War Horse (Short Review)

War Horse Consider the movie poster on the right as well as the name of the movie. You can tell that a horse is going to play a big part in the movie, as is a war. Animal movies and war movies usually mean one thing: this movie is designed to tug at your heartstrings and maybe make you cry. Throw in that the movie was directed by Steven Spielberg, and you already know whether or not you are going to like this movie without me saying anything. So, if you think you will like a movie about a horse with war scenes, then go buy your ticket.

That said, for those of you still reading, I will add a little more to say that I enjoyed the movie and it lived up to my expectations as someone who likes both animal movies and war movies. Although the film seems a little formulaic and predictable at times, the film gradually draws you into the story.

It is difficult to build a story around an animal where the animal changes hands among different owners. The people we care about continue to change, and that we do not have two hours with any character besides the horse. But War Horse does a good job of keeping your interest as the horse travels through different owners in different situations, and it is all tied together as we also periodically follow the original owner (Jeremy Irvine in his first film role) through the movie’s conclusion. The structure of the film reminded me of Anthony Mann’s excellent western, Winchester ’73 (1950), a Jimmy Stewart movie that followed a rifle through various hands. That movie used the device effectively, and Spielberg does so here too.

If I had one complaint about the movie it would be that it is hard to believe that in a war where more than 8 million horses died there were so many decent people appearing as often as they did throughout the movie. Such portrayals may reflect that War Horse started off as a children’s novel by Michael Morpurgo, who unlike the film told the story from the horse’s point of view. At the same time, I do not mind that Spielberg often comes along with a film to challenge my cynical view of the world.

Finally, I also enjoyed the film because there are too few movies about World War I. The paltry pickings may be because World War I is so far in the past without a clear storyline (unlike World War II) and because American audiences may be less interested in a war that occurred off American shores (as compared to the Civil War). It is a shame that movie makers have not delved more into the Great War. Spielberg does a good job with the war scenes to capture the horrors of trench warfare and the horrendous battle conditions of this war that straddled old and new technologies, using both horses and tanks. The film also works in a nod to one of the most amazing stories of the real war.

Still, there are some good DVDs to rent if you wish to watch more about World War I. There are a few good documentaries on World War I available on DVD, including The Complete Story: World War I and World War I in Color (both available on Netflix as well as at the Amazon links). Some other classic films of the war include Sergeant York (1941) with Gary Cooper, Paths of Glory (1957) with Kirk Douglas, Lawrence of Arabia (1962) with Peter O’Toole, All Quiet on the Western Front (1931), and Joyeux Noel (2005). Now we can add War Horse to the list.

The story is also a play on Broadway, which Saturday Night Live re-imagined (but unfortunately the video is no long available).

Bonus Reviews Because Why Should You Listen to Me? Currently, Rotten Tomatoes has a critic rating and audience rating both at 77% for War Horse. Film & Felt did not like the film, concluding that the movie “hammers you over the head with sap.” By contrast, QNetwork.com liked the film, giving it 3.5 stars and calling War Horse, “an ambitious, anthological portrait of both the devastation of war and the potential for human decency.”

What did you think of War Horse? Leave your two cents in the comments.

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    Charles Lindbergh: The Spirit of St. Louis

    Spirit of St. Louis On August 26, 1974, Charles Lindbergh died of cancer in Hawaii at the age of 72. Lindbergh was the first person to fly solo nonstop across the Atlantic Ocean, and he is also the subject of one of my favorite bio-pics, The Spirit of St. Louis.

    Looking at the year he died, it is difficult for me to believe that Lindbergh’s life overlapped with my childhood, as he seems from another age.  And 1974 is not that long ago. Similarly, his talented wife, Anne Morrow Lindbergh lived until 2001.

    The Spirit of St. Louis, directed by Billy Wilder, is the movie I saw in my childhood that established Jimmy Stewart as one of my favorite actors. It is a compelling movie about a unique type of heroism, and Jimmy Stewart must carry the movie. If he is not interesting, the movie fails, because a key segment of the movie is Stewart alone in the plane. But the film works and captures the drama, fear, and loneliness of that first solo transatlantic flight.

    Lindbergh’s solo 33-1/2-hour trip, where he had not slept for 55 hours, was a kind of isolation that is rare in this modern world with crowded airplanes, cell phones, and Internet access to the world. Like Michael Collins’s trip around the dark side of the moon after separating from Neil Armstrong and Buzz Aldrin in 1969, Lindbergh’s uncertain groundbreaking trip required a special resolve to face one’s fears alone.

    And the movie The Spirit of St. Louis does an excellent job of showing that isolation, as well as the logistics and preparation involved.

    After the Historic Flight

    Although Lindbergh’s life continued past his flight and even past where he saw Apollo 11 land on the moon, the film rightfully ends with Lindbergh’s heroic triumphant flight in 1927. Unfortunately, the rest of Lindbergh’s life would not always be so happy.

    In 1932, Lindbergh lost his son in an infamous kidnapping and murder.  And as World War II approached, his statements about the war made him a fallen hero. He argued against U.S. involvement in the war, making controversial statements supportive of the Nazis. But after the war broke out, he served in the Pacific as a military observer and flew combat missions.

    Each one of those stages are worthy of more discussion — or additional movies, because Lindbergh was a complex man. There is Forward From Here: Leaving Middle Age–and Other Unexpected Adventures, a book by Lindbergh’s daughter Reeve Lindbergh, where she recounts her discovery after her parents’ deaths that her father had three secret families in Europe. Using fiction to consider Lindbergh’s complexities, author Philip Roth wrote a novel, The Plot Against America, that imagines an alternate history with an anti-Semitic Lindbergh being elected president over Franklin Delano Roosevelt.

    It is difficult not to ask questions about the choices that Lindbergh made in his life, where he resided on the edge between being a hero and a villain, between joy and tragedy, between order and chaos. We may revisit some of these topics in the future, but for today, on this anniversary of Lindbergh’s death, if you are interested in the heroic flight, the James Stewart movie is a great place to start.

    I have been to the spot on Long Island from where Lindbergh began his historic flight.  But unfortunately, it is a shopping mall.

    Fortunately, Lindbergh’s body received a better burial. After he died, he was buried on the coast of Hawaii next to the ocean. The inscription on his tombstone includes a phrase from Psalm 139: “If I take the wings of the morning, and dwell in the uttermost parts of the sea.” Although the Psalm continues, the inscription on Lindbergh’s tombstone ends there, leaving the reader mid-sentence, wondering if you do that, then what? Just like Lindbergh’s life, the inscription leaves one with many questions.

    Have you seen The Spirit of St. Louis? What did you think of it? Leave a comment.

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