chimesfreedom

3rd of October: Matthew Ryan

Near the end of Thomas Wolfe‘s short story “One of the Girls in Our Party,” Wolfe writes of summer’s end, “flaming maples,” and “frosty stars” — “and of words unspoken and the quiet heart, and nights of the old October that must come again, must come again, while we are waiting, waiting, waiting in the darkness for all our friends and brothers who will not return.”

Even out of the context of the story, which like much of Wolfe’s writing tends more toward poetry than narrative, the repeating lines about how October “must come again” reminds us that winter is approaching and there is nothing we can do to slow down time.

“3rd of October”

By contrast, Matthew Ryan‘s song about today, “3rd of October” off of East Autumn Grin (2000), does not mention October outside the title. But it still evokes an October emptiness as in Wolfe’s words.

I have previously written about how much I like Matthew Ryan’s music. I particularly love his louder songs off of albums like his debut album May Day (1997), the follow-up East Autumn Grin, and his recent album Boxers.

There is no clue in “3rd of October” about the link between the lyrics and the title date. The song is about a troubled relationship or the end of a relationship as the singer wails, “I don’t want to lose you.” But he also notes, “I don’t want to be pummelled by the truth / I can’t hold you now.”

Maybe the song is about one of Ryan’s relationships that ended on October 3, or maybe the date reflects the autumn of a relationship heading for winter. Either way, it remains one of my favorite songs, for the power of both its music and its lyrics.

Disintegration, I don’t understand;
Disintegration of the morals,
Disintegration of the heart,
Disintegration of common sense;
Now I’m broken,
But ain’t everyone broken?

Like Wolfe’s use of repetition about October coming again, Ryan similarly repeats lines in his song. But while the aching in Wolfe’s words is of a quiet heart, Matthew Ryan’s pain in “3rd of October” roars.

Matthew Ryan’s Explanation

Several years after this post was originally published, Matthew Ryan posted a link to this article on his Facebook page. We were honored he had read this post. But we were even more excited that he was still writing something beautiful about the wonderful album.

In his post, which you should read in its entirety, Ryan explains the important issues he was tackling on the album: “It struck me that in the things that we see between nations and races and classes, we can also see within the intimacies of ourselves in love and hate.” The album is about the challenge to love “despite the darker parts.”

As for the date in “3d of October,” Ryan explains, “I’m not even sure what the date was that brought the revelations that brought that song was, but it felt like The 3rd of October.”

Additionally, he confirms that the date is key as being a transition between summer and autumn: “The beginning of the end leads to Spring. Know what I’m saying? That’s why I love autumn. Because it dares you not to. And it’s so vivid in its march towards winter.”

I especially like his comment about the dare. It reminds me that as bad days or anniversaries of sad dates roll around, we must still choose to accept the dare to continue to live and love life.

For whatever reason Ryan’s song is titled after the start of October, this month is the perfect time to listen to this excellent song (and curl up with a good book by Thomas Wolfe). May you have a good October 3rd, and may you accept the dare to love autumn in the face of the oncoming winter.

Leave your two cents in the comments. (This post was updated in September 2016.)

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Big Ol’ Jet Airliner & Paul Pena

Reports about Boeing’s Dreamliner jet airplanes reminded me of the Steve Miller Band song “Jet Airliner,” and the author of the song, Paul Pena, who died on October 1 in 2005. Pena had one of the most unique music careers in the last fifty years. If you do not recognize his name, it is because of his bad luck in the music industry. But if you know of him, that was the result of chance too.

Paul Pena and His Unreleased Record

Pena was born on January 26, 1950 with congenital glaucoma and was completely blind by the time he was twenty. He started a music career in the late 1960s. After opening for Jerry Garcia and other musicians, he recorded a self-titled album in 1972. Then, he followed it up with New Train in 1973.

The latter album’s style ranged from R&B to folk to Jimi Hendrix-style blues, and it included a future hit song. But the album was not released. The owner of the record company refused to release the album after a dispute with Pena and his manager. Due to contractual obligations, Pena could not record elsewhere either, so his career stalled.

Steve Miller, however, heard the unreleased New Train and with the Steve Miller Band recorded a hit version of Pena’s song “Jet Airliner” on 1977’s Book of Dreams. The royalties from the Steve Miller Band recording helped Pena, who later suspended his music career to care for his wife, who was suffering from kidney failure.

New Train Is Finally Released

New Train sat in the vaults for almost three decades until it was finally released in 2000. Although not a top-40 hit, the album garnered Pena some attention.

