The Song That Played Over Carl’s Last Days Montage on “The Walking Dead”

Bright EyesAlthough we knew what was coming on this week’s episode of The Walking Dead for the mid-season premiere for Season Eight, it was still sad to see Carl Grimes (Chandler Riggs) die.  While watching it, though, you might have wondered about that song that played when they showed the flashback to Carl’s days after the bite from the walker.

In the montage, we see Carl playing with Judith. We see him writing letters to his loved ones as he prepared for his death. And we hear an upbeat sounding song.

We must talk on every telephone,
Get eaten off the web;
We must rip out all the epilogues
From the books that we have read;
And to the face of every criminal
Strapped firmly to a chair,
We must stare, we must stare, we must stare.

The song was “At the Bottom of Everything” by Bright Eyes.  The band features Conor Oberst, Mike Mogis, and Nate Walcott (often helped by other musicians).

“At the Bottom of Everything” appeared on the 2005 album I’m Wide Awake, It’s Morning.   In the recording before the tune begins, Oberst introduces the song with a story about a man and a woman on a plane right before the plane begins to go down.

The music video directed by Cat Solen includes the story. It stars Evan Rachel Wood and Terence Stamp.

What is the song about? There are various interpretations, but at its heart is an attempt really to get at “the bottom of everything.” In other words, it is about trying to discern some meaning from life when so much of what we do is pointless.

And into the caverns of tomorrow,
With just our flashlights and our love,
We must plunge, we must plunge, we must plunge;
And then we’ll get down there,
Way down to the very bottom of everything;
And then we’ll see it, we’ll see it, we’ll see it.

What does the song have to do with Carl in the episode entitled Honor? Maybe the producers chose the song because it gives a happy tune to Carl’s final days.

But maybe the lyrics also connected to what Carl was trying to say to his father Rick about searching for a more important end game than just surviving.  Like the man and the woman on the plane, in the face of death, Carl wanted something more besides blending into the choir and memorizing nine numbers while denying we have a soul.

What did you think of the Honor episode? Leave your two cents in the comments.

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    Who Was Blaze Foley?

    Blaze Foley If I Could

    Blaze Foley, who was born as Michael David Fuller on December 18, 1949, died less than 40 years later from a gunshot wound on February 1, 1989.  The singer-songwriter never achieved the fame that some of his friends did, but Blaze Foley, as he became known, left us some beauty from his troubled life.

    I ran across Foley’s name recently while reading John Prine: In Spite of Himself by Eddie Huffman. In the book about singer-songwriter John Prine, it mentioned that one of Prine’s recordings I really like was a song written by Blaze Foley.  Prine is quoted about falling in love with the song before realizing that he had known the songwriter many years earlier. The story made me look up more about the man who wrote “Clay Pigeons.”

    Foley also wrote “If I Could Only Fly,” a song Merle Haggard performed for decades before making it the title song on his 2000 album. Foley hung around in that Texas group of songwriters that also included Townes Van Zandt.

    Foley lived an interesting, although short, life.  Townes even wrote a song about Foley (“Blaze’s Blues”) as did Lucinda Williams (“Drunken Angel”).

    Foley was shot dead in 1989 reportedly because he was protecting an old man from being abused by his son.  Foley was only 39.

    Below, Foley performs “If I Could Only Fly” at a friend’s wedding.

    Movies and a Book About Foley

    There are a number of resources to learn more about Foley, such as the book Living in the Woods in a Tree: Remembering Blaze Foley (North Texas Lives of Musician Series), written by Foley’s lover Sybil Rosen about her experiences living with the singer. He wrote “If I Could Only Fly” about her.

    There is a documentary about Foley’s life entitled Duct Tape Messiah (2011 and 2013), with the title referencing Foley’s practice of using duct tape to decorate his clothes. The movie was directed and produced by Kevin Triplett.

    You may find out more about the documentary on the film’s website. There, you may also watch a short version of the film, Duct Tape Messiah.

    Finally, Foley likely will be more well known soon. At the 2018 Sundance Film Festival, a movie about Foley recently garnered significant attention. The movie, Blaze (2018), is directed by and written by Ethan Hawke. Benjamin Dickey stars as Foley. Additionally, Kris Kristofferson plays his father, Alia Shawkat plays Rosen, and singer-songwriter Charlie Sexton plays Townes Van Zandt.

    Although Foley never achieved the fame he deserved during his lifetime, somewhere there is a drunken angel laughing.

    What is your favorite Blaze Foley song? Leave your two cents in the comments.

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    Enrico Caruso on Film

    Caruso MoviesThe great opera singer Enrico Caruso was born in Naples, Italy on February 25, 1873.  Apprenticed to a mechanical engineer when he was 11, Caruso also sang in church, eventually finding his true calling as a great singer.

    Caruso became a popular tenor in Italy before debuting at the Metropolitan Opera in New York City in 1903.  By 1904, he began his American recording career, with records bringing his wonderful voice to more people than could ever see him.

    Before he died in a hotel in Naples on August 2, 1921 at the age of 48, Caruso achieved worldwide fame.  Fortunately, his career coincided with the use of recorded sound so we can still hear his voice today.  The timing was fortunate for Caruso too, as he managed his business affairs well and the recordings made him a wealthy man.

