Sometimes I Get a Strange Pain Inside: The Sad Story Behind the 1990’s Hit Song “Joey”

One of the great songs of the early 1990s was Concrete Blonde‘s “Joey,” which appeared on the band’s album Bloodletting (1990). Like many great works of art, “Joey” came out of real anguish felt by its writer, Concrete Blonde lead singer Johnette Napolitano.

Although you may have sung along with lyrics like “Joey I’m not angry anymore,” if you delve deeper into the words of the catchy tune you find great pain. The song captures the feeling of loving someone fighting their own demons, helplessly watching while you cannot do anything as your loved one struggles with addiction: “I just stand by and let you / Fight your secret war.”

Napolitano wrote the song about her relationship with Marc Moreland of the band Wall Of Voodoo. Napolitano has explained in interviews and her book Rough Mix how painful it was for her to write and record the lyrics.

Because of that pain, Napolitano kept the band waiting for the song. She initially wrote the music for the song and the band loved it. But Napolitano kept them waiting on the lyrics because she knew that her song about Moreland was going to be heart-wrenching to write. Eventually, the words came all at once to Napolitano, and she wrote them down in a cab on the way to the studio. “Joey” was the last song recorded for the album.
Concrete Blonde Bloodletting

And though I used to wonder why,
I used to cry till I was dry;
Still sometimes I get a strange pain inside;
Oh Joey if you’re hurting so am I.

The song became Concrete Blonde’s biggest hit, eventually hitting #19 on the Billboard Hot 100 chart. After a couple of more albums, the band broke up in 1993, although it would reunite at several points.

The song’s subject, Marc Moreland would eventually die of liver failure in 2002.

And now you know the story behind the song.

Leave your two cents in the comments.

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    Southside Johnny and Springsteen Don’t Wanna Go Home at Benefit

    Don't Wanna Go Home

    On January 17, 2015, Bruce Springsteen made his regular “surprise” appearance at the Light of Day Foundation charity event to raise money to fight Parkinson’s disease. The performance at the Paramount Theater in Asbury Park, New Jersey featured a number of deep cut Springsteen songs like “This Little Girl,” which was recorded by Gary U.S. Bonds.

    One of the highlights of the show featured an appearance by Southside Johnny, where the two New Jersey singers traded lines on Southside’s classic “I Don’t Want To Go Home,” backed by LaBamba’s Big Band. Check it out.

    Rolling Stone recently wrote about the top ten highlights from Springsteen’s performance at the charity event.

    Leave your two cents in the comments.

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    Martin Luther King Jr.: “The Other America”

    Martin Luther King Stanford

    On April 14, 1967, Dr. Martin Luther King Jr. gave a speech at Stanford University. During this time, which was about one year before King’s death, Dr. King’s movement addressed a range of issues, including race, Vietnam, poverty, and economic justice. This speech at Stanford would become known as “The Other America” speech, and King would continue to give various speeches on the theme for the next year.

    In the speech, King explained: “But tragically and unfortunately, there is another America. This other America has a daily ugliness about it that constantly transforms the ebulliency of hope into the fatigue of despair. In this America millions of work-starved men walk the streets daily in search for jobs that do not exist. In this America millions of people find themselves living in rat-infested, vermin-filled slums. In this America people are poor by the millions. They find themselves perishing on a lonely island of poverty in the midst of a vast ocean of material prosperity.”

    Yet, near the end of the speech, King still spoke of hope. “We shall overcome because the arc of the moral universe is long but it bends toward Justice. We shall overcome because Carlyle is right, “No lie can live forever.” We shall overcome because William Cullen Bryant is right, “Truth crushed to earth will rise again.” We shall overcome because James Russell Lowell is right, “Truth forever on the scaffold, Wrong forever on the throne — Yet that scaffold sways the future.” With this faith, we will be able to hew out of the mountain of despair a stone of hope.”

    A transcript of this speech is available here.

    Leave your two cents in the comments.

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    Moral Ambiguity and “Lawman” (Missed Movies)

    Burt Lancaster stars in “Lawman,” an underrated Western that veers into unexpected territory.

