This week, John Fogerty pulled out several of his classic Creedence Clearwater Revival tunes in a medley on The Late Show with David Letterman. At a thunderous pace, Fogerty played excerpts from “Travelin’ Band,” “Proud Mary” and “Fortunate Son.”
Having seen Fogerty live during the era where he did not play CCR songs because of legal battles, I am always happy to see him bust out these great songs even though I also love his post-CCR songs. Note where Fogerty points when he gets to the “Proud Mary” lines about leaving a good job in the city. Check it out.
If you wish to catch Fogerty live singing some of his CCR songs, check out his tour this summer. As for Letterman, watch for this final show on May 20, 2015.
What CCR song would you like to hear Fogerty perform? Leave your two cents in the comments.
Tamara Saviano, who produced the excellent tribute double-CD This One’s For Him: A Tribute to Guy Clark (2011), is making her directing debut with a documentary about Texas singer-songwriter Guy Clark. According to the film’s Kickstarter page, Without Getting Killed or Caught: The Life and Music of Guy Clark will trace “the life of music pioneer Guy Clark, who, with his wife Susanna, shaped the contemporary folk and American roots music scene.”
Saviano has spent seven years working on an upcoming definitive biography of Clark too, so her film about his life promises to be an in-depth look at one of the great writers of Texas music in the last century. The documentary includes coverage of Clark’s youth in Monahans, Texas and follows his life as he develops into a legendary singer-songwriter. Below is a promotional video for the film.
Saviano’s Kickstarter campaign for the film is still seeking funds on Kickstarter until May 21, 2015. For more information, check out the Kickstarter page.
Jack Ely, the lead singer of the Kingsmen when they recorded their 1963 hit song “Louie Louie,” has passed away at the age of 71. Now we will never know what he was saying in the song.
After the recording of “Louie Louie” in one rough take, the song initially did not sell well. As the song languished in sales, another band member wanted to replace Ely as the frontman, and the confrontation led to Ely leaving the band (thus, most videos of The Kingsman singing “Louie Louie” do not have the real lead singer in the video). In 1966, Ely went on to form a new group, The Courtmen, although neither his new group nor his old group ever matched the mega-hit of “Louie Louie.”
Ely went through some troubled times after a stint in the Vietnam War, but he eventually seemed to find peace with his life, training horses in Oregon. Below, he hit the Las Vegas stage in 2008 with The Courtmen to perform “Louie Louie.”
The famously garbled lyrics in “Louie Louie,” partially caused by Ely having to scream above the instruments while wearing braces on his teeth, have led to a lot of discussions about what was actually said in the song, which is actually about going to sea.
RIP Joe Ely. Although we will never know, I hope he makes it home.
Pete Townshend has been working on remaking The Who’s Quadrophenia (1972) into a symphonic project in the upcomign album Classic Quadrophenia. The first video from the project features English tenor Alfie Boe showing his chops on “Love Reign O’er Me.”
Boe is joined on the song by the London Oriana Choir and the Royal Philharmonic Orchestra. And the video includes scenes from from the movie Quadrophenia (1979) intercut with new images of Brighton Beach. I suppose the beach scenes are appropriate for a song featuring the lines “Only love can make it rain / The way the beach is kissed by the sea.” Check out the video below.
Deutsche Grammophon is releasing Classic Quadrophenia on June 9. Meanwhile, Townshend, Roger Daltrey, and the rest of The Who are touring North America as part of the band’s “Who Hits 50!” tour.
What do you think of the operatic “Love Reign O’er Me”? Leave your two cents in the comments.
Starting in the early 1980s, I haunted the used record stores of Cleveland searching for any music related to Bruce Springsteen. At the time, the Boss had released only a handful of albums, and it seemed like forever between new releases. So, I soon discovered bootlegs with their unusual titles and cheap cover art on the outside and hidden gems inside.
