4192: The Crowning of the Hit King (Review)

pete rose 4192 hit king With Spring Training baseball games having started this weekend, one’s mind naturally turns to the National Pastime and childhood memories. My young baseball memories center around the Cincinnati Reds, and during that time I had several encounters with Pete Rose. In addition to watching him play baseball on television and in person, there were a few times where my friend David and I went to a spot in the Riverfront Stadium parking lot where we knew Rose would emerge after the game. He would always stop and sign autographs for us two kids, exchanging a few brief words about the game with us. On another occasion, I got his autograph when he and some other members of the Big Red Machine played a charity basketball game at a local college. Remembering how much fun we had getting those autographs makes me see some tragedy in the fact that Rose now makes much of his money signing autographs, including selling online memorabilia such as baseballs that say in Rose’s handwriting, “I’m Sorry I Bet on Baseball.”

I provide that background to show my bias in enjoying 4192: The Crowning of the Hit King (2010), which covers Rose’s baseball playing career with no mention of his banishment from baseball. I imagine the filmmakers wondering, “How can we make a film about Pete Rose without discussing his gambling?” And then one came up with the idea: “We’ll call it ‘4192’ and just cover his entire career up to his hit that broke Ty Cobb’s all-time hit record. We won’t even miss out on that much by not covering up to his final hit of 4256.” So, the movie avoids Rose’s gambling demons, with the only time betting being discussed is when Rose and teammate Tony Perez tell a story about betting on which one would be the first to use the bathroom in the new Riverfront stadium (Rose won).

So, the film is not a complete portrayal of Pete Rose or his career, and I concede that you cannot fully understand the man unless you see how his drive and determination drove him to dark corners as well as to great heights. But if you love baseball, you still might enjoy the documentary love letter to the sport and Peter Edward Rose’s playing career. No matter what you think of Rose, he always loved baseball and his enjoyment of the game comes through as he tells stories about his playing days, including how he came to be called “Charlie Hustle.” The tales are often funny and sprinkled with baseball stories about many greats, including Mickey Mantle, Enos Slaughter, and other players who played in Rose’s era.

The movie includes interviews with other players, but everything is one-sided by using players who are friends with Rose, such as Mike Schmidt and my favorite Red, Tony Perez. There are no interviews with players like Johnny Bench who are not close to Rose. And when the film discusses Rose’s confrontations with other players on the field, there are no voices from those other players. There are occasional unintended insights into the man, such as his story about his father refusing to stop to eat if the child Rose’s team lost. But for the most part, we only get Rose’s side of stories like his collision with Ray Fosse at home plate in the 1970 All-Star Game.

Perhaps because I have read several books that lay out the other side of the story, I was not unhappy to just relive the great moments on the field with some funny stories from Pete Rose and others along the way. If you are looking for a walk down memory lane in between the foul lines — and you do not care that this one movie does not delve deep into the troubled soul of the man — you might enjoy this one.  Then you should just grab a hot dog and a beer and watch 4192: The Crowning of the Hit King, which is available now for instant streaming on Netflix and on Hulu.

Do you think it is appropriate to make a movie about Pete Rose and not address his gambling? Leave your two cents in the comments.

  • Hammerin’ Hank
  • New Footage of 1919 “Black Sox Scandal” World Series
  • “42”: Great Story, Good Movie (Review)
  • Happy Opening Day!
  • Moneyball (Short Review)
  • Kenny Rogers: “The Greatest”
  • (Some Related Chimesfreedom Posts)

    Sexy and I Know It: Neil & Bruce Cover

    After hearing that Late Night with Jimmy Fallon was devoting a whole show to Bruce Springsteen, I had little doubt that they would reprise a Niel Young-Bruce Springsteen duet like they did on an earlier show with “Whip My Hair.”

    But last night, instead of a Born-to-Run-era Springsteen, the Boss got out his old bandana and came as Born-in-the-USA Springsteen. This time, they sang LMFAO’s “Sexy and I Know It,” with Springsteen in on the joke making fun of his former muscle-shirted self exchanging his usual “whoa, whoa, whoa” with “wiggle, wiggle, wiggle.”

    (May 2012 Update: The link from NBC apparently no longer works, but you may also see the video on YouTube here.) If you missed the show and wish to see the Springsteen interview as well as his performances with the E Steet Band of two new songs from the new album — “Death to My Hometown” and “Jack of All Trades” — as well as a rousing “E Street Shuffle” with the Roots, you may find them at Consequences of Sound and at Blogness on the Edge of Town.

