Glen Campbell: Gentle On Our Minds

Today, Glen Campbell’s representative announced that the singer has Alzheimer’s disease and will be making his final tour later this year. Campbell’s wife Kim explained that they wanted fans to know about the illness in case it affected his performances on stage.

Glen Campbell Gentle On My Mind

On August 30, Campbell is releasing a new album, Ghost On The Canvas, featuring Jakob Dylan, Paul Westerberg, Chris Isaak, and Billy Corgan. While it has been a long time since I listened to new music by him, I am still fond of several of his classic songs from earlier in his career. I remember watching his television show, and of course, he was in the original True Grit. So, our wishes and prayers go out to him and his family through this time in his life.

My favorite Glen Campbell song used to be “Rhinestone Cowboy,” but as I have aged, I have grown more fond of “Gentle on My Mind.” Maybe you prefer “Wichita Lineman” or “By the Time I Get to Phoenix,” or another song. But in later years as I have listened more closely to the lyrics of “Gentle on My Mind,” I have discovered an unusual poetry in their words (“I dip my cup of soup back from a gurglin’ cracklin’ cauldron”). Although the song was written by John Hartford (who was inspired by the film Doctor Zhivago), Campbell’s delivery of the song about a wandering man’s memories of a lost or abandoned love reveals a true talent conveying complex emotions in a pop song.

Though the wheat fields and the clothes lines,
And the junkyards and the highways come between us;
And some other woman’s cryin’ to her mother
’cause she turned and I was gone;
I still might run in silence,
Tears of joy might stain my face,
And the summer sun might burn me till I’m blind;
But not to where I cannot see
You walkin’ on the back roads
By the rivers flowin’ gentle on my mind.

“Gentle on My Mind” was the title song off Campbell’s sixth album, which was also his first hit album. The single, though, was not a hit at the time, but it has earned a classic status over the years. The song has been recorded by greats like Elvis Presley, Lucinda Williams, and Dean Martin. But Campbell’s recording will always be what we associate with the song. His version keeps me ever smiling and remains gentle on my mind.

What is your favorite Glen Campbell song? Leave a comment.

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    10 Genres Defined by Robert Duvall Movies

    Is there another actor who has been in more classic movies from different film categories than Robert Duvall? If you consider various movie genres and the top handful of movies in each category, a large number of those groups include movies with Robert Duvall. Consider:

    Robert Duvall(1) Gangster Movies: Godfather I and II
    (2) Sports Movies: The Natural
    (3) Lawyer Movies: To Kill a Mockingbird
    (4) War Movies: Apocalypse Now
    (5) Westerns: Lonesome Dove (and True Grit)
    (6) Social Commentary: Network
    (7) Satire: M*A*S*H and Network.
    (8) Preacher Movies: The Apostle
    (9) Singer Movies: Tender Mercies (and Crazy Heart)
    (10) Cop Movies/Car Chase Movies: Bullitt

    In each category, the movies listed are among the top few. And yes, we are using a loose definition of “genre,” and the list is starting to stretch for categories a little at the end. But we stopped before adding “Military Family/Angry Father Movies” (The Great Santini).

    The list is for movies where he appeared, so To Kill a Mockingbird qualifies even though he had a very small (yet important) part. Also, Lonesome Dove was a TV mini-series, but it still ranks up there among the very top classic westerns, and Duvall has said it was his favorite role.  But if you do not like that one, replace it with the original True Grit (see the Chimesfreedom comparison of the two versions of True Grit).  Two other Duvall westerns, Open Range and Broken Trail were excellent, but not top classic status.

    Although Duvall is respected, he usually is not mentioned with quite the same respect as actors like Robert DeNiro and Al Pacino. But few actors have the range of work shown from the genre list above, due largely to his ability to become a character besides “Robert Duvall.”  In one great scene from Lonesome Dove where he embodies the classic character of Gus McCrae, you can see the pain in his face when he has to hang an old friend who has fallen in with a bad gang. In particular, he conveys a world of meaning in the first few seconds after the hanging just through his face and his body language. [Update: Unfortunately a clip of that scene is no longer available on YouTube, but another scene from the miniseries is below.]

    The movies in the genre list are true classics, among the best in each category.  Through acting skill, excellent movie choices, and some luck, maybe no other actor has accomplished a similar feat of being in classic movies in so many different categories.

    What is your favorite Robert Duvall Movie? Can you think of another actor who appeared in Great Movies in so many categories? Leave a comment.

