Buddy Miller’s Majestic Silver Strings (CD review)

Buddy Miller Majestic Silver StringsI love Buddy Miller’s music, and I love Bill Frisell’s jazz guitar playing. So when I heard they were working together, along with guitarists Marc Ribot and Greg Leisz, and singers that included Patty Griffin and Julie Miller, it did not take me long to plop down my money for the CD, Majestic Silver Strings. I own all of Buddy Miller’s eight albums, and I admire his other work too. This new album, released earlier this month, continues his excellence.

In recent years, as Buddy Miller has worked on producing other artists and backing them up, he has not released as much of his own music as he otherwise might. But he continues to make great music, and this new album is no exception. Majestic Silver Strings differs from his other albums by adding a large number of guests and a more atmospheric sound from the excellent guitarists on board, but it is still great music. While some versions of the songs stay close to their country roots, other versions stray further from traditional country, such as the outstanding reworking of Roger Miller’s “Dang Me” by Chocolate Genius that gives the song new force and power over its humorous roots. The album is full of excellent music, no matter how you label it. But you will not hear this album on most commercial music radio stations, which generally ignore the great work done by both Miller and his wife, Julie Miller.

Majestic Silver Strings features covers of a number of classic country songs — such as “Cattle Call” and “Bury Me Not On the Lone Prairie” — as well as some originals. While there is an emphasis on the instrumentation, there are also excellent vocals by Buddy Miller along with Patty Griffin, Julie Miller, Shawn Colvin, Emmylou Harris, Lee Ann Womack, and Ann McCrary. Because of the number of guest artists, Majestic Silver Strings is in many ways more like a tribute album than a one-artist album. So like most tribute albums, there are a variety of sounds from song-to-song. Sometimes that works on albums and often it does not, but here the excellent musicians throughout make this album more cohesive than many other multi-artist albums. My favorite tracks on the album include Shawn Colvin singing “That’s the Way Love Goes” and Lee Ann Womack singing “Return to Me,” neither of which would sound out of place on the Grand Ole Opry stage or in a smoky jazz nightclub.

Conclusion? If you do not mind variety and a little jazz atmosphere mixed in with your music, you will most likely love Majestic Silver Strings. If you are looking for something that sticks closer to great traditional country sounds consistently throughout an album, you might want to start with one of Buddy Miller’s other albums, like the excellent Cruel Moon. You cannot go wrong either way.

Bonus Bill Frisell Video: If you are not familiar with Bill Frisell’s outstanding guitar work, while his home is in jazz, he often incorporates country music elements into his work. Additionally, he has covered songs by artists that include Bob Dylan and Madonna. Check out his take on the classic song “Shenandoah” from his Good Dog, Happy Man album.

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    Ferlin Husky RIP

    For our readers who are country music fans, Chimesfreedom notes that Ferlin Husky passed away Thursday at a Nashville-area hospital from congestive heart failure. He was 85. You may know some of his famous songs, “Gone”, “A Dear John letter,” and “Country Music is Here to Stay.” Depending on your age, you may remember some of his television and movie appearances.

    Ferlin HuskyBut you may not know this information about him, which is from Husky’s website: “Born near Flat River, Missouri, in a town so small it was prone to be mistaken for a fly-speck by map makers, he left home for a hitch in the Merchant Marines and D-Day found him under forty-eight hours of continuous battle-fire during the invasion of Cherbourg. He was later awarded a citation as ‘Volunteer Gunner’ as a result of his action during the battle.”

    I did not know that he was there at D-Day. Most of what I know about him is from his recording of this song, “Wings of a Dove,” which is a country music classic.

    Here’s to you Ferlin. May you be flying on the wings of a snow-white dove.

    What is your favorite Ferlin Husky song? Leave a comment.

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    Who is Ryan Adams?

    Ryan Adams HeartbreakerThis week on American Idol, Chimesfreedom was impressed that a contestant covered a Ryan Adams song, “Come Pick Me Up.” The contestant, Paul McDonald, however recognized that some of America may not know the artist so he clarified that it was “Ryan” Adams and not “Bryan” Adams, so they should not expect “Summer of ’69.” His clarification did not help one of the judges, as Jennifer Lopez mentioned she had never heard of Ryan Adams.

