Jimi Hendrix Opens for The Monkees

Monkees Hendrix On Sunday July 16, 1967, Jimi Hendrix opened for The Monkees for the final time. The opening performance by the Jimi Hendrix Experience was the last of three shows at Forest Hills Tennis Stadium in Queens, New York, and it ended a seven-show run for Hendrix that started when he joined the ongoing tour in Jacksonville, Florida, on July 8. After Jacksonville, the pairing also performed in Miami Beach (Florida) on July 9, Charlotte (North Carolina) on July 11, and Greensboro (North Carolina) on July 12 before heading north for the final shows together in Queens on July 14, 15, and 16.

The Pairing of Jimi Hendrix With The Monkees

During the summer of 1967, Hendrix was popular in the United Kingdom, but he was still rising in the United States. He garnered attention at his performance earlier in the summer at the Monterey Pop Festival, where Peter Tork and Mickey Dolenz had seen him.  But Hendrix’s first album Are You Experienced (1967) was not released in the U.S. until August. So, Hendrix ended up as the opening act for The Monkees, who were in the middle of their successful 1966-1968 TV series run.

The teaming of The Monkees and the Jimi Hendrix Experience was meant to go longer then seven shows, continuing until August 20. And the members of The Monkees were fans of Hendrix and enjoyed having him on tour.

The Eventual Split

But many who came to see The Monkees were not happy to hear an opening act so different from the band they came to see. For example, some fans yelled “We Want Davy [Jones]” as Hendrix played.

One often repeated story is that after Hendrix had enough, he flipped off the audience at the Forest Hills show and then left. Hendrix told NME magazine that it was just the “wrong audience,” joking that he was being replaced with “Mickey Mouse.”

Hendrix, however, also told the magazine that he got along well with the members of The Monkees.  And by most accounts the departure was amicable.

By some accounts, Hendrix’s managers knew the combination would not work and had planned the pairing as a publicity stunt all along. Either way, it was one of the most unique concert billings in rock history, and one that would never be repeated.

A little more than three years later, Hendrix passed away on September 18, 1970. Four days after Hendrix’s death, Davy Jones and Micky Dolenz recorded the final Monkees song for the original band, with Peter Tork and Michael Nesmith having already quit.

Tour Promo

Below is a radio promo for the Detroit show featuring Hendrix opening for The Monkees.  Note that the photos were added for the YouTube video and were not a part of the promotion.

The Detroit show took place on August 13, by which time Hendrix had left the tour. So fans who bought tickets based on this promo may have ended up disappointed. Check it out.

Note: The This Day in History website states that the final Hendrix-Monkees show was July 17, 1962, but the concert poster shown in this video verifies that the final Forest Hills date was on July 16. Also, some websites claim that Hendrix and The Monkees played together at eight shows, but a Monkees website that lists the shows between Jacksonville and Forest Hills confirms there were seven shows in that span.

Do you wish you had seen one of these concerts? Leave your two cents in the comments.

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    “Star Wars: The Force Awakens” Comic-Con Reel

    Star Wars Simon Pegg

    At Comic-Con this week, a panel unveiled a new video of behind-the-scenes footage of the upcoming Star Wars: The Force Awakens (2015) film. The clip features more than three minutes worth of scenes showing characters, vehicles, technology, and other aspects of the much-anticipated seventh film in the Star Wars franchise.

    The video includes several revelations, including Simon Pegg as some type of alien apparently. Check out the Comic-Con video for Star Wars: The Force Awakens.



    Star Wars: The Force Awakens
    hits theaters on December 18, 2015.

    Leave your two cents in the comments.

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    Runner of the Woods Debut Album: “Thirsty Valley”

    Nick Beaudoing

    The band Runner of the Woods has released its debut album, Thirsty Valley. I like the alt-country sound of this group, which is fronted by Nick Beaudoing, who used to play with the Doc Marshalls of New York City.

    In Beaudoing’s voice on some of the tracks, I hear a sound a little like Justin Townes Earle with a touch of Ryan Adams, partly affected by Beaudoing’s move south to Nashville. On Runner of the Woods’s website, it describes the new Thirsty Valley album as “the sort of record a man makes when love has gone good but something else is still missing. It’s the thousand-yard stare that accompanies boozy recollections of perfect northern lakes or some girl you used to know.”

