Ryan Adams has released the first video for his upcoming album Ashes and Fire (Oct. 11) with the song, “Invisible Riverside.” On the CD he plays the song with a band, but you might also run across a raw version with just an acoustic guitar.
The song is a plea to a lover not to leave:
So don’t let go, don’t change your mind; If the stars fall into the oceanside, Someone pull the ribbons from my eyes, Free my soul, Let it roll away On an invisible riverside.
A previous post featured “Lucky Now” from the upcoming album. I liked that song too, so I am looking forward to the new album.
One sign that summer has ended is when we start seeing more movies that carry a little weight and stay with you. Moneyball (2011) has more drama and excitement than most of the action and superhero movies of the summer.
Moneyball, directed by Bennett Miller and based on Michael Lewis’s best-selling book Moneyball: The Art of Winning an Unfair Game, is the “true story” about how Billy Beane, the general manager of the Oakland Athletics used a new way of looking at baseball players to rebuild the team after it lost several superstars after the 2001 season. The method used by the Athletics used statistics to analyze the value of players in a way that ran contrary to the intuition used by baseball scouts. The movie screenplay by Steven Zaillian and Aaron Sorkin takes some liberties with the facts, but it does a good job capturing a little-seen part of the National Pastime and reveals a major problem with the inequality of resources among Major League Baseball teams.
Brad Pitt is excellent as Beane, and Jonah Hill plays Peter Brand, Beane’s sidekick in the film. The supporting roles, including one by Philip Seymour Hoffman as manager Art Howe, are all excellent too. For example, there is an excellent scene where Beane visits his ex-wife, played by Robin Wright, that shows a realistic uncomfortable situation that also reveals much about the personality and history of the characters. Throughout the film, Pitt makes us root for his character even as we see his unflattering personality traits.
Moneyball is a unique sports movie because it focuses on the behind-the-scenes maneuvering to put a team on the field more than the team on the field. So you should not go to the film expecting to see exciting baseball, although there are moments showing the games, often with real footage. The baseball game that is probably the highlight of the on-the-field game occurs well before the end of the season and the end of the movie. But as we follow the entire baseball season we care about it because we care about Beane. The movie also acknowledges the history of baseball by occasionally showing clips of the game from the past, much in the way that Oliver Stone’s Any Given Sunday (1999) occasionally inserted old football footage, connecting the past to the present.
Conclusion? Although you may need to be a baseball fan to love Moneyball, the film tells an intriguing story and is one of the best films of the year so far. On the Rotten Tomatoes website, the film currently has a 94% rating from critics and a 91% rating from audience members.
Bonus Song Information: If you are wondering about the song that Beane’s daughter sings, it is “The Show” by Australian singer-songwriter Lenka, off her self-titled CD from 2008 (yes, that is after the time period portrayed in the movie).
What did you think of Moneyball? Leave your two cents in the comments.
Steve Jobs passed away this evening. In 1976, after selling his Volkswagen Van to raise money, he began a new venture making computers in his parents’ garage with Steve Wozniak. Below is the famous commercial from the 1984 Super Bowl that introduced the Apple Macintosh personal computer.
From computers to iPods to iPhones to iPads, his work, leadership, and innovation contributed to the way we live today. Rest in peace.
Yesterday on Fox News, Hank Williams Jr. got in some trouble for apparently comparing Pres. Barack Obama to Hitler, resulting in ESPN pulling his opening montage for Monday Night Football (“Are You Ready for Some Football!?”). To be fair, he actually said that Pres. Obama and House Speaker John Boehner getting together would be “like Hitler playing golf with Netanyahu.” So even though he showed great disdain for the president in the rest of the conversation, his controversial comment was more about the divide between the Democrats and Republicans. Still, he should have known that comparisons to Hitler are likely to cause problems. I cannot wait to see the “Downfall” video someone makes from this event.
Williams’s comment that provoked the most humor, though, is when he called the president and the vice-president “The Three Stooges.” So, to help Mr. Williams out with his math, today we present “3 is a Magic Number” from Schoolhouse Rock:
Schoolhouse Rock was a series of short animated musical segments that gave me a short burst of education on Saturday mornings when I was a kid. The series originally ran from 1973-1985, but the series was revived in the 1990s. The ABC series covered a range of categories, including Grammar Rock, Multiplication Rock, History Rock, and Science Rock. Several specific videos are forever etched in my memory, including “Conjunction Junction” and “How a Bill Becomes a Law.” But perhaps the one song that has had a significant life of its own among rock artists is “3 is a Magic Number.”