    Burt Lancaster Western Lawman is an excellent underrated 1971 Western that should stand next to the better-known classics in the Western canon. The film, directed by Michael Winner, features the brutality and moral ambiguity of other more highly regarded films like The Wild Bunch (1969), McCabe & Mrs. Miller (1971), and Unforgiven (1992). Lawman also features excellent acting from Burt Lancaster, Robert Ryan, Lee J. Cobb, Robert Duvall, Sheree North, and many other familiar supporting actors.

    Lancaster plays Jared Maddox, the lawman of the title, who comes to town seeking the cowboys who got drunk and shot up his town and accidentally killed a man, as shown in the movie’s opening scene. Lee J. Cobb is the cattle baron Vincent Bronson who employs the cowboys.  And Robert Ryan plays the local marshal who basically works for Cobb.

    With that setup, early on a viewer might expect a good-guy-versus-evil-cattle-baron Western.

    But that is not what happens.

    While some of Bronson’s men are hotheads, Bronson is a practical man who initially tries to reason with Maddox. As the movie progresses, one begins to see that Maddox is relentless in his pursuit to follow the rule of law.  Thus, he begins to seem like a Western version of Inspector Javert from Victor Hugo’s Les Misérables.

    Even though Maddox realizes that the wanted men will most likely face a fine if brought to justice, various encounters lead to more and more bloodshed. Ryan’s marshall and Maddox’s former lover (Sheree North) question what is happening in the town. As the film moves to a chilling climax, the viewer begins to question what is right and what is wrong. But I will not reveal any more about the plot.

    The wonderful screenplay is by Gerald Wilson, and Winner does an excellent job with the direction. Winner, who would revisit themes around violence three years later in Death Wish (1974), here highlights both the beauty and loneliness of the desert landscape (filmed in Durango, Mexico), doing the same with Lancaster’s face. His Western attempts to give a realistic portrayal of violence and the difficulty of living in the West.

    Conclusion? If you are looking for a Western that features twists on classic stereotypes and you like movies that challenge conventions, you will probably enjoy Lawman. While Lawman may not be on the same level as some other classic challenging Westerns — such as McCabe & Mrs. Miller from the same year, it is still worth seeking out if you are in the mood for an unusual Western.

    Other Reviews Because Why Should You Trust Me? The somewhat unusual Lawman garnered mixed reviews at the time of its release, although I wonder if it is a movie better appreciated as time has passed. Rotten Tomatoes gives the film an 80% critics rating and a 61% audience rating. The lower audience rating might be because some viewers were disappointed that the movie did not follow the usual Western conventions and featured a somewhat unusual resolution. Roger Ebert gave the film only two stars, calling it “a Western with a lot of sides but no center.” The New York Times found the movie “unresolved in substance” but “long on sting.” One of the few reviews of the film on the Internet is one by Dennis Schwartz, who gives the movie a B- and calls it a “wannabe thoughtful Western.” Schwartz also calls Lawman and “unofficial remake” of 1955’s A Man With a Gun, and I see some similarities in plot to that also underrated Western, which stars Robert Mitchum. Meanwhile, Jeremy Poulos on Letterboxd found the film enjoyable and noted similarities to spaghetti Westerns.

    {Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

    Thanks to Tony Fontane for telling me about Lawman on Twitter. Leave your two cents in the comments.

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    We’re All Slowly Dying in Front of Computers

    Passenger Scare Away the Dark

    Today’s song of the day is “Scare Away the Dark” by Passenger. It is one of those songs featuring advice on how to live your life, which either can be annoying or uplifting. In this case, I think it falls in the latter category.

    The song recounts how we waste our lives when we should be out dancing in the woods. The singer tells us to sing at the top of our voices and to love without fear, because, “If we all light up we can scare away the dark.” Below is the official video for “Scare Away the Dark.”

    Although Passenger started out as a real band, after the group dissolved, English singer-songwriter Michael David Rosenberg kept the group name as his stage name. So, Passenger is really Rosenberg. For another version of “Scare Away the Dark,” here is Rosenberg performing live at the Wonder Ballroom in Portland on July 14, 2014.

    “Scare Away the Dark” is from Passenger’s fifth album Whispers (2014). While “Hearts on Fire” was the lead single from the album, I have grown most fond of “Scare Away the Dark.” Rosenberg also played the song while busking in Kings Square in Fremantle, Australia in December 2013.

    Leave your two cents in the comments.

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