They’re Selling Postcards of the Hanging: The Real Lynching in Dylan’s “Desolation Row”

On June 15, 1920, residents of Duluth, Minnesota lynched three African-American circus workers: Isaac McGhie, Elias Clayton and Elmer Jackson. An 8-year-old child named Abraham Zimmerman lived in Duluth at the time.  And he grew up to have a son named Robert, who would later become famous with the name Bob Dylan. So, the lynching that Zimmerman witnessed eventually played a role in what American Songwriter has called Dylan’s sixth greatest song of all time.

Abe Zimmerman taught his son about the lynching.  The lesson was similar to the way Woody Guthrie’s father told him about a lynching he had witnessed (that similarly inspired Guthrie to write an excellent song). Zimmerman’s story of the lynching in Minnesota and its aftermath eventually provided the imagery for the opening of Dylan’s “Desolation Row.”

The Crime and Arrests

In 1920, McGhie, Clayton, and Jackson worked with the John Robinson Circus as cooks or laborers. On the morning of June 15, James Sullivan called the police.  He told them that one night earlier his eighteen-year-old son and his son’s nineteen-year-old companion Irene Tusken had been held at gunpoint. Sullivan reported that his son told him that Tusken had been raped.

Reportedly, there was no physical evidence of the rape.  But the Duluth police rounded up around 150 circus workers.  Then, the police asked the teens to identify the attackers among the circus workers.

Six African-American men were arrested — including McGhie, Clayton, and Jackson.  Then, tensions rose in the community. Newspapers reported on the arrests and rumors spread around town.

The Lynchings

Eventually, a mob of 6,000-10,000 stormed into the jail.  They met little or no resistance from the police. They broke into the cells where they could, and they took McGhie, Clayton, and Jackson.

First, the mob beat and hanged Isaac McGhie from a lamp post, despite the objections of a priest. Then, they similarly beat and hanged Elmer Jackson and Elias Clayton.

The Minnesota National Guard arrived the next day to protect the three remaining prisoners.  But they were too late to help McGhie, Clayton, and Jackson.

Three men in the mob were convicted of rioting.  Each served less than 15 months in prison. Nobody was convicted of murder.

Seven of the remaining circus laborers were indicted for rape, and one man was convicted. Further, eventually it came out that Sullivan’s teen-aged son had made up the story of the rape that had set everything in motion.

As was the case with many lynchings of African-Americans during the early twentieth century, photos of the lynching were taken and sent as postcards. The photo features Elmer Jackson and Isaac McGhie, both shirtless, hanging from the street light with Elias Clayton’s body on the sidewalk,.  Members of the mob lean in to be part of the photo. Part of the photo is at the top of this post, but you may see the entire photo postcard here (warning: graphic image).

Desolation Row

Bob Dylan was born only 21 years after the lynching, and so he may have seen the photo postcards that circulated in the area. Thus, he begins his epic song “Desolation Row” with a reference to these photographs.

They’re selling postcards of the hanging;
They’re painting the passports brown;
The beauty parlor is filled with sailors;
The circus is in town.

The song continues, perhaps with “the blind commissioner” being a reference to the failures of the police to protect the three men. Of course, it is generally impossible to interpret every line of a Dylan song.

Yet, it is clear that the lynching is the jumping off point as Dylan delves into a number of themes.  “Desolation Row” continues with references to the circus imagery that provided the setting for the Duluth lynching.

Here comes the blind commissioner,
They’ve got him in a trance;
One hand is tied to the tight-rope walker,
The other is in his pants;
And the riot squad they’re restless,
They need somewhere to go;
As Lady and I look out tonight
From Desolation Row.

Recordings of “Desolation Row”

“Desolation Row” originally appeared on Dylan’s Highway 61 Revisited in 1965. More recently, alternate versions from the original recording sessions were released on The Best Of The Cutting Edge 1965 – 1966: The Bootleg Series Vol. 12.

Additionally, there are various live versions of the song.  One great live version appears on The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The “Royal Albert Hall Concert.” Below is another live version where Dylan changes up the music a bit, as he often does.

