“Satan’s Jeweled Crown” & Bruce Springsteen (Cover of the Day)

In 1993, Bruce Springsteen performed moving renditions of the Louvin Brothers song “Satan’s Jeweled Crown” at several concerts before he stopped playing the song.

Springsteen Satan's Jeweled Crown

Although I love Bruce Springsteen’s work with The E Street Band, my heart also has a soft spot for the different directions Springsteen took in the 1990s. In addition to some amazing solo work that decade, he released two albums on the same day in 1992 with a band that was not the E Street Band. Subsequently, he toured with a new band.

As Springsteen sought rejuvenation by temporarily surrounding himself with (mostly) new backing musicians, he often tried different directions. For example, at a handful of stops on his tour with the band, Springteen chose an unusual cover, the Louvin Brothers’ song “Satan’s Jeweled Crown.”

Springseen has only performed “Satan’s Jeweled Crown” six times, all while touring in 1993. Below, Springsteen performs “Satan’s Jeweled Crown” backed by several vocalists.

The YouFube video states that the performance is from Stockholm Olympic Stadium in 1993, but the song is not on the setlist from that show and more likely from shows around the same time in England, Germany, or Ireland. Check it out.

The Louvin Brothers

“Satan’s Jeweled Crown” is a cover of The Louvin Brothers song that appeared on their 1959 album Satan is Real. Songwriter Edgar L. Eden wrote “Satan’s Jeweled Crown” as a religious song, where the singer rejects the temptations of Satan with the help of God.

There is not much about songwriter Edgar Eden on the Internet, with his name only coming up as the writer of “Satan’s Jeweled Crown.” So it is unclear if he wrote anything else. Yet, even if all he left us is “Satan’s Jeweled Crown,” it is a beautiful work. The chorus of the song recounts the casting off of the jeweled crown given by Satan:

Satan’s jeweled crown, I’ve worn it so long;
But God, for my soul, has reached down;
His love set me free, He made me His own
And helped me cast off Satan’s jeweled crown.

Springsteen’s Version

As most Springsteen fans know, the characters in the Boss’s songs have a complicated relationship with religion, and rarely are conflicts so clear. Perhaps that is why Springsteen made some small changes to the lyrics of his version of “Satan’s Jeweled Crown.”

For example, Springsteen begins with the first verse instead of the above chorus that begins the version by The Louvin Brothers. So, Springsteen instead begins with: “If I could be king and ruler of nations . . . I’d rather know that I have salvation. . . ” Whether intentionally or not, this opening takes a Springsteen fan back to “Badlands,” where Springsteen sang about people not finding happiness in being rich or being a king (“a king ain’t satisfied / ‘Til he rules everything”).

After the opening verse of “Satan’s Jeweled Crown,” Springsteen changes the words in the Louvin Brothers’ chorus to replace the reference to “God” with “you” (or “You”): “Then You, for my soul reached down / Your love set me free, You made me your own.”

One may then interpret that the singer is singing about a lover who saved them. Or the “You” could still be God or a reference for whatever religion one practices. It is a tweak to the words that does not undermine the song in many ways and perhaps makes it more inclusive at the same time.

Springsteen also tweaked the second verse, changing the description of the singer’s life from “reckless and evil” to “wasteful and sinful.” He also changes the Louvin Brothers’ “drinking and running around” to eliminate the drinking part: “Yeah, I just keep moving around.”

Springsteen may have learned the song from Emmylou Harris’s recording of the song, which she entitled with a slight alteration, “Satan’s Jewel Crown.” Her version appeared on her 1975 album Elite Hotel. Either way, he clearly was aware of her version.

Like Springsteen, Harris begins the song with the verse instead of the chorus (changing “if I were king” to “if I were queen”). The changes that Springsteen made to the Louvin Brothers’ second verse also are similar to changes earlier made by Harris to that verse. Still, he made some alterations to Harris’s version too, using “wasteful and sinful” versus Harris’s “sinful and needless” (in contrast to the Louvin Brothers’ “reckless and evil”).

There is one big difference between Harris’s version and Springsteen’s. Harris kept the reference specifically to “God” in the chorus. So Springsteen’s change to “You” likely was original to him.

Many Rivers to Cross

Springsteen and the same singers during the May 28, 1994 Stockholm concert did perform Jimmy Cliff’s “Many Rivers to Cross.” (You also can see that Springsteen is in a different outfit for this performance, confirming that the “Satan’s Jeweled Crown” video is not from the same show.

Yet, it is another amazing and somewhat unusual Springsteen concert performance.

