Controversial Video of the Week: “DJesus Uncrossed”

Djesus Uncrossed SNL

Last night, Saturday Night Live pondered what subject director Quentin Tarantino may tackle next after turning the Holocaust and American slavery into revenge fantasies in Inglourious Basterds (2009) and Django Unchained (2012). In a mock ad, this week’s host Christoph Waltz, who starred in both those movies, appeared in the starring role in a new Tarantino film, DJesus Uncrossed.

While the short DJesus Uncrossed video seems mainly aimed at making fun of the Tarantino style and our fascination with revenge films, some have complained that it mocks Christians. Check it out and judge for yourself.

How would you rate the video for “Djesus Uncrossed”: funny, so-so, or offensive? Leave your two cents in the comments.

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    Cartoonish Gunfire But Brutal Slavery in “Django Unchained” (Review)

    Django Unchained To give you an idea of my perspective of Quentin Tarantino’s directing work so you know how to judge my take on Django Unchained (2012): I think Pulp Fiction (1994) is a masterpiece, thoroughly enjoyed Reservoir dogs (1992), and liked Jackie Brown (1997). I was not a big fan of Kill Bill 1 (2003), but liked Kill Bill 2 (2004) a little better. While Inglourious Basterds (2009) had some great moments, I could not get into rooting for the sadistic hero, as I discussed in a previous post. Because of the way Tarantino used the simplified moral landscape of good guys versus Nazis in Basterds, I was expecting more of the same using a slavery landscape in Django Unchained. Considering I also am not a big fan of movies that condone violent vengeance for solving problems, I expected not to like Django Unchained. But I liked it a lot.

    Maybe I liked the new film because of my lowered expectations for a director who has yet to repeat the wonders of his early work. Maybe I liked the film’s nod to Sergio Leone spaghetti westerns. Maybe the music — featuring Jim Croce, Johnny Cash and Ennio Morricone — won me over. Maybe I was just in the mood for what the film had to offer. Or maybe I found the hero’s violence less offensive because he was acting out of love and not revenge. But Django Unchained features a compelling story, great acting, and sympathetic characters with real feelings.

    The movie tells the story of Django, played by Jamie Foxx, who is a slave rescued by a bounty hunter and then the two go on a quest to free Django’s wife from slavery. Christopher Waltz gives one of his best performances as the eloquent bounty hunter, and the reliable Leonardo DiCaprio stretches his acting chops to convincingly play one of the nastiest characters in recent movie history. Samuel L. Jackson also appears in an important role. While the last part of the film, where Django seeks out his wife, does not live up to the high quality of the first part of the film featuring Django’s education as a bounty hunter, the entire film is worthwhile.

    The movie, which was recently nominated for the Best Picture Oscar, has generated some controversy. It is a violent film, but much of the gunfire violence from the heroes is so cartoon-ish with blood splattering everywhere and bodies flying through the air when hit by gunfire that it reminded me more of The Three Stooges type of violence (but with lots and lots more blood). On the other hand, the violence surrounding slavery is portrayed more realistically and almost unbearable to watch. While the movie does not really present a moral lesson beyond that slavery is bad, there are some moral complexities to the film, such as where Django questions his role as a bounty hunger and killing as a way of achieving his goal.

    The other way the film has generated controversy is its language, and in particular its use of the n-word. I will leave it others to debate the role of such language in film, but the use of race and violence in Django Unchained has led to more debate on those issues than any other recent movie. The film even depicts the horrors of slavery more than a recent movie about the sixteenth president working to free the slaves. And it’s not a bad thing when entertainment provokes discussion of these important issues.

    Conclusion? If you are planning to see a Quentin Tarantino movie, you have some idea of what to expect. And if you appreciate the actors in this film and like spaghetti westerns, you might find Django Unchained is some of Tarantino’s best work yet.

