That 1950s Instrumental Hit Known as “Sleep Walk”

Santo & Johnny If you watch a movie about the 1950s or early 1960s, it is likely that at some point you will hear a familiar instrumental song that you recognize but might not know its name. If you have wondered about the story behind the familiar song with the steel guitar, the name of the song is “Sleep Walk,” written and recorded by brothers Santo & Johnny Farina in 1959.

“Sleep Walk” was recorded at the end of the 1950s, so the song was probably still playing on the radio as the 1960s began. And in retrospect, it seems like it was a last gasp of capturing the perceived innocence of the 1950s before the start of the turbulent changes of the 1960s, as well as following the tradition of 1950s instrumental guitar songs. Perhaps those reasons are why “Sleep Walk” is so often used in movies to evoke the 1950s, such as when the song pops up at the end of La Bamba (1987) after Ritchie Valens’s family learns of his death in February 1959.

In this video, Santo and Johnny perform the song on the August 1, 1959 episode of the Saturday Night Beech-Nut Show. Dick Clark tells how the brothers wrote the song at 2:00 a.m. after one brother woke up the other because he had the idea for the song in his head (although another article  reports merely that the brothers stayed up late to write the song). The story about the late hour explains the name of the song.

For more information about Santo & Johnny and “Sleep Walk,” Johnny Farina is interviewed by Tom Meros in this video below. Johnny gives some background on how his father encouraged the brothers to learn the steel guitar.

Although everyone knows the Santo & Johnny version, others have covered the song, including My Morning Jacket and the Brian Setzer Orchestra. Blake Mills and Carlos Santana play that version you hear in La Bamba.

In this video, Garrison Keillor introduces Chet Atkins and Leo Kottke playing a sweet version of “Sleepwalk.” Check it out.

We love the song as an instrumental piece.  But that has not stopped some folks from trying to add words.

Modest Mouse turned the instrumental into “Sleeepwalkin'” on their 1999 album Building Nothing Out of Something when they added some lyrics.  Check it out.

About.com explains that a jazz standard “Softly As In a Morning Sunrise” inspired “Sleep Walk.” But Farina disputes the existence of any relationship between the two tunes.

Farina explained, “It’s not even close to it, really, if you listen to the two. But it’s become part of the mystique of the song.” Listen to Michael Brecker’s take on “Softly As In a Morning Sunrise” and judge for yourself.

Farina, however, does note that “Sleep Walk” has inspired others. For example, the tune inspired John Lennon to write “Free as a Bird.”

Lennon’s song was later made into a Beatles song by the other Beatles after Lennon’s death. You can definitely hear a little “Sleep Walk” in “Free as a Bird.”

In addition to La Bamba, “Sleep Walk” has appeared in other movies like Coupe de Ville (1990), Mermaids (1990), Jack (1996), The Butcher Boy (1997), Hearts in Atlantis (2001), and Charlie’s Angels: Full Throttle (2003). The tune also pops up in television shows like Mad Men, Heroes, Ken Burns’s Baseball series, and Quantum Leap.

Santo and Johnny, fortunately, are still with us. According to Wikipedia, Santo is semi-retired and Johnny still tours and records. I am not quite sure what it is about “Sleep Walk” that makes us automatically think of the certain time period of 1950s America. But Santo & Johnny certainly captured a certain time as well as a certain sleepy feeling.

What is your favorite use of “Sleep Walk”? Leave your two cents in the comments.

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    Robert Osborne & The Beverly Hillbillies

    Osborne Beverly HillbilliesTurner Classics Movie host Robert Osborne was born May 3, 1932 in Colfax, Washington. While most people know Osborne for his wonderful hosting duties on TCM (and before that on The Movie Channel), Osborne had a diverse career and started out as an actor before later focusing on writing and journalism.

    One of his television roles was an appearance on the pilot for a TV series in 1962. There was a possibility of a regular role, but Osborne did not think that the series, The Beverly Hillbillies, would be much of a success. “The show itself seemed so loony and unimportant,” he later explained, adding, “I was sure the pilot would never sell.” Of course, the series then ran for nine seasons.

    In the clip below, you may see a young Robert Osborne in that pilot episode of The Beverly Hillbillies. Check it out.

    If that segment makes you want to see the entire episode, you may watch the entire pilot below.  Check out “The Clampetts Strike Oil.”

    Osborne explained that Lucille Ball had put him under contract at her studio.  And it was she who eventually encouraged him to pursue a career in writing instead of acting. She was impressed by his vast knowledge about the history of Hollywood.

    In 2015 and 2016, due to health issues, Osborne announced he would not attend the TCM Classic Film Festival. He also had to cut back on his work at TCM, and he passed way on March 6, 2017.

    I do like Ben Mankiewicz, who filled in for Osborne in a number of roles, although I miss Osborne.  Whenever I watch a movie on TCM, I would hope for Osborne or Mankiewicz to appear.  Without them, I feel like I am not getting the whole value of the movie.

    Osborne became a part of the life of anyone who watches classic movies. He became a mainstay of TCM since he introduced the first film the network aired, Gone With the Wind, on April 14, 1994.

    For one, I’m glad that his career with The Beverly Hillbillies did not quite work out. He brought us a lot of joy, and he was a wonderful and intelligent companion for many nights watching great films.