These covers show one side of the many sides of Bruce Springsteen. While his albums have gone in a variety of musical directions, he has never released a gospel album. Such a gospel album project was in the works as recently as 2008, but never released. These performances above, however, show what a treat it would be if Springsteen were to ever release an album devoted to gospel music.

Leave your two cents in the comments.

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    Enjoy the History of Country Music with Cocaine & Rhinestones Podcast

    One of my favorite podcasts lately has been Cocaine & Rhinestones by Tyler Mahan Coe.  In each episode, Coe delves deep into the history of country music in the twentieth century.

    Cocaine & Rhinestones Episodes run anywhere between forty minutes and two hours, and each one may examine an artist’s career or may analyze the history behind a certain song, or both.  For example, one two-part episode centered on the relationship between Buck Owens and his guitarist Don Rich.  Another episode tells the story about how radio stations banned Loretta Lynn’s song, “The Pill.”  Another episode focused on Bobby Gentry’s “Ode to Bille Joe” while also giving a fascinating overview of Gentry’s career.

    Coe does an outstanding job trying to tell the truth behind the stories behind country music.  An avid reader, Coe delves into books that tell the stories, comparing versions of events so he can explain his best estimate of what really happened.

    Coe’s goal of telling us what really happened is part of the reason why he does not use original interviews but wraps information together to tell us the stories.  And at the end of each podcast, Coe also fills us in with “liner notes,” telling us a little more about his sources and other information that might not have fit in the main tale.

    As you might guess from the title Cocaine & Rhinestones, Coe does not shy away from the darker legends of country music, such as the first episode about how Ernest Tubb once showed up in slippers to try to shoot someone.

    But Coe is most interested in the music behind these artists.  His podcasts feature excepts from important songs, and he often breaks them down to help you hear them in a new way.

    Coe recently explained to The New Yorker how one of his radio inspirations is Paul Harvey, who hosted, among other shows, The Rest of the Story.  I used to listen to those shows as a kid too, and I even bought books with written versions of Harvey’s episodes.  So, I can hear the connection, mostly in the way that Coe tells a good story that keeps you entertained while you learn something new.

    Tyler Mahan Coe’s background in country music goes back to his birth, as he is the son of country legend David Allan Coe and later played guitar in his dad’s band.  Now, he lives in Nashville as he spreads the gospel of country music through the Internet.

    So, check, out the episodes from the first season of Cocaine & Rhinestones at the show’s website.  Find an artist or topic that interests you and start with that episode.  One of my favorites was his take on The Louvin Brothers (Running Wild), which also inspired me to read one of the books Coe recommended.

    Yet, part of the joy is learning about people you do not know and the way Coe ties together a number of country music characters throughout the episodes. So, yes, start with a song or artist you think you know already.  But, like me, you probably will just give in and decide to go back and listen to all of the episodes of Cocaine & Rhinestones in order.  And then you will wait anxiously for Season Two.

    What is your favorite episode of Cocaine & Rhinestones? Leave your two cents in the comments.

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    Don Henley and Dolly Parton: “When I Stop Dreaming”

    Don Henley pays tribute to the music he grew up listening to on the radio in Texas with “When I Stop Dreaming,” joined by Dolly Parton.

    Don Henley country

    On Don Henley’s upcoming deluxe album Cass Country, he pays tribute to his years growing up in Cass County, Texas and listening to the radio with his father. On one of the tracks from the album, Dolly Parton joins him on “When I Stop Dreaming.”

    The song is a classic that was recorded by the Louvin Brothers. Check out the former member of the Eagles and the legendary Dolly Parton singing “When I Stop Dreaming.”

    Henley’s album Cass County, which features covers and Henley originals, will be released on September 25. Several of the songs feature guest artists like Mick Jagger, Miranda Lambert, Merle Haggard, and Martina McBride.

    Finally, below is the Louvin Brothers version of “When I Stop Dreaming.” Check it out.

    What do you think of Henley and Parton’s version of the Louvin Brothers song? Leave your two cents in the comments.

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    Pop Culture Roundup (9 Jan. 2012 Edition)

    Kathleen Edwards In case you have been deep in the NFL playoffs or if you live in Iowa or New Hampshire and have been too busy listening to presidential candidates, here is this week’s roundup of some of the stories about music, film, and pop culture that you might have missed.

    — Music —

    Patti Smith has written a song about Amy Winehouse and will include the tune on her next CD.