    What do you think of the cover of “Sexy and I Know It”? Funny or just a retread of “Whip My Hair”? Leave your two cents in the comments. If you like the post, retweet it!

  • Springsteen and Fallon as Two Springsteens Stuck in a Traffic Jam
  • John Legend and The Roots Perform “Dancing in the Dark”
  • Bruce Springsteen on Jimmy Fallon: Wrecking Ball
  • New York Is Not “Invisible” When U2 Play on Fallon Debut
  • Late Night With Jimmy Fallon’s Last Waltz
  • All-Star “Fairytale of New York” on Jimmy Fallon
  • (Some Related Chimesfreedom Posts)

    John Legend and The Roots Perform “Dancing in the Dark”

    John Legend Dancing in the Dark This week on “Late Night with Jimmy Fallon,” John Legend and The Roots performed an excellent cover of Bruce Springsteen’s “Dancing in the Dark” from Springsteen’s Born in the USA (1984). To top it off, Legend also made the performance MP3 available to fans with a free download.

    2024 Update: Unfortunately, the performance with the Roots is no longer available, but here is another performance by Legend singing “Dancing in the Dark”:

    What do you think of John Legend’s cover? Leave your two cents in the comments.

  • New York Is Not “Invisible” When U2 Play on Fallon Debut
  • Springsteen and Fallon as Two Springsteens Stuck in a Traffic Jam
  • Sexy and I Know It: Neil & Bruce Cover
  • Bruce Springsteen on Jimmy Fallon: Wrecking Ball
  • Alt-Country Tribute to Springsteen’s “Born in the U.S.A.”
  • Late Night With Jimmy Fallon’s Last Waltz
  • (Some Related Chimesfreedom Posts)

    Dion’s Tank Full of Blues (CD Review)

    Dion Tank Full of Blues

    With Tank Full of Blues (2012), Dion completes a trilogy of outstanding blues albums along with Bronx in Blue (2006) and Son of Skip James (2007). While Bronx in Blues focused on covering traditional blues standards from Robert Johnson and others, and Son of Skip James followed that formula with a few more originals, in Tank Full of Blues Dion wrote or co-wrote all but two of the songs, taking his blues to another level. The new album adds more percussion and electric guitar into the mix without overdoing it on these new classics.

    Dion worked to build his blues cred with the previous two albums, paying homage to the kings with a little bit of Bronx street swagger thrown in. I have previously written about the two earlier CDs and how when Bronx in Blues came out it was a great discovery for me. On Tank Full of Blues, though, Dion uses his blues credibility to show a little more of his own wings, as Dion’s originals on this album transition smoothly next to ones by Robert Johnson and Muddy Waters. Just as the album makes you wonder what else Dion can do, he closes with a spoken word rap on “Bronx Poem.” While he is not a hip-hop artist, one might root for him to try a rap album next as he shows here that his rhyming skills and bravado dating back to “Runaround Sue” are still there.

    Dion Dimucci is one of the great rock n’ rollers, and these albums have shown he is also a great blues man. These albums are not an artist’s self-absorbed dabbling in another genre, but music that has the great Dion’s heart. As AllMusic wrote about Tank Full of Blues, “it is the album he’s been waiting an entire career to make.” For the artist behind such hits as “I Wonder Why,” “The Wanderer,” “A Teenager in Love,” “Donna the Prima Donna,” and “Abraham, Martin, and John,” that is high praise. Check out this great album by a music legend.

    What do you think of Dion’s blues? Should he write a new song called “Runaround Blues”? Leave your two cents in the comments.

  • Dion Has the Blues
  • Lou Reed Inducting Dion Into Rock Hall
  • Song of the Day: Dion’s “Sanctuary”
  • Dion’s Lost “Kickin’ Child” (Album Review)
  • Valentine’s Day and Two Love Lessons
  • Dion: “New York Is My Home”
  • (Some Related Chimesfreedom Posts)

    Davy Jones RIP

    Davy Jones of the Monkees had died from a heart attack. I remember my sister being crazy about The Monkees show when I was a kid, and several of their pop songs were excellent pop songs, like Davy’s work on “Daydream Believer,” which was written by John Stewart of the Kingston Trio. The clip below features Davy Jones singing his 1971 single “Girl” on The Brady Bunch, which he reprised for The Brady Bunch Movie (1995).

    Somewhere, Marcia Brady is heartbroken. RIP Davy.

  • “Last Train to Clarksville” as a Protest Song?
  • Jimi Hendrix Opens for The Monkees