Time Is On My Side

Rolling Stones Ed Sullivan On October 25, 1964, the Rolling Stones made their first appearance on the Ed Sullivan Show.  On the show, they first performed Chuck Berry’s “Around and Around.” And then they closed the show with their own “Time Is On My Side.”

At the time, the Stones were still finding their footing in the U.S., following the release of their second U.S. album 12 x 5.  Meanwhile, “Time Is On My Side” was climbing the U.S. charts. The performance on The Ed Sullivan Show would help take them to another level.

“Time Is On My Side” & Irma Thomas

The formulation of “Time Is On My Side” that we all recognize was written by Jerry Ragovoy and Jimmy Norman and recorded by Irma Thomas in early 1964. The song would go on to be a hit, but not for Thomas.

Months after Thomas’s recording, the Rolling Stones recorded their version of the tune.  They added a guitar lick but otherwise changed very little from Thomas’s version. For the Rolling Stones, it would be their first U.S. top ten hit, and they would perform the song on The Ed Sullivan Show.

Although Irma Thomas did not match the success of the Rolling Stones with the song, she continues to perform and is especially loved in her hometown of New Orleans.

Prior to “Time Is On My Side,” Thomas had a Top 20 hit with “Wish Someone Would Care.” But she never got anything near the paycheck that the Stones got for their version of “Time Is On My Side.”

In The Heart of Rock & Soul, critic Dave Marsh notes that Thomas was “ripped off not just once but twice, and by two of the best.” Otis Redding also took her “Ruler of My Heart” and changed it to “Pain In My Heart,” altering and improving on her version more than the Stones did with “Time Is On My Side.”

It is unfortunate that Thomas never saw the success that the Rolling Stones had, as it was their time. They were the bigger stars, but they also had the unfair advantage of being a white rock and roll band in the market at that time.

Yet, it is great that Irma Thomas’s music is still out there for us to hear. Below is a video from 2014 of Thomas performing “Time Is On My Side.”

The Rolling Stones on the Ed Sullivan Show

On October 25, 1964, the Rolling Stones brought “Time Is On My Side” to a wide audience on The Ed Sullivan Show.  About halfway through the show, the band appeared to play “Around and Around.”  Then, they returned to close the show with “Time Is On My Side.”

After the performance, Sullivan encouraged the screaming audience, saying “Come on, let them hear it!”  But then the screams were so loud that viewers at home could not hear Sullivan’s short conversation with Mick Jagger.

The performance brought a great deal of attention to the Rolling Stones.  It helped boost ticket sales for their fall concert tour.  At the same time, the performance and their unkempt appearance also drew criticism from some more conservative viewers.

Here are the Rolling Stones performing “Time Is On My Side” in 1964 on The Ed Sullivan Show.

The Rolling Stones returned to The Ed Sullivan Show the following spring. They ultimately would make six appearances on the show, performing many of their songs that would become classics.

What do you think about the versions of “Time Is On My Side”? Leave a comment.

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    World Series Songs: St. Louis Blues (Bessie Smith)

    St. Louis Cardinals baseball As we did for the Super Bowl teams from Pittsburgh and Wisconsin, Chimesfreedom continues with songs related to the locales of the two Major League Baseball World Series teams. While the previous post focused on the Texas Rangers, this post considers the home of the St. Louis Cardinals with “St. Louis Blues,” performed by the great Bessie Smith.

    In “St. Louis Blues,” by the legendary W.C. Handy, the singer tells about her man leaving her for a woman in St. Louis: “St. Louis woman with her diamond rings / Pulls that man ’round by her apron strings.” As she contemplates her sadness and considers going to the city to try to bring him home, she tells us, “I love that man like a schoolboy loves his pie / Like a Kentucky Colonel loves his mint and rye.”

    Bessie Smith (1894-1937) was one of the greatest blues and jazz singers of the 1920s and 1930s, recording several duets with Louis Armstrong. We are fortunate to have her on film because she appeared in the movie, St. Louis Blues in 1929. But by the end of that decade, her career suffered from the Depression and her alcoholism.

    Essential Bessie Smith As her career was recovering in the 1930s, through recording with John Hammond and through a return to performances in shows and clubs, she died from injuries in a car accident in 1937. Thousands of mourners came to pay tribute to her coffin in Philadelphia, and thousands more attended her funeral. But there was no money to mark her grave. In 1970, Janis Joplin and Juanita Green, a child of one of Smith’s domestic employees, paid for a tombstone to mark the grave of the great Bessie Smith. Joplin once said, “She showed me the air and taught me how to fill it. She’s the reason I started singing, really.”