An Accidental Discovery
On one occasion, I found a full-sized 45-rpm album with only two songs on it. The record said it was by “Bruce Springstone” and was titled “Live at Bedrock.” But I figured it was a clever bootleg. I took the 12-inch single home and listened to the first song on side one, “Bedrock Rap/Meet the Flintstones.”
It was definitely in the spirit of Bruce Springsteen. It had a chatty introduction like the ones I had heard on the bootlegs. And there was the saxophone playing a big part just like it was Clarence Clemons. Plus, the wailing at the end was all “Backstreets.” Yet, I soon realized the voice was not actually Springsteen. But I still loved it.
Then I flipped it over to listen to “Take Me Out to the Ballgame.” I liked it even better than the A side.
Who Was Bruce Springstone?
In those days, we did not have the Internet to answer every question we had. So it would be years before I found out more about Bruce Springstone.
The record, which was released in September 1982, featured Tom Chalkley. He was a Baltimore journalist and editorial cartoonist who also drew the picture on the back of the record showing “Springstone” sliding into home plate carrying his guitar.
The idea for the record came when Chalkley and some childhood friends were playing music at a party and began goofing on Bruce Springsteen’s style. So Chalkley and his friend Craig Hankin arranged the music and released the 12-inch single with Chalkley singing and Hankin playing rhythm guitar on “Meet the Flintstones.”
“Take Me Out to the Ballgame”
Chalkley and Hankin needed a B-side for their Flintstones cover song. So, Chalkley found inspiration when he saw the 1927 lyrics for the verses to”Take Me Out to the Ballgame” on sheet music in a store. He thought that the name Nelly Kelly sounded just like a Springsteen heroine (a 1908 version featured the name Katie Casey).
So, using the little-known verse lyrics to “Take Me Out to the Ballgame,” they made the record. Among others, rock guitarist Tommy Keene played lead guitar and Ron Holloway filled in for Clarence Clemons’s saxophone
In case you are just used to hearing the chorus of the song, here is how the opening Nelly Kelly verse to “Take Me Out to the Ballgame” sounded when sung by Gene Kelly and Frank Sinatra in the movie Take Me Out to the Ballgame(1949).
Response to the Bruce Springstone Record
The album was originally released by Clean Cuts, a local jazz label, but today it is still in print by Rhino. At the time of the record’s release, Bruce Springstone’s version of “Take Me Out to the Ballgame” and “Meet the Flintstones” received airplay on various radio stations. Reportedly, Bruce Springsteen sent Chalkley a postcard complimenting his work.
Springstone’s “Take Me Out to the Ballgame” was even featured in the 1995-96 Guinness Book of Sports Records for Longest Continuous Airplay of a Sports-Related Song. It was played more than 57,000 times straight.
Hanna-Barbara approved the use of “Meet the Flintstones.” But the company complained when MTV was going to show a video that Chalkley and Hanklin made.
Chalkley did write some other songs in the Springsteen style like one called “Ugga Bugga” (excerpt below), but Bruce Springstone never released another album.
People remain curious about Bruce Springstone, so much so that a few years ago Chalkley launched a Kickstarter campaign with Craig Hankin to raise money to create a graphic comic book about the record. Or, as they describe it, the book is about “the bonds of friendship, creativity, youthful ambition and, of course, the staying power of a well-crafted novelty hit.” The book will be called, If I’d Known Back Then: A Graphic Memoir.
Chalkley and Hankin, who taught drawing and painting at the Center for Visual Arts at Johns Hopkins University from 1980-2018. received the money they needed from the Kickstarter campaign to create the book. So it is too late to pitch in now. The book is not out yet. [2024 Update: It appears the book has yet to be released, but Chalkley’s website seems to still list the book as a work in progress, although with a new name, Novelty Record.]
Meanwhile, Chalkley and Hankin continue to make music. Here, in 2015 they created a video for their 1979 song “Jackie” for the Small Guitar in Motion Project.
But their legacy will always be as Bruce Springstone for me. Who would have guessed that thirty years after its release, we would still be talking about this parody record I purchased by accident? Which song by Bruce Springstone do you like best? Leave your two cents in the comments.
