The two German-language films in this edition of “Movies You Might Have Missed” each feature an ex-con and a prostitute trying to escape to a better life while also touching on universal existential themes. The stories are very different, but both movies are outstanding.
The Austrian film, Revanche(2008) may not be full of as much action as one might expect from the name, which is French for “revenge,” but it will keep you glued to the screen. The movie is a meditation on themes often seen in film noir movies of loss, connections among humans, revenge, and redemption. Ex-con Alex, played by Johannes Krisch, comes up with a plan so he and his prostitute girlfriend Tamara, played by Irina Potapenko, may escape to better lives. But some bad luck leaves Alex and a police officer fighting their own demons as they struggle to continue living in the face of tragedy.
Revanche shows the existential struggles of every-day life — chores like chopping wood and going to the grocery story — while raising questions about who we can blame for our life’s misfortunes. The Austrian film, directed by Götz Spielmann, is in German with subtitles and was nominated for the 2009 Academy Award for Best Foreign Language Film. It also is one of the best movies I have seen in a long time. DVDTown has a longer review.
I recently watched Werner Herzog’s Stroszek (1977), about an ex-con, a prostitute, and an elderly man who leave their troubles in Germany to make a new life in Wisconsin. Well, that is the nutshell description but it does not capture this poetic existential tale of human existence. Even Herzog notes in the commentary that he does not fully understand the symbolism of a scene with a dancing chicken, but he claims it may be the best segment he has ever filmed. And that is from the guy who filmed the ending of Aguirre, the Wrath of God (1972) with the monkeys.
Will you be blown away by Stroszek? Maybe not, but what I loved about the movie was that the next day after watching the movie, I could not stop thinking about it. Rotten Tomatoes gives it an amazing 100% rating from critics (and 92% audience rating). If you want to read more about the film, including some of the background behind the film and Bruno S. (who played Stroszek), check out Roger Ebert’s review. The official trailer tells too much of the story in a 1970s kind of way, so instead I am including a fan’s montage of scenes from the movie with Radiohead’s “No Suprises.”
{Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}
On September 13 in 1814, a 35-year-old American lawyer wrote down a poem aboard a ship. He had just watched Fort McHenry in Maryland being bombarded by the British all night long during the War of 1812. British troops had already attacked Washington, D.C. and were now looking to take Baltimore.
The lawyer had come to Baltimore to successfully negotiate the release of a prisoner who was his friend. Now, he became inspired when during dawn’s early light, he saw the U.S. flag still flying over Fort McHenry.
The Song
And so, immediately, the lawyer began writing a poem called “The Defense of Fort McHenry.” Francis Scott Key’s poem began invoking his sight of the flag, “Oh, say, can you see, by the dawn’s early light, / What so proudly we hailed at the twilight’s last gleaming?.”
After the poem was published in newspapers, the words were linked to the music of an English drinking song by John Stafford Smith, “To Anacreon in Heaven.” The union of the American poem and the British music took on a life of its own as “The Star-Spangled Banner.” And eventually it was adopted as the U.S.’s official anthem in 1931.
Criticisms of “The Star Spangled Banner”
There are many critics of the national anthem. Some critics note that the song is difficult to sing. Thus, we get various poor performances ranging from Cyndi Lauper’s minor lyrics flub at the 2011 U.S. Open to more disastrous results.
Others criticize the song because it celebrates war over the nation’s other accomplishments. Personally, I love “America the Beautiful,” which many advocate as a replacement anthem. But there is something inspirational in the old drinking song tune put to Key’s words.
As a pre-Civil War song, the reference to the “land of the free” is about a land where American slaves were excluded from that freedom. In fact, Francis Scott Key had owned slaves, worked against abolitionists in his law career, and generally held a number of racist principles.
Thus, it is fascinating that the greatest versions of the song were performed by African-American singers and a man born in Puerto Rico. These singers instilled the song with different meanings.
Whitney Houston’s 1991 Super Bowl Performance
The most recent of these versions is the rousing and patriotic Super Bowl version by Whitney Houston at the Super Bowl in January 1991. She performed the song while the nation was involved in the Gulf War.
People immediately recognized her version was something special. I remember seeing the single CD of the beautiful performance for sale in record stores, and Houston made the national anthem a best-seller.
The fact that Houston pre-recorded the vocals and sang into a dead microphone does nothing to take away from how amazing her rendition of “The Star-Spangled Banner” is — or how much she gave to the performance. Her voice rose over a full band.
On a day when the nation was on high alert and Americans were unsure of the future, Houston altered the 3/4 waltz of the national anthem by changing it to 4/4 time. She thus elongated the notes, steeping the song in the time signature of the blues.
Jimi Hendrix at Woodstock in 1969
Maybe the single most famous public performance of “The Star-Spangled Banner” is the Jimi Hendrix guitar version from Woodstock in 1969. His instrumental version instills new meaning into the song and captures the turbulent time.
Although Hendrix had been scheduled to close the Woodstock Music and Art Fair on Sunday night, various delays resulted in him taking the stage around 8 a.m. on Monday morning, August 18, 1969. Thus, the closing act appeared before a crowd that had thinned out since the beginning of the weekend.
Hendrix first performed many of his most popular songs. Next, as the band began improvising, Hendrix told the crowd, “You can leave if you want to. We’re just jammin’, that’s all.” And then in the midst of the jam, he launched into “The Star-Spangled Banner.”
Even though Hendrix had played the tune on stage in the past, this performance was one for the ages. Hendrix took a song written about two nations fighting a battle, and he turned it into an elegy to a nation battling itself.
