With Bob Dylan releasing his 35th album recently, we think of the man as a legend, perhaps walking among the gods of ancient Greece or Rome. So, today we look at two clips of Dylan among the classic structures of Rome and Greece.
Well, actually, the Roman architecture in the video below is just a copy because he is in Las Vegas. Check out Pawn Stars‘ Chumlee tracking down Dylan in Vegas for an autograph on one of his classic albums.
The following clip, though, is set in Athens, Greece. Plus, it includes music. Check out Dylan joining another legend, Van Morrison to play Morrison’s “Crazy Love” as they overlook Athens.
What do you think of Bob Dylan and Van Morrison together? Leave your two cents in the comments.
One of the first things I noticed in watching the newly released trailer for Steven Spielberg’s Lincoln is the voice Daniel Day-Lewis gives to the sixteenth president. As discussed in a previous post about The Gettysburg Address, actors often portray Abraham Lincoln with a booming deep voice, and we seem to imagine him that way because of his legendary status in American history. But contemporary reports of his voice discuss a higher-pitched nasally sound coming from The Great Emancipator.
As you can see from the trailer, Spielberg and Lewis are aiming for something close to reality, even in Lincoln’s voice.
The movie that examines the life of Lincoln in his final months before his assassination. I cannot wait to see this film, which is based in part on Doris Kearns Goodwin’s book Team of Rivals: The Political Genius of Abraham Lincoln. By contrast, Slate gives the trailer a B-.
What do you think of the trailer for Lincoln? Leave your two cents in the comments.
I have so many songs tucked away on my iPod, sometimes while I listen to the songs shuffle in the background as I do my work, I hear a song mixed among the old friends that I don’t remember or one I did not connect to earlier and I have a new discovery. Today, I found a song by an artist who chooses to no longer make music. Today’s new discovery is Sinéad Lohan’s “Whatever It Takes.”
The song came up on my iPod as part of a collection of acoustic songs from various artists. But here is the video for the original version, which is from Lohan’s No Mermaid (1998) album. I love the odd little dancing marionnette that you see around the 1:08 mark.
Lohan is from Cork, Ireland, and in the 1990s was a rising star on both sides of the ocean. After her 1995 debut album, Who Do You Think I Am?, did well in Ireland, she made her second album, No Mermaid — which contains “Whatever It Takes” — in New Orleans. The title track of No Mermaid was used in the film Message in A Bottle, and Joan Baez covered it. Another creative person put Lohan’s No Mermaid song to scenes from The Little Mermaid even though the song was not used in that film.
Lohan also created an excellent cover of Bob Dylan’s “To Ramona.”
Despite plans for a third album, after Lohan had her second child in 2001, she decided to devote herself full time to motherhood. Last reported, she was living with her husband John, an accountant, and their two children near Leap in County Cork. Around 2005, she made a guest appearance with Phil Coulter in the Opera House in Cork. But that’s it. She no longer even has a website devoted to her music.
Wikipedia reports that Lohan in 2004 began working on a new album, and another website claims that new album was completed in 2007. But such an album has yet to be released.
In 2011, her former manager Pat Egan explained to The Irish Timesthat while touring around 2000, Lohan “suddenly decided she didn’t want to do it any more. She never really liked the music business, and wasn’t that great doing interviews.”
Although it is a loss to the music world that Lohan no longer releases new music, we cannot complain that Lohan chose family over creating more music. We know from another Lohan and another Sinead how fame can un-ground a person.
Perhaps the reason the song “Whatever It Takes” resonates so much is its honesty. In the song, Lohan is perhaps telling us what type of life she would like. She sings that she will do what she needs to be fulfilled without worrying about legacy or fans.
Whatever it takes you to believe it, That’s all right with me; Take this morning in my kitchen, Or whatever that helps you to believe; You will find me down by the river, Getting high on my mortality; I’ll be holding hands with nameless beauty, Or whoever wants to stand next to me.
Whether or not the we ever get to hear new music from Lohan, I hope Sinéad Lohan is somewhere singing for her children, high on mortality holding hands with nameless beauty. Thanks for the music.
Johnny Cash, who passed away in September 2003, recorded a moving duet with his daughter Rosanne Cash on “September When It Comes.”
I plan to crawl outside these walls, Close my eyes and see. And fall into the heart and arms, Of those who wait for me.
The month makes me think of the lovely duet between Johnny Cash and his daughter Rosanne Cash on “September When It Comes.” The song appeared on Rosanne’s excellent album, Rules of Travel (2003), and she wrote it with her husband and producer John Leventhal. The song is a reflection on mortality, and it is given extra gravitas by the voice of the ailing Johnny, who passed away on September 12, 2003, just months after the CD was released.
A video of the song was shown at the Johnny Cash Memorial Tribute concert held in November 2003 at Nashville’s Ryman Auditorium. Rosanne Cash’s website explains that many of the photos in the montage came from the family’s private photo collection and had never been seen by the public before this tribute.
The tribute concert is no longer on YouTube, but the following seems to be the same video used at the tribute concert. This official video from Rosanne Cash features amazing family photos.
I particularly love the song’s beautiful lines about aging and remembering one’s youth and recognizing that maybe it was not quite as one remembers it.
I cannot move a mountain now; I can no longer run. I cannot be who I was then: In a way, I never was.
I often do not remember the dates that people died for various reasons. But because of Johnny Cash’s duet on “September When It Comes,” I cannot help remembering that he passed away during the month of September. Of course, September will always be a month that our generation of Americans associate with mortality because of the terrorist attacks that occurred in 2001. So, in honor of Johnny and others who passed away in Septembers past, lets resolve to enjoy these September days because you never know how many more will come.
What is your favorite photo in the montage of the “September When It Comes” tribute? Leave your two cents in the comments.
Video makers at Found Item Clothing have created a tribute video to the role of sunglasses in movies. The video of Supercut: 65 Iconic Movie Sunglasses, 1962-2012 was conceived, researched, and curated by Travis Greenwood, while Brett Roberts edited and sequenced the clips.
The video includes segments from films like Cool Hand Luke, The Blues Brothers, Fight Club, and Ferris Bueller’s Day Off. Check it out.
The song with the video is “Shades,” a 1966 recording by the great Dean Martin. You may see the list of films in the video at the Found Item Clothing website.
What is your favorite use of sunglasses in film? Leave your two cents in the comments.