I first heard of Pena when an alternative rock station played songs from the “new” album around this time. Pena toured a bit to support the album, even appearing on Late Night with Conan O’Brien to play his version of “Jet Airliner.”

The first Pena recording I heard was another song from New Train, “Gonna Move.” I loved the song immediately, as did a number of artists.

Several musicians recorded cover versions of “Gonna Move,” including Susan Tedeschi and the Derek Trucks Band.

Pena’s Discovery of Tuvan Throat Singing

In the time between the recording of New Train in the 1970s and the album’s release in 2000, though, Pena was not idle. In the 1980s, while listening to shortwave radio, he accidentally discovered Tuvan throat singing, which is a unique vibrating style of singing used by the Tuva people in southern Siberia.

Fascinated by the discovery, Pena began to study the language and the singing style, eventually traveling to Tuva to perform there. Filmmakers covered Pena’s new singing style and his trip to Tuva in the 1999 documentary Genghis Blues.

The movie was nominated for an Oscar at the 2000 Academy Awards and won the 1999 Sundance Film Festival Audience Award. The soundtrack to the film features more music from Pena. Below is the trailer for the movie.

Rediscovery and Death

So in 2000, with the Genghis Blues Oscar nomination and the long-awaited release of New Train, one might think that the story leads to a successful and happy career for Pena. But around this time, Pena was diagnosed with pancreatitis, and he died on October 1, 2005.

His death was a sad ending to a story that waited so long for a happy resolution. It reminded one of the lyrics to “Jet Airliner”: “You know you got to go through hell / Before you get to heaven.”

But few artists get the chance to leave us with such great songs as “Gonna Move” and “Jet Airliner.” On top of that, he also introduced us to another culture’s music legacy.

It is sometimes frustrating and funny how fate works. But it was his work on Tuvan throat singing which led to the 1999 documentary. And that led to the reason why New Train was finally released in 2000.

The release of New Train, then, was the only reason I and many others were introduced to Pena’s music. And all of that came about because of a strange accident.

One night in 1984, a blind man who had a lot of bad luck thought his career was over. After searching for a Korean language lesson on shortwave radio, he accidentally found a new music that intrigued him on Radio Moscow. Had Pena done something else that night or turned the radio dial another way, his life and legacy might have turned out differently. There would have been no Tuvan throat singing, and then no movie. And then New Train might never have been released.

That all would have been a real tragedy.

I found out, not too long,
Their rules wouldn’t let me sing my song;
I knew in order to be a man,
I had to pull up roots once again and move on in this land.

I’m gonna move away from here,
You can find me if you want to go there;
I’m gonna move away from here,
You can find me if you want to go there.

— Paul Pena, “Gonna Move”

What do you think of Paul Pena’s music? Leave a comment.

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Jackie Wilson’s Final Performance on Sept. 29, 1975

On September 29 in 1975, Jackie Wilson was performing as part of Dick Clark’s Good Ole Rock ‘N Roll Revue in New Jersey. While singing “My heart is crying” from his signature song “Lonely Teardrops,” Wilson had a heart attack and fell and hit his head. Medical personnel saved his life. But because of the time it took them to revive Wilson, he ended up in a coma.

Jackie Wilson’s Death

Although Wilson recovered slightly, his great voice never spoke again. He spent the rest of his life in a semi-comatose state, dying on January 21, 1984.

A few months after Wilson died, Marvin Gaye was killed on April 1, 1984 when he intervened in a fight between his parents and his father shot him. I remember hearing about Gaye’s death that year, but I do not recall hearing anything about Wilson.

There are a number of reasons why Gaye’s death may have received more attention than Wilson’s death in the news. There were was not many years between the 49-year-old Wilson and Gaye who was one day short of his 45th birthday. But Wilson seemed less relevant and from another era.

Gaye was in the middle of a comeback, having won a Grammy for “Sexual Healing” a year earlier. By contrast, Wilson was still performing his classic songs on an oldies tour before spending almost a decade a coma. Also, Gaye’s death was more surprising and violent then Wilson’s, which also may have contributed to the media attention.

Wilson’s Troubled Life

Wilson’s coma and death were not the only indignities and problems he faced in his troubled life. He fought drug addiction, and his womanizing led to an angry lover shooting him in 1961.

During the height of Wilson’s career, he had to play to segregated audiences in the South. At one point New Orleans police arrested and beat him after they disapproved of one performance.