“Desolation Row” features some of Dylan’s greatest images, including the opening about the postcards of the hanging. In the book Keys to the Rain: The Definitive Bob Dylan Encyclopedia, Oliver Trager describes the song as “science fiction noir where mythology and history’s heroes and heels lurk in the shadows of every alleyway.” He concludes that the song “is perhaps the the most nightmarish vision in Dylan’s canon.”


It remains a mystery whether the three lynched men had committed any crime or whether the story was completely fabricated by the teen-aged boy. Race played a significant role in the lynching, and even today in typical criminal cases we know that eyewitness testimony is generally unreliable.

The 1920 lynching, either way, was certainly a tragedy.  Mob mentality and racial animosity took the lives of the three men.

Historically, lynchings occurred most often in the South against African-American men.  But it was not unusual for lynchings to take place in the North. There were at least 219 people lynched in northern states from 1889 to 1918. Although times have changed, we still see echoes of these acts of racial violence in the news today.

The Duluth lynching, in particular, has haunted those connected to it in various ways. The great-grandson of one of the Duluth lynchers wrote a book several years ago called The Lyncher In Me.

And Dylan’s “Desolation Row” is another kind of postcard of the hanging.  In the song, the lynching image mingles with other pictures that continue to haunt old and new listeners.

Partial photo of lynching via public domain. Leave your two cents in the comments.

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    Lucinda Williams Explores “Just the Working Life”

    One of my favorite CDs of the last few years is the double album Down Where the Spirit Meets the Bone (2014) by Lucinda Williams. The album revealed that Williams is still at her peak eleven studio albums into a long career and still producing her best work. So, we are excited that Williams will soon release a new album, which includes a cover of Bruce Springsteen’s “Factory” as well as a Woody Guthrie song.

    Williams’s new album, entitled The Ghosts of Highway 20, focuses on characters who live along or travel on I-20, the highway that runs across the northern part of Williams’s home state of Louisiana. The album features fourteen songs, including twelve originals.

    The decision to include Springsteen’s “Factory” is relevant to the theme of the album. Springsteen wrote the song for his father, and the song first appeared on Springsteen’s Darkness on the Edge of Town in 1978. But nearly four decades later, even as more and more factory workers have lost jobs due to automation and other reasons, the struggles of working people to get by still resonates.

    Below, Williams performs “Factory” at one of Springsteen’s own stomping grounds, the Stone Pony in Asbury Park, New Jersey. Check out this performance from 2014.

    In addition to the Springsteen cover, the album includes “House of Earth,” a song where Williams put music to lyrics written by Woody Guthrie. The haunting song is in the voice of a prostitute: “So come to my house of earth and learn its worth / A few green folded bills to learn of birth.”

    In a way, Guthrie’s song is a companion to Springsteen’s “Factory.” One might imagine Springsteen’s factory worker on the other end of the conversation, as the woman recounts her own sad working life and makes promises that she may or may not fulfill: “I’ll furnish red hot kisses and the hole/ That wakes up sleeping sickness in your soul.” Below is a version of “House of Earth” that Williams performed at the Kennedy Center in honor of Guthrie’s 100th birthday.

    Like Down Where the Spirit Meets the Bone, the new album is produced by Williams, Tom Overby, and pedal-steel player Greg Leisz. One of my favorite jazz guitarists, Bill Frisell, also makes a guest appearance on the album. Ghosts of Highway 20 hits stores on February 5, 2016.

    What is your favorite Lucinda Williams album? Leave your two cents in the comments.

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  • Lucinda Williams: “Down Where the Spirit Meets the Bone” (Short Review)
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  • Songs About Homelessness
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    Songs About Homelessness

    Music can address societal issues in different ways. Sometimes a song will tackle a big issue head on.  But more often than not, issues are addressed through personal stories or observations. One important societal issue that occasionally appears in popular song is the problem that so many of our fellow humans live without a home. Below are some examples of some songs that address homelessness to varying degrees.

