Ayn Rand, Justice Thomas, & The Fountainhead

John Aglialoro, the producer of the movie Atlas Shrugged: Part 1 (2011), recently announced that due to bad reviews and poor box office, he is abandoning the plans for parts two and three of the story. As someone who read Ayn Rand’s long book Atlas Shrugged many years ago, I was interested when I heard they were making a movie version. But when I saw the trailer, the movie looked terribly boring, so I am not among the few who have seen it. I might have watched it on DVD when it came out, but now that I know it may leave me hanging without any resolution, maybe not. Yet, some recent reports indicate the second movie still may be coming out next year.

Justice Clarence Thomas

One person who might be disappointed if the sequels are abandoned is Justice Clarence Thomas of the U.S. Supreme Court. In the book The Nine: Inside the Secret World of the Supreme Court (2007), Jeffrey Toobin (p. 119) wrote that Justice Thomas often requires his law clerks to watch the movie, The Fountainhead, which is based upon another book by Ayn Rand and directed by King Vidor. That one sentence in Toobin’s book jumped out, raising questions about the connection between the movie and Justice Thomas’s judicial philosophy, and what it means for America.

Ayn Rand incorporated her philosophy of Objectivism into her novels. The philosophy has several parts, but she described one of the basic tenants this way: “Man—every man—is an end in himself, not the means to the ends of others. He must exist for his own sake, neither sacrificing himself to others nor sacrificing others to himself. The pursuit of his own rational self-interest and of his own happiness is the highest moral purpose of his life.”

One may debate the value of a philosophy of self-interest. A number of conservatives have embraced the philosophy as connected to laissez-faire capitalism, so one might understand why the conservative Justice Thomas admires Ayn Rand’s work. In his memoir, My Grandfather’s Son, he wrote about reading Atlas Shrugged and The Fountainhead and how the books affected him: “Rand preached a philosophy of radical individualism that she called Objectivism. While I didn’t fully accept its tenets, her vision of the world made more sense to me that that of my left-wing friends.” (p. 62) A website devoted to Ayn Rand’s fiction writing, The Atlas Society, has more about Justice Thomas’s connection to Ayn Rand.

Still, The Fountainhead (1949) is an odd movie choice, even though it features excellent actors like Gary Cooper, Raymond Massey, and Patricia Neal. One reviewer summed it up as “one of the strangest and most florid pictures of its time, possibly of all time.” The Fountainhead is about an architect named Howard Roark (Cooper) who has his own vision and does not want to compromise his beliefs and art to popular ideas. When the people who hired him to create a public housing building do not let him do it his way, he blows up the modified building. And he’s the hero of the movie. Okay, I get the idea about not compromising, but isn’t blowing up the building going too far?

One might wonder why Justice Thomas loves this unusual movie so much that he has the recent law school graduates who work for him watch it. And one might speculate what message the new lawyers take from the self-interest theme of the movie regarding one’s lack of compassion for the poor and underprivileged.

Considering Roark’s destruction of the building in the movie, and in today’s atmosphere of terrorism, I hope Justice Thomas has selected another movie. Maybe watching the new Atlas Shrugged will lead him to opt for another movie to show his clerks. And he could even stick with films featuring Republican and anti-Communist Gary Cooper. If Thomas wants an excellent movie that teaches about the importance of the individual and duty, he might select High Noon (1952). Or if he wants to go further, he might choose Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936) or Meet John Doe (1941), both which would give the new lawyers lessons on the importance of common people and the corrupting influence of power.

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    Clarence Clemons: You’re a Friend of Mine

    Clarence Clemons You're a Friend
    Chimesfreedom sends out wishes and prayers for Clarence Clemons, who is seriously ill after suffering a stroke. According to reports, although Clemons has had a number of health problems in the past, this time, members of the E Street Band have been asked to go see Clemons in Florida as soon as possible.

    You cannot mention Clemons without the modifier “legendary saxophonist,” for all of his great work with Bruce Springsteen as a member of the E Street Band, not to mention his work with other artists, including playing on Lady Gaga’s most recent album. Yet, while others in the E Street Band have larger singing roles, Clemons’s voice is also an important part of the complete package. In 1985, he even had a singing top 20 hit when he released “You’re a Friend of Mine, singing with Jackson Browne (and Daryl Hannah).

    The best part of the song is the title, as when we think of Clemons, one of the first things we think about is his lifelong friendship with Bruce Springsteen and the rest of the band. On stage, Clemons, Springsteen, and the rest of the band interact in a way that shows a bunch of friends having fun. Because of that, we audience members feel like we get to share a tiny bit in that friendship. We all hope to maintain friendships like that in our own lives. Big Man, for your music and your friendships, our thoughts are with you.

    Update June 13 Evening: Latest reports are that after two brain surgeries, Clemons is in stable condition and making progress. June 18 Update: Clarence Clemons passed away. For our post on his passing, head to this link.

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    Great Song, Bad Name: Hot Burrito #1

    Gram Parsons (1946-1973) created a lot of great music in his short life. His work as a solo artist and with bands such as The Byrds and The Flying Burrito Brothers greatly influenced the country-rock and alt-country movements. He helped Emmylou Harris start her career. He was friends with Keith Richards and supposedly influenced some of the music made by the Rolling Stones.  And he helped create the wonderful strangely named song “Hot Burrito #1.”

    Burritos
    Burrito
    Once upon a time you let me feel you deep inside

    “Hot Burrito #1” appeared on the Flying Burrito Brothers Gilded Palace of Sin (1969) album.  It was written by Parsons and the band’s bass player Chris Ethridge.

