A Visit to Bob Dylan’s Hometown

Bob Dylan's Childhood Home

With Bob Dylan’s 35th album, Tempest, coming out next month, the anticipation is stirring up a number of Dylan stories. Sean O’Neal at the Onion’s A.V. Club recently visited Bob Dylan’s hometown of Hibbing, Minnesota.

In the video, O’Neal ponders about how the town influenced Dylan’s music, and he takes us to several Dylan landmarks, including Dylan’s — er Robert Zimmerman’s — childhood home. Although that house is now on a road named after the singer, Hibbing does little else to acknowledge the hometown singer. O’Neal also showed the high school auditorium that was the location of Dylan’s disappointing talent show appearance.

[2018 Update] Unfortunately, the video is no longer available. So, instead here is a short video about Bob Dylan’s hometown made for a KTCA special.

Should Hibbing do more to honor Bob Dylan? Leave your two cents in the comments.

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    Jakob Dylan Returns With The Wallflowers

    Wallflowers Glad All Over

    After two solo albums, Jakob Dylan returns with his first CD with The Wallflowers since 2005 when they released Rebel, Sweetheart. The band’s new album, Glad All Over, is out October 2. The first track “Reboot the Mission” has a dance reggae sound. Dylan told Rolling Stone he wanted to show the band could stay a rock band while still making a dance track. Meanwhile, the song not only name drops Joe Strummer but features one of Strummer’s old bandmates, Mick Jones of The Clash.

    What do you think of the new Wallflowers sound? Leave your two cents in the comments.

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    Richie Havens Foresaw Cell Phones On the Woodstock Stage

    Woodstock

    This week, on August 15 in 1969, a Friday, the “Woodstock Music & Art Fair” began in Bethel, New York. Of course, today we remember the festival with simply the name “Woodstock.”

    I took the above photo in 2007 after making a pilgrimage to the site. At the time of my visit, there was not much to commemorate the site beyond the large plaque. But there also was a man who had attended the concert who came on his own to tell stories to eager tourists like me. It was cool. The owners of the site finally did build a museum though.

    Back in 1969, the musical performances started at 5:07 p.m. when Richie Havens took the stage. After he performed his set, the crowd kept calling him back for more, so that he finally had to resort to improvising a song based on the old spiritual, “Motherless Child.” Thus, he closed his set with his iconic performance of the much-improvised “Freedom (Motherless Child).” He later explained, “When you see me in the movie tuning my guitar and strumming, I was actually trying to figure out what else I could possibly play! I looked out at all of those faces in front of me and the word ‘freedom’ came to mind.”

    At one point during the song, he apparently foresaw the use of cell phones in the future when he sang, “I got a telephone in my bosom / And I can call him up from my heart.” What a great way to begin the advertised “3 Days of Peace & Music.” In this video below, Havens looks back on Woodstock forty years after the event.

    Do you wish you were at Woodstock in 1969? Leave your two cents in the comments.

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    New Dylan: “Early Roman Kings”

    Bob Dylan Tempest Below is “Early Roman Kings,” one of the new tracks from Bob Dylan’s upcoming album, Tempest, due for release on September 10. There is a bluesy riff through the song, and Dylan’s voice has the familiar croak of his recent albums. While his songs are always open to interpretation, it sounds like the lyrics on “Early Roman Kings” could be about the most recent economic recession and discussions about economic disparities.

    They’re peddlers and they’re meddlers;
    They buy and they sell;
    They destroyed your city;
    They’ll destroy you as well.

    Dylan is allowing the song “Early Roman Kings” to be used for the soundtrack of the trailer for HBO’s new series about terrorism, Strike Back.

    Neil McCormick of The Telegraph was one of the few journalists who have heard the full album. He reports the songs are full of images and contradictions, and “There’s a lot of blood spilt on Tempest through murder and revenge, chaos and confusion.” Sounds good. Meanwhile, The Guardian reports that the new album could be the aging Dylan’s last, but it is the best work he has done in a decade. The reason for the speculation that Dylan’s 35th album might be his last is that Shakespeare’s final play was called “The Tempest.” On Dylan’s part, he has downplayed the connection, noting that his CD is called “Tempest,” as opposed to Shakespeare’s “The Tempest.” For now, I guess we will just be happy we have a new album coming out from Dylan.

    (Thanks to @ChrisHenry_TNW for the song link.)

    What do you think of “Early Roman Kings”? Leave your two cents in the comments.

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    Total Recall, Total Waste (Short Review)

    total recall There is a scene in director Len Wiseman’s new film Total Recall (2012) where we see someone who reminds us of a funny scene in the original Total Recall (1990) starring Arnold Schwarzenegger. If only the rest of the remake had the sense of humor of that one scene. It says a lot about the new remake that the only time the new film made me smile was when it reminded me of the original.

    The new film follows the same basic premise of the original film and both are based on a short story by Philip K. Dick (whose work also inspired Blade Runner and Minority Report). Douglas Quaid (Colin Farrell) works in a futuristic society and decides to go to a company named Rekall that promises to implant memories into your brain so you will believe you had a vacation or whatever fantasy you wish. Quaid asks to fulfill a fantasy of a spy adventure, and then it turns out Quaid is really a spy (or is he?) but did not know it and thus begins the adventure.

    Philip K. Dick’s short story that inspired both movies — “We Can Remember It for You Wholesale” — is about the twists in the tale questioning reality. Although both film versions deviate from the short story, the 1990 film adaption did much to play with the idea of whether Quaid was really a spy or imagining the whole thing. It questioned reality while taking the viewer on an exciting adventure with some campy humor by Schwarzenegger and his co-stars.

    Regarding the 2012 movie, I give the new film too much credit by summarizing the plot about the identity issue, which is really just background for the real plot of the film: Kate Beckinsale does her best angry look while chasing Farrell through dim CGI special effects, occasionally catching up to him and fighting. Then it repeats again and again. You get a sense of that from the trailer.

    With all the potential themes, ranging from questions about reality to colonization to invading another society, the film is not much more than a chase film. I appreciate the attempts to turn the original into a darker setting like Blade Runner, and I was intrigued by the decision to move the Mars of the original to a futuristic colony on Australia. But the movie fails to do much with the change, while wasting the talents of Colin Farell. Thus, although there are some good action scenes, one leaves the movie theater wondering what was the point of the remake.

    Conclusion?: Rent the original Total Recall, which was directed by Paul Verhoeven and co-starred Sharon Stone, Rachel Ticotin, and Ronny Cox.

    Other Reviews Because Why Should You Trust Me? Rotten Tomatoes currently has a 31% critics rating and a 50% audience rating for the Colin Ferrell film (compared to 85% critics/70% audience for the original). Because I am deviating from my usual practice of writing about things I like, I will just include a few positive review links: Slate‘s Dana Stevens said the remake is “a taut, serviceable sci-fi thriller with a couple of neat visual ideas.” Richard Roeper prefers the original but praises the new version’s special effects and performances of Farrell, Beckinsale, and Jessica Biel.

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