    Cee Lo Green manaaged to anger religious leaders, atheists, and John Lennon fans with a New Year’s “Imagine” lyrics change. He later explained why he changed the lyrics.

    Jump! Van Halen — including David Lee Roth — played a small club this week to warm up for their upcoming tour.

    Rodney Crowell’s website has three live acoustic songs for free download. Nice.

    Kathleen Edwards’s new CD, released later this month, was co-produced by Justin Vernon (Bon Iver) w/ guest artists.

    For the first time ever, in 2011, digital sales of music topped the physical sale of music.

    Grammy-winning musician Youssou N’Dour will run in Senegal’s presidential election next month.

    Charlie Louvin’s new memoir recounts Oasis-type disharmony with his brother when the Louvin Brothers toured.

    Terry Ardolino, the drummer with NRBQ from 1974-2004, passed away at the age of 56. RIP.

    Freddie Milano, one of the Belmonts who sang with Dion on a number of classic rock and roll songs, passed away this week. After Dion left the original Belmonts behind (and a falling out and litigation followed), Milano continued to sing with the group while pursing his education. When he passed away he was working with the less fortunate, helping indigent people detained at Rikers Island jail in New York City. After Milano’s death was announced, Dion wrote a short tribute on his Facebook page, stating how Milano played an important role in his younger life: “We had our ups and downs through the years but that’s how things go in families, even rock-and-roll families. I will always remain grateful for his contribution in 1958 & 59 – may he rest in peace and rock on in heaven.” Milano was known for his great harmonies in the group as shown in this clip of “I Wonder Why.” Milano is the second from the left at the beginning of the song. RIP.

    You may also hear and see Milano (on your right) in this performance of “A Teenager in Love.”


    — Movies —

    This year in movies “might just be the geekiest ever.” — IMDb editor Keith Simanton.

    A Bridesmaids Sequel Without Kristen Wiig?

    Bridesmaids Kristen Wiig The Chicago Tribune listed 10 films to see this winter from Michael Phillips.

    The Tree of Life originally included a planned Adam and Eve sequence.

    War Horse actor Benedict Cumberbatch has signed on to be in the Star Trek sequel, perhaps as a villain.

    Red Tails — an action film produced by George Lucas about WWII African-American Tuskegee Airmen — is out Jan. 20.



    — Television —

    Betty White has a new hidden-camera TV show of seniors pulling pranks.

    Donald Trump
    announced his biggest Celebrity Apprentice cast ever.

    What happened to Ted Williams, the “man with the golden voice” who was found homeless last year? (video)


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    Charlie Louvin RIP

    Satan is Real, The Louvin BrothersCountry music legend Charlie Louvin died this morning due to complications from pancreatic cancer. He was 83.

    Charlie Louvin, born Charlie Elzer Loudermilk in 1927, and his brother Ira formed the Louvin Brothers, known for their harmonies and described by Allmusic.com as “one of the most influential musicians of the ’40s and ’50s.” After the Louvin Brothers stopped recording together in 1963, Charlie continued to record on his own, including a couple of well-received CDs in the last several years. Ira, who battled alcoholism, died in a car crash with his wife in Missouri in June 1965.

    The Louvin Brothers, who started out with gospel music and then branched into secular songs, had many great recordings, including some original compositions such as “If I Could Only Win Your Love,” which later was Emmylou Harris’s first hit.

    Although rock and roll played a part in the Louvin Brothers’s declining popularity in the early 1960s and their eventual break up, many “younger” people like me discovered the Louvin Brothers through later rock artists who were influenced by the Louvins, like The Everly Brothers and The Byrds. I first discovered them through Gram Parson’s recording of their song, “The Christian Life” (as well as Roger McGuinn’s version with the Byrds). I do not know if Kurt Cobain ever heard the Louvin Brothers’s recording of “In the Pines, (Where Did You Sleep Last Night)” but one could see a connection between their version and his intense haunting MTV Unplugged version. Although Cobain’s version is generally considered to be more connected to Lead Belly’s version, one might hear Cobain transform the Louvin’s yodels of pain into anguished screams for help.

    One of my favorite album covers of all time is the cover of the Louvin Brothers album Satan is Real. The album features the smiling brothers in whites suits standing in hell with a cartoonish devil in the background. I love the cover song too, as I also love their song “The Great Atomic Power.” Even though the songs do not preach my type of religion, I find the songs beautiful and terrifying, with a touch of humor.  Uncle Tupelo also did a nice cover of the Louvins’ “Great Atomic Power.”

    Here’s to you Charlie. Thanks for the music. I hope today you found out heaven is real.

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