Martin Luther King Jr.: “The Other America”

Martin Luther King Stanford

On April 14, 1967, Dr. Martin Luther King Jr. gave a speech at Stanford University. During this time, which was about one year before King’s death, Dr. King’s movement addressed a range of issues, including race, Vietnam, poverty, and economic justice. This speech at Stanford would become known as “The Other America” speech, and King would continue to give various speeches on the theme for the next year.

In the speech, King explained: “But tragically and unfortunately, there is another America. This other America has a daily ugliness about it that constantly transforms the ebulliency of hope into the fatigue of despair. In this America millions of work-starved men walk the streets daily in search for jobs that do not exist. In this America millions of people find themselves living in rat-infested, vermin-filled slums. In this America people are poor by the millions. They find themselves perishing on a lonely island of poverty in the midst of a vast ocean of material prosperity.”

Yet, near the end of the speech, King still spoke of hope. “We shall overcome because the arc of the moral universe is long but it bends toward Justice. We shall overcome because Carlyle is right, “No lie can live forever.” We shall overcome because William Cullen Bryant is right, “Truth crushed to earth will rise again.” We shall overcome because James Russell Lowell is right, “Truth forever on the scaffold, Wrong forever on the throne — Yet that scaffold sways the future.” With this faith, we will be able to hew out of the mountain of despair a stone of hope.”

A transcript of this speech is available here.

Leave your two cents in the comments.

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    Moral Ambiguity and “Lawman” (Missed Movies)

    Burt Lancaster stars in “Lawman,” an underrated Western that veers into unexpected territory.

    Burt Lancaster Western Lawman is an excellent underrated 1971 Western that should stand next to the better-known classics in the Western canon. The film, directed by Michael Winner, features the brutality and moral ambiguity of other more highly regarded films like The Wild Bunch (1969), McCabe & Mrs. Miller (1971), and Unforgiven (1992). Lawman also features excellent acting from Burt Lancaster, Robert Ryan, Lee J. Cobb, Robert Duvall, Sheree North, and many other familiar supporting actors.

    Lancaster plays Jared Maddox, the lawman of the title, who comes to town seeking the cowboys who got drunk and shot up his town and accidentally killed a man, as shown in the movie’s opening scene. Lee J. Cobb is the cattle baron Vincent Bronson who employs the cowboys.  And Robert Ryan plays the local marshal who basically works for Cobb.

    With that setup, early on a viewer might expect a good-guy-versus-evil-cattle-baron Western.

    But that is not what happens.

    While some of Bronson’s men are hotheads, Bronson is a practical man who initially tries to reason with Maddox. As the movie progresses, one begins to see that Maddox is relentless in his pursuit to follow the rule of law.  Thus, he begins to seem like a Western version of Inspector Javert from Victor Hugo’s Les Misérables.

    Even though Maddox realizes that the wanted men will most likely face a fine if brought to justice, various encounters lead to more and more bloodshed. Ryan’s marshall and Maddox’s former lover (Sheree North) question what is happening in the town. As the film moves to a chilling climax, the viewer begins to question what is right and what is wrong. But I will not reveal any more about the plot.

    The wonderful screenplay is by Gerald Wilson, and Winner does an excellent job with the direction. Winner, who would revisit themes around violence three years later in Death Wish (1974), here highlights both the beauty and loneliness of the desert landscape (filmed in Durango, Mexico), doing the same with Lancaster’s face. His Western attempts to give a realistic portrayal of violence and the difficulty of living in the West.

    Conclusion? If you are looking for a Western that features twists on classic stereotypes and you like movies that challenge conventions, you will probably enjoy Lawman. While Lawman may not be on the same level as some other classic challenging Westerns — such as McCabe & Mrs. Miller from the same year, it is still worth seeking out if you are in the mood for an unusual Western.