    “Hot Burrito #1” is a great song with a horrible name.  The song, of course, has nothing to do with burritos, and the band’s use of the word “burrito” was not limited to the one song. The band liked to play around with the “burrito” theme, naming their next album Burrito Deluxe. And yes, there is a “Hot Burrito #2.”

    Reportedly, the original use of “burrito” came from bassist Ian Dunlop, who had been in the International Submarine Band and then started a group called “The Flying Burrito Brothers” before Parsons and Chris Hillman borrowed the name for their band.  Dunlop still makes music and also is an artist.

    At one point, Parsons and Hillman had a house in San Fernando Valley that they called “Burrito Manor.”

    Versions of “Hot Burrito #1”

    “Hot Burrito #1” has been recorded and covered by other artists, including Raoul Mao, The Black Crowes, the Cowboy Junkies, and Yim Yames of My Morning Jacket. The song has been covered around the world, including a version by Japanese band Ma’am.

    Elvis Costello recorded the song, but apparently he did not like the name so he renamed it, “I’m Your Toy.” Even though “Hot Burrito #1” is an odd name for a song, “I’m Your Toy” is not really better. Similarly, Jose Feliciano renamed the song with the forgettable title, “Not That Kind of Guy.”

    One sign of the greatness of the song and the melody from Chris Ethridge is that it holds up well no matter who sings it. But it is especially powerful in the Parsons version.

    The song starts out with the singer speaking to a former lover, telling her how she will miss him (“You may be sweet and nice / But that won’t keep you warm at night”). Then slowly you begin to hear the aching desperation in the singer’s voice and in the lyrics (“But I don’t want no one but you / To love me, no I wouldn’t lie”).

    The A Side

    Interestingly, even though we know “Hot Burrito #1” as a classic song, it was not released as a single, only appearing as the B side of the only single at the time, the less memorable “The Train Song.” “The Train Song” was recorded after The Gilded Palace of Sin was completed but released as a single.

    While numerous cover versions of “Hot Burrito #1” are now on YouTube, the A side is not available there at all (you may hear a clip of The Train Song on Amazon). It just goes to show that you cannot judge a song by its initial release, or by its name.

    Do you like the song? What is your favorite great song with a bad name? What other songs have cover artists renamed? Drop a comment.

    Correction: An earlier version of this post incorrectly implied that “The Train Song” appeared on The Gilded Palace of Sin. Even though the song was released as a single to promote the album, it was recorded after the album was completed. The single “The Train Song” did eventually appear on Hot Burritos! The Flying Burrito Brothers Anthology 1969-1972 (2000). September 2013 Update: A live version of “The Train Song” is now on YouTube.

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    The Les Paul & Mary Ford Show

    Les Paul Guitar
    Les Paul, who passed away in 2009, was born in Wisconsin on June 9, 1915. His guitar playing and innovations, like his development of the solid-body electric guitar, are responsible for much of the music we hear today.

    Among his many accomplishments, in the 1950s he had a five-minute syndicated television show with his wife at the time, Mary Ford. During that decade, Ford and Paul had a string of hit jazz songs, and The Les Paul & Mary Ford Show was often used to fill in space between regularly scheduled shows.

    You may read more about Les Paul’s life at the Les Paul website.

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  • Midnight in Paris (short review)

    Midnight in Paris Midnight in Paris is a very good light-hearted entry from director Woody Allen and starring Owen Wilson. The film begins with Wilson and his fiance, played by Rachel McAdams, visiting Paris. Wilson is a screenwriter struggling to write his first book. Wilson loves Paris and longs for the literary Paris of the past, and then his desire to live in the past comes true. One night, after he gets lost walking back to his hotel, he ends up back in the 1920s where he encounters F. Scott and Zelda Fitzgerald, as well as other artists from that era. After the night’s adventure, he goes back to his hotel and the twenty-first century, but he plans to visit his friends from the 1920s again the next evening. What will he see and what will he learn from his trips to the romantic 1920s?

    I realize different people have different feelings about films directed by Woody Allen. Some adore most or all of them while others are not fans, perhaps because they feel his life has tainted the films, as in a topic we discussed last week. Critics often like Allen’s films more than viewers, as shown by the current Rotten Tomatoes rating for Midnight in Paris (92% critics; 77% audience). By way of disclosure, I like most of Allen’s films; I love several of them; and there is one that I would probably list among my top twenty films of all time (Crimes and Misdemeanors).

    While it is unfortunate that Allen’s films often have to compete with each other, it it is fair for viewers to consider how a new film ranks within Allen’s canon of films. Considering Midnight in Paris in that context, it is not his best work ever, but it is certainly very good. And, more fairly, considering the comedies usually released during the summer, it is more enjoyable and thoughtful than most of them. The lines are witty, the background is beautiful, the story is interesting, and the movie features fine acting from Wilson in “the Woody Allen role” as well as other actors in the ensemble like Kathy Bates and Marion Cotillard.

    Since Allen has started making several films in cities outside New York, he has used the camera to make these other cities characters in his films the way he once made New York a character in films like Manhattan. And Midnight in Paris certainly makes one desire to walk the streets of Paris and live a rich lifestyle there, beginning with the opening several minutes devoted to various scenes around the city.

    Another feature of Allen’s films is that he often addresses serious themes about life and death, and he does so in Midnight in Paris. For many years Allen has noted that he has been influenced by Ernest Becker’s book The Denial of Death, which is about how our fears affect the way we live. Some of those themes are touched on in this film, as are themes about nostalgia and longing for the past. The themes of nostalgia are reminiscent of Allen’s excellent movie The Purple Rose of Cairo. Although the resolution of these themes in Midnight in Paris is fairly predictable, one may not mind the ride because the journey is so scenic.

    What is your favorite Woody Allen film? Leave a comment.

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