    This post was updated March 2017.  Leave your two cents in the comments.

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    Uncle Tupelo’s Last Concert on May 1, 1994

    Tupelo Final Show The great alt-country band Uncle Tupelo played its last concert on May 1, 1994, at Mississippi Nights in St. Louis, Missouri. Fortunately, the concert is now available on YouTube in high quality video.

    By the time of this show, Jeff Tweedy and Jay Farrar were already not getting along well. Soon after the performance, they would both go on to create other bands, with Farrar founding Son Volt and Tweedy forming Wilco.

    But on that night in May 1994, there was one last grasp at combined harmony and greatness. In the video below, Tweedy and Farrar trade off on the lead vocals, with drummer Mike Heidorn joining the band on the final song of the set, “Looking for a Way Out,” and also singing on the encore with Brian Henneman and the Bottle Rockets on Lynyrd Skynyrd’s “Gimme Three Steps.”

    So, take some time to travel back to 1994 when one of the great bands was still together. The final words of the show: “That’s got to be it.” Check it out.

    From YouTube, the songs at this performance are: “No Depression”/ “Chickamauga”/ “Watch Me Fall”/ “Grindstone”/ “Satan, Your Kingdom Must Come Down”/ “Fifteen Keys”/ “Long Cut”/ “Anodyne”/ “New Madrid”/ “Slate”/ “Atomic Power”/ “Postcard”/ “Gun”/ “High Water”/ “Acuff-Rose”/ “True to Life”/ “We’ve Been Had”/ “Give Back the Key To My Heart”/ “Everybody Knows This is Nowhere”/ “Whiskey Bottle”/ “Truck Drivin’ Man”/ “Looking for a Way Out” (w/ Mike Heidorn)/ “Gimme Three Steps” (w/ Heidorn and the Bottle Rockets, Brian Henneman vocals).

    What is your favorite Uncle Tupelo song? Leave your two cents in the comments.

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    Know the Song But Not the Songwriter: Tony Macaulay

    Tony Macaulay

    For this edition of our series about hits by songwriters who most people do not know by name, we look at some of the hits written or co-written by Tony Macaulay. The songwriter, who was born with the name Anthony Gordon Instone on April 21, 1944 in England, wrote a number of catchy songs you know.

    He provided two hits to The Foundations: “Baby Now That I’ve Found You” and “Build Me Up Buttercup.” Macaulay co-wrote “Baby Now That I’ve Found You” with John MacLeod, and The Foundations released their recording of the song as their debut single. The song eventually was a number one hit on the British charts and a hit in the U.S. too.

    Decades later, Alison Krauss also had a country hit with her version of the song as the title track of her 1995 album Now That I’ve Found You: A Collection.

    The Foundations created a classic with their 1968 release of “Build Me Up Buttercup,” a song Macaulay co-wrote with Mike d’Abo. You also may remember the song from when it appeared before the end credits for the Farrelly Brothers’ movie, There’s Something About Mary (1998). It is one of the most effective uses of a song at the end of the movie, and I would bet that you were humming it and smiling when you left the theater.

    The hits kept coming in the 1970s. The 5th Dimension had a hit with Mcaulay’s “(Last Night) I Didn’t Get to Sleep at All,” a song the band released in 1972.

    The Farrelly Brothers must have a thing for Macaulay’s pop sound because they also used another one of his songs over the end credits of another movie, Shallow Hal (2001). Macaulay wrote “Love Grows (Where My Rosemary Goes)” with Barry Mason, and the song became a hit for Edison Lighthouse.

    Talented lead singer Tony Burrows sang the version of “Love Grows (Where My Rosemary Goes)” that we all know, but by the time this video was recorded, he had left the band. So Macaulay, who had the rights to the band’s name, put together other musicians for the video.

    If you were around in 1976, you could not miss Macaulay’s song that he produced for singer-actor David Soul, “Don’t Give Up On Us.” If you mention the song today, people in the U.S. will remember it as the one hit by “Hutch” from the TV show Starsky & Hutch, which starred Soul and Paul Michael Glaser, who is still close friends with Soul.

    But Soul also had other hits in the U.K., and he pursued singing even before he was on the popular TV show. “Don’t Give Up on Us” was huge, and I even remember having a songbook for my trombone that included the song. Believe me, you would rather hear the David Soul version instead of my trombone version.

    Macaulay has used his talents in a number of ways, including writing novels and recently writing music for the play Sherlock in Love. For more about him, check out his website.

    What is your favorite Tony Macaulay song? Leave your two cents in the comments.

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    Bruce Springsteen & the E Street Band: “Purple Rain”

    E Street Band Prince

    In tribute to Prince, on Saturday night Bruce Springsteen and the E Street Band opened with “Purple Rain.” The band entered the stage covered in purple light and then lit into the classic Prince song.

    As regular readers know, we are big Springsteen fans. But I have to admit that Springsteen’s version of “Purple Rain” was much better than I expected. And Nils Lofgren’s guitar solo did the Purple One justice. Check out the performance at Brooklyn’s Barclays Center on April 23, 2016.

    At least for now, Springsteen is offering the audio of the performance of “Purple Rain” as a free download on his website.

    Leave your two cents in the comments.

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