    The Cardinals hope to find a similar inspiration so they do not end up singing the blues.

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    World Series Songs: That’s Right (You’re Not From Texas)

    Texas Rangers baseball Several years ago, a friend from Iowa and I discussed songs about various states. He proudly noted that Bob Seger’s “Turn the Page” was about his home state of Iowa. “How?” I asked. He noted the opening lyrics are “On a long and lonesome highway east of Omaha.” Then he explained, “The only thing east of Omaha, Nebraska is Iowa.”

    While it is difficult to find songs about some states, like Iowa, other more populous states with a history of a thriving music industry like Texas provide a long list of state songs, including old classics like “Yellow Rose of Texas” and “The Eyes of Texas.” So for this entry on World Series Songs for the Texas Rangers, we have to choose from a number of songs, and that is not even including the reference to the Rangers in the opening line of Bruce Springsteen’s “Jungleland” (The Rangers had a homecoming/ in Harlem late last night.” But it is a great opportunity to finally get around to Lyle Lovett, featuring his song, “That’s Right (You’re Not from Texas).”

    Some people may mainly know Lovett for his hair or his short marriage to Julia Roberts, but he has several wonderful albums. His songs often show a sense of humor, but he has many beautiful heart-felt songs too, like “Road to Ensenada,” which is off the album of the same name that also includes “That’s Right (You’re Not from Texas).”

    “That’s Right” showcases Lovett’s humor and his love of his home state, reflecting the pride that many Texans feel about their state. In the song, the singer repeats the refrain “That’s right you’re not from Texas” in several situations. After his girlfriend asks what is so great about Texas, he tells us, “Oh the road it looked so lovely / As she stood there on the side / And she grew smaller in my mirror.”

    The Rangers should be proud they are the champions of the American League and playing in the World Series against the St. Louis Cardinals. Texas has its own history and large size (but not the largest) that make many residents proud, although there are some things of which some Texans may not be so proud.

    Pride is both a good thing and a bad thing. While we are told from a young age that we should be proud of this or that, we are also reminded that pride is a sin. As Proverbs 16:18 warns, “Pride goeth before destruction, and an haughty spirit before a fall.” I have loved my time in the beautiful Lone Star State, but Lovett does an excellent job in capturing both the grandeur and the ridiculousness in such pride. How can it be so bad if “Texas wants you anyway?”

    One thing we can be sure of, though, is that if the Texas Rangers win the World Series, there will be a lot of Texas pride to go around. Fans may even sing Lovett’s song to their St. Louis, Missouri opponents:

    Lyle Lovett Road to Ensenada They’re OK in Oklahoma;
    Up in Arkansas they’re fair;
    But those old folks in Missouri,
    They don’t even know you’re there;
    But at a dance hall down in Texas,
    That’s the finest place to be.

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    The Trip (Missed Movies)

    The Trip Taking a road trip with a good buddy is bound to have two results: (1) your friend will get on your nerves; and (2) you will laugh more than you do at almost any other time in your life. Traveling through unfamiliar lands while spending 24/7 with another person forces you to bond with your travel companion in ways that would never happen in your regular life. The Trip (2010), like a real buddy road trip, contains very little plot but captures what a real-life adventure is like.

    The Trip, originally conceived as British TV series, stars British actors Steve Coogan and Rob Brydon playing fictionalized versions of themselves as they set out on a road trip to northern England. After a newspaper asks Coogan to go on a journey to visit and review fancy restaurants and his girlfriend decides not to go on the trip with him, he ends up traveling with Brydon. The two drive, eat, talk, bicker, do impressions, quote Wordsworth and Coleridge, annoy each other, and laugh together on the trip. One of the highlights of the movie Tristram Shandy – A Cock and Bull Story was the interaction between Coogan and Brydon, so it was great to see them together as a version of themselves here.

    While a similarly themed buddy-travel-movie Sideways focused on telling a story, The Trip focuses less on plot and more on capturing the real-life experience of traveling with someone you like but who also annoys you at times. There is a story about the contrast between Brydon’s life and Coogan’s more successful career balanced by womanizing loneliness. And there are beautiful shots of food being prepared and served. But the main point of the movie is the interaction between Coogan and Brydon, often improvised, and the way they try to one-up the other and get the other to laugh. One of the highlights of the film is their impressions, including their discussion of how to imitate actor Michael Caine.

