Samuel Jackson Still Remembers His Pulp Fiction Speech

Even though Pulp Fiction (1994) was released in theaters nearly 20 years ago on October 14, 1994, Samuel Jackson recently showed he still remembers the famous “Ezekiel 25:17” speech by his character Jules Winnfield. During a recent appearance on BBC One’s The Graham Norton Show, Norton asked Jackson to recite the speech and Jackson did. Check it out.

By the way, that “Ezekiel 25:17” speech takes some big liberties with what Ezekiel 25:17 actually says in the Bible. But Jackson still makes me believe it is a real quote.

Leave your two cents in the comments.

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    What If “Pulp Fiction” Were a 1980s Video Game?

    Pulp Fiction Video Game
    If you have ever wondered what the movie Pulp Fiction (1994) might look like if it had been a video game in the 1980s, CineFix has answered your question. In the following video, CineFix shows the classic Quentin Tarantino film presented in 8-bit video game glory (with a touch of 16-bit). Check it out.

    The video is part of CineFix’s 8 Bit Cinema series.

    I like the old school option to change characters. What is your favorite part of the video? Leave your two cents in the comments.

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    Christopher Walken’s Movie Dance Montage

    Christopher Walken Dancing
    Huffington Post recently compiled a video of movie scenes with actor Christopher Walken dancing. The clip features scenes of Walken’s moves from more than fifty movies, all set to C+C Music Factory’s “Gonna Make You Sweat (Everybody Dance Now).” Movies featured in the montage include The Deer Hunter (1978), Batman Returns (1992), Wayne’s World 2 (1993), Pulp Fiction (1994), Wedding Crashers (2005), Hairspray (2007), and A Late Quartet (2012). Seeing the large number of films that feature Walken’s moves, I wonder if some filmmakers hire him on that talent alone. Check it out.

    Walken has not only danced in movies. With all of Walken’s great film work, he is also known for his footwork in the great video for Fatboy Slim‘s “Weapon of Choice.” If the new movie montage video has you craving more Walken dancing, here’s the Fatboy Slim video.

    What is your favorite Christopher Walken dance? Leave your two cents in the comments.

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    Cool Cats Dancing On the Big Screen

    Saturday Night Fever Travolta Check out this short video, “Dancing and Cool in Movies,” compiled by MovieCool.Final2. The video does a good job of exploring how “cool” is expressed in movies though dancing scenes. Movies discussed include Jailhouse Rock (1957), Grease (1978), and Pulp Fiction (1994). Check it out.

    For a full list of the movies in the video, head over to Slate.

    Onscreen dances are used to convey other messages besides cool, of course. I find it hard to select a favorite dance scene from a film, although it is hard to top Gene Kelly in Singin’ in the Rain (1952). Few movie scenes have conveyed the happiness of being in love as well.

    Another film uses dance to show a different type of happiness. When the cast of The Big Chill (a film that had a recent anniversary) begin moving to the Temptations’ “Ain’t Too Proud to Beg,” one cannot help but smile. Of course, “older” people dancing to the music from their younger days is the antithesis of the “Dancing and Cool in Movies” theme exploring the intersection of hippness and dance. But, like Gene Kelly’s dance, the dance creates a great expression of joy.

    What is your favorite dance scene in a movie? Leave your two cents in the comments.

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    Cartoonish Gunfire But Brutal Slavery in “Django Unchained” (Review)

    Django Unchained To give you an idea of my perspective of Quentin Tarantino’s directing work so you know how to judge my take on Django Unchained (2012): I think Pulp Fiction (1994) is a masterpiece, thoroughly enjoyed Reservoir dogs (1992), and liked Jackie Brown (1997). I was not a big fan of Kill Bill 1 (2003), but liked Kill Bill 2 (2004) a little better. While Inglourious Basterds (2009) had some great moments, I could not get into rooting for the sadistic hero, as I discussed in a previous post. Because of the way Tarantino used the simplified moral landscape of good guys versus Nazis in Basterds, I was expecting more of the same using a slavery landscape in Django Unchained. Considering I also am not a big fan of movies that condone violent vengeance for solving problems, I expected not to like Django Unchained. But I liked it a lot.

    Maybe I liked the new film because of my lowered expectations for a director who has yet to repeat the wonders of his early work. Maybe I liked the film’s nod to Sergio Leone spaghetti westerns. Maybe the music — featuring Jim Croce, Johnny Cash and Ennio Morricone — won me over. Maybe I was just in the mood for what the film had to offer. Or maybe I found the hero’s violence less offensive because he was acting out of love and not revenge. But Django Unchained features a compelling story, great acting, and sympathetic characters with real feelings.

    The movie tells the story of Django, played by Jamie Foxx, who is a slave rescued by a bounty hunter and then the two go on a quest to free Django’s wife from slavery. Christopher Waltz gives one of his best performances as the eloquent bounty hunter, and the reliable Leonardo DiCaprio stretches his acting chops to convincingly play one of the nastiest characters in recent movie history. Samuel L. Jackson also appears in an important role. While the last part of the film, where Django seeks out his wife, does not live up to the high quality of the first part of the film featuring Django’s education as a bounty hunter, the entire film is worthwhile.

    The movie, which was recently nominated for the Best Picture Oscar, has generated some controversy. It is a violent film, but much of the gunfire violence from the heroes is so cartoon-ish with blood splattering everywhere and bodies flying through the air when hit by gunfire that it reminded me more of The Three Stooges type of violence (but with lots and lots more blood). On the other hand, the violence surrounding slavery is portrayed more realistically and almost unbearable to watch. While the movie does not really present a moral lesson beyond that slavery is bad, there are some moral complexities to the film, such as where Django questions his role as a bounty hunger and killing as a way of achieving his goal.

    The other way the film has generated controversy is its language, and in particular its use of the n-word. I will leave it others to debate the role of such language in film, but the use of race and violence in Django Unchained has led to more debate on those issues than any other recent movie. The film even depicts the horrors of slavery more than a recent movie about the sixteenth president working to free the slaves. And it’s not a bad thing when entertainment provokes discussion of these important issues.

    Conclusion? If you are planning to see a Quentin Tarantino movie, you have some idea of what to expect. And if you appreciate the actors in this film and like spaghetti westerns, you might find Django Unchained is some of Tarantino’s best work yet.

    Other Reviews Because Why Should You Trust Me?: Rotten Tomatoes gives Django Unchained high scores, with an 89% critics rating and a 94% audience rating. Bob Cesca on the Huffington Post writes that Django Unchained is one of the most important films of the year because of its depiction of slavery. By contrast, Anthony Lane at The New Yorker praises the first half of the film depicting the liberation and education of Django, but he argues that the movie goes south in more than one way when it relocates to Mississippi. Flickering Myth makes a similar argument, noting that the back stories of some of the characters could have been developed more. E Online discusses some of the controversy generated by the film. Not surprisingly, Tarantino is enjoying the attention from the arguments about the film.

    How does Django Unchained hold up next to Tarantino’s other films? Leave your two cents in the comments.

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