    McDonald has an interesting voice and style, and he has potential to do well on the show. He seems to have a decent taste in music, including his choice to cover Ryan Adams, and I hope that his choice to wear a Nudie Suit on one show indicates we may have a Gram Parsons cover in the future. But his cheery performance of “Come Pick Me Up” sort of sucked out the anger from the original version of the kiss-off song, even accepting that some of the words had to be edited out for the show (with “screw all my friends” becoming “use all my friends”). If you have never heard the excellent original version of “Come Pick Me Up” by Ryan Adams, check it out.

    Ryan Adams started out performing with the alt-country band Whiskeytown, which released three outstanding albums between 1995 and 2001. After leaving the band, he has had a successful career, beginning with one of my favorite albums, Heartbreaker, which features “Come Pick Me Up.” He has several excellent albums, and his music style ranges across a wide spectrum. His forthcoming album, the limited-edition EP Class Mythology, will be released April 16. Chimesfreedom likely will revisit some of his other songs in the future, but for now enjoy his version of “Come Pick Me Up.”

    If you are curious, here is this week’s American Idol version of “Come Pick Me Up.”

    McDonald’s version of a Ryan Adams song was not the first time someone on American Idol sang a Ryan Adams song. At that time, they credited the song, “When the Stars Go Blue,” to Tim McGraw, who had recorded a cover of that song.

    What did you think of the cover of the Ryan Adams song? Leave a comment.

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    Illinois Abolishes Death Penalty: Steve Earle’s Over Yonder

    Lethal Injection Fish eye

    Today, Illinois Governor Pat Quinn signed a bill passed by the state legislature abolishing the death penalty in the state. He also commuted the death sentences of the fifteen Illinois inmates on death row to life in prison. The law takes effect July 1 and will make Illinois the sixteenth state without the death penalty. Illinois also joins other states that have abolished the death penalty in the last several years, including New Mexico and New Jersey. Connecticut, Maryland, and Montana currently are considering abolishing the death penalty.

    Gov. Quinn explained: “”Since our experience has shown that there is no way to design a perfect death penalty system, free from the numerous flaws that can lead to wrongful convictions or discriminatory treatment, I have concluded that the proper course of action is to abolish it. . . . With our broken system, we cannot ensure justice is achieved in every case.”

    Gov. Quinn showed courage in signing the bill, as it is usually easier for politicians to maintain the status quo. Too often politicians use death penalty support as a political issue to play on people’s natural emotions to want murderers killed like in the movies. But in thinking about the death penalty as a criminal justice issue, Gov. Quinn recognized that the death penalty causes too many problems that a logical society should not tolerate. Plus, because maintaining the death penalty is more costly than life in prison, Gov. Quinn reasoned that “the enormous sums expended by the state in maintaining a death penalty system would be better spent on preventing crime and assisting victims’ families in overcoming pain and grief.” More needs to be done to prevent crime and help those victims harmed by crime, and the death penalty is merely a distraction from the real issues.

    Chimesfreedom previously discussed two of Steve Earle’s death penalty songs, so now is a good time to discuss another one. “Over Yonder (Jonathan’s Song)” is from his outstanding album, Transcendental Blues. While “Ellis Unit One” is in the voice of a prison guard, “Over Yonder” is like “Billy Austin,” in the voice of a death row inmate. Unlike “Billy Austin,” though, “Over Yonder” is about a real person, and it shows in the song.

    Steve Earle catalogs many of the problems with the death penalty in his earlier “Billy Austin,” such as the racial and economic discrimination inherent in the punishment. But in “Over Yonder,” perhaps because he was writing about a real person, Earle tries to convey what a human being would feel like preparing to be executed.

    Give my radio to Johnson
    Thibodeaux can have my fan
    Send my Bible home to Mama
    Call her every now and then.

