Missed Movies: Another Earth

Another Earth Another Earth (2011) is one of those movies like The Man from Earth (2007) that uses science fiction elements with little or no special effects to reveal some understanding of human existence. While Another Earth, now available on Blu-ray/DVD, will be seen by many fewer people than Transformers 3, it is the former movie that is more likely to linger in your memory.

The film, directed by Mike Cahill, follows Rhoda Williams (played by Brit Marling, who also co-wrote the story), who causes a car accident with a family out for a drive. The accident kills the mother and child, but the father (played by William Mapother) survives. Around the same time as the car accident, scientists discover “another earth,” a planet that looks like earth that can support life and that is approaching our own earth. The film follows Rhoda’s grief at the harm she caused and her later encounters with the surviving father, while at the same time, more is revealed about the other earth, including the fact that it may contain another version of everyone on earth too. The film focuses on Rhoda, so that stories about the other earth come over television or the radio at various times in the background, but the two stories also intersect at several points, including when Rhoda enters a contest to be the first to go to the other planet. Through these stories and the possibility of meeting our doppelgangers, the movie raises questions about how our lives are created out of lost chances and choices made.

The film divided critics and viewers, with some loving it and some hating it. On Rotten Tomatoes, the film has a 64% critics rating and a 69% audience rating. I can see why some would not like it, as the movie deals with depressing themes, and the movie moves a little slower than one would expect going to see a film with science fiction elements. Still, without spoiling anything, there are striking moments. And if you go into the relatively short 1-hour-and-32-minute movie with modest expectations like I did, you probably will be pleasantly surprised that the thoughtful meditation on life stays with you. An early scene in the movie shows The Foundation Trilogy books by Isaac Asimov, one of my favorite science fiction series of books that like Another Earth, makes one think about possibilities.

Conclusion? Another Earth has little action and is far from perfect, but if you are in the mood for a subtle contemplative film about grief and loss and possible second chances, with just a touch of science fiction, you might enjoy Another Earth.

{Missed Movies is our continuing series on good films you might have missed because they did not receive the recognition they deserved when released.}


Other Reviews Because Why Should You Believe Me?
: Roger Ebert liked the movie and gave it 3 1/2 stars. TribecaFilm.Com interviewed the director and praised the ending without spoiling it. Some critics, like Colin Covert at the Minneapolis Star Tribune, criticized the movie’s lack of science and plausibility. If you have seen the film and are looking for an explanation about some aspects of the movie, check out this discussion with the movie’s director and star on 109.com. Meanwhile, in science news, The Economist speculates whether there is a real another earth.

Bonus Movie Music Links: If you enjoyed the music played on the musical saw in the film, it is entitled “Another Earth” and was written by Scott Munson and recorded by Natalia Paruz. Check out Paruz playing the Star Trek theme on the musical saw too.

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    Valentine’s Day: Steve Earle and the Fairfield Four

    There are many great love songs. But I am not sure there is a better one specifically about Valentine’s Day than Steve Earle’s song, “Valentine’s Day” from his 1996 album, I Feel Alright.

    In this live version of the song below, Earle has The Fairfield Four providing backing vocals. And I’m not sure anyone has ever made a better video of a song.

    The beauty of the song is how it turns the cliches around, reminding us that the things we associate with Valentine’s Day are things that really do not have much to do with love. The singer tells how he forgot about the holiday so does not have a card, flowers, diamonds or gold to give.

    Finally, the singer offers an IOU and to make it all up to the person, concluding, “Until then I hope my heart will do.”

    Happy Valentine’s Day.

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    Paul McCartney Carries that Weight at 2012 Grammys

    Paul McCartney and Dave Grohl Grammys

    One of the highlights of this year’s Grammy Awards was Paul McCartney closing the show by singing the Beatles’ classic “Golden Slumbers”/”Carry That Weight”/”The End” set from Abbey Road (1969). Sir Paul also had some help on vocals and guitar from some other great artists, including Joe Walsh, Bruce Springsteen, and Grammy-winning Foo Fighter Dave Grohl.