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    2011 Oscar Predictions Roundup

    Most commentators agree on predictions for the top awards at tomorrow night’s 2011 Academy Awards presentations. According to them, the Oscar goes to:

    Academy Award, Oscar

    Best Picture: The King’s Speech (with The Social Network in second);
    Best Director: David Fincher for The Social Network, with Tom Hooper a close second for The King’s Speech;
    Best Actress: Natalie Portman from Black Swan (with Annette Bening from The Kids Are All Right in second);
    Best Actor: Colin Firth from The King’s Speech (with Jesse Eisenberg from The Social Network a distant second);
    Best Supporting Actress: Melissa Leo for The Fighter, with Hailee Steinfeld for True Grit a close second.
    Best Supporting Actor: Christian Bale for The Fighter, with Geoffrey Rush for The King’s Speech a close second.

    Anything outside these picks will be a big surprise, but surprises are always possible. The contested areas with close two-horse races are Best Director, Best Supporting Actress, and Best Supporting Actor Categories.

    For a random sampling of predictions and other Oscar news around the Internet:

    – For the three contested slots of Director/Supporting Actress/Supporting Actor, Roger Ebert opts for the non-Fighter leaders and is in the Hooper/Steinfeld/Rush category. While agreeing with the consensus on the other picks, he notes that if he were voting for Best Picture, he would opt for The Social Network even as he predicts The King’s Speech to win.

    – Roger Ebert’s former TV co-host Richard Roeper of the Chicago Sun-Times goes a different route, opting for the Fincher/Leo/Bale combination. Also, he is one of the few who are still predicting The Social Network as the Best Picture, although he hedges his bets by saying it might be safer to go with The King’s Speech.

    Melenia Ryzik at The New York Times liked The Fighter and is in the Fincher/Leo/Bale category. Moviephone also liked The Fighter‘s supporting nominees and is in the Fincher/Leo/Bale category, as is Rick’s Predictions at Awards Wiz.

    Peter Hartlaub at the San Francisco Chronicle agrees, going with Fincher/Leo/Bale, although he thinks The Social Network will upset The King’s Speech.

    – Gregory Ellwood at the HitFlix Blog bravely predicts a Fighter split with the Supporting Acting awards going to Steinfeld and Bale.

    – Jeff Johnson over at Popdose also mixes it up a little bit, going with a Hooper/Leo/Bale combination, and The Best Picture Project agrees.

    – Five critics at The Guardian UK differ among themselves, but with most saying the contested three categories will go to Fincher, Bale and . . . the country’s own Helena Bonham Carter for Best Supporting Actress (The King’s Speech)! Three of the five also pick The Social Network as Best Picture.

    – For another take on the Ocars, Oscar the Grouch from Sesame Street makes his predictions (Best Actor: “Colin Filth”).

    Cinematical has some interesting Oscar statistics. Did you know that the movie with the highest number of Oscars while winning 100% of nominated categories was The Lord of the Rings: The Return of the King (2003) with 11 wins out of 11 nominations?

    – For a trip down memory lane, Salon has a slide show of past Oscar Moments Everyone Should See.

    Among other big categories, the sure things seem to be Toy Story 3 for Best Animated Feature and The Social Network for Best Adapted Screenplay. The Best Documentary category seems to be a battle between Exit Through the Gift Shop and Inside Job. See Chimesfreedom’s previous post on an industry’s campaign against another Best Documentary nominee, Gasland.

    Conclusion on the Big Awards? It is always tricky to predict the winners because you are not selecting the “Best” but who you think others will say is the “Best.” So Chimesfreedom will leave the predictions to others (but see related posts below for thoughts on some of the contenders). From our random sampling, it will be a big surprise if The King’s Speech does not get Best Picture or if Natalie Portman does not get Best Actress or if Colin Firth does not get Best Actor. The difference in the close races will depend on whether or not the voters completely loved The King’s Speech and how much they liked The Fighter, as The Fighter lovers are going for Fincher/Leo/Bale while The King’s Speech lovers opt for Hopper/Steinfeld/Rush.

    But if predictions were always right, we would not need the awards show. So our prediction is simply that somewhere along the line, there will be a surprise or two.

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    What are your thoughts on the predictions? Who do you think will win? Who should win? Leave a comment.

    Top 10 Coen Brothers Movies

    The Writing-Producing-Directing team of Joel and Ethan Coen have had another success with True Grit. It is difficult to think of another team that has produced so many high quality movies. Many of their movies are made from various combinations of of humor, action (often involving murders), and witty dialogue. In honor of their most recent release, Chimesfreedom ranks the top ten Coen Brothers movies so far.