    In 2011, singer-songwriter Ed Sheeran released ‘The A Team’ as the lead single of his first album +. Sheeran wrote the song about a prostitute addicted to crack cocaine after he visited a homeless shelter.

    “Ain’t Got No Home” is a folk song that was made popular by Woody Guthrie: “Just a wandrin’ worker, I go from town to town. / And the police make it hard wherever I may go / And I ain’t got no home in this world anymore.”

    In this video, Rosanne Cash performs “I Ain’t Got No Home”.

    Greg Trooper’s “They Call Me Hank” is about a homeless man named Bill. The song appeared on Trooper’s album Upside-Down Town.

    Here Trooper performs the song at Music City Roots live from the Loveless Cafe in June 2014.

    One of the more famous songs about homelessness is “Another Day in Paradise” by Phil Collins. The song appeared on his 1989 hit album But Seriously, where the singer sees a man avoiding a homeless person.

    Collins asks us to think twice about living another day in paradise, but a lot of critics thought that the song seemed disingenuous coming from someone as rich as Collins.

    The great songwriter Guy Clark recorded a song called “Homeless.” The song appears on Clark’s 2006 album The Dark.

    Like several other songs by Clark, he talks us through much of the story with a memorable chorus.

    Finally, another famous song that is about a homeless person is the Christmas song “Pretty Paper,” which was a hit in an excellent recording by Roy Orbison. The song about a person who in the midst of holiday shopping sees a homeless person was written by a young songwriter who would later go on to have a pretty successful career himself.

    So here is that songwriter, Willie Nelson, singing his version of the song he wrote.

    Other songs with homelessness themes include Jethro Tull’s “Aqualung,” Ralph McTell’s “Streets of London,” and “Gypsy Woman (She’s Homeless)” by Crystal Waters.

    Music, of course, cannot solve problems but it can help educate us. More than 60,000 people sleep in homeless shelters each night in New York City alone. Homelessness continues to be a problem across the U.S., and in particular, the number of homeless LGBT youth on the streets continues to rise due to a lack of support for them.

    A number of organizations around the country work to help the homeless, and this website lists a number of ways that you can help the homeless (besides writing a song).

    What other songs are there about homelessness? Leave your two cents in the comments.

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  • Tribute to Guy Clark CD is “Stuff That Works”
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  • A Tribute to Greg Trooper
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    The Cowboy Philosopher Will Rogers

    On November 4, 1879, William Penn Adair Rogers was born on a ranch in Cherokee Indian territory.  His birthplace was near what is now Oologah, Oklahoma.  The family called the young boy by the name “Will,” and he would grow up to be beloved by the country as Will Rogers.

    In 1898, the young man left home to work as a cowboy, and in 1902 began his show business career when he joined Texas Jack‘s Wild West show as a trick roper and rider. Before long, Rogers realized that audiences loved his humor and cowboy philosophy, eventually becoming a national celebrity through movie roles, magazine and newspaper articles, and in-person and radio appearances.

    Bacon, Beans, and Limousines

    Rogers’s honest humor struck a chord with America as it went into the Great Depression. In 1931, President Herbert Hoover’s Organization on Unemployment Relief asked him to address the nation. Rogers delivered what became known as his “Bacon, Beans, and Limousines” speech, where he addressed unemployment and the causes of the Depression.

    Check out this video of the October 18, 1931 speech from the Will Rogers Memorial Museums.


    Will Rogers, however, did not get to see the end of the Depression, as he passed away on August 15, 1935. Rogers was an advocate for the early aviation industry, and he died in a plane crash while traveling in Alaska with renowned aviator Wiley Post. Many mourned the passing of one of the most beloved Americans whose life overlapped with another rising Oklahoma philosopher, Woody Guthrie (1912-1967).

    TV and Film

    The weekly television show Man of the Year paid tribute to Will Rogers when it looked back on the year 1935. The interesting episode features a lot of video footage of Rogers.

    The video covers the life of Will Rogers, and around the 12:20 mark, the host introduces humorists Steve Allen and Fred Allen to discuss the importance of the cowboy philosopher.