    The real subject of the song, Jonathan Nobles, corresponded with Steve Earle for ten years, and the two met and spent several days together talking in the visiting area at Ellis Unit One before Nobles was executed on October 7, 1998 in Texas. Nobles was convicted of killing two women while he was under the influence of drugs in 1986. When he first went to death row, he was a trouble-maker. But as time passed, Nobles became a Catholic and worked to turn his life around. He fasted on his last day and requested Holy Communion for his last meal.

    When Earle visited Nobles, they spent a lot of time talking about issues where they shared common ground, such as love of music, their times spent behind bars, their use of drugs, and their recovery from addiction. Steve Earle later wrote an essay about their time together and witnessing Nobles being killed by lethal injection. In Earle’s essay, he concluded that because Nobles had changed so much, society could have learned about rehabilitation from Nobles, which is especially important considering the large number of people in U.S. prisons.

    In the song, Earle does not condemn those who executed Nobles, he just tells the story. And he does not argue the inmate is innocent, he just reminds us that he is human.

    The world’ll turn around without me
    The sun’ll come up in the east
    Shinin’ down on all of them that hate me
    I hope my goin’ brings ’em peace.

    I am going over yonder
    Where no ghost can follow me
    There’s another place beyond here
    Where I’ll be free I believe.

    Just as importantly, Earle reminds us that we are human. Because, as has been noted, the death penalty is more about who we are as a society than about the handful of people executed. Gov. Quinn today chose for the state of Illinois to be a little more wiser and more humane.

    Bonus Illinois Death Penalty Information: The Chicago Tribune recently did a study of the state’s capital punishment system. The paper found “at least 46 inmates sent to death row in cases where prosecutors used jailhouse informants to convict or condemn the defendants. The investigation also found at least 33 death row inmates had been represented at trial by an attorney who had been disbarred or suspended; at least 35 African-American inmates on death row who had been convicted or condemned by an all-white jury; and about half of the nearly 300 capital cases had been reversed for a new trial or sentencing hearing.”

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    Charlie Louvin RIP

    Satan is Real, The Louvin BrothersCountry music legend Charlie Louvin died this morning due to complications from pancreatic cancer. He was 83.

    Charlie Louvin, born Charlie Elzer Loudermilk in 1927, and his brother Ira formed the Louvin Brothers, known for their harmonies and described by Allmusic.com as “one of the most influential musicians of the ’40s and ’50s.” After the Louvin Brothers stopped recording together in 1963, Charlie continued to record on his own, including a couple of well-received CDs in the last several years. Ira, who battled alcoholism, died in a car crash with his wife in Missouri in June 1965.

    The Louvin Brothers, who started out with gospel music and then branched into secular songs, had many great recordings, including some original compositions such as “If I Could Only Win Your Love,” which later was Emmylou Harris’s first hit.

    Although rock and roll played a part in the Louvin Brothers’s declining popularity in the early 1960s and their eventual break up, many “younger” people like me discovered the Louvin Brothers through later rock artists who were influenced by the Louvins, like The Everly Brothers and The Byrds. I first discovered them through Gram Parson’s recording of their song, “The Christian Life” (as well as Roger McGuinn’s version with the Byrds). I do not know if Kurt Cobain ever heard the Louvin Brothers’s recording of “In the Pines, (Where Did You Sleep Last Night)” but one could see a connection between their version and his intense haunting MTV Unplugged version. Although Cobain’s version is generally considered to be more connected to Lead Belly’s version, one might hear Cobain transform the Louvin’s yodels of pain into anguished screams for help.

    One of my favorite album covers of all time is the cover of the Louvin Brothers album Satan is Real. The album features the smiling brothers in whites suits standing in hell with a cartoonish devil in the background. I love the cover song too, as I also love their song “The Great Atomic Power.” Even though the songs do not preach my type of religion, I find the songs beautiful and terrifying, with a touch of humor.  Uncle Tupelo also did a nice cover of the Louvins’ “Great Atomic Power.”

    Here’s to you Charlie. Thanks for the music. I hope today you found out heaven is real.

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