Marvin Gaye at the 1983 NBA All-Star Game
The third example is one of my favorites, which is Marvin Gaye’s performance of “The Star-Spangled Banner” at the 1983 NBA All-Star game. In what could have been just another pre-game performance, Marvin Gaye surprised us all.
At the time, Gaye was fighting a serious drug addiction problem, and within a little more than a year, he would be killed by his own father. On the night of this performance, he must have wondered how the crowd would react. He was running behind schedule on his way to the game after his only rehearsal of the song had not gone well.
That night, I remember watching the All-Star game. After Gaye began, at first, I wondered what was going on. Then, like the crowd, I began to realize that something incredibly special was taking place.
Gaye, like Hendrix before him, was reclaiming the national anthem, transcending the original warrior lyrics, capturing the pain and celebrating the joy of a troubled country, and giving it a little bit of soul.
José Feliciano at the 1968 World Series
Before any of the above versions, José Feliciano, another person who would have been excluded from Francis Scott Key’s country, reinterpreted the national anthem during an afternoon game of the 1968 World Series.
Feliciano performed in Detroit before Game 5 of the series between the Tigers and St. Louis Cardinals. The Tigers and NBC received angry calls and letters following the unconventional performance.
But one may find an attempt to heal a divided nation in Feliciano’s voice. The year had already seen the assassinations of Martin Luther King Jr. and Robert F. Kennedy. Riots erupted in August at the Democratic National Convention. As the Viet Nam conflict continued, the nation seemed to be coming apart.
You may hear Feliciano’s amazing version below. Also, check out his discussion of the controversy caused by his October 7, 1968 performance.
In less than a month, the country elected Richard M. Nixon as president. The war continued and the nation remained divided. But Feliciano — like Gaye, Hendrix, and Houston — had reminded us that the national anthem and the nation still could be saved.
What is your favorite version of “The Star Spangled Banner”? Leave a comment.
I recently discovered Jason Heath and the Greedy Souls through their Twitter account and checked out their website to discover some wonderful rootsy rocking music. Check out their video for “California Wine,” and I guarantee you will be singing the catchy song the rest of the day.
Their website describes their music: “Firmly entrenched in organically American music, the band mines elements of rock, country and folk coupled with rich storytelling and the poking and prodding of emotional contexts both personal and worldly.” Those are some fancy words, but the music speaks for itself. You may hear more of their songs on their music page. Also, on their website you will find downloads and a sampler EP of Packed for Exile as well as their debut album, The Vain Hope of Horse (2008), which includes some help from Tom Morello of Rage Against the Machine and Nels Cline of Wilco.
Our readers who are Springsteen fans may be interested to know that the Greedy Souls include Jason Federici, the son of the E Street Band’s late Danny Federici, playing accordian and organ, of course. Along those lines, Jason Heath and the Greedy Souls recorded a version of Springsteen’s “4th of July, Asbury Park” available for free download at Backstreets.com if you click on the song title here. Other members of the Greedy Souls along with Jason Heath include Ben Perdue, Abe Etz, Jonathan Chi, Aaron Gitnick, Chris Joyner, and Ysanne Spevack.
The band is located in California, where Heath grew up and met drummer Abe Etz when they both were in sixth grade. They planned to create a band even before they could play instruments, and, unlike usual childhood dreams, they worked to make this one come true.
If you enjoy the music, check out their website and support the band. Also, for all of the fans of Springsteen, the Greedy Souls, and the Federici’s, do not forget to check out the DannyFund to help fight melanoma, which took Danny Federici away from us way too soon.
Hot Coffee is a new HBO documentary about how corporations used a famous legal case to push for limits on their liability under the guise of “tort reform.” Although you think you know about the McDonald’s hot-coffee-spill case, you know less about what happened than you think.
In 1992, the 79-year-old Stella Liebeck went to McDonald’s with her grandson. After they made their purchase, the grandson pulled over the car to divide up the food and to allow Liebeck to add cream and sugar to her coffee. While removing the lid, Liebeck spilled the scalding coffee, which caused third degree burns and sent Liebeck to the hospital for eight days. After McDonald’s refused to help pay for medical expenses, Liebeck sued the company. The media reported about Liebeck winning more than two million dollars in punitive damages against McDonald’s, but that award was reduced to less than half a million dollars, and then the parties reached a settlement.
Hot Coffee tells a lot more about the case than you probably knew, because most of us know about the case from what we heard from corporations who used the case to get states to limit individual people from suing companies for damages. After you see the photo of the Liebeck’s third-degree burns and the know that hundreds of other people were burned by the coffee, you might be glad that she sued, leading McDonald’s to lower its coffee holding temperature. And, while you may still agree that limits on damages are a good thing, you will at least question the way corporate money influenced our perceptions of the issue and also bought politicians to support tort reform.
Overall, Hot Coffee is very informative and will open your eyes about an important issue. While it does take one side and you may disagree with some of its conclusions, its discussion of the legal cases will make you question some of your ideas. And that is always a good thing.
“Mad Movies” (or “Movies that Make Us Mad”) is a Chimesfreedom series about movies that expose information that we might not otherwise know about, revealing misinformation, lies, and hidden stories that make us angry.
The Austrian film, Revanche (2008) may not be full of as much action as one might expect from the name, which is French for “revenge,” but it will keep you glued to the screen. The movie is a meditation on themes often seen in film noir movies of loss, connections among humans, revenge, and redemption. Ex-con Alex, played by Johannes Krisch, comes up with a plan so he and his prostitute girlfriend Tamara, played by Irina Potapenko, may escape to better lives. But some bad luck leaves Alex and a police officer fighting their own demons as they struggle to continue living in the face of tragedy.
As a pre-Civil War song, the reference to the “land of the free” is about a land where American slaves were excluded from that freedom. In fact,
