio.  And the songs rocked harder than Earle’s previous two excellent albums, Guitar Town (Remastered)(Bonus Track) (1985) and Exit O (1987).

    You can hear Earle making a name for himself from the first chords on the opening and title track.  “Copperhead Road” tells the story of a Vietnam vet returning home to grow marijuana.

    Copperhead Road also featured one of the greatest songs ever written about guns, “The Devil’s Right Hand,” which was covered by Waylon Jennings.

    George Stroumboulopoulos of The Strombo Show from CBC Radio 2 recently talked to Earle about the album.  Check out the insightful interview where Earle recounts making the album and the music’s legacy.

    What is your favorite song on Copperhead Road? It is hard for me to name one song, but I do love “Even When I’m Blue.” Leave your two cents in the comments.

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    New Jimi Hendrix Album (and Video): “Both Sides of the Sky”

    Jimi Hendrix Posthumous

    A new Jimi Hendrix album, Both Sides of the Sky, features unreleased studio recordings that Hendrix made from 1968 to 1970.  A new music video for “Lover Man” supports the album from Hendrix.

    Producer and engineer Eddie Kramer worked on the album’s release.  Kramer worked as recording engineer on every Hendrix album released during the lifetime of the guitar great who died in 1970 when he was 27.

    Songs on Both Sides of the Sky include a number of great musicians, with some songs supported by artists such as Johnny Winters, Stephen Stills, and original Jimi Hendrix Experience members Mitch Mitchell and Noel Redding.  Band of Gypsys, Hendrix’s group with Buddy Miles and Billy Cox, also appears on several of the songs.

    Both Sides of the Sky completes a trilogy of recent releases from Hendrix’s vaults.  The series also included Valleys Of Neptune (2010) and People, Hell & Angels (2013).

    “Lover Man”

    One of the previously unreleased songs on the album is “Lover Man.” John Vondracek directed the video, which features archival footage of Hendrix.

    Paste magazine notes that Hendrix apparently included a riff from the Batman television series at around the 1:43 mark in “Lover Man.”  Check it out.

    Experience Hendrix and Legacy Recordings released Both Sides Of The Sky on March 9, 2018.

    What is your favorite posthumous Jimi Hendrix release? Leave your two cents in the comments.

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    Matthew Ryan’s “Starlings Unadorned” Exposes a New Dimension to “Hustle Up Starlings”

    Starlings Unadorned

    Matthew Ryan has released Starlings Unadorned, a collection of “cinematic acoustic” versions of some of the songs on 2017’s Hustle Up Starlings.  The new album also features some unreleased songs and demos.  Hustle Up Starlings shows a different side of the full-band versions of the exciting original album.

    Ryan explains on Bandcamp that Starlings Unadorned came out of a process:  “Often after you finish a new album, you have to sit down and re-learn the songs on your acoustic because of all the flourishes and skin a band brings to them in the studio.”  Then, he added some other unreleased songs that seemed to fit well with the new album.

    We previously posted the rocking version of the song “(I Just Died) Like an Aviator” from Hustle Up Starlings.  That video featured young women portraying Ryan and his band.  Starlings Unadorned includes a new version of the song.

    Ryan is promoting the “new” version of the song with with a new video.  Like the song’s earlier video, the new one also includes Chloe Barczak (“vocals”) and Carina Begley (“guitar”).

    Gorman Bechard, who directed the video for the original version of “(I Just Died) Like an Aviator, directed the new video for the acoustic version.  Once he heard this acoustic version that Ryan was releasing on Starlings Unadorned, he contacted Ryan and asked to make a new video. Check it out.

    Ryan explained on Facebook how the young women in the videos for the song moved him in an unexpected way, connecting the perspective of youth to the troubles of the world today.  “[T]here was this heart in [the video], this depth of story that I (as a person now more experienced by time and the beautiful and horrible things our world participates in, or observes, or does, or hopes to salve) was confronted with.”

    Below is the original version of “(I Just Died) Like an Aviator.” While I love this original version, the softer acoustic version adds another dimension to the song, revealing additional wonderful layers.

    As I listen to the new release, enjoying these new recordings, I find that one of the great things about Starlings Unadorned is that it opens another window on Hustle Up Starlings.

    Starlings Unadorned is available through Bandcamp.  Sales of the new album will help support Ryan’s summer tour with The Gaslight Anthem.  Our original review of2017’s Hustle Up Starlings is here.

    What do you think of the acoustic version of “(I Just Died) Like an Aviator”? Leave your two cents in the comments.

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    Favorite Live Albums: An Evening With John Denver

    John Denver Concert One of my favorite live albums is An Evening With John Denver.  Denver recorded the double album on August 26 through September 1, 1974 at the Universal Amphitheatre in Los Angeles during a time when his career was soaring.  The album reveals an artist confident in his choices before a crowd hanging on every note.  Additionally, the album also has special meaning for me.

    In the early 1970s, we saw and heard John Denver everywhere.  In 1971, he scored a hit with “Take Me Home, Country Roads.”  In 1972, he released “Rocky Mountain High,” followed by four number one hits in 1974-75 (“Sunshine on My Shoulders,” “Annie’s Song,” “Thank God I’m a Country Boy,” and “I’m Sorry”).

    Denver also was beginning an acting career, including an appearance on McCloud in 1973.  In 1975, he won the Entertainer of the Year Country Music Association Award.

    The Television Special

    An Evening With John Denver appeared as a television special, winning the 1974-75 Emmy for Outstanding Special, Comedy-Variety or Music. Watching the show now on YouTube, I’m reminded that there were of course additional parts of the show that do not appear on the double album, like appearances by Jacques Cousteau and Danny Kaye.

    The special begins with Denver flying an airplane by himself.  It would be the same way he would die decades later in 1997.

    “An Evening With John Denver” Through the Years

    Denver continued to record and tour until his death.  And I would periodically listen to new music from him, but those amazing successful years in the 1970s must have had a special resonance for him.  He gave joy to a lot of people in those years, including me.

    Sometimes it is hard for a reviewer to separate a personal connection from the objective perspective.  And that is especially true when I think of this album, which remains one of my favorite live albums.  Yet, I cannot say whether or not it objectively is one of the best.  All I know is what the album means to me.

    Although the album was recorded during the summer months, it remains a winter album for me.  Denver released the album in February of 1975.  And my mom bought me the album at a local five-and-dime store during that especially snowy Ohio winter.  I listened to An Evening With John Denver repeatedly through several school snow days.

    Since then, I have periodically returned to An Evening With John Denver throughout my life. Changing technology has altered the ways I’ve listened to it. The album is among the few I have saved in LP form, but I subsequently owned cassette, CD, and MP3 forms of the album too.  Later versions added some additional bonus recordings, but for the most part, the recording is still the same for me.

    Now, listening to An Evening With John Denver as it streams from my uploaded collection on Google Play, I cannot help thinking back to the first times I played the record in a warm house as the winter winds blew.  In it, there remains something comforting for me, like a cup of hot chocolate after shoveling snow.

    All of the people who lived in that house where I first played the album are gone except for me.  But I am listening to Denver sing now in my own house this winter, looking out the window at the snow while my wonderful wife is  downstairs.  And I cannot help but think of the thread between that winter in 1975 and now.

    One of the powers of music is the connections it brings us — and the way it can bring us home.

    What is your favorite live album? Leave your two cents in the comments.

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