    Other Reviews Because Why Should You Trust Me? The somewhat unusual Lawman garnered mixed reviews at the time of its release, although I wonder if it is a movie better appreciated as time has passed. Rotten Tomatoes gives the film an 80% critics rating and a 61% audience rating. The lower audience rating might be because some viewers were disappointed that the movie did not follow the usual Western conventions and featured a somewhat unusual resolution. Roger Ebert gave the film only two stars, calling it “a Western with a lot of sides but no center.” The New York Times found the movie “unresolved in substance” but “long on sting.” One of the few reviews of the film on the Internet is one by Dennis Schwartz, who gives the movie a B- and calls it a “wannabe thoughtful Western.” Schwartz also calls Lawman and “unofficial remake” of 1955’s A Man With a Gun, and I see some similarities in plot to that also underrated Western, which stars Robert Mitchum. Meanwhile, Jeremy Poulos on Letterboxd found the film enjoyable and noted similarities to spaghetti Westerns.

    {Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}

    Thanks to Tony Fontane for telling me about Lawman on Twitter. Leave your two cents in the comments.

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    We’re All Slowly Dying in Front of Computers

    Passenger Scare Away the Dark

    Today’s song of the day is “Scare Away the Dark” by Passenger. It is one of those songs featuring advice on how to live your life, which either can be annoying or uplifting. In this case, I think it falls in the latter category.

    The song recounts how we waste our lives when we should be out dancing in the woods. The singer tells us to sing at the top of our voices and to love without fear, because, “If we all light up we can scare away the dark.” Below is the official video for “Scare Away the Dark.”

    Although Passenger started out as a real band, after the group dissolved, English singer-songwriter Michael David Rosenberg kept the group name as his stage name. So, Passenger is really Rosenberg. For another version of “Scare Away the Dark,” here is Rosenberg performing live at the Wonder Ballroom in Portland on July 14, 2014.

    “Scare Away the Dark” is from Passenger’s fifth album Whispers (2014). While “Hearts on Fire” was the lead single from the album, I have grown most fond of “Scare Away the Dark.” Rosenberg also played the song while busking in Kings Square in Fremantle, Australia in December 2013.

    Leave your two cents in the comments.

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    New Robert Earl Keen Track: “Wayfaring Stranger”

    Robert Earl Keen Happy Prisoner

    Robert Earl Keen‘s upcoming album Happy Prisoner: The Bluegrass Sessions (2015) heads into bluegrass territory on tracks like the classic nineteenth century ballad “Wayfaring Stranger.” As Rolling Stone reports, Keen grew up listening to bluegrass music and that music has continued as a “hidden influence” throughout his career. So, it is exciting to see him bringing this music to the forefront with the new album.

    The song “Wayfaring Stranger” has been recorded by many artists including Johnny Cash, Neil Young, Emmylou Harris, and Burl Ives, who used the song’s name for the title of his autobiography. On Keen’s new version of “Wayfaring Stranger,” Natalie Maines provides harmonies. Check it out.

    “Wayfaring Stranger” is not Natalie Maines’s only connection to Keen’s Happy Prisoner album. Her father Lloyd Maines produced the album. Happy Prisoner: The Bluegrass Sessions will be released on February 10, 2015.

    What is your favorite version of “Wayfaring Stranger”? Leave your two cents in the comments.

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    The 25 Best Films of 2010-2014

    Best Films of Decade
    Slate movie critic Kevin B. Lee recently conducted an informal poll of the best movies of the decade so far. More than 260 people responded with their top ten best films, and Lee compiled the results that was made into a video of the top 25 films from the time period. While the poll is not scientific, it gives a good idea of many of the recent films most likely to be remembered after the decade’s end.

    So, below is a video of the top 25 films from 2010-2014. Check it out. [Update: Unfortunately the video is no longer available.]

    The Best Films of Decade So Far (2010-2014) from Fandor Keyframe on Vimeo.

    There are some surprises. It was good to see Margaret (2011), a lesser known excellent movie, up at number 5. But there is plenty to argue about. For example, although I enjoyed The Master (2012), I would not put it anywhere near number 3. I understand why Tree of Life (2011) is number 1, but it was not the movie I enjoyed the most during this time period. If you prefer to read the list instead of watching the video, head over to Fandor.

    While some may argue that the decade should start with 2011, it makes a better list that it covers five years.

    What is your favorite movie the decade so far? Leave your two cents in the comments.

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