    Several actors have portrayed Rogers in movies, including Keith Carradine (who also played Woody Guthrie on film). I recall first learning about Will Rogers from the 1952 film The Story of Will Rogers, where Will Rogers, Jr. portrayed his father.

    Many today may not know much about Will Rogers, but he was significantly influential in his time and worth remembering on this anniversary of his birth.

    Public domain photo via Library of Congress. What is your favorite Will Rogers story? Leave your two cents in the comments.

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  • Lucinda Williams Explores “Just the Working Life”
  • Frank Sinatra: “That’s Life”
  • Songs About Homelessness
  • Where Woody Guthrie Wrote “This Land Is Your Land”
  • Helen Kane and the Inspiration for Betty Boop
  • (Some related Chimesfreedom posts.)

    Where Woody Guthrie Wrote “This Land Is Your Land”

    Reading My Name is New York: Ramblin’ Around Woody Guthrie’s Town by Nora Guthrie and the Woody Guthrie Archives, I was surprised to discover that I often walk past where Woody Guthrie wrote “This Land is Your Land.” The picture above shows the corner of 43rd Street and 6th Avenue in Manhattan where he wrote the song, although the building where he lived is no longer there.

    On February 22, 1940, Guthrie moved into Hanover House at 101 W. 43rd Street when he was 27 years old. The boarding house where he stayed for about a month sat above a pawn shop. The day after he moved in, Guthrie began writing down the words to the song that would eventually become “This Land is Your Land.”

    Even then, the New York City street corner was busy, and the “New York Island” must have brought inspiration. But Guthrie also had been developing the song since he had hitchhiked to New York across the country from Los Angeles.

    In a previous post, Chimesfreedom explained the background of the song and how it was originally called “God Blessed America” before Guthrie edited the song. It would be about a decade from Guthrie’s time in the cheap boarding house until “This Land is Your Land” became popular. It’s popularity was boosted by a 1950 songbook used by school teachers and after Pete Seeger began performing it every where he went.

    In the video below, Seeger performs the song with others in front of the Lincoln Memorial at the “We Are One” Presidential Inaugural Concert on January 19, 2009.

    Guthrie wrote other songs at Hanover House, including another one of my favorites, “Jesus Christ.” Using the music from the folk ballad “Jesse James,” Guthrie imagined Christ as a rebel who spoke on behalf of the poor. And, looking out from the boarding house, he included a line about where he wrote the song as he imagined how Jesus Christ would be treated were he to return today.

    This song was written in New York City
    Of rich man, preacher, and slave
    If Jesus was to preach what He preached in Galilee,
    They would lay poor Jesus in His grave.

    In the video below, you may hear U2’s version of Guthrie’s “Jesus Christ.”

    Speaking of Woody Guthrie in New York, a recent three-CD audio book set compiles stories about Guthrie in New York along with songs Guthrie wrote about New York City, My Name Is New York (2014). The title track from the set, “My Name Is New York,” was never released in Guthrie’s lifetime.

    Guthrie’s daughter Nora Guthrie recently explained that after she found the tape of the song “My Name Is New York” and heard the lyrics, she knew she had to release it. Below, you may hear the song.

    Regarding the corner where Guthrie wrote “This Land Is Your Land,” Bob Egan has some photos of the above street corner around the time that Guthrie lived there on PopSpots.

    Guthrie only spent a short time living on this corner in Manhattan before he would go on to live in other places in the city. But the corner of 43rd Street and 6th Avenue will always be able to claim a connection to some great American songs, including what may be the country’s best.

    Photo by Chimesfreedom. Leave your two cents in the comments.

  • This Land Is Your Land: The Angry Protest Song That Became an American Standard
  • They’re Selling Postcards of the Hanging: The Real Lynching in Dylan’s “Desolation Row”
  • Lucinda Williams Explores “Just the Working Life”
  • Songs About Homelessness
  • The Cowboy Philosopher Will Rogers
  • Anniversary of “The Grapes of Wrath”
  • (Some related Chimesfreedom posts.)