    (1) Fargo (1996)
    Fargo is the best representative movie of the Coen canon. It is a perfect balance of the three Coen factors of humor, action, and witty dialogue. At the center of the movie is perhaps the biggest heart of any of the Coen films: Frances McDormand as Marge Olmstead Gunderson, the pregnant chief of police in Brainerd, Minnesota. Fargo’s final scene of the couple in bed discussing stamps is one of the most touching scenes filmed by the Coens.
    Famous Quote: “You Betcha!”

    (2) O Brother, Where Art Thou? (2000)
    O Brother, Where Art Thou?, which is loosely based on Homer’s Odyssey, is one of the Coen films that is heavier on the humor and witty dialogue than on the action and violence. But the pitch-perfect soundtrack boosts this movie into the number two spot, along with George Clooney’s funniest role.
    Famous Quote: “We thought you was a toad.”

    Raising Arizona(3) Raising Arizona (1987)
    One could easily argue for any of these top three movies to be in the number one spot. All of the Coen movies have memorable great dialogue, but Raising Arizona probably tops them all. The long opening sequence that sets the story before the title appears is one of the funniest and best openings of any movie.
    Famous Quote: “Give me that baby, you warthog from hell!”

    (4) No Country for Old Men (2007)
    No Country for Old Men won the Best Picture Academy Award for the Coens, and contains excellent scenery and acting. It has some similarities to Fargo in that the Coens perfectly capture the Texas landscape here as they did with the Minnesota winter landscape in Fargo. Also, Tommy Lee Jones as Sheriff Ed Tom Bell evokes the heart-in-the-middle-of-chaos as Marge Gunderson did in Fargo. But we are ranking this one in fourth place for not featuring as much of the humor as Fargo, but it is still a great movie illustrating the randomness and unfairness of life, a theme the Coens would revisit two years later in A Serious Man.
    Famous Quote: “What’s the most you ever lost on a coin toss?”

    Miller's Crossing, Coen Brothers(5) Miller’s Crossing (1990)
    Miller’s Crossing is a beautiful movie about the battle between two Prohibition-era crime bosses with underling Gabrielle Byrne as Tom Reagan providing the heart and soul throughout a complicated double-double-cross. Although today the film is well-regarded, it was a box office dud when released. And what is the meaning of the hats? Is the hat some sort of MacGuffin? Worth repeated viewings.
    Famous Quote: “What is this, the high hat?”

    (6) The Big Lebowski (1998)
    Many might place The Big Lebowski higher on the list, and if you are talking about the movie with the most rabid fan base, then it would have to be this one. While it is full of clever dialogue and a great performance by Jeff Bridges, the above movies have more elements making them greater movies. The Big Lebowski, though, is still wonderful.
    Famous Quote: “The Dude abides.”

    (7) True Grit (2010)
    Chimesfreedom recently wrote about True Grit, comparing it to the original version of the movie. The Coen’s version is excellent, but the movie here is ranked lower than it might otherwise be because we already had the John Wayne original.
    Famous Quote: “I thought you gonna say the sun was in your eyes. That is to say, your Eye.”

    (8) A Serious Man (2009)
    A Serious Man grows on one upon repeated viewings. While the action element is nonexistent, there is great humor and dialogue in this movie, which raises important themes in its retelling of the Biblical story of Job with Larry Gopnik in 1967 Minnesota.
    Famous Quote: “When the truth is found. To be lies. And all the hope. Within you dies. Then what?” (Rabbi Marshak quoting Jefferson Airplane)

    (9) Blood Simple (1984)
    Many people love this neo-noir, perhaps because it was the Coens directorial debut, so we are including it in the top ten. Blood Simple features many of the elements that would appear in better form in later movies, but it was an excellent start.
    Famous Quote: “If you point a gun at someone, you’d better make sure you shoot him, and if you shoot him you’d better make sure he’s dead, because if he isn’t then he’s gonna get up and try to kill you.”

    (10) The Hudsucker Proxy (1994)
    The Coen Brothers’ attempt at a classic screwball comedy with The Hudsucker Proxy bombed at the box office. It may have failed partly due to the fact that the movie was not what many expected. But it is an excellent homage to classic movies, and Tim Robbins as the unlikely rising business star is pretty funny.
    Famous Quote: “You know, for kids.”

    Hon. Mention: Barton Fink (1991), The Man Who Wasn’t There (2001), Burn After Reading (2008).

    Better Left Unmentioned: Intolerable Cruelty (2003), and The Ladykillers (2004).

    Which Coen Brothers movie is your favorite? Leave a comment.

