Pophistory: music, movies, history, and life.
Jack White, formerly of The White Stripes, is getting ready to release his first solo CD. The new song “Love Interruption” from White’s new forthcoming solo CD Blunderbuss is coming out April 23.
I like the bluesy feel of the song provided by the keyboard, so I’m looking forward to hearing the rest of the album.
What do you think of Jack White’s new song? Leave your two cents in the comments.
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Matthew Broderick reprised his role from the 1980s classic film Ferris Bueller’s Day Off (1986) in a commercial for Honda. Reportedly, a version of the commercial will appear during the Super Bowl, but the extended commercial has just been released on the Internet, called “Matthew Broderick’s Day Off.”
There are a number of references to the film in the commercial. How many can you see? Some references are obvious while others are less obvious, like the name of Broderick’s agent, Walter Linder, which was listed above the name of Abe Froman (the Sausage King of Chicago) in the reservation book in the fancy restaurant in the film.
Some of the references go by like life. Remember, “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.” While you are thinking about the film, check out Ferris Bueller Was Dating His Sister in Real Life (Plus 15 Other Things You Probably Didn’t Know About Ferris Bueller’s Day Off).
What do you think of the new commercial? Leave your two cents in the comments.
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Each mascot from this year’s Super Bowl teams has a sprawling epic film, so let’s see if the movies can help us predict the future National Football League champion. In one corner, for the New England Patriots, there is The Patriot (2000), starring Mel Gibson and Heath Ledger. In the other corner, for the New York Giants, there is Giant (1956), starring Rock Hudson, Elizabeth Taylor, James Dean, and Dennis Hopper. Like the two football teams and their quarterbacks, the male lead in each film has an interesting storyline in real life as well as on the field or screen. But who will emerge victorious?
The Patriot covers one man’s family through the American Revolution, as Mel Gibson plays a reluctant fighter who leads a rag-tag group of patriots. The film follows the usual Mel Gibson movie pattern with one of his loved ones getting killed, Mel getting mad, and Mel killing a lot of people (Braveheart, Mad Max). Although the film has its detractors (a 62% critic Rotten Tomatoes rating) claiming the movie glosses over the slavery issue and it makes the British into sort of 1700’s evil Nazi-type characters, it is a fun action move with exciting battle scenes (an 80% audience Rotten Tomatoes rating).
Giant, a movie that traces the ups and downs of the fictional Benedict family in Texas, also has its detractors claiming the epic is overlong. Still, the film, which is based on a novel by Edna Ferber, has great actors and it was the last time James Dean appeared in a leading role. In trying to capture a scope as big as Texas, the movie features several classic scenes, such as one where James Dean marches across the land his troubled character inherited, and another classic scene is where Rock Hudson’s bigoted character stands up for a family of Mexican immigrants in a diner as the jukebox plays “The Eyes of Texas Are Upon You.” While our twenty-first century eyes may recognize some problems with portraying a white man as the rescuer, the fact that Hudson faced discrimination in his real life adds another layer to the scene.
Using our movies to predict the Super Bowl, who wins? With a 95% critic rating and 85% audience rating on Rotten Tomatoes, Giant is the winner in the battle of the movies. Going by the audience ratings of The Patriot (80%) vs. Giant (85%), the New York Giants will beat the New England Patriots by five points, which seems a little more believable than the film critics’ prediction of a 33-point romp for the Giants (95% to 62%).
Like the New England and New York teams, both films have their imperfections but are fun to watch. If the football game this weekend gets boring, you could do worse than popping in one of these movies.
What do you think of The Patriot or Giant? Leave your two cents in the comments.
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Apparently, Saturday was National Clash Day, as well as National Kazoo Day. While I suspect that I was supposed to wear clothes that do not match, which I often do anyway, I am celebrating National Clash Day with one of the bands that helped keep my faith in rock music through the 1980s before the group broke up in 1986. So, celebrate National Clash Day with one of my favorite songs from The Clash, “Train in Vain” from London Calling (1979).
Fortunately, there are no kazoos in the song.
Should there be a National Clash Day in honor of the band? Leave your two cents in the comments.
Peter Paul & Mary signed their first recording contract on January 29, 1962. Thus began a recording career with Warner Brothers that would help bring folk music and Bod Dylan’s music to a broad audience.
That broader audience included me when I was a kid. We did not have Bob Dylan albums in my house when I was a kid, but we did have Peter Paul & Mary’s second album, Moving (1963), which included “Puff the Magic Dragon.” The trio and “Puff” eventually led me to Dylan and other folk singers. They even led me to John Denver with their cover of “Leavin’ on a Jet Plane.”
Although today I only have a couple of Peter Paul & Mary albums, I have a huge collection of Dylan and other folk songs that they helped me discover. So, while some hear them and think of a group less authentic than some other folk singers because of their smooth harmonies and the way the group formed, I hear the joy in their music. And I appreciate the role they played in my music education.
The story of “Puff the Magic Dragon” began in 1958 when Leonard Lipton, who was a Cornell student, found inspiration in Ogden Nash’s “The Tale of Custard the Dragon.” Lipton used that inspiration to write his own poem about a dragon.
Lipton showed his poem to another Cornell student, Peter Yarrow, who added music and additional lyrics. Not much later, Manager Albert Grossman, looking to capitalize on the growing folk music trend, put together what he saw as a commercial pairing of Yarrow with Peter Stookey and Mary Travers.
Thus began Peter Paul & Mary. The new group recorded “Puff the Magic Dragon” in 1962, and it went on to rise to #2 on the Billboard charts.
Several years after “Puff the Magic Dragon” was released, rumors started about drug references in the song. Yarrow and Lipton have both explained that the song is really about a loss of innocence, and Lipton has compared the story to Peter Pan on his blog.
Many decades on, the song’s themes about lost innocence resonate more strongly for those of us who grew up listening to the song. When I hear the song, I think not only about the lost innocence of Little Jackie Paper. I also think about my own childhood listening to the unusual dark children’s song. In the song, I sensed some frightening message about the world ahead where little boys do not live forever and dragons are left alone to disappear.
But in addition to the haunting elements, there was something comforting in the way the three voices blended together, revealing something else in the world. Perhaps there was a touch of the nearly half-century friendship between the three singers that continued until Mary Travers’s death in 2009.
And maybe some things do last forever. I do not know where I will be in another half century, but I do know that children still will be singing the college student’s poem about a dragon who frolicked in the autumn mist in a land called Honalee.
And that is The Story Behind the Song.
Update: Dick Kniss, who played bass for Peter Paul & Mary for almost five decades, passed away in 2012 at the age of 74. He also co-wrote John Denver’s hit, “Sunshine on My Shoulders.” RIP.
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