    Years ago, I took a long road trip through the Western U.S. with a high school friend, and I kept thinking of that trip while watching The Trip. On my trip, my friend kept trying to explain everything we saw, showing off his knowledge. When I told him to stop, he kept insisting that he was not constantly explaining things. But then at one tourist site, I turned around and saw him explaining the actions of local animals to a few other tourists. When I caught his eye, it was a moment of amusement to both of us, and a moment of realization to him. In The Trip, there is a similar scene where after Bryson complains about Coogan acting like he knows everything, Coogan goes off and encounters another know-it-all.

    Conclusion? For me, The Trip realistically captures the adventures, aggravations, and joys of traveling with a friend. If you are looking for a movie with a compelling story or well-plotted laugh lines, you should choose another movie. But if you are in the mood for a lazy aimless trip with a couple of annoying companions who will make you laugh, then check out The Trip, which is now available on DVD.

    {Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

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    • New Music from Ryan Adams and The Jayhawks

    When I read that the Americana Music Association recently gave the Artist of the Year Award to Buddy Miller, I had mixed feelings. On the one hand, I love Buddy Miller’s work as well as his new CD, so I am always glad to see him get the recognition he deserves. On the other hand, I did not even know there were Americana Music Association Awards, and I wondered what is the status of Americana music — or alt-country — two decades after writers started using the terminology to describe a type of music. There is a lot that may be said, and Chimesfreedom may revisit the topic in the future. For now, one answer is provided in new releases by two giants of the field, Ryan Adams and The Jayhawks.

    Jayhawks Mockingbird Time Mockingbird Time (2011) by The Jayhawks: The new CD by the Jayhawks created much excitement with the return of Mark Olson to the band for the first recording since the classic Tomorrow the Green Grass (1995). I was excited too, but in looking through my CD collection, I was surprised to learn that I had not missed a CD from the band’s catalog, and that I do love all of the albums, including the ones without Olson where Gary Louris continued to lead the band in interesting directions.

    I have been listening to the new CD for several weeks because it often takes many listens before I know how much I like a new album. The new CD does capture some of the magic of Tomorrow the Green Grass, although I have yet to fall in love with the new music as much as I did with some of the songs on the 1995 album. For me, the new album does not exceed the Olson-less Smile and Sound Of Lies, but I realize that many fans prefer this version of the band. Give it a chance. “Closer to Your Side” is one of the highlights of the new album:

    Ashes & Fire by Ryan Adams: Like The Jayhawks CD, a new Ryan Adams CD has to compete with a back catalog of great albums and music. When I first heard Heartbreaker (2000) and Gold (2001), I immediately fell in love with the albums and could not stop hitting the replay button. I had a similar reaction to his work with Whiskeytown. Ashes & Fire, Adams’s latest effort, did not immediately grab me like those albums, but it is a solid effort with some great (“Lucky Now”) and almost-great (“Ashes & Fire”) songs.

    Ryan Adams Ashes & Fire The opening lines of the first song on Ashes & Fire, “Dirty Rain” (““Last time I was here it was raining / It isn’t raining anymore”) even evoke the opening cadence of the superior classic “Oh My Sweet Carolina” from Heartbreaker. I have always been more of a fan of Adams’s country-ish and upbeat songs over his contemplative slow songs (or his digressions into other genres). This new album stays close to alt-country but delves into his slower folk side too. But it continues to grow on me like some of his other albums that started out okay for me but that I later came to love, like Jacksonville City Nights (2005). So I am reserving judgment and plan to enjoy the CD many more times.

    Conclusion? Many of the great “alt-country” artists of the last few decades continue to record great work (even if one may classify the music in different categories). If you are a fan of Ryan Adams and/or The Jayhawks, you will like the return to form on their new CDs, which are both solid enjoyable efforts. If you are not familiar with their work, though, you might want to start with some of their other albums. But either way, these new CDs are a fine addition to already fantastic catalogs. For Ryan Adams, who was diagnosed with Ménière’s disease five years ago, the return is especially triumphant.

    Bonus Reviews, Because Why Should You Trust Me?: For a detailed mixed review of Ryan Adams’s Ashes & Fire, check out Pitchfork. For a positive review, check out Popmatters. By contrast, Popmatters gave a mixed review to Mockingbird Time by The Jayhawks. Consequence of Sound argues that The Jayhawks almost get it right.

    What do you think of the new music from Ryan Adams and The Jayhawks? Leave a comment.

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