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    True Grit ’10 vs. True Grit ’69

    True Grit 2010

    I first learned that there was going to be a remake of True Grit when I saw the preview for the new movie. My initial reaction was, “Why would anyone remake a classic John Wayne western?” As the preview rolled on, I noticed that Jeff Bridges was in the movie, and he is one of my favorite actors. Then, in the preview, there was Matt Damon playing the Glenn Campbell role, which looked good. Finally, at the end of the preview it said that the movie was created by the Coen Brothers. I was on board.

    True Grit 1969The movie lives up to expectations. The new True Grit (TG2010) is a faithful tribute to the John Wayne classic from 1969 (TG1969) as well as to the novel upon which both movies are based. The acting is excellent. Although the stars Bridges and Damon do a great job as always, the movie depends on the role of Mattie, played by 13-year-old Hailee Steinfeld. Steinfeld carries much of the movie on her shoulders well. The original role of 14-year-old Mattie was played by the 21-year-old Kim Darby, who did a good job but is not quite believable as a child for today’s viewers.

    Unfortunately, movies often portray the bad guys as brilliant pure evil characters. Such portrayals are unrealistic, as real-life criminals are generally less intelligent than movie portrayals, and instead of pure evil spirits, they are human beings (and often mentally disturbed as appears in the recent Arizona shootings of Rep. Gabrielle Giffords and others by Jared Lee Loughner). Although the villains in TG2010 have little screen time, the Coen brothers add some complexity to roles that others may have portrayed as caricatures. Here, the villains are played as characters with limited intelligence or with realistic conflicting qualities. Barry Pepper does an excellent job in the role originally portrayed by Robert DuVall. TG2010 is a little more violent than TG1969, but the Coen Brothers used violence in a realistic way without raising the violence to a level they have done in some of their other movies like No Country for Old Men and Fargo.

    The Coen Brothers also give some complexity to the three main heroes. Although I like the final scene from the original True Grit, the Coens ended the movie in a way that was both faithful to their vision and more faithful to the novel, both in changing the coda as well as changing the fates, to varying degrees, of the three main characters.

    Westerns, by their nature, are often elegiac in nature, and True Grit 2010 is no exception. The American Heritage Dictionary defines “elegiac” as “of, relating to, or involving elegy or mourning or expressing sorrow for that which is irrecoverably past.” The movie seems elegiac for both its portrayal of a western past and for its version of how we saw movies in the past.

    One of the haunting elements of the movie is its use of a limited musical score, often allowing us to hear the silence and the wind blowing on the plains. Throughout the movie, the ongoing musical theme is the spiritual “Leaning on the Everlasting Arms,” which also played a key part in the movie, Night of the Hunter (addressed in a previous post). The musical connection is appropriate, as True Grit and the Robert Mitchum movie both feature the fellowship of good people triumphing over outside threats. When True Grit ends and the credits role, we are given the song once again, this time with Iris DeMent providing the vocals. The words from a specially written song would not fit True Grit’s portrayal of the three-person fellowship better: “Oh, how sweet to walk in this pilgrim way,/Leaning on the everlasting arms.”

    Conclusion? True Grit 2010 is a worthwhile remake of a good movie, tweaking the original without obliterating the memory of the first movie. The character studies, the sparkling dialogue, the scenery, and the action make it an entertaining adventure. How does it compare to the 1969 movie? I missed John Wayne’s charm, but overall the 2010 movie has a more believable cast with some nice realistic story twists. Watch and enjoy both.

    Bonus “Listen to this Song Instead of Watching the Trailer Advice”(above):  Although I loved the preview for True Grit 2010, if you are going to see the movie, you do not need to see the trailer (or you may find it easily on YouTube). The trailer’s focus on retribution is misleading, and it shows a few good lines and scenes that are better left to your movie viewing, especially if you have never seen the 1969 movie. What might help you enjoy the movie is familiarity with the beautiful musical theme of the movie, so instead of the preview, above is Iris DeMent’s version of “Leaning on the Everlasting Arms.”

    Bonus Reviews (1/13/11 update): If you would like to read more about the plot, check out this review from Cinema Viewfinder, which reminded me that the Coens had echoed Night of the Hunter in Raising Arizona too (with the “Hate” and “Love” tattoos on the outlaw biker).  Here is another review that is much more critical of the original True Grit, but it has a nice discussion of Night of the Hunter, noting that the line, “The Dude abides” from The Big Lebowski was also inspired by the Robert Mitchum movie.

    What did you think of the movie? Leave a comment.

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