    Below is a recording of Caruso singing “Vesti La Guiba” from Ruggero Leoncavallo’s Pagliacci (1892).

    But it was the early days of movies. So, even though Caruso appeared in the Paramount Pictures film My Cousin (1918).  Unfortunately, it was a silent film. Still, it is kind of cool to see him act. Check it out.

    The Great Caruso

    I have been to the Metropolitan Opera a number of times. My fondness for opera probably resulted from watching another Caruso movie while I was a kid. Growing up far from any place with an opera, my mom unwittingly introduced me to opera with the movie The Great Caruso (1951).

    So, when I picture Caruso, I always think of him looking like Mario Lanza, who did an excellent job portraying Caruso in the movie. Many future opera stars were also inspired by their exposure to Lanza, who also died at a young age (38). In this scene, Lanza sings “La Donna E Mobile” from Giuseppe Verdi’s opera Rigoletto (1851).

    There are a lot of great places to learn about Caruso. His Wikipedia page includes a large number of audio clips of the singer. And, of course, Lanza’s portrayal in The Great Caruso is an entertaining story.

    Photo via public domain. What is your favorite opera? Leave your two cents in the comments.

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    What Song Does the Sergeant Sing About a Sparrow in “Hostiles”?

    Sparrow Hostiles

    While watching the Western Hostiles (2018) you may have noticed a character singing a beautiful song while playing mandolin around the campfire.  What was the song?

    Although it sounds like it is a timeless folk song, it is a new song written by Ryan Bingham called “How Shall a Sparrow Fly.”  Bingham recorded the song for  Hostiles, which stars Christian Bale.  And that is Bingham playing the song as a sergeant in the movie.

    In the video below, Bingham plays “How Shall a Sparrow Fly.”

    Bingham also co-wrote with T. Bone Burnett the excellent Oscar-winning song “The Weary Kind,” which appeared in Crazy Heart (2009).  That film, which starred Jeff Bridges, was directed by Scott Cooper, who also directed Hostiles.

    Bingham recently explained to Variety that Cooper asked Bingham to be in Hostiles when he saw some video of Bingham on horses. After getting the script, Bingham worked up “How Shall a Sparrow Fly” on his mandolin while touring.

    Unfortunately, “How Shall a Sparrow Fly” did not receive an Academy Award nomination for Best Song. But it is a wonderful song from the singer-songwriter.

    “How Shall a Sparrow Fly?” appears on the Hostiles soundtrack with a full orchestra.

    Leave your two cents in the comments.

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    The House I Live In: Josh White’s America

    That's America to Me Josh White — who was born on February 11, 1914 — had one of the more interesting American lives during the twentieth century, even though he died at the young age of 55 on September 5, 1969.  He was a folk singer, guitarist, songwriter, civil rights activist, actor, friend to President Franklin D. Roosevelt and much more.

    He was an important figure in the century, although many people born in the last fifty years may not have heard of him.  His music influenced many of the major performers who came after him.  Allmusic calls him “one of the unquestioned linchpins of the first stirrings of the folk revival.”

    His work for civil rights and social justice made him a target of the anti-communist hysteria of the 1950s.  He testified before the House Un-American Activities Committee (HUAC), where he read the lyrics to one of his recordings, the anti-lynching song “Strange Fruit” that was written by Abel Meeropol.  Many twisted his words, so that for a period he was blacklisted by both the Right and the Left.

    White lived such a full life that I can’t even begin to summarize it here in a short blog post.  I encourage you to read more about him, including the long Wikipedia post about his life and this video of his son Josh White Jr. telling stories at The Bohemian Cafe in Greenville, South Carolina on August 20, 2016.

    The House I Live In (What Is America to Me?)

    White was among the first to record many songs we know today.  He had the first hit recording of “The House I Live In (What Is America to Me?).” The song, which was written during World War II by Earl Robinson and Lewis Allan (a pen name for Meeropol), captured a dream for what a post-war America might be.

    The children in the playground,
    The faces that I see,
    All races and religions,
    That’s America to me.

    You know the song, even though you may not have been around when White’s version was a hit.  But the reason you know the song is because of White.

    It was White who taught “The House I Live In” to Frank Sinatra, who became identified with the song.  After White taught it to Sinatra, Ol’ Blue Eyes sang the song in an honorary Academy Award winning short for MGM. The short was made to oppose anti-Semitism.

    As for White, I don’t know, but it seems that through all of the problems, he loved this country. Otherwise, he would not have done so much for it.

    The blacklisting by the music industry ended in 1955, and he began performing in various venues around the world. The TV blacklisting ended later in 1963, when President John F. Kennedy asked White to perform on a national civil rights program, “Dinner with the President.”

    Subsequently in that same year, he performed on the steps of the Lincoln Memorial during the March on Washington. And in January 1965, he performed at Lyndon B. Johnson’s inauguration.

    Today, the lyrics of “The House I Live In” may seem a little naive. Some might find them cheesy. I suppose, though, that most people no matter what their political party, would agree that it was a nice dream. And while White never saw the accomplishment of the dream, he reminded us that it is one still worth fighting for.

    Leave your two cents in the comments.

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