Several of the songs have been recorded by rock artists, including on this compilation CD. But “3 is a Magic Number” seems to be the one that works best outside the Schoolhouse Rock cartoons, perhaps because it is a great song and it works as an independent song about family and love. On the other hand, “Conjunction Junction” cannot be about anything besides conjunctions. “3 is a Magic Number” has been performed by Jeff Buckley, Blind Melon, the Jonas Brothers, Alvin & the Chipmunks, Jack Johnson, and De La Soul.
Now if we could just add Hank Williams Jr. to the list. “Are you ready for some math?”
What is your favorite Schoolhouse Rock song? Who would you like to hear sing it?
[Oct. 6, 2011 Update: Today ESPN announced that Hank Williams Jr. will no longer appear on Monday Night Football. Williams claims that he was the one who decided to part ways.]
Near the end of Thomas Wolfe‘s short story “One of the Girls in Our Party,” Wolfe writes of summer’s end, “flaming maples,” and “frosty stars” — “and of words unspoken and the quiet heart, and nights of the old October that must come again, must come again, while we are waiting, waiting, waiting in the darkness for all our friends and brothers who will not return.”
Even out of the context of the story, which like much of Wolfe’s writing tends more toward poetry than narrative, the repeating lines about how October “must come again” reminds us that winter is approaching and there is nothing we can do to slow down time.
“3rd of October”
By contrast, Matthew Ryan‘s song about today, “3rd of October” off of East Autumn Grin (2000), does not mention October outside the title. But it still evokes an October emptiness as in Wolfe’s words.
I have previously written about how much I like Matthew Ryan’s music. I particularly love his louder songs off of albums like his debut album May Day (1997), the follow-up East Autumn Grin, and his recent album Boxers.
There is no clue in “3rd of October” about the link between the lyrics and the title date. The song is about a troubled relationship or the end of a relationship as the singer wails, “I don’t want to lose you.” But he also notes, “I don’t want to be pummelled by the truth / I can’t hold you now.”
Maybe the song is about one of Ryan’s relationships that ended on October 3, or maybe the date reflects the autumn of a relationship heading for winter. Either way, it remains one of my favorite songs, for the power of both its music and its lyrics.
Disintegration, I don’t understand; Disintegration of the morals, Disintegration of the heart, Disintegration of common sense; Now I’m broken, But ain’t everyone broken?
Like Wolfe’s use of repetition about October coming again, Ryan similarly repeats lines in his song. But while the aching in Wolfe’s words is of a quiet heart, Matthew Ryan’s pain in “3rd of October” roars.
Matthew Ryan’s Explanation
Several years after this post was originally published, Matthew Ryan posted a link to this article on his Facebook page. We were honored he had read this post. But we were even more excited that he was still writing something beautiful about the wonderful album.
In his post, which you should read in its entirety, Ryan explains the important issues he was tackling on the album: “It struck me that in the things that we see between nations and races and classes, we can also see within the intimacies of ourselves in love and hate.” The album is about the challenge to love “despite the darker parts.”
As for the date in “3d of October,” Ryan explains, “I’m not even sure what the date was that brought the revelations that brought that song was, but it felt like The 3rd of October.”
Additionally, he confirms that the date is key as being a transition between summer and autumn: “The beginning of the end leads to Spring. Know what I’m saying? That’s why I love autumn. Because it dares you not to. And it’s so vivid in its march towards winter.”
I especially like his comment about the dare. It reminds me that as bad days or anniversaries of sad dates roll around, we must still choose to accept the dare to continue to live and love life.
For whatever reason Ryan’s song is titled after the start of October, this month is the perfect time to listen to this excellent song (and curl up with a good book by Thomas Wolfe). May you have a good October 3rd, and may you accept the dare to love autumn in the face of the oncoming winter.
Leave your two cents in the comments. (This post was updated in September 2016.)
, is the “true story” about how Billy Beane, the general manager of the Oakland Athletics used a new way of looking at baseball players to rebuild the team after it lost several superstars after the 2001 season. The method used by the Athletics used statistics to analyze the value of players in a way that ran contrary to the intuition used by baseball scouts. The movie screenplay by Steven Zaillian and Aaron Sorkin takes some 
(yes, that is after the time period portrayed in the movie).
. But “3 is a Magic Number” seems to be the one that works best outside the Schoolhouse Rock cartoons, perhaps because it is a great song and it works as an independent song about family and love. On the other hand, “Conjunction Junction” cannot be about anything besides 