    Below is a solo acoustic version of one of the songs from Thirsty Valley, “Good Things Will Come.” Check it out.

    To hear other songs from the new debut album, head over to the band’s website. Runner of the Woods, whose band’s name is a reference to both the natural beauty of Tennessee and to Beaudoing’s French-Canadian heritage, consists of: Nicolas Beaudoing (Guitar/Vocals); Jonathan Gregg (Pedal Steel); Craig Aspen (Bass); and Nic Wiles (Drums).

    Leave your two cents in the comments.

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    “Terminator Genisys” Is Summer Fun Despite Critics (Short Review)

    Arnold Even before the movie’s release, many critics gave bad reviews to Terminator Genisys (2015), and the movie since has been labelled a “bomb” for several reasons that include problems with the marketing and tough ongoing competition from other summer films. Still, if you are a fan of the Terminator series, Terminator Genisys, directed by Alan Taylor, is a fun way to spend a hot summer evening.

    Many folks have already complained that the trailer for Terminator Genisys spoils a major plot point, so for those who have not seen the movie, I will not say too much about the plot. The movie begins in 2029, as the resistance leader John Connor (Jason Clarke) leads a major offensive against Skynet. In the process, the resistance forces discover Skynet’s time machine, and Connor sends Kyle Reese (Jai Courtney) back to 1984 to protect Connor’s mother Sarah Connor (Emilia Clarke, who does an excellent job channeling Terminator 2‘s Sarah Connor, Linda Hamilton).

    That first part of the film may sound familiar, but when Reese arrives in 1984, things are different from what we have seen in the previous films. Thus, this fifth Terminator film introduces a new timeline where the Guardian played by Arnold Schwarzenegger has already been protecting Connor since she was nine years old. On this new adventure, some Terminators from the original and Terminator 2: Judgment Day (1991) cross paths with the new timeline, including a young Arnold Schwarzenegger facing off against an old Schwarzenegger (the skin on robots does age we are told). Sarah, Kyle, and the Guardian end up in 2017 attempting to stop Skynet, which is linked to our cell phones in this modern retelling.

    Ultimately, we see a similar battle to stop Skynet that we have seen in the previous Terminator films, with new twists and turns, including a “surprise” villain. Yes, the film is not as good as Terminator 2, but it is still entertaining along the lines of some of the other films in the series. And it tells a new story that will challenge Terminator and time-travel fans, unlike completely unnecessary reboots like 2012’s Total Recall.

    Conclusion? Terminator Genisys is good fun for a reboot of a series, even if most critics do not like it. Rotten Tomatoes gives it a low critics rating of 27% while regular movie fans rated it higher at 67%. If you adjust your expectations and want a fun summer movie with lots of action, give it a chance, especially if you do not expect it to be the best of the series.

    Bonus note: If you see the movie in the theater, you might want to hang around after the credits for a short post-credits clip, although it is pretty short and rather predictable.

    Leave your two cents in the comments.

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    Swamp Dogg Covers John Prine: “Sam Stone”

    Sam Stone Swamp Dogg

    Today’s song of the day is Swamp Dogg doing a live performance of a John Prine song he had previously recorded, “Sam Stone.” I have been a fan of Swamp Dogg’s version of “Sam Stone” for some time, so I was excited to see that there was such a recent live version on YouTube of outstanding recording quality to mach the quality of the song and the singer.

    My first introduction to John Prine was through a cover of “Sam Stone,” when in the 1980s WMMS in Cleveland broadcast a live performance by John Mellencamp at the Agora Ballroom. I would soon discover the great original version by John Prine, as well as Prine’s other work.

    When Prine performs “Sam Stone,” which appeared on his 1971 album John Prine, he performs it as a folk song that emphasizes the tragedy of the suffering of the drug-addicted Vietnam veteran. Swamp Dogg takes the song and finds the soul and anger wrapped around the sadness. Check out Swamp Dogg’s version.

    Swamp Dogg was born in Virginia on July 12, 1942 as Jerry Williams, Jr. In addition to being an excellent performer, he has also been called “one of the great cult figures of 20th century American music.”

    Update: In 2018, Swamp Dogg performed “Sam Stone” with John Prine. Check out the two great artists together on the beautiful song on May 18, 2018 at the United Artists Theater at Ace Hotel in Los Angeles.

    Leave your two cents in the comments.

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