Highwaymen Reunite at Grammys (Sort Of)

Sunday night the 56th Annual Grammy Awards had various moments, including what was billed as a reunion of The Highwaymen. The two surviving members of the supergroup — Willie Nelson and Kris Kristofferson — were joined by Merle Haggard and Blake Shelton. But the performance was only partly a tribute to the band that released three albums and a recognition of its deceased members Johnny Cash and Waylon Jennings, as most of the performance acknowledged the individuals on stage. That was okay, though, as it was good to see the three legends on stage with Blake Shelton giving the group a little shot of “youth.”

As you may see in the following video, the performance opens with the two surviving Highwaymen singing a little of the group’s hit “Highwayman,” a song about reincarnation written by Jimmy Webb. Then, they are joined by Haggard and Shelton, singing Haggrard’s “Okie from Muskogee” and “Mammas Don’t Let Your Babies Grow Up to Be Cowboys,” which had been a hit for Nelson and Jennings.

Many years ago, I saw the original Highwaymen perform at the Houston Astrodome. It was a memorable experience to see the country music legends all together, and at that performance they did a lot of individual songs too. So in a sense, the reunion continued that tradition of being more than just about songs by the Highwaymen. With Cash and Jennings gone, of course the band can never be the same. But like another Grammy sort-of reunion of another great quartet that had Paul McCartney and Ringo Starr playing together, we will take what we can get, while also remembering those who can no longer perform.

What was your favorite performance at the Grammys? Leave your two cents in the comments.

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    All I’ve Got Is a Photograph

    Ringo Starr became the third Beatle to have a solo number-one song when “Photograph” hit the top spot in 1973.

    Ringo Starr Photograph On November 24, 1973, Ringo Starr became the third former Beatle to have a solo number one song with “Photograph.” John Lennon would join the other three a year later with his first number one solo song, “Whatever Gets You Thru The Night.”

    “Photograph” appeared on the album Ringo (1973), which would be the only time the four Beatles would contribute to an album by one of their former members.  That contribution illustrates the fondness they all felt for the man also known as Richard Starkey, who was born on July 7, 1940.

    George Harrison co-wrote “Photograph” with Ringo, and Harrison sang backing vocals and played a 12-string guitar solo on the song. McCartney wrote another song on the album and sang backup on “You’re Sixteen,” while John Lennon wrote “I’m The Greatest” on the album and played piano and sang backup.

    “Photograph” is one of my favorite Ringo songs. I love the way the music contrasts with the story being told. “Photograph” is one of the happiest sounding broken-heart songs in history.

    But at this 2002 Concert for George, a memorial concert on the first anniversary of George Harrison’s passing, Ringo briefly explained that the meaning of the song had changed since Harrison’s passing. Then he turns “Photograph” into a wonderful celebration of Harrison’s life.

    What is your favorite Ringo Starr song? Leave your two cents in the comments.

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    My Train A Comin’: Watch New Jimi Hendrix Documentary

    My Train A Comin'

    The PBS American Masters series presents My Train A Comin’, a documentary about the life of Jimi Hendrix, who died at the age of 27. The documentary features previously unseen concert footage and home movies. For example, the movie includes recently discovered footage of Hendrix at the 1968 Miami Pop Festival. My Train A Comin‘ also contains interviews with people ranging from Paul McCartney to Hendrix’s girlfriend Linda Keith. I am not sure how long the PBS video will be available online, but for now you may check it out below. [May 2014 Update: Unfortunately, the full PBS documentary is no longer available online, so below is the trailer.]

    The American Masters website features a number of extras related to the documentary, such as outtakes and an interview with director Bob Smeaton.

    What is your favorite part of My Train A Comin’? Leave your two cents in the comments.

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    Paul McCartney (and Famous Folks) in “Queenie Eye” Video

    Paul McCartney recently released his video for the song “Queenie Eye,” which appears on his new album New (2013). The title of the song comes from a childhood game, and the video features a number of famous folks, including Maryl Streep and Johnny Depp. Check it out.

    If that is not enough Paul McCartney for you, check out the video about the “Making of ‘Queenie Eye.'”



    Is “Queenie Eye” another McCartney classic or just so-so? Leave your two cents in the comments.

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    Hear the Beatles Sing Without Music on “Abbey Road” Medley

    Beatles Abbey Road Medley A recent video isolates the vocals of the Beatles on their closing Abbey Road (1969) album “medley.” The song cycle features “You Never Give Me Your Money,” “Sun King,” “Mean Mr. Mustard,” “Polythene Pam,” “She Came in Through the Bathroom Window,” “Golden Slumbers,” “Carry that Weight,” “The End,” and the epilogue “Her Majesty.”

    I always enjoy hearing the Beatles in new ways. For great classic artists, we often get so used to hearing the songs in the same way, we lose the wonder we had for the first several times we heard the song. Hearing this medley without the music helps refresh our memory about why the Beatles were so great.

    Update:  The video with just vocals is no longer available, but the video below uses clips of the vocals-only recordings to analyze what the Beatles were doing in this song cycle.  Check it out.

    Other cool things about the isolated track include that you more clearly can hear what John Lennon says before the start of “She Came in Through the Bathroom Window” (around 8:25). Also, when the quiet parts come up, you may test yourself on whether you remember the musical breaks.

    Abbey Road was the final album recorded by the Beatles, although the earlier recorded Let It Be(1970) would be their last released. In the book Tell Me Why: The Beatles: Album By Album, Song By Song, The Sixties And After, author Tim Riley writes that side two of Abbey Road, which consists largely of the above song suite, “revives different stages of their career for a remarkable nostalgic resonance and comprises an ingenious manipulation of rock ‘n’ roll textures.” From inside the studio, though, John Lennon felt that the recording of Abbey Road was “torture.”

    Now, you may return to listening to the song cycle with music.

    What is your favorite part of the isolated vocal track? Leave your two cents in the comments.

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