    Other Reviews Because Why Should You Trust Me?: Rotten Tomatoes gives Django Unchained high scores, with an 89% critics rating and a 94% audience rating. Bob Cesca on the Huffington Post writes that Django Unchained is one of the most important films of the year because of its depiction of slavery. By contrast, Anthony Lane at The New Yorker praises the first half of the film depicting the liberation and education of Django, but he argues that the movie goes south in more than one way when it relocates to Mississippi. Flickering Myth makes a similar argument, noting that the back stories of some of the characters could have been developed more. E Online discusses some of the controversy generated by the film. Not surprisingly, Tarantino is enjoying the attention from the arguments about the film.

    How does Django Unchained hold up next to Tarantino’s other films? Leave your two cents in the comments.

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    Army of Shadows vs. Inglourious Basterds

    French Resistance Movie When watching Army of Shadows recently, I could not help comparing it to Inglourious Basterds.  It might not be fair to compare Army of Shadows’s realistic portrayal of the French Resistance to the Nazi-killing fantasy, but let’s do it anyway.

    There was something disorienting about the way that Quintin Tarantino’s Inglourious Basterds glorified violence while also portraying the enemy as a regime that glorified violence.  The movie is supposed to be fun, and I understand that.  I love some of Tarantino’s violent movies, like Pulp Fiction.  And Inglourious Basterds had some excellent scenes, with Tarantino doing an outstanding job of portraying building tension in the opening farmhouse scene and in the scene in the bar.

    But I just could not fully enjoy a movie where we were supposed to root for a sadistic character (played by Brad Pitt) against sadistic Germans when it almost seemed the Pitt character would have fit just as well in a Nazi uniform instead of a U.S. uniform had he been born in Germany.

    By comparison, one cannot imagine the “heroes” of Army of Shadows working for the Nazis, even though we see those characters doing acts of violence in a much darker movie.  Army of Shadows portrays members of the French Resistance in day-to-day activities to survive and continue the movement.

    This film seems to show what it was really like to resist a totalitarian powerful authority like the Nazis.  The individual’s struggle is to keep the resistance alive in the shadows while betrayal lurks around every corner.

    There is no large-scale successful destruction of Nazis in Army of Shadows, and, in fact, you do not see any successes toward stopping the government.  But the main characters are still heroic in their existential struggle to continue in spite of the appearance that everything is doomed.

    In the movie, Resistance leader Phillipe Gerbier (played by Lino Ventura) speaks of facing death but might as well be speaking of the movement itself when he says, “It’s impossible not to be afraid of dying.  But I’m too stubborn, to much of an animal to believe it.  If I don’t believe it to the very last moment, the last split second, I’ll never die.”

    The 1969 movie is directed by famed French director Jean-Pierre Melville and based upon a 1940’s novel by Joseph Kessel, which in turn was based on Kessel’s experiences in the Resistance.  The book appears to be out of print, and the movie only made it to the U.S. a few years ago.

    When the movie was released in 1969, French critics campaigned against it.  They believed it glorified the Resistance and Pres. Charles de Gaulle (although the movie is not about de Gaulle) during a time when the president was not popular due to his reaction to a 1968 student uprising.  So the film did not do well in France, and it was not released in the U.S. until 2006.

    More than five million viewers have watched the trailer of Inglourious Basterds on YouTube while viewers have only seen the trailer there for Army of Shadows less than 35,000 times.  After more than 40 years, it’s time to see this excellent movie you might have missed.

    Bonus Subtitle Note: Yes, for you non-French speakers, Army of Shadows is in French with subtitles, and I understand the “resistance” to foreign movies.  You cannot type on your computer or play with your iPhone while reading subtitles.  I understand.  When I put a foreign movie in my Netflix queue, I often move it down the list as it makes it way toward the top.  But do not miss out on great movies like this one just because you have to read a little, and if you saw Inglourious Basterds, you made it through the German subtitles at points.  If you want to read more about Army of Shadows, the Onion AV Club has a good discussion of the movie here.

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