Wilson faced other problems. In 1967, he was arrested on morals charges in South Carolina for being in a motel room with a white woman. In 1970, his 16-year-old son was killed by a neighbor during an argument.

Wilson faced financial difficulties too. Throughout his career, his manager did not handle money properly and Wilson was left with tax debts and no money.

In the early 1970s, though, Wilson started turning his life around. He gave up alcohol and drugs. And he got rid of the manager who caused his financial problems. But then he had the heart attack. When he died, he was penniless, so he was buried in an unmarked grave in Detroit, like a pauper.

Yet, he still is remembered. He was inducted into the Rock and Roll Hall of Fame in 1987, and his grave is now marked, including the words, “No more lonely teardrops.”

The Joy in Wilson’s Music

I absolutely love his recording of “Lonely Teardrops.” I love Jackie Wilson’s voice, and I love to see his performances. You can see the precursor to some of Michael Jackson’s moves in Wilson’s dancing.

On the Million Dollar Quartet tapes, you may hear Elvis Presley talking about seeing Jackie Wilson sing Presley’s “Don’t Be Cruel,” and you can hear the admiration in Presley’s voice. Wilson’s talents inspired other artists, like Van Morrison who wrote and recorded “Jackie Wilson Said (I’m in Heaven When You Smile).”

Those artists heard the jubilance and rapture in Wilson’s performances, which explains why he was called “Mr. Excitement.” I like to think that when Jackie Wilson was on stage that last time in 1975, singing about his heart crying, that his final moments of real consciousness were of the type of joy conveyed in the performance below.

Bonus Performance: In this clip from 1974 around a year before Wilson’s final performance, Roy Orbison and Del Shannon introduce Jackie Wilson performing “(Your Love Keeps Lifting Me) Higher and Higher” along with “Lonely Teardrops.”

Why do you think Jackie Wilson is not given more attention? What are your favorite Jackie Wilson songs? Leave a comment.

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Merle Haggard: Working in Tennessee

The 74-year-old Merle Haggard has a new CD coming out on October 4. The CD includes some new Haggard originals, a couple of Johnny Cash classics, and a new recording of Haggard’s song “Working Man’s Blues,” featuring Willie Nelson and Hag’s son Ben Haggard.

You may listen to the stream of the album, Working in Tennessee, through September 30 courtesy of Vanguard Records. [Update 2020: Now that the link is no longer available for the whole album, below is Hag performing the title track “Working in Tennessee.”]

What are your favorite Merle Haggard songs? Leave a comment.

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Sly Stone is Homeless

The New York Post reported this week that music legend Sly Stone has fallen on hard times and is homeless and living out of a van. Stone blames his money problems on his former manager and has sued him. The article implies that Stone may be suffering from some mental illness, perhaps related to his history of drug abuse, noting he is disheveled and paranoid, believing the FBI is after him.

It is sad to hear that someone so talented who was on top of the world is living this unfortunate life. Stone says he has new songs, and he did release an album of his songs re-recorded by other artists earlier this year. But even at a Grammy performance in 2007, one could see he was not in top form. At that tribute performance with other artists playing his songs, he came out onstage, played briefly, and then walked off before the song was over. (He appears at around the 6:30 mark in the video at the link.) Similarly, check out this April 2010 performance of “Dance to the Music.”

In the 1960s and into the 1970s, Sly and the Family Stone made some great music. In the book Mystery Train (1975), Greil Marcus focuses one of his essays on Sly Stone, connecting his career to the ancient folk song “Stagger Lee,” to race, and to the changing culture and music of the early 1970s. Noting the impact of Stone’s There’s a Riot Goin on (1971), Marcus calls it “a quiet, bitter, open act of rebellion.”

In the essay, Marcus writes about the war and the lack of trust in political leaders in the days leading up to Watergate, and how such a time may lead to either a culture of cynicism or one that is fake and safe. But Stone “was clearing away the cultural and political debris that seemed piled up in mounds on the streets, in the papers, in the record stores; for all the darkness of what he had to say and how he said it, his music had the kind of strength and the naked honesty that could make you want to start over.”

I wonder how much Stone’s sense of the insanity of those times led to his own personal madness. His current condition is unfortunate for us as well as for him. During these times featuring worldwide fears when we are still too often faced with a choice between cynicism and make-believe, we need artists with strength and naked honesty.

What do you think led to Stone’s current situation? What is your favorite Sly and the Family Stone song? Leave a comment.