    The guitar work at the end is a treat, but the best part is the final strains of the lyrics where Grohl is standing behind McCartney singing. Grohl has no microphone, but with a smile on his face he sings anyway for the joy of it, the way many of us have done in our bedrooms as kids listening to the album. But Grohl gets to do it onstage with a look on his face that shows he is thinking, “I can’t believe I’m playing with Paul McCartney!” On a night tinged with sad tributes to Whitney Houston and Glen Campbell (who gave his final Grammy performance on stage as he succombs to Alzheimer’s disease), that image of Grohl captures perfectly the point that host LL Cool J made at the opening of the show: It’s all about the music.

    “And in the end, the love you take is equal to the love you make.”

    [February 2013 Update: The entire performance is no longer available, but in the short clip below you may see Grohl singing behind McCartney.]


    What did you think of last night’s Grammy Awards show and this closing set? Leave your two cents in the comments.

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    “Get in the Cage” with the Real Nicolas Cage

    Get in the Cage with Nicolas Cage

    For our funny video of the week, check out the highlight from this week’s Saturday Night Live where the real Nicolas Cage appeared with Andy Samberg’s version of the actor. In several past episodes, Samberg has appeared on his “Get in the Cage” segment during Weekend Update with other actors as a running joke about Cage’s acting style, poor choice of movies, and legendary craziness.

    Sure, Cage is promoting Ghost Rider: Spirit of Vengeance (2012), where like all classic Nicolas Cage action movies: (1) “all the dialogue is either whispered or screamed;” and (2) “everything in the movie is on fire.” But he was a good sport for going along with the funny segment, which was one of the best parts of Saturday Night Live this week.



    Does Cage seem a little subdued about the bit? What is your favorite Nicolas Cage film? Leave your two cents in the comments.

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    Lincoln & Liberty Too!

    Abraham Lincoln Music Today we look back at a campaign song that used new lyrics set to an old tune to support Abraham Lincoln’s run for president in 1860. Jesse Hutchinson Jr., part of a group of family singers, wrote the lyrics to the 1860 campaign song “Lincoln and Liberty.” I like the lines reminding the listeners that the candidate from Illinois also grew up in Kentucky and Indiana: “We’ll go for the son of Kentucky,/ The hero of Hoosierdom through.” Hoosierdom?

    The music to “Lincoln and Liberty” comes from an old English drinking song going back at least to the 17th Century, “Rosin the Beau.” The tune had already been used in campaign songs for William Henry Harrison in 1840 and for Henry Clay in 1844. Before Lincoln’s campaign, the tune also had been used in an abolitionist song (“Come aid in the slave’s liberation / And roll on the Liberty Ball!”). So listeners’ familiarity with the tune might have helped the Lincoln version of the song become so popular.

    Here is a version of “Lincoln and Liberty” recorded more recently by Matthew Sabatella and the Rambling String Band (with free download) from Ballad of America Volume 3: Songs in the Life of Abraham Lincoln (2009):

    In this video, singer Ronnie Gilbert explains some of the background of the song, “Lincoln and Liberty” before singing the tune:

    On November 6, 1860, Lincoln won 40 percent of the popular vote, which was enough to easily beat the three other candidates, John C. Breckinridge (Southern Democrat), John Bell (Constitutional Union), and Stephen Douglas (Northern Democrat). The election was not the end for the music to “Lincoln and Liberty.” The tune continued to be used after Lincoln’s presidency, including a song for Ulysses S. Grant’s reelection in 1872.

    I doubt we will hear the tune during elections in the near future, but you never know. The use of an old song might help avoid the problems of presidential candidates angering rock stars. Still, I suspect that most of today’s musicians would be proud to have their music used to celebrate the former president born in February 1809.

    Bonus Lincoln Information: Check out this post for a discussion of Lincoln’s birth. There are a couple of Lincoln films in the works too, including one with Daniel Day Lewis and one featuring Lincoln and vampires.

    What do you think of “Lincoln and Liberty